
Top French chefs warm to AI in the kitchen
Chef Matan Zaken has been open about embracing AI in the kitchen
By Adam PLOWRIGHT
At the annual gathering of France's finest chefs for the Michelin Guide awards this year, the talk was not only about whose restaurants had gained or lost a star.
"Everyone's discussing AI. I was at a table of 12 other chefs and it was the main thing we talked about," Matan Zaken, who runs the one-star Nhome restaurant in Paris, told AFP at the event at the end of March.
The 32-year-old believes that some of his peers are reluctant to admit just how much they are already consulting services such as ChatGPT to help them with recipes and ideas.
"You'd be amazed to know how many people are using it. There are a lot of egos in the business. They're not going to make a big thing about it," he said.
Zaken has made a point of openly embracing the technology, which he says has the potential to produce surprising new pairings of ingredients, offering the possibility of palate-twisting discoveries for diners.
"You have to move with the times," said the Franco-Israeli owner of the intimate 20-cover Nhome, where guests eat around a large communal table.
Instead of relying on his usual kitchen tasting books, he can now access vast online databases of food photographs, recipes and even the chemical analysis of food molecules.
One recent discovery thanks to ChatGPT Premium, which he says is starting to learn his cooking style, was the complementarity between peanuts and wild garlic.
Recently, he joined forces with French digital art collective Obvious Art.
The group provided Zaken with a series of AI-generated photographs of food on plates and he was required to come up with meals that were served at a private event.
This reversed the usual creative cooking process which begins with the ingredients.
Not everyone is so enthusiastic about the new technology in the kitchen, though.
Although the high-end cooking jobs are seen as relatively insulated from the arrival of AI -- unlike other industries -- the idea of computers helping with, or even replacing, the creative process makes some chefs uneasy.
"Artificial intelligence will never replace the human touch, the palate of the cook," said French celebrity chef Philippe Etchebest, who was toasting a second star for his Bordeaux eatery, Maison Nouvelle, at the Michelin event.
"Artificial intelligence can replace humans elsewhere but in the kitchen I don't believe it will at all."
For others, computers and new technology run counter to the vision of kitchens as an artisanal workplace, based on human-to-human transmission and cooking that is rooted in local tradition and produce.
"It's not really in the spirit of our business," said Thibaut Spiwack, a young chef who runs Anona, an eco-friendly one-star restaurant in Paris that sources all of its produce from the capital region.
"My intelligence is in these," said Thierry Bridron, a pastry chef and head of the Valrhona cooking school, holding up his hands at an after-party at the Michelin awards. "There's nothing more beautiful than nature and what grows."
Whatever their views on AI in the creative process, many appeared ready to embrace ChatGPT and other AI services to relieve them of tedious work, such as writing emails, job advertisements or producing kitchen rotas.
New phone-based apps such as Menu or Fullsoon offer more, enabling users to enter recipes and then have instant estimates of cost or the carbon footprint of their dishes.
By using data on past purchases and billing, some existing services can help restaurants predict demand, sometimes by integrating factors such as weather and the dates of local sports events.
Raphael Haumont, a food chemistry expert at Paris Saclay University and co-founder of the French Centre of Culinary Innovation, believes the biggest changes will be on the plate.
He says advanced databases of food ingredients containing details about the molecules that produce the aromas and tastes we enjoy could help produce surprising new pairings.
"Perhaps the computer can find things in common that are completely unexpected. For example, chocolate and cucumber. We know now that it works," Haumont told AFP.
AI-augmented software can also analyse hundreds of thousands of cookbooks, while suggesting new ways to produce or plate food.
"It can analyze 10,000 images of plated langoustine, for example, and say: 'The next one could look like that. Be inspired'," he added.
In his techno-utopian vision of the future, high-precision robots might even do some of the most thankless kitchen tasks for an industry that is perennially short of workers.
"Who wants to peel potatoes for two hours?" he asked.
