
Sive Mabuya-Bukani flaunts her growing baby bump
Actress and media personality Sive Mabuya-Bukani is popular for her role in High Rollers and How to Ruin Love on Netflix.
The young star has built her name for herself from sharing, getting her breakout role as Xolile on Scandal!, acting scenes on her TikTok, to acting alongside the great stars of South Africa.
She is expecting her first child with her husband, Aphiwe Bukani, and the two have been married for three years.
'Bump's out the bag. Thank you for your kindness. We couldn't be happier,' she posted when announcing her pregnancy.
In an interview with Drum Sivenathi shared her acting journey and growing up as a pastor's kid while maintaining her own life.
'The pressure to be a perfect child was mostly from outsiders. Whereas at home, my parents were very flexible and they were understanding that at the end of the day, we were kids.'
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We take a look at five times the actress made us hush over her baby bump.
The premiere of Shaka Ilembe Season 2.
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In a Springbok jersey
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In a body-hugging black dress
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A working hun
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Enjoying her pregnancy
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New York Post
24 minutes ago
- New York Post
From 'White Lotus' to 'Sirens': Why everyone on TV is rich
They're a dime a dozen. These days, it seems like nearly everyone onscreen is rich. The aesthetics of luxury lifestyles is all over TV – whether you're watching a murder mystery, a satire, or a drama. Jessica Kender, production designer for the Prime Video series 'We Were Liars,' exclusively told The Post that she wanted the show to look like, 'Everything that we have been bred to believe will be there, if you follow the money.' Advertisement 13 Joseph Zada, Emily Alyn Lind, and Esther McGregor in 'We Were Liars.' Jessie Redmond 13 Sam Nivola, Sarah Catherine Hook and Patrick Schwarzenegger in 'The White Lotus.' Fabio Lovino/HBO 'We Were Liars' is one of the many recent shows with moneyed characters in glam settings. Now streaming, it's a twisty thriller about Cadence (Emily Alyn Lind), a teen girl from a wealthy family with their own private island. Advertisement New Jersey native Kender grew up observing people who vacationed in Martha's Vineyard, 'where the elite go.' 'We tried to hit those notes,' she explained. 'It's everything you're shown when you open a magazine, like Architectural Digest.' She added that when a show is aiming to show off wealthy characters, 'Everyone knows what that looks like, because it's what the media shows us. The media tells us, 'you want this.' So, that's what we're trying to re-iterate onscreen.' 13 Emily Alyn Lind and Joseph Zada in 'We Were Liars.' Jessie Redmond Advertisement 13 Walton Goggins and Aimee Lou Wood in 'The White Lotus.' Fabio Lovino/HBO HBO's hit 'The White Lotus,' is about murder and vacations, and the characters aren't staying in hostels or bargain Holiday Inns – a real-life stay at one of Season 3's Thailand villas costs thousands of dollars per night. Even if a TV show's plot doesn't directly involve wealth, chances are, the characters live in homes that would realistically cost millions. The Netflix show 'Sirens' starring Julianne Moore and Meghann Fahy was about the complicated relationship between sisters, but it also came with a large helping of 'house porn.' Advertisement 13 Nicole Kidman and Liev Schreiber in 'The Perfect Couple.' ©Netflix/Courtesy Everett Collection The 'Sex and the City' spinoff 'And Just Like That,' meanwhile, was ostensibly about friendship and romance — but it's full of designer clothes and impossibly large NYC apartments. In fact, Carrie's (Sarah Jessica Parker) Gramercy apartment was listed for $4,495,000 in 2019. 'Succession' followed a toxic family with a media empire, 'Yellowstone' was about a dysfunctional family with a ranching empire, 'The Righteous Gemstones' focused on a televangelist family – and they all have their own versions of mansions and armies of staffers to do their bidding. Nicole Kidman's entire recent catalogue shows are chock-full of house porn and millionaire characters, including 'Big Little Lies' and 'The Perfect Couple.' 13 Meghann Fahy in 'Sirens.' MACALL POLAY/NETFLIX 13 The home in 'Sirens.' Macall Polay/Netflix Bob Thompson, the founding director of Syracuse University's Bleier Center for Television and Popular Culture and a Trustee Professor of Television and Popular Culture, told The Post that part of the appeal of these shows is, 'just the fun of seeing this stuff we don't have.' 'A lot of people used to go in the back of the New York Times Magazine and look at these ridiculously huge houses that were for sale,' he observed. Advertisement 'I find it much more interesting to watch a series about an organized crime family, 'The Sopranos' or 'The Godfather,' than I would watching a series about somebody who lived the life I live on a daily basis.' 13 Sarah Jessica Parker in 'And Just Like That.' Craig Blankenhorn/HBO Max 13 Milly Alcock and Julianne Moore in 'Sirens.' COURTESY OF NETFLIX He quipped that he enjoys his own life, 'but I certainly wouldn't want to watch somebody doing it. And I think there is a sense that TV brings us this stuff that we can't otherwise see.' Advertisement Thompson said that it's also 'easier' to have shows 'in settings of the very rich and the very privileged, because it's kind of an easy source of drama and spectacle.' The professor and TV expert pointed out that one big reason for the explosion of wealth on TV is that, 'in the last 25 years, since around the turn of the century, we've become comfortable with our principal characters being bad people.' He explained that the trend is 'relatively new,' because in the history of American TV, shows were usually, 'about heroes, good guys. There were antagonists, but the [show] was about the protagonists getting the best of them.' 13 James Gandolfini in 'The Sopranos.' Getty Images Advertisement This trend began to change with the 'golden age of TV' in the 2000s' with shows such as 'The Sopranos,' 'Breaking Bad,' 'Mad Men' and 'The Shield.' 'Oftentimes rich folks in at least a supposedly democratic culture, can be hard to portray sympathetically – because they've got all this stuff, they're so privileged,' he said. Shows that premiered during the antihero boom, 'opened the door for a lot more wealthy folks,' he told The Post. 'It would have been hard to do a show like 'Succession' in 1965, and have it be about a noble media magnate.' 13 Jeremy Strong in 'Succession.' HBO/IMDB Advertisement To convey the right aesthetics of luxury, Kender explained that the 'We Were Liars' production 'tried to be on the same wavelength as a Ralph Lauren polo ad, that makes you