Wild One: Tambourine Jesus - All My Love
Rain, fake blood, more rain and a giant heart is all it takes to make a top notch music video, as proven in this week's Wild One from Naarm alt-rockers Tambourine Jesus, 'All My Love'.
Directed by Imogen (Imo) Walsh (who has never formally directed anything before, but has worked in production for a heap of Aussie legends including Jungle Giants, Genesis Owusu and King Giz), the clip for 'All My Love' depicts some debaucherous backyard surgery and the extraction of one MASSIVE fibreglass heart by a cleaver-wielding LJ Dacio, the renowned Melbourne punk singer from Little Ugly Girls. 'Anyone who knows Amyl and The Sniffers knows of LJ' says Imo. 'She was a tour de force of performance and encapsulated the character of the wild nurse operating a backyard organ transplant hospital perfectly because of her presence and feminine power. I've seen her perform and I was in love and terrified and so we couldn't have cast anyone else.' The clip was a labour of love between Imo and Tambourine Jesus bandmates Liam and James, who are all friends from their work together in TV and film. 'We had originally planned to do it in 2 days but decided to condense it into 1 day which made it a turbo jam packed day with 20 minutes per shot' Imo explains. 'James and Liam came up with the original story based on an old German fable and with my background in Production Design we came up with something very visually striking that we could shoot in and around Warrandyte. I've always done pretty maximalist work in TVC and Music Videos - so it was fun to do this with my close friends and some gore.' 'It pretty much rained the entire shoot day except for the end of the day when we had to do travel shots and our hero exterior wide' says Imo. 'I've never directed anything before except at Film school so it was fun to get back in the saddle, even at the end of the day when I had a giant huntsman crawl up my leg and Lachlain Wright our AC came to the rescue!'
The giant heart prop also holds its own story and significance for the team. 'James had never worked with fibreglass before and Liam is highly allergic to it so James had to sculpt a giant heart in his family's garage across 3 days whilst we got the news his dad had to have open heart surgery a week later.' says Imo.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
ABC News
an hour ago
- ABC News
Singing the Aphrodite myth, and a new take on golden age of Persian contemporary music
Growing up in Iran, Ashkan Shafiei would listen to 'forbidden music' on cassette tapes—songs recorded before the revolution, or by Iranian artists living overseas. Ashkan plays the rubab, a plucked-string instrument popular in Afghanistan, but rarely heard in Iran despite having an ancient history there. Now living in Australia, Ashkan's own music blends 'forbidden music' influences with traditional Persian music and his love of jazz and funk. His new EP Hunter was developed as part of the Artist Accelerator Program by Music in Exile — an initiative supporting artists from non-English language backgrounds to launch music careers in Australia. Is it Aphrodite's fault that the beauty industry has never been more powerful? That's the question that Aphrodite , a new work by American composer Nico Muhly and Australian playwright Laura Lethlean, asks in its world premiere by Sydney Chamber Opera. Starring Sydney Chamber Opera stalwart Jessica O'Donoghue, and Puerto Rican soprano Meechot Marrero in her Australian debut, it's an exploration of beauty and pleasure underscored by Omega Ensemble. Jess, Meechot and SCO Artistic Director Jack Symonds join Andy to give a sneak preview of the work. We say farewell to Terry Harper who is retiring after 49 years tuning the pianos in the ABC studios in Sydney. His work has been heard on thousands of recordings and live performances across Radio National, Jazz, Classic, local radio and more. We'll hear from Terry about the two essential skills that every piano tuner must have. Plus, a track to remember Sly Stone who died this week at 82. Aphrodite is presented by Sydney Chamber Opera at Carriageworks in Sydney 20 – 28 June Ashkan Shafiei is performing at the Stay Soft Studio Winter Solstice Night Market at Collingwood Yards in Melbourne on Saturday 21 June Music heard in the show: Title: Madhouche Artist: Ashkan Shafiei Composer: Ashkan Shafiei Album: Hunter (EP) Label: Impressed Recordings/Music in Exile Title: Extracts from Aphrodite Artist: Jessica O'Donoghue, Meechot Marrero (singers), Jack Symonds (piano) Composer: Nico Muhly, text Laura Lethlean Performed live in The Music Show studio Title: Dance to the Music Artist: Sly & the Family Stone Composer: Sylvester Stewart Album: Dance to the Music Label: Epic Records Title: Madhouche Artist: Ashkan Shafiei Composer: Ashkan Shafiei Album: Hunter (EP) Label: Impressed Recordings/Music in Exile Title: Camel on Mars Artist: Ashkan Shafiei Composer: Ashkan Shafiei Album: Hunter (EP) Label: Impressed Recordings/Music in Exile Title: Chi Begam Artist: Ashkan Shafiei Composer: Marzieh Album: Hunter (EP) Label: Impressed Recordings/Music in Exile The Music Show is made on Gadigal and Gundungurra Country