© 2025 AFP
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Japan Today
18 hours ago
- Japan Today
Austrian daily under fire after Clint Eastwood slams 'phony' interview
An Austrian newspaper came under fire Tuesday after Hollywood star Clint Eastwood said an alleged interview with him published by the paper to mark his 95th birthday was "entirely phony". The row was sparked by a purported interview with the Oscar-winning actor and director carried by the German-language Kurier newspaper Friday. In the interview, which was picked up widely by American media over the weekend, Eastwood criticizes a lack of fresh ideas in the current film industry as "we live in an era of remakes and franchises". "I long for the good old days when screenwriters wrote films like 'Casablanca' in small bungalows on the studio lot. When everyone had a new idea," he was quoted as saying. "My philosophy is, do something new or stay at home," it adds. In a statement to Deadline magazine published Monday, Eastwood said "I thought I would set the record straight". "I can confirm I've turned 95. I can also confirm that I never gave an interview to an Austrian publication called Kurier, or any other writer in recent weeks, and that the interview is entirely phony," he added. On Tuesday evening, the editorial team of the Vienna-based Kurier said its freelancer Elisabeth Sereda had compiled the interview by citing from "a total of 18" round table conversations with Eastwood. But since the article was published as an interview and not as a profile, the daily said it would cut ties with the author. "Even though no quotes have been fabricated, the interviews are documented and the allegations of falsification can be refuted, we will not be working with the author in the future because transparency and our strict editorial standards are paramount to us," Kurier said in a statement published on its website. The newspaper had recently published interviews by Sereda with celebrities such as Jude Law and Elton John. © 2025 AFP


Japan Today
2 days ago
- Japan Today
Hey chatbot, is this true? AI 'factchecks' sow misinformation
AI chatbots are increasingly used for instant debunks, but their responses are often riddled with misinformation By Anuj Chopr, Sumit Dubey and Maria Clara Pestre As misinformation exploded during India's four-day conflict with Pakistan, social media users turned to an AI chatbot for verification -- only to encounter more falsehoods, underscoring its unreliability as a fact-checking tool. With tech platforms reducing human fact-checkers, users are increasingly relying on AI-powered chatbots -- including xAI's Grok, OpenAI's ChatGPT, and Google's Gemini -- in search of reliable information. "Hey @Grok, is this true?" has become a common query on Elon Musk's platform X, where the AI assistant is built in, reflecting the growing trend of seeking instant debunks on social media. But the responses are often themselves riddled with misinformation. Grok -- now under renewed scrutiny for inserting "white genocide," a far-right conspiracy theory, into unrelated queries -- wrongly identified old video footage from Sudan's Khartoum airport as a missile strike on Pakistan's Nur Khan airbase during the country's recent conflict with India. Unrelated footage of a building on fire in Nepal was misidentified as "likely" showing Pakistan's military response to Indian strikes. "The growing reliance on Grok as a fact-checker comes as X and other major tech companies have scaled back investments in human fact-checkers," McKenzie Sadeghi, a researcher with the disinformation watchdog NewsGuard, told AFP. "Our research has repeatedly found that AI chatbots are not reliable sources for news and information, particularly when it comes to breaking news," she warned. NewsGuard's research found that 10 leading chatbots were prone to repeating falsehoods, including Russian disinformation narratives and false or misleading claims related to the recent Australian election. In a recent study of eight AI search tools, the Tow Center for Digital Journalism at Columbia University found that chatbots were "generally bad at declining to answer questions they couldn't answer accurately, offering incorrect or speculative answers instead." When AFP fact-checkers in Uruguay asked Gemini about an AI-generated image of a woman, it not only confirmed its authenticity but fabricated details about her identity and where the image was likely taken. Grok recently labeled a purported video of a giant anaconda swimming in the Amazon River as "genuine," even citing credible-sounding scientific expeditions to support its false claim. In reality, the video was AI-generated, AFP fact-checkers in Latin America reported, noting that many users cited Grok's assessment as evidence the clip was real. Such findings have raised concerns as surveys show that online users are increasingly shifting from traditional search engines to AI chatbots for information gathering and verification. The shift also comes as Meta announced earlier this year it was ending its third-party fact-checking program in the United States, turning over the task of debunking falsehoods to ordinary users under a model known as "Community Notes," popularized by X. Researchers have repeatedly questioned the effectiveness of "Community Notes" in combating falsehoods. Human fact-checking has long been a flashpoint in a hyperpolarized political climate, particularly in the United States, where conservative advocates maintain it suppresses free speech and censors right-wing content -- something professional fact-checkers vehemently reject. AFP currently