Barbra Streisand's star-studded new duets album to feature some of pop's biggest names
The 11-track collection features collaborations with musical icons including Paul McCartney, Bob Dylan, James Taylor, Sting, Seal, Tim McGraw, Mariah Carey, and Ariana Grande, among others.
Leading the album is a rendition of "The First Time Ever I Saw Your Face" with Hozier.
The song, originally penned by Ewan MacColl for Peggy Seeger, gained widespread recognition through Roberta Flack's version (famously featured in Clint Eastwood's Play Misty for Me).
'I've always loved singing duets with gifted artists. They inspire me in unique and different ways … and make our time in the studio a joy," Streisand said in a statement.
"I admire all of them … and I hope that you'll enjoy listening to our collaborations as much as I enjoyed recording with all of my wonderful partners.'
The Secret of Life: Partners, Volume Two comprises both covers and original tracks.
It will be released on June 25.
The album is a sequel to Streisand's 34th studio album Partners, which was released in 2014.
That record features duets with Billy Joel, Stevie Wonder, Andrea Bocelli, John Mayer, and John Legend, among others.
It also features a version of 'Love Me Tender', sung alongside a vocal sample of a 1956 Elvis recording.
1. 'The First Time Ever I Saw Your Face' with Hozier
2. 'My Valentine' with Paul McCartney
3. 'To Lose You Again' with Sam Smith
4. 'The Very Thought of You' with Bob Dylan
5. 'Letter to my 13-year-old Self' with Laufey
6. 'One Heart, One Voice' with Mariah Carey and Ariana Grande
7. 'I Love Us' with Tim McGraw
8. 'Secret O' Life' with James Taylor
9. 'Fragile' with Sting
10. 'Where Do I Go From You?' with Josh Groban
11. 'Love Will Survive' with Seal
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
Need a camera to play Super Mario Jamboree? These are the Switch 2 cameras I'd grab right now
When you buy through links on our articles, Future and its syndication partners may earn a commission. The Nintendo Switch 2 edition of Super Mario Jamboree dropped last month, bringing with it a smorgasbord of brand-new features. There's new mini-games that utilize the Joy-Con 2 controllers' mouse controls, more rule sets, GameShare support, and most importantly, the game now makes the most of the new gaming handheld and its camera capabilities. If you have one of the best Switch 2 cameras at the ready, you can let your friends see your cheeky face as you steal stars, or as you shed a tear or two when the RNG doesn't quite go your way. Better yet, there's a new Bowser Live mode, which is entirely built around camera support with Sony Eye Toy-like gameplay for up to 4 players, which is entirely dependent on owning a camera. If you don't have one, don't fret. There's a whole bunch of compatible webcams out there for you to try out - so long as it uses a USB-C cable, you should be good to go. But for those of you who'd prefer the reassurance of an official first-party version, whether it's for some reassurance or you need the cute Hori Piranha Plant camera in your life, I've picked out all the official ones out there down below. The official Nintendo Switch 2 Camera isn't much to look at, but it will make your face look crystal clear with its 1080p resolution and it's handheld-mod ready too, so long as you have a spare surface for it to sit Hori USB Camera is compact in size and more ideal for those with limited space for their Switch 2 accessories, and you can even plug it directly into the top USB-C port of the Ninty handheld for some portable Super Mario Party Jamboree Hori Piranha Plant Camera is one of the most iconic official Switch 2 accessories so far, and transforms the iconic baddie into an adorable 480p camera, which can be used with the dock or on the buy a Switch 2 camera for Super Mario Jamboree? The brand-new Switch 2 edition of Super Mario Jamboree launched on July 24, and like the rest of the existing Switch 2 games lineup, it makes the most of the camera compatibility to introduce new game modes to spice things up a bit. Naturally, that means if you want to take advantage of everything the new version has to offer, you'll need either an official Switch 2 camera or a compatible webcam. Without them, you can still destroy friendships and play through the seven existing boards and game modes, but the brand-new Bowser Live segment relies entirely on the existence of a camera in order to place you, and three of your best pals, into the game. Nintendo Switch 2 Camera Resolution: 1080pConnectivity: USB-CHandheld mode compatible? Yes