logo
'The Bear' Season 4 Trailer Released; June 25 Drop Date On Hulu

'The Bear' Season 4 Trailer Released; June 25 Drop Date On Hulu

Forbes20-05-2025

Have you ever gone to a fancy restaurant, spent a fortune, and walked out hungry?
Flash to season three of the confused critical darling The Bear, which wasn't a full course. It was a season of mixed appetizers, many of which lacked any resolution. It often felt pretentious and self-indulgent, more concerned with catering to the critics than the general audience. It was short on storylines, focused more on the backstories than the present day. And it simply kept us wanting for more.
Of course, even a diluted The Bear stands well above most of the rest. And the upcoming fourth season drops on Hulu on Wednesday, June 25.
Per FX, season four of The Bear 'finds the team pushing forward, determined not only to survive, but also to take 'The Bear' to the next level. With new challenges around every corner, the team must adapt, adjust and overcome. The pursuit of excellence isn't just about getting better - it's about deciding what's worth holding on to."
'This season, the pursuit of excellence isn't just about getting better — it's about deciding what's worth holding on to.'
The Bear stars Jeremy Allen White, , Ebon Moss-Bachrach, Abby Elliott, Lionel Boyce, Liza Colón-Zayas and Matty Matheson, with Oliver Platt and Molly Gordon in recurring roles. It has won 21 Emmy Awards to-date, including Outstanding Comedy Series. And, in an ongoing debate, isn't The Bear really a drama and not a comedy?
You can decide for yourself in the upcoming fourth season. Here is the trailer:

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Love Island USA Season 7 Episode 4: Here's what to expect from the new episode
Love Island USA Season 7 Episode 4: Here's what to expect from the new episode

Business Upturn

time17 minutes ago

  • Business Upturn

Love Island USA Season 7 Episode 4: Here's what to expect from the new episode

By Aman Shukla Published on June 6, 2025, 21:58 IST Last updated June 6, 2025, 21:56 IST Love Island USA Season 7 is heating up, and fans are eagerly awaiting Episode 4 to dive deeper into the steamy romance and drama unfolding in the Fiji villa. Hosted by Ariana Madix, this season promises heart-racing challenges, new bombshells, and unexpected twists. Here's everything you need to know. Release Date for Love Island USA Season 7 Episode 4 Love Island USA Season 7 premiered on June 3, 2025, on Peacock, with new episodes dropping daily during the premiere week, including Wednesday, June 4. Episode 4 aired on Friday, June 6, 2025, at 9 p.m. ET / 6 p.m. PT, exclusively on Peacock. After the premiere week, the show follows a schedule of new episodes every day except Wednesdays, with episodes streaming at the same time slot. The weekly aftershow, Love Island Aftersun , airs on Saturdays, offering additional insights and behind-the-scenes content. Where to Watch Love Island USA Season 7 Episode 4 You can stream Episode 4 and all of Season 7 exclusively on Peacock. A Peacock Premium subscription starts at $7.99/month or $79.99/year, while the ad-free Premium Plus plan costs $13.99/month or $139.99/year. For those without Peacock, the Season 7 premiere also aired on Bravo on June 11, 2025, at 10:15 p.m. ET, but subsequent episodes, including Episode 4, are Peacock exclusives. Past seasons (4-6) are also available on Peacock, while seasons 1-3 can be streamed on Hulu, typically a week after airing. What to Expect in Episode 4 While Peacock keeps Episode 4's specifics under wraps to preserve the excitement, here's what fans can anticipate based on the season's early momentum: Bombshell Fallout: Following the arrival of bombshells Charlie and Cierra on Day 3, Episode 4 is expected to explore the aftermath of their recoupling choices. New Islanders often stir up drama, forcing existing couples to reassess their connections or risk being dumped. Challenges and Twists: Love Island USA's signature challenges are designed to test chemistry and spark tension. Episode 4 may introduce a new game, pushing Islanders to their limits. Peacock has promised 'bigger twists than ever' this season, so expect surprises that could upend the villa's dynamics. Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at

What Format Should You Choose For How To Train Your Dragon 2025?
What Format Should You Choose For How To Train Your Dragon 2025?