ABC News
2 hours ago
- ABC News
'Tough enough, brave enough': What it takes to be a cowboy in the NT's Top End
It's late afternoon at a dusty rodeo arena in rural Darwin, and a growing crowd is watching on as women compete in barrel racing, guiding horses around an obstacle course plotted by 44-gallon drums. A persistent dust cloud hovers at ground level, stirred up by the rhythmic canter of a new horse entering the arena every minute or so. For many spectators who have driven in from Darwin and nearby towns, the Noonamah Rodeo is an exaggerated spectacle of rural life. A road train cab perched above the arena spews flames at various intervals. There's a half-time freestyle motocross show, and the live country music playing will continue until the early hours of the morning. For urban visitors, it's a rare chance to pull on the RMs and a Ringers Western work shirt or to flaunt a slightly more polished cowboy-core 'fit inspired by celebrities like Orville Peck or Beyoncé. But for others, it is serious business. Backstage, dozens of young men in sturdy boots, well-worn jeans and wide-brimmed hats are standing, talking among themselves. It seems most of them know each other from the rodeo circuit, and they aren't afraid to call themselves "cowboys". One of them is UK-born Jack Milsom. Just a year ago, at 25, he left his small home town in the Adelaide Hills seeking a life on a remote Top End cattle station, with no idea what to expect. One year on, he's buckling up a pair of tasselled leather chaps in the shadow of this rodeo arena by a roadside pub. Jack says he's always been drawn to the idea of life on the land, and so one day, with "literally only directions, not knowing how the pay was or what I was doing" he got in the car and drove 3,200 kilometres north. "Looking at stations and what not, I thought 'that lifestyle is for me', and took the jump," he says, in his blended British-Australian accent. "I thought, bugger it, you only live once. "It's just so free. You get to work on the land every day, the boss is cruisy, you get to go back to the workshop at the end of every day. "Everyone has a beer, a yarn, and rinse, wash, repeat." For the men and women who work on remote Top End cattle stations — part of a community of workers often based hundreds of kilometres from each other — events like this one are important. As well as a rare chance to socialise, they are an opportunity to compete in that celebrated event of cowboy culture, the rodeo. Women typically compete in barrel racing, while the men ride bulls. When he's not riding unruly livestock for a crowd of thousands, Jack is driving heavy machinery at Old Mount Bundy Station, near Jabiru, where he lives and works. He is quick to clarify that station life is not easy, but affords an undeniable sense of freedom. "Don't get me wrong, the work's hard and you do long hours, but it's very rewarding work," he says. In a yard behind the arena — a quasi-locker room for competitors, bordered by nothing more than temporary cyclone fencing — a handful of other bull riders are preparing for a night of rural entertainment. The cowboys get changed in full view of thousands of spectators queuing up to enter the venue, pulling gear out of worn duffel bags that litter the ground. Splayed open in the dust, they contain a variety of cattlemen's accoutrements like brushes, bull-ropes, talcum powder and leather-related products. Straddling a saddle in the dirt as he adjusts his stirrups, Jack says that before each rodeo, he applies rosin to the inside of his chaps, in the hopes he'll stick to his saddle as he's being thrown around. Nearby, other competitors are tying and tightening various intricate knots in the bull-ropes which will bind them to the huge animals they'll be riding in just minutes. It's a struggle to spot anyone not wearing a wide-brimmed hat of one variety or another. Not many look like the felt type you might associate with The Man from Snowy River. Instead, most Top End cowboys and cowgirls prefer hats made of thatched straw. "Wide-brimmed hats, they go back a long way for cattlemen. It's what drovers wore," Jack explains. "You see cattlemen with bigger brims and felt hats, that's actually a tool when you're out working with cattle on horseback. "You use the top of your hat. You flip it upside-down and give your horse a drink, and also it keeps you safe from the sun." As well as a good hat, Jack says durable denim is essential for a cowboy, because when "you're playing with cattle in the yard, you get hooked, they [your jeans] get ripped". And while a big belt buckle might seem like a cowboy staple, it's not something just anyone can wear. "You do see a lot of people trying to act like they've got a buckle and stuff but, see, some of the cowboys around here, they've actually earned it, they've done the hard yards," Jack says. Most rodeo spectators from Darwin and surrounds are wearing what New South Wales competitor Dean Wallace sees as