Great for: ✅ Super Mario Jamboree✅ Those with the space for its stand✅ Switch 2 GameChat Avoid if: ❌ You hate the boring design❌ You play mostly in handheld mode Compatible with: Game Chat, Mario Kart World, Super Mario Party Jamboree – Nintendo Switch 2 Edition + Jamboree TV View Deal The official Nintendo Switch 2 camera isn't that exciting to look at, but what it lacks in looks, it makes up for in specs - especially compared to the rest of the official Switch 2 camera lineup. The camera, which is still available for $54 at Amazon has a resolution of 1080p, which is pretty much what you'd want from any webcam, never mind one intended specifically for your new Ninty console. Even with a 1080p resolution, you'll still want to ensure your Switch 2 environment is as well-lit as possible, as this will go a long way in ensuring you and your friends appear nice and clear in Super Mario Jamboree - trust me, catching a glimpse of your friends' star envy in real-time and in his-res is worth it. It might not look it, but the official Switch 2 camera can also be used in handheld mode, so you can curl up on the sofa with Jamboree while re-watching the Super Mario Bros Movie on your TV. It still requires a flat surface to rest on, so it's not the most portable friendly camera of this bunch, so make sure you have a flat surface going spare first. Hori USB Camera for Nintendo Switch 2 Resolution: 480pConnectivity: USB-CHandheld mode compatible? Yes Great for: ✅ Super Mario Jamboree✅ Conserving Switch 2 gaming space✅ Handheld mode fans Avoid if: ❌ You don't want a 480p camera❌ You'd prefer a Switch 2 camera with a cute aesthetic Compatible with: Game Chat, Mario Kart World, Super Mario Party Jamboree – Nintendo Switch 2 Edition + Jamboree TV View Deal The Hori USB Camera for Nintendo Switch 2 isn't the best quality camera out of the bunch, as it only has a 480p resolution. That being said, if you're someone who wants to curl up on the sofa and play Super Mario Jamboree in handheld mode without giving up your camera capabilities, this is the camera for you. Hori's camera can attach directly to the top USB-C port of your Switch 2 and go with you wherever you please. This is less helpful for playing Bowser Live, and more helpful for GameChat, as your video chats with your friends don't have to end just because you want to pop a TV show on in the background and roam about your Hori camera also comes with a built-in sliding lens for privacy, and it has an adjustable neck so you can get the best viewing angle to show off your pretty face while playing Super Mario Party Jamboree, or even Mario Kart World, for that matter. HORI Piranha Plant Camera for Nintendo Switch 2 Resolution: 480pConnectivity: USB-CHandheld mode compatible? Yes Great for: ✅ Super Mario Jamboree✅ Die-hard Super Mario fans✅ Privacy-conscious players ✅ Those who need their Switch 2 setup as cute as possible Avoid if: ❌ Having a 1080p camera is a must❌ You're more of a Goomba fan Compatible with: Game Chat, Mario Kart World, Super Mario Party Jamboree – Nintendo Switch 2 Edition + Jamboree TV View Deal If you want a camera that evokes the same childlike wonder as playing through your favorite Nintendo games, the Hori Piranha Plant Switch 2 is the one for you. Out of every single officially licenced Switch 2 accessory so far, it's undoubtedly the most adorable as it takes the iconic and ferocious Mario baddie and transforms it into a practical bit of gaming tech. This camera won't chuck fireballs your way, but its mouth can be closed to act as a privacy slider, it has an adjustable stem, and it can be hooked up to your Switch 2 via your Switch 2 dock, or the USB-C port on your handheld itself. To do this, all you have to do is dislodge the Piranha Plant from its Mario pipe base and pop it into the USB-C port on the top of your handheld, and viola - all the fun Super Mario Jamboree times can be had. Just like the HORI USB camera, you've only got a 480p resolution at play here, which is a bit of a bummer. Again, the best way to circumnavigate any blurry imagery on-screen is to ensure your room is as well-lit as humanely possible. Whether you care more about your Switch 2 camera aesthetics than the picture quality is up to you, but 480p is still plenty to get the most out of Super Mario Jamboree. Check out our where to buy a Nintendo Switch 2 hub if you still have yet to grab one of the best gaming handhelds for yourself. Our best Nintendo Switch accessories guide is also full to the brim with Switch-2 compatible goodies to make your new Ninty setup complete.