Forbes

time20 minutes ago

  • Forbes

What Format Should You Choose For How To Train Your Dragon 2025?

How To Train Your Dragon will be getting an HDR by Barco release for true HDR presentation but with ... More only a few capable screens worldwide IMAX and Dolby Cinema will be major quality choices. The How to Train Your Dragon franchise has been a great success story for director Dean DeBlois in the animated world, but taking a leaf out of Disney's playbook, it has now taken the leap into the realm of live action. It retains Gerard Butler as Stoick the Vast, with Mason Thames as Hiccup Horrendous Haddock III and Nico Parker as his love interest, Astrid Hofferson. Among the other cast members, we also get Nick Frost as Gobber the Belch, who was also recently announced as Hagrid in the upcoming TV remake of the Harry Potter franchise. Resembling to my eyes, a child-friendly version of House of the Dragon, the new How to Train Your Dragon is big, bold family entertainment, so it's no wonder that it is being released in a plethora of formats, so we'll run through them here to help you decide which one to choose. With a behind-the-scenes trailer IMAX to accompany it, DeBlois says that the film has been made 'specifically with IMAX in mind.' Captured using the Arri Alexa 35 and Arri Alexa LF IMAX, both of which are 'Filmed For IMAX' certified, for over 50 minutes of its runtime, the film will expand to the 190:1 aspect ratio in all IMAX screens. This is likely to be for the big action sequences. Note, though, that this isn't the full-fat IMAX experience that you'll get with films shot with IMAX film cameras with 1.43:1 aspect ratio sequences, but there's no doubt that the flying sequences will be impressive on the extra-large IMAX screens. Also, note that not all IMAX screens are equal. The best ones will use laser projectors for a brighter picture, and most of these will also have 12-channel sound, which does better with overhead effects for more immersiveness. The movie will also get an IMAX 3D release, but my local cinema only has two showings in this format, so you'll have to hunt for this if you're a fan of stereoscopy. Sadly, I found IMAX 3D to be disappointing for the recent Marvel Thunderbolts movie, but technologies such as TrueCut Motion can help with motion blur and perceived brightness, so unless it's confirmed that this tech has been used for this release, I wouldn't recommend 3D in this case. What can be confirmed is that it has had an HDR by Barco grade ­—the projection technology that makes full use of the dynamic range that the digital cameras used are capable of capturing. As such, this will be the top choice for image quality. Sadly, the projectors are only available in six screens worldwide, and not all of them are showing the movie on their HDR-capable screens. This includes Cineworld London Leicester Square, which is instead showing the new Ballerina movie (which does have an HDR by Barco grade at least) and Mission: The Final Reckoning, which is top draw but doesn't have an HDR grade. At least you'll get more consistency if you choose to see it at a Dolby Cinema. Having seen the trailer in this format at the Dolby screening room in its London HQ (more on this coming soon), I can attest that the intense colors from the greenery and the dragon flames make it a delight for the eyes, while the Dolby Atmos audio is a great match for the swirling flight scenes. If you can't get to IMAX or Dolby screen but still want a large image and great audio, then seek out a premium large-format screen. Every chain has its own branding for these, so look out for Cinemark XD, Cineplex UltraAVX, Xtreme Xscape, Prime at AMC, Regal RPX, and in the UK, Odeon iSense and Cineworld Superscreen. These will all give you 4K laser projection, Dolby Atmos, and decent seats, so it's worth the extra. If you want something really fun, though, consider 4DX, which, for How to Train Your Dragon, is combined with 3D. As such, you might not mind the motion blur as you'll be being thrown around by the moving seats in time with the on-screen action, with rumblers in the seats will make you feel every crash landing, which to me sounds like a ton of fun. ScreenX is also available, which offers extra footage shown on screens that run down the sides of the auditorium. Save for Grand Turismo, where the side-screens were amazing for the cockpit scenes, I've yet to be convinced by ScreenX—though I could see how it could all to the immersiveness of the flying scenes. Aside from this, there's regular RealD 3D in standard screens, but there's a danger it will be an aging Xenon bulb, which could hurt the experience by delivering a dim picture. Personally, you know there's a laser projector in play in your particular chosen screen; if you're not going to choose one of the above formats, I'd avoid it and stick with regular 2D. But with so many other, much more exciting ways of seeing How to Train Your Dragon, it would seem a shame not to take advantage and jump aboard one of them.

