Immortal Romance slot review: Gameplay, features and symbols breakdown
Immortal Romance appeared in 2011, and its graphics were ahead of their time. The design is stunning, and although it rode on the Vampire theme that was emerging, its uniqueness means it has outlasted its rivals. This Immortal Romance slot review will take a closer look at why this is one of the best online slots in its category.
Immortal Romance slot quick overview
Here's a quick summary of what Immortal Romance offers:
👨💻 Software Provider Games Global
🎰 Slot Type Video slot
💫 Reels 5x3
💰 Paylines 243
💸 RTP 96.86%
🔥 Volatility High
🤑 Max Win Potential 12,150x Coins
🎞️ Theme Vampires
🎉 Bonus Features Chamber of Spins, Wild Desire
📉 Min Bet £0.30
📈 Max Bet £3.00
📅 Release Date December 2011
Immortal Romance slot features overview
The standout feature of this Immortal Romance slot is the free spins round. Once triggered, it offers four different games, one of which will be allocated randomly. Each has the potential for value, and this makes it more interesting than most free spins options.
This Immortal Romance slot review suggests that it is one of the best online slots for lovers of the vampire genre and the wider horror category.
As a high volatility game, it may require patience, so it's better suited for those targeting less frequent payouts that come in higher on average.
👍 Pros
High RTP of 96.86%.
Higher win potential.
Excellent sound and graphics.
👎 Cons:
High volatility.
Relatively low max bet.
Immortal Romance slot graphics, sound & gameplay mechanics
3
Since its release, Immortal Romance has received a makeover, bringing the sound and graphics up to date. The game is played out to an atmospheric soundtrack reminiscent of vampire movies past and present.
The imagery is clear, and while there has to be a dark element, each icon is distinct and the gameplay is simple to follow. It's a fairly generic set of images, but it suits the theme and is typical of slots released around 2011. Updates have helped to provide excellent functionality on mobile as well as desktop.
How to play Immortal Romance slot
If you want to play Immortal Romance at the best online slots sites, you'll need to follow these steps:
Load the slot at a licensed UK casino: Find a casino that hosts the game. Many of the top sites have Immortal Romance on their menus, and you can check by using their search facility.
Set your stake: The game will likely default to a £0.90 stake, but you can use the tool to go lower or higher.
Press spin: Press the spin button to begin.
Look out for high-paying combos or bonus triggers: we've listed the bonus triggers and high-value symbols in this Immortal Romance slot review, so look out for those.
Bonus rounds will activate if triggered: When you land the right symbols, bonus rounds will be triggered automatically.
Monitor your balance and play responsibly: Practice responsible play by monitoring your balance. Aim to play with a maximum of 10% of your bankroll in a single session.
If you want to give Immortal Romance a spin, Immortal Wins casino has 5 no deposit free spins you can use to get the feel of the game.
Immortal Romance slot symbols
3
Immortal Romance uses a mix of symbols, including images related to the theme of the game, along with generic icons from a deck of cards. The 9 to the Ace are the lower-paying options, with the Ace paying up to 4.5 coins when five symbols align.
The higher value symbols relate to the theme. There are four central characters: Michael, Sarah, Troy and Amber. Immortal Romance also features an enchanted castle and a scene with a wine glass and a candle.
3
There are special symbols too, and these are the game's logo, which acts as the wild, and the Golden Lion, which depicts the scatter. Read on through this Immortal Romance slot review to discover their role in the game.
Immortal Romance slot RTP, payout, and volatility
Immortal Romance has a return to player (RTP) percentage of 96.86%. This is higher than the industry average but it's balanced by a high volatility. This means that, on average, wins will be less frequent but they may be higher when they drop in.
The slot is suited to players who don't mind longer spin sessions in exchange for the chance at bigger wins. In terms of potential payouts, Immortal Romance offers a maximum win up to 12,150x your stake. While it delivers big win potential through its features, it's important to note that there are no jackpot elements included in this slot.
Immortal Romance bonus features and free spins
The two bonus symbols in Immortal Romance are the game's logo and the Golden Lion Door Knocker. The logo is wild and will substitute for other images as it looks for a matching combination.
Wins can be multiplied x2 when a matching combo spins into view. There's also a Wild Desire feature that is randomly activated and can turn up to five reels wild.