Yahoo
20 hours ago
- Yahoo
Bob Dylan, Willie Nelson, Wilco, Lucinda Williams Storm Jones Beach at Outlaw Festival
The Outlaw Music Festival began nine years back as a single event in Scranton, Pennsylvania, featuring Willie Nelson, Neil Young, Sheryl Crow, Chris Robinson, and Lee Ann Womack. It's slowly morphed into a traveling fest that brings Nelson and a rotating cast of top-grade support acts to amphitheaters across America every summer, and they leveled up significantly last year by placing Bob Dylan in the penultimate slot every night of the run. They repeated the successful Bob/Willie formula this summer for an extensive, 36-show trek, and sprinkled on acts like Wilco, Sheryl Crow, Billy Strings, Waxahatchee, Lucinda Williams, Nathaniel Rateliff & The Night Sweats, and Bruce Hornsby & The Night Sweats at various stops along the way. Some nights have slightly stronger bills than others, but it's undoubtedly the most exciting/eclectic multi-artist show of the summer amphitheater season by a wide margin. More from Rolling Stone Is Bob Dylan's 'Subterranean Homesick Blues' Video the Most Copied of All Time? Lucinda Williams Is Opening a New York City Honky-Tonk Complete Unseen: New Doc on History of Newport Folk Festival Announced That was very clear August 1 when Lucinda Williams, and Wilco played truncated sets at Long Island's Jones Beach Amphitheater before handing the evening over to Dylan and Nelson. These are four totally unique acts with fairly different approaches to live performances, and their own massive followings, but they all have a deep love and respect for American roots music that permeated through the entire night. Due to tremendous good fortune, it was an unseasonably cool night at Jones Beach following two weeks of scorching, record-high temperatures, and a massive thunderstorm the prior evening that generated flood warnings all across the region. This placed everyone in a cheerful mood as Lucinda Williams took the stage in the very late afternoon. (Unfortunately, I arrived too late to see opening act Waylon Payne, but I caught him later when he played with Willie Nelson. Jones Beach is a beautiful amphitheater directly on the water, but the mass transit options from New York City are less than ideal.) Williams no longer plays guitar due to a stroke she suffered in 2020, but she made the excellent decision to bring former Black Crowes guitarist Marc Ford into her band to compensate, and her singing voice retains much of its power. The set began with back-to-back songs from her 2023 LP Stories from a Rock n Roll Heart, 'Let's Get the Band Back Together' and 'Stolen Moments,' before dipping back to Car Wheels on a Gravel Road for 'Drunken Angel.' Midway through her set, Williams broke out Memphis Minnie's 'You Can't Rule Me,' dedicating it to the 'so-called king of the United States.' She didn't speak Donald Trump's name once, but it wasn't necessary. Prior to that, she unveiled her excellent new ballad 'Lowlife' ('Play Slim Harpo on the jukebox/Let me go with no shoes or socks') that will hopefully appear on the next LP. She closed out the set with the Beatles' 'While My Guitar Gently Weeps,' giving Ford and guitarist Doug Pettibone the chance to show off their chops, 'Joy,' 'Righteously,' and a fierce take on Neil Young's 'Rockin' In The Free World' that brought the capacity crowd to their feet. A decent percent of the Outlaw crowd is on the elderly side, and it's unclear how many of them were familiar with Wilco when they took the stage, but it didn't take long for Jeff Tweedy and company to win them over with a set packed with staples like 'I Am Trying to Break Your Heart,' 'Jesus, Etc.,' 'Handshake Drugs' and 'Walken.' None of these songs are 'hits' in the traditional sense since Wilco never had anything resembling a Top 40 song, but they've been perfected across hundreds and hundreds of concerts by one of the greatest live bands of the past quarter century. Nels Cline delivered an epic, mind-bending guitar solo on 'Impossible Germany,' proving once again that he's one of the single greatest guitarists of his generation. And Willie Nelson's harmonica player Mickey Raphael came out to join them on 'California Stars,' wearing a Flaco Jimenez t-shirt to honor the legendary Tejano accordionist, who died this week. They closed out with a cover of the Grateful Dead's 'U.S. Blues' that caused the place to absolutely erupt with joy. (It's always a good time to cover the Dead, but this was also Jerry Garcia's birthday, and the first day of the Dead's 60th anniversary celebration at San Francisco's Golden Gate Park.) As the sun began to set, the crew removed Wilco's gear and set the stage for Bob Dylan and his band. On most Outlaw dates last year, Dylan compromised on his usual stance and allowed venues to display a single, distant shot of his set on the screens, giving people in the upper seats at least a vague sense of what was happening on stage. This year, the screens remained completely dark, meaning the vast majority of the audience saw nothing more than