a less authentic interpretation of cowboy western wear. While many spectators will stay at the arena into the early hours of the morning for an after-party, Dean says most of his fellow competitors will "go back to their utes for a sleep" or a quiet beer. "I think the ones that highlight a bad view of cowboy culture are the ones that dress up for tonight, get on the piss, try to fight someone and get carried out," he says. "You see some people who dress up just for tonight and they've never actually seen a paddock, stepped in s*** or touched a sheep." Dean isn't keen on the suggestion cowboys are proud of their differences from "city slickers", and says rather than being concerned about their identity, most cowboys just don't care. "There are moral standards for a cowboy, and you shouldn't have to think about what those are," he declares. But he explains that the cowboy identity can't simply be adopted by anyone. "It's just being tough enough to handle whatever gets thrown at you, brave enough to do whatever you have to do and looking after those around you. I guess that's my view of a cowboy," he says. While Dean says the cowboy identity usually comes with growing up in a pastoral family, he believes it is not impossible to become one — but it takes hard work. "I'm all for anyone that wants to get into it," he says. "If you put your hat on, put your boots on and you're willing to work for it, that's all there is to it. "I'm telling you, if you go from a lifestyle where you're not used to it and you try to get into it, you'll quickly figure if you're a cowboy or not." As the final bull is taken back to the yards and the night-time entertainment starts warming up, as if on cue, Dean and his fellow bull riders begin to pack up and head to their utes, leaving the crowd of partygoers behind them in the settling dust.
ABC News
5 hours ago
- ABC News
Beloved Australian actor Claudia Karvan says there's a chilling authenticity to Like, Follow, Die
Like, Follow, Die is a psychological thriller that begins with a knock on the door. Probationary detective Kyle Nazarian wants to speak to Corinne Gray about her son Ben, a sweet-natured child who loved history and dreamed of swimming for Olympic Gold. Ben has done the unthinkable, and his mother pours herself into uncovering the sinister figures and shadowy online communities who prey on vulnerable young people like her son. It's fiction. But beloved Australian actor Claudia Karvan (Bump, Puberty Blues, Secret Life of Us), who stars as Corinne in the multi-cast narration of the audiobook, says there's a very real edge to this story. "I think there's real truth to it," Karvan told ABC News. "There's a very real tussle happening right now in front of us between the old world order and new progressive ways, and we're watching that happen right now. "So, it couldn't be more timely." Karvan, who has a 23-year-old daughter and a 19-year-old son, says she agrees with What About Men author Caitlin Moran, who implores fellow feminists to ponder: Where are the boys, and are we making sure they're keeping up? "It's a conversation that my son and I have to have delicately," Karvan said. She says in Like, Follow, Die, Corinne unpacks the job she did as a parent. "[She's] trying to work out what cultural influences may have derailed her efforts [and] being very honest with her own deficiencies." Like, Follow, Die is written by the bestselling author of Dark Mode, Ashley Kalagian Blunt, who says there's been an overwhelming response to the audiobook since it was released last week. "I've had a bunch of readers get in touch with me to tell me how much they love the twists and just how the story really hits them, especially if they're parents," Kalagian Blunt told ABC News. "The main thing I want to do with Like, Follow, Die is show how in the men's rights activist space, there are groups that are specifically targeting teenage boys through places like YouTube and Instagram, TikTok, the places where teenage kids hang out. "It's not that they're just naturally drawn to that, maybe in some cases, but it's that there's actually people who are investing money and strategy in thinking about how do we draw these boys into our world view? Kalagian Blunt says she wants to contribute to an existing conversation around social media and teenagers, what they're exposed to, and how that's shaping their world view. "The reason I wanted to write from Ben's point of view, from the teenage boy's point of view through his journals, we only see him from age 12 to age 19, is because I wanted to show how he developed this world view, and how he was targeted by groups that very specifically were looking for vulnerable teenage boys. "And I think there is this societal conversation and dialogue right now around men's violence and toxic masculinity and modern feminism, and those are really important conversations and really important topics. Like, Follow, Die is on Audible and features an all-star cast including Claudia Karvan as Corinne Gray, Ryan Corr as Kyle Nazarian and Laurence Boxhall as Benjamin Gray.