works in 26 languages with Facebook's fact-checking program, including in Asia, Latin America, and the European Union. The quality and accuracy of AI chatbots can vary, depending on how they are trained and programmed, prompting concerns that their output may be subject to political influence or control. Musk's xAI recently blamed an "unauthorized modification" for causing Grok to generate unsolicited posts referencing "white genocide" in South Africa. When AI expert David Caswell asked Grok who might have modified its system prompt, the chatbot named Musk as the "most likely" culprit. Musk, the South African-born billionaire backer of President Donald Trump, has previously peddled the unfounded claim that South Africa's leaders were "openly pushing for genocide" of white people. "We have seen the way AI assistants can either fabricate results or give biased answers after human coders specifically change their instructions," Angie Holan, director of the International Fact-Checking Network, told AFP. "I am especially concerned about the way Grok has mishandled requests concerning very sensitive matters after receiving instructions to provide pre-authorized answers." © 2025 AFP


Asahi Shimbun
2 days ago
- Asahi Shimbun
Osaka Kansai Expo holds Palestinian fashion show
Bedouin's dress with burqa is showcased at the expo venue in Osaka's Konohana Ward on June 1. (Yoshiko Sato) OSAKA—The Osaka Kansai Expo held a Palestinian fashion show here on June 1, showcasing the culture's stunning traditional garments alongside bold fusions of Japanese and Palestinian styles. Since countries participating in the expo are each granted a special day, known as a 'National Day,' to present their culture and history at the world's fair, the fashion show was part of the Palestine's National Day exhibition. The show's emcee made an appeal to the audience, which stretched outside the venue, saying, 'We must continue talking about Palestine. We cannot remain silent.' A black dress with red geometric embroidery and a hemp dress embroidered with a floral pattern were showcased at the event. Nine of the dresses in the show had been collected by the late mother of Waleed Siam, the representative of the Permanent General Mission of Palestine to Japan. They were made before 1948, the year the modern state of Israel was founded, which forced many Palestinians to become refugees. Alongside these traditional garments, the show featured Japanese kimono and obi embroidered with traditional Palestinian designs by Palestinian women. WITNESSING THE CONFLICT Maki Yamamoto, who emceed the fashion show, began incorporating Palestinian embroidery onto obi about 10 years ago, hoping to help keep Palestinian embroidery alive. All the embroidery is the handwork of Palestinian women. Yamamoto visited Palestine for the first time in 2013. She joined a local tour that her friend Siam recommended. During the tour, she visited a village in the West Bank where protests against the Israeli occupation and settlement were taking place. After young people in village threw stones at Israeli military forces, the military retaliated by firing tear gas from a tank. Yamamoto also inhaled the tear gas and fled into a nearby bus. That was her first taste of the reality of occupation, which she had only previously seen in news reports. She also became familiar with the local culture and daily life during her visit, getting to know the peaceful farm villages, their residents and traditional foods. The tour also stopped by traditional embroidery stores. Each region had unique patterns, often featuring local plants and animals. Yamamoto was inspired by the beauty of the culture, a heritage passed down through generations. 'I want people to know that Palestinians have daily lives and culture, including such beautiful embroidery, instead of just focusing on the conflicts,' Yamamoto said. Then, she hit upon the idea of incorporating Palestinian embroidery into obi, as she often wore kimono in her daily life. She commissioned women from refugee camps and rural villages in the West Bank and Gaza to embroider them, and sells them at monthly exhibitions, mainly in Tokyo. The sales of the obi now provide a source of income for the women and help them to become independent. 'The women sew every stitch to create these beautiful crafts despite the harsh conditions in the refugee camps. It is an incredible joy to show these products to Japanese,' Yamamoto said. NOT JUST PITY, RESPECT However, the conflict that erupted between the Israeli military and the Islamic organization Hamas in October 2023 has had a massive impact on embroidery production. With limited materials entering Gaza and the women's lives at risk, Yamamoto is unable to place orders for new obi. In the West Bank region, the Israeli military has tightened restrictions on movement, preventing women from reaching their workshops and procuring fabric, yarn and other materials. Toward the end of the fashion show, two cushion covers featuring geometric designs were displayed. They had been crafted by women in Gaza amid the Israeli military's attacks. Even in the shelters where they've taken refuge, the women continue to embroider, focusing on their work to keep their minds calm. 'The embroidery is not just fashion, but their identity. It gives people the will to live,' Yamamoto told the audience. Yamamoto thinks that people are paying more attention to Palestine than ever before, since the conflict started more than a year and a half ago. 'I believe respecting their long-standing culture would encourage Palestinians more than simply feeling sorry for them,' she said.