a distant, blurry figure in a white hat perched behind a piano. And if you were in the nosebleeds, it's unlikely the figure was anything more than a tiny dot. If nearly any other artist pulled this move at a large amphitheater, a rebellion would likely brew. (Back in 2012, Peter Gabriel kept the screens off for his first few songs at Jones Beach, and fans howled in frustration until they were illuminated.) But Bob Dylan fans are a different breed, and they simply leaned forward and focused on the music. Unlike his indoor theater shows of the past few years, which focus heavily on material from 2020's Rough and Rowdy Ways, this was Dylan's version of a crowd-pleasing set that drew from all eras of his career. That doesn't mean he played any actual hits besides a radically re-worked 'All Along The Watchtower' that stripped out every bit of Jimi Hendrix's influence, but it did mean we heard 'To Ramona,' 'Desolation Row,' 'Gotta Serve Somebody,' and 'Love Sick' from his back catalog. More importantly, he was once again in remarkably clear voice, even if he occasionally slurred lines in wordy tunes like 'Desolation Row.' Many people were forever turned off to Dylan shows after witnessing 'wolfman' era gigs about a decade back, but they need to give him another chance. Somehow or another, at age 84, his voice has been rejuvenated. It's a minor miracle. If you're only seen Dylan at a theater these past few years, the atmosphere of the Outlaw Festival will be quite jarring. At the theaters, phones are taken away, the houses are completely dark and silent, and ushers roam the aisles with flashlights to pounce on anyone violating the rules. At the Outlaw shows, people are eating chicken fingers, spilling ketchup on themselves, chugging beers, loudly talking with their friends, scrolling through their phones, and taking selfies with Bob in the background. It's the opposite vibe in nearly every imaginable way. As always, practically every song in Dylan's set was rearranged not just from its original version, but the live rendition we heard as recently as last summer. ''Til I Fell In Love With You' is now practically a spoken-word track with sparse instrumentation, 'Gotta Serve Somebody' has a rollicking groove, and 'Blind Willie McTell' has rarely sounded so loose and playful. There are some grumblings in the fan community that nearly 30% of the set is devoted to obscure covers like 'Charlie Rich's 'I'll Make It All Up To You,' Bobby 'Blue' Bland's 'Share Your Love With Me,' and George 'Wild Child' Butler's 'Axe and the Wind,' but Dylan delivers them with real passion and tenderness. And if they cause anyone to seek out the originals, he's done them a favor. The set wrapped with a revved-up 'Highway 61 Revisited,' Roy Acuff's World War II-era folk song 'Searching For a Soldier's Grave,' which Dylan regularly played live at the turn of the century and only recently resurrected, and 'Don't Think Twice, It's All Right.' Casual fans perked up at the latter one, and some surely recognized it from A Complete Unknown. He delivered it like a torch ballad, and it was easily the most moving moment of the evening. There's virtually no figure on the planet with the song catalog and the gravitas to follow that besides Willie Nelson. He missed several shows last summer due to health matters, and he looks every day of his 92 years, but every ounce of his essential Willie-ness remains. Smartly, he's stripped his band way down to the essential players, centering the focus on his voice and guitar. His lean band includes Waylon Payne, who doubles many of the vocals, and takes over on lead for a handful of songs, including 'Me and Bobby McGee,' 'Help Me Make It Through The Night,' ' and 'Workin Man Blues.' This gives Willie a chance to catch his breath, and prep for the next song. Willie standards like 'Angel Flying Too Close to the Ground' and 'You Were Always On My Mind' sounded absolutely majestic, and were reminders that this man wrote a decent chunk of the Great American Songbook. It's impossible to cram all into one set, so he combined 'Funny How Time Slips Away,' 'Crazy' and 'Night Life' into a medley. Wilco came back out near the end of the set for 'Will The Circle Be Unbroken?,' but there was no sign of Dylan. Oddly enough, despite their close friendship and long history of onstage collaborations, they haven't appeared together at a single Outlaw Festival. It's a tremendous missed opportunity because a duet on 'Poncho and Lefty,' 'You Win Again,' or 'Heartland' would set any venue ablaze. The tour continues Saturday night in Saratoga Springs, New York, and wraps up September 19 in East Troy, Wisconsin. Let's hope they're back next summer for another round. It's only been two years of Bob and Willie leading this tour as a combo act, but it already feels like a summer tradition. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword
Yahoo
20 hours ago
- Yahoo
Complete Unseen: New Doc on History of Newport Folk Festival Announced