Mike Flanagan on THE LIFE OF CHUCK: Dance, Death, and Defying Genre Expectations — GeekTyrant
Mike Flanagan on THE LIFE OF CHUCK: Dance, Death, and Defying Genre Expectations — GeekTyrant

Geek Tyrant

time22 minutes ago

  • Geek Tyrant

Mike Flanagan on THE LIFE OF CHUCK: Dance, Death, and Defying Genre Expectations — GeekTyrant

Mike Flanagan is no stranger to horror. Over the past decade, he's built a fiercely loyal fanbase through intimate, unsettling explorations of grief, trauma, and the supernatural, usually with a Stephen King book in one hand and a camera in the other. But his latest film, The Life of Chuck , is something else entirely. It's still strange. It's still King. But it's also joyous, hopeful, and, packed with dancing. Speaking with Variety, Flanagan explained how the story arrived at a moment of personal crisis, and how its emotional impact altered the course of his creative path. 'This story came into my life at a very interesting time, because I read it in April 2020. The pandemic lockdown is a month old... it hit close to home, to the point that I was initially reluctant to finish reading it. I didn't know if I could take it.' But something shifted. 'By the end of it, I was shocked that I'd been taken from that place into a whole different headspace of optimism, gratitude and joy. I was crying, and not tears of sadness.' That emotional shift became the foundation of The Life of Chuck , a movie Flanagan describes as possibly his most personal work. 'If I could make it into a film that could do that for one other person... then what an incredible opportunity,' he said. Tom Hiddleston leads the film as Chuck, whose life is told in reverse across three acts—beginning at the end of the world and unraveling toward childhood. The narrative structure is unconventional, and Flanagan was adamant about preserving it. 'Life only makes sense when you look back. If you started with his childhood and worked it all the way up, it doesn't seem to hold that same wisdom... the catharsis of looking back and seeing the connections.' That insistence on nontraditional storytelling was a major reason Flanagan made the movie independently. 'I'm certain that if we had tried to do this through the traditional studio system... it would have been mandated to make it far more ordinary.' The film features a major dance sequence with Hiddleston and co-star Annalise Basso, choreographed by Mandy Moore and scored by live drumming, and it was intimadating. Flangan said: 'My favorite movie of all time is Bob Fosse's All That Jazz. I wasn't going to presume to tell Mandy Moore how to choreograph... My job was to capture them creating this spontaneous, joyful experience.' To prepare, Flanagan and cinematographer Eben Bolter studied dance scenes from the silent film era all the way through Hollywood's Golden Age, crafting a sequence that 'would ideally dance with them.' 'It wasn't even so much in the filming of it, but in the editing. Finding a way for me, as the editor, to try to become the Invisible Dancer... It's one of the most complicated sequences I've ever been involved in.' Of course, no Flanagan project based on a King story would be complete without the King himself. The director described their creative partnership as respectful, loose, and built on trust. 'He's very serious that the book is the book, and the movie is the movie, and he doesn't want to influence your creative expression. 'He gets approval on all casting. He's reading the scripts and sending his thoughts... but mostly he backs off and then we talk extensively about it after the fact.' By the time Chuck came along, King gave him the green light without hesitation. 'He was very much like, 'You do you,' and he loved the movie.' As for what's next, Flanagan's tackling Carrie as a series—and that took a bit more convincing. King's initial response? ''Why?' His first response was, 'Leave her alone. She's been through enough.'' But once Flanagan laid out his vision, King changed his tune. 'Then he said, 'Ohh, now I'm interested, just as a fan.'' The Life of Chuck might not look like a Mike Flanagan film on the surface, but beneath its dance beats and surreal optimism is the same deep empathy and strong storytelling that's always defined his work. It's still about confronting mortality. It's just doing it with a little more joy.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store