The Lion is the scatter symbol, and when a minimum of three of them spin into view, the Chamber of Spins round is activated. This is the free spins feature, and the bonus is randomly attached to one of the game's four main characters. Here's how that works:
Amber: 10 free spins, with wins multiplied x5.
Troy: 15 free spins, with double and triple multipliers.
Michael: 20 free spins, with multipliers for consecutive wins.
Sarah: 25 free spins, with the Wild Vine feature providing potential for additional wild symbols.
It's an innovative way to look at a free spins bonus, and the Chamber of Spins is the standout feature on this Immortal Romance slot.
Where to play Immortal Romance slot in the UK
Immortal Romance can be played at most of the best online slots sites available to UK players. We've found it on several of our recommended platforms, and those providers include Betway and BetMGM. As established UK brands, they offer a trusted place to play this and other popular slots.
If you want to look elsewhere for this Immortal Romance game, make sure that the casino you choose is licensed by the UK Gambling Commission. A site with secure payment options and responsible gambling tools is the best option for all casino games.
Key takeaway
Lovers of the vampire and horror genres will appreciate this Immortal Romance slot game. It's faithful to the theme and has become a classic within this category. Throughout this Immortal Romance slot review, we've suggested that it's one of the more entertaining options among thousands of slots.
The bonus features offer the biggest part of its appeal, but it's also one of the best online slots within the high volatility range.
🔎 More slot reviews
Remember to gamble responsibly
A responsible gambler is someone who:
For help with a gambling problem, call the National Gambling Helpline on 0808 8020 133 or go to gamstop.co.uk to be excluded from all UK-regulated gambling websites.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
4 minutes ago
- Daily Mail
Perrie Edwards channels her inner cowgirl as she belts out her new country song in Newcastle - after speaking out on toxic relationships and heartbreaking baby loss
Perrie Edwards has returned to the stage with a performance of her new country track, after detailing her struggles with toxic relationships and baby loss in her most candid interview yet. The Little Mix star, 32, has been promoting her new song If He Wanted To, He Would, and took to the stage at the Come Together Festival in Newcastle to belt out her new song on Wednesday. Channelling her inner cowgirl, Perrie slipped into a black catsuit with white fringing as she performed the song, which is set to be released on Friday. Earlier this week, the star sat down for a hard-hitting interview on Paul C Brunson's We Need To Talk podcast, where she revealed for the first time she'd suffered two heartbreaking baby losses. Perrie shared that she first miscarried early into her first pregnancy, and discovered the devastating loss when she started bleeding and headed to the doctors. She then went on to reveal that a year after giving birth to her 'rainbow baby' Axel, who is now three, she discovered she was pregnant again, but tragically lost her baby at 24 weeks. Speaking about her son, Perrie said: 'Axel's a rainbow baby. 'So I had a miscarriage very early on with my first ever pregnancy, and it was so early. I remember finding out I was pregnant. 'Obviously, I started bleeding not long after, and I went to the hospital and I had the scan and they were like, 'There's no baby.'' 'And I was like, 'oh, I've made this up. Maybe I got a false positive or something.' And I remember being on my own at the appointments because nobody was there.' Perrie added that due to her miscarriage, she was 'on edge' while she expecting her son Axel, admitting she 'just wanted to get past' the 12-week scan. 'And then when I had Axel, when I was pregnant with him, like, I loved being pregnant, it was one of the happiest times of my life. Like, I just love carrying babies,' she said. 'And it was lovely. But I was a bit on edge thinking, oh, gosh, like, I want to get past the 12 weeks. I want to get past this. And when I get past every scan and that pregnancy was complete bliss, it was perfect.' Perrie then revealed the heartbreaking moment she learned she'd miscarried again following her 20-week scan, having learned she was pregnant again while rehearsing for Little Mix's final tour in 2022. She then went on to reveal that a year after giving birth to her 'rainbow baby' Axel, who is now three, she discovered she was pregnant again, but tragically lost her baby at 24 weeks She continued: 'And then we fell pregnant again after. So maybe a year and probably not even. Actually, yeah. Not even a year, because Axel wasn't even walking yet and we were pregnant' She continued: 'And then we fell pregnant again after. So maybe a year and probably not even. Actually, yeah. Not even a year, because Axel wasn't even walking yet and we were pregnant. 'And I remember thinking, right, I found out when I was rehearsing for the Little Mix tour, the last Little Mix tour, I was at rehearsals and I thought, oh, I don't feel good. Every, every symptom under the sun. I was like, I think I'm pregnant.' 'And then we went for what was a 20-week scan, but we were actually 22 weeks, and that was just the worst day of my life. Like horrendous. 'And I just knew something was wrong in the scan, and he just kept going over the same thing, over the same thing... I've never experienced an out-of-body experience where everything goes in slow motion.' Recalling the moment she and her fiancé Alex Oxlade-Chamberlain returned home from the hospital after learning the devastating news, she said: 'So then I remember sobbing. He [Alex] was injured at the time and he couldn't really drive. 'He was struggling to drive, but I couldn't see straight. I was just distraught. And yeah, we basically lost the baby at like 24 weeks.' 'It's weird because the first time it happened, I think because it was so early, I was like, oh, that's hard. But I think when you're fully, like carrying in your 24 weeks and you've planned out like that room and all these things, it's really hard.' 'And nobody knows other than, like, immediate friends and family. And I remember, like, shortly after, like, friends would message and be like, ''how's the bump?'' And I'll be like, ''there is no bump.''' During the same interview, Perrie also revealed she escaped a 'toxic' relationship with her ex-fiancé Zayn Malik that left her thinking she 'didn't want to meet anybody.' Reflecting on her dating history, Perrie, who did not name her ex-partner in the interview, admitted that behaviour in her 'first relationship' left her fearing the 'pain' of meeting someone new, as she was led to believe their actions were 'normal.' The singer previously got engaged to One Direction star Zayn in 2013, but they split two years later. She said: 'I think definitely at the time I thought everything we experienced in our relationship was normal. Reflecting on her dating history, Perrie, who did not name her ex-partner, admitted that behaviour in her 'first relationship' left her fearing the 'pain' of meeting someone new 'Because it was my first relationship, first love. I was like, 'Oh, this is how it's supposed to feel. It's supposed to feel a little bit toxic. In some ways, this is probably normal, right?' 'And then when I became single, I was almost thinking, like, I never, ever want to go through that again. I didn't even want to meet anybody. I was like, that's me done. I don't think I could bear that pain.' 'But now, reflecting back, I'm thinking, oh, that probably wasn't good. And I've noticed it a lot. 'Like in the start of the relationship, I would handle things differently with Alex, and he'd come at it with such a level head that it would throw me.' After kickstarting her solo career in 2023, Perrie is set to release her new song If He Wanted To He Would later this week.
The Independent
5 minutes ago
- The Independent
BBC ‘not institutionally antisemitic', editor says after row over Gaza coverage
The BBC is 'not institutionally antisemitic', a newspaper editor has said following a row over the broadcaster's coverage of the conflict in Gaza. James Harding, The Observer 's editor-in-chief said the perception of a 'political presence looming over the BBC' is a problem and the broadcaster needs to be 'beyond the reach of politicians'. The BBC has been criticised for a number of incidents in recent months which include breaching its own accuracy editorial guidelines and livestreaming the Bob Vylan Glastonbury set, where there were chants of 'Death, death to the IDF (Israel Defence Forces)'. Following the incident, UK Culture Secretary Lisa Nandy said ministers expect 'accountability at the highest levels' for the BBC's decision to screen the performance. Mr Harding discussed the difficulties of covering the Gaza conflict when he delivered this year's James MacTaggart Memorial Lecture at the Edinburgh TV Festival on Wednesday. He described how 'newsrooms are in a furious argument with ourselves over the coverage of Israel and Gaza', with the situation 'very hard to view dispassionately'. The Observer chief said this is true for all media organisations, particularly the BBC, and it is 'about as difficult as it gets in news'. Mr Harding said: 'This summer, Lisa Nandy has weighed in.' He said the Culture Secretary's office insists she did not explicitly ask Samir Shah, the BBC chairman, to 'deliver up' director-general Tim Davie 's resignation following the Bob Vylan incident, but 'people inside the BBC were left in no doubt that was the message'. Mr Harding said: 'The place became paranoid about how the BBC itself would cover the story; people around him thought the political pressure would be too much. 'Whatever your view of the hate speech vs freedom of speech issues, an overbearing government minister doesn't help anyone. 'The hiring and firing of the editor-in-chief of the country's leading newsroom and cultural organisation should not be the job of a politician. It's chilling. 'Political interference – and the perception of a political presence looming over the BBC – is a problem, one that we've got too accustomed to. 'It looks likely to get worse. We need to get on with putting the country's most important editorial and creative organisation beyond the reach of politicians now.' The broadcaster is also facing an Ofcom investigation into its documentary Gaza: How To Survive A Warzone after a review found it had breached the corporation's editorial guidelines on accuracy. The programme was removed from BBC iPlayer in February after it emerged the child narrator, Abdullah, is the son of Ayman Alyazouri, who has worked as Hamas's deputy minister of agriculture. Mr Harding said the BBC is not antisemitic. 'I am Jewish, proudly so,' he said. 'I'm proud, too, to have worked for the most important news organisation in the world. 'The BBC is not institutionally antisemitic. It's untrue to say it is. 'It's also unhelpful – much better to correct the mistakes and address the judgment calls that have been wrong, than smear the institution, impugn the character of all the people who work there and, potentially, undermine journalists in the field working in the most difficult and dangerous of conditions.' The UK Government and the BBC have been asked for comment. Mr Harding is co-founder of Tortoise Media, which acquired broadsheet newspaper The Observer in April. Before he co-founded Tortoise Media, Mr Harding was editor of The Times from 2007 to 2012 and was in charge of the BBC's news and current affairs programming from 2013 up until the beginning of 2018. He also co-presented On Background on the BBC World Service and wrote the book Alpha Dogs: How Political Spin Became A Global Business. A spokesperson for the Department of Digital, Culture, Media and Sport said: 'The Culture Secretary has been repeatedly clear that the role of the director-general is a matter for the BBC board. Any suggestion to the contrary is untrue. 'The BBC has itself acknowledged a number of serious failings in recent months, including the broadcasting of the Bob Vylan set at Glastonbury. 'It is entirely right that the Culture Secretary raised these issues with the BBC leadership on behalf of licence fee payers.'
BBC News
6 minutes ago
- BBC News
First look at Baby Reindeer creator's new TV series Half Man
The first pictures from Half Man, the new TV series by Baby Reindeer creator Richard Gadd, have been for the six-episode BBC drama took place in and around Glasgow this stars Gadd opposite Jamie Bell, best known for his performance in the 2000 film Billy Elliott and, more recently, for All Of Us Strangers and Rocket two play half brothers Ruben and Niall, who reunite after years of estrangement, prompting an exploration of the highs and lows of their relationship from the 1980s to present day. The BBC said the series will capture the "wild energy of a changing city" and "plumb the depths of what it means to be a man". The show, written by Gadd, was first announced in November last year, with further cast members confirmed in stars Neve McIntosh (Tin Star, Chemistry of Death) as Niall's mother Lori, and Marianne McIvor (Screw, The Nest) as Ruben's mother Maura. It also features Charlie De Melo (Rivals), Bilal Hasna (The Agency), Julie Cullen (Traces), Amy Manson (The Nevers), Philippine Velge (The Serpent Queen), Stuart McQuarrie (The Rig), Piers Ewart (The Primrose Railway Children), Scot Greenan (T2 Trainspotting), and newcomers Charlotte Blackwood and Calum Robertson (Curfew, Mayflies) and Stuart Campbell (SAS Rogue Heroes, The Winter King) play the brothers in their younger is due to air in 2026 on the BBC and on HBO Max. Baby Reindeer lawsuit Half Man follows both successes and much controversy over Gadd's first project, Baby Reindeer, which was shown on from his one-man show, Baby Reindeer is based on the true story of how the comedian, from Wormit in Fife, was stalked by a woman after a brief, innocuous encounter in a London drama also depicts how he was groomed and raped by an older man he considered a friend, and the harrowing impact on his won six Emmys, two Golden Globes and received the most nominations at this year's Bafta TV awards - though won only one for Jessica Gunning as best supporting actress. Although steps were taken to prevent identification of some of the characters, viewers speculated about the real identity of stalker, Martha, as well as that of a male TV writer who rapes Gadd's character, led to real-life figures getting touch with police after being linked with the year Netflix has failed in its attempt to persuade a judge to throw out a defamation lawsuit brought by Fiona Harvey, the woman who inspired the stalker character in Baby Harvey claims the streaming giant told "brutal lies" about her to more than 50 million viewers around the show is billed as "a true story", but a judge concluded certain key events, like a conviction for stalking, did not happen in real has vowed to "defend this matter vigorously".