For anyone who saw A Complete Unknown and wondered how close it resembled the actual Newport Folk Festival where Bob Dylan amped up his music, a new documentary will help answer that question. Among the many films just announced as part of the annual Venice Film Festival in September is Newport & the Great Folk Dream, which documents the legendary (and ongoing) festival in the pivotal folk-to-rock years between 1963 and 1966. The doc includes footage of Bob Dylan, Joan Baez, and the Paul Butterfield Blues Band — some of it from the same 1965 festival where part of A Complete Unknown was set — alongside previously unseen live clips of blues, gospel and folk legends, including Dave Van Ronk, Pete Seeger, John Lee Hooker, Judy Collins, the Staple Singers, Bill Monroe, and many others. More from Rolling Stone Margo Price Pays Homage to Bob Dylan in 'Don't Wake Me Up' Video Willie Nelson's Outlaw Music Festival Tour Hits Pause After Extreme Weather Damages Gear How Many Bob Dylan, Leonard Cohen Lyrics Can You Identify in This New York Writer's New Song? According to director (and writer and historian) Robert Gordon, Newport & the Great Folk Dream had already been completed before the release of A Complete Unknown, but he waited to gauge the reaction to that film first. 'I have to praise Timothée Chalamet and [director] James Mangold for expanding our audience tremendously,' Gordon tells Rolling Stone with a chuckle. 'A year ago, my friends' kids weren't really interested in Newport, and now they know all about it.' All the footage in Newport & the Great Folk Dream comes from the archives of the late documentarian Murray Lerner, who shot Newport for years. (His footage of the 1970 Isle of Wight festival has resulted in separate docs on performances there by Leonard Cohen, the Who, Jimi Hendrix, and others.) In 1967, Lerner released Festival!, a compilation of his footage from Newport between 1963 and 1966. According to Newport producer Joe Lauro, Lerner had planned to make an expanded Newport movie himself but died in 2017, by which time he'd sold his archive to Lauro's Historic Films company. Newport & the Great Folk Dream repeats only a few clips from Festival! Most of it consists of newly unearthed and restored footage, including Hooker romping through 'Boom Boom'; Joan Baez and Mary Travers of Peter, Paul and Mary singing the traditional 'Lonesome Valley'; Van Ronk doing the Reverend Gary Davis' 'Cocaine' (familiar to those who know Jackson Browne's Running on Empty); and the Staple Singers rocking out gospel with 'I Wish I Had Answered.' 'Festival! was about 95 minutes, and Murray shot about 100 hours, so an extraordinary amount of musicians and music were filmed,' says Lauro. 'It's the greatest archive of Americana music that's existed.' Although it wasn't entirely set at Newport, A Complete Unknown recreated some of its major moments during the years Dylan first played there. Newport & the Great Folk Dream allows us to see real-life- counterpart clips of Dylan and his band warming up for his going-electric moment, a different cut of his 'Maggie's Farm' that night, and performances by a gaunt-indeed Johnny Cash ('Big River') and Baez (Dylan's 'Don't Think Twice, It's All Right') from the same festivals in A Complete Unknown. One of the Mangold film's antagonists, folklorist and Newport overseer Alan Lomax, is seen and heard debating the idea of purity vs. commercialism in folk music. 'A Complete Unknown was great, but it was a Hollywood movie,' says Lauro. 'They had the fight with Lomax and [Dylan and Butterfield manager] Albert Grossman happening during 'Maggie's Farm.' It happened during Butterfield's set, so we set the story straight.' To further tie in A Complete Unknown with his doc, Gordon moved a clip of Cash to the beginning of the film. 'It worked out great, and it's a way to connect the two films,' he says. 'There's the thrill of seeing the Hollywood film come to life in a different way. There are a lot of the same tensions.' The Newport Folk Festival first launched in 1959 and soon became a destination for anyone wanting a full immersion into folk, country, bluegrass, gospel, and other vernacular genres, although rock and singer-songwriter music also crept in. This year's gathering — taking place this weekend in Newport, Rhode Island as always — was curated by Nathaniel Rateliff and is a vivid demonstration of how much the festival's scope has expanded. Its three days are scheduled to include sets by Luke Combs, MJ Lenderman, Jack Antonoff & Bleachers, Jeff Tweedy, Lukas Nelson, the Yeah Yeah Yeahs, Margo Price, Bonny Light Horseman, and both Geese and Goose (the latter joined by Kenny Loggins, of all people). Future release plans for Newport & the Great Folk Dream have not yet been finalized, but Gordon feels it will have a place in today's fractured world. 'We talk about diverse groups of people, but what we see here is an extremely concerted effort to represent songs from all kinds of lifestyles, work and play,' he says. 'I know this sounds corny, but the story is about harmony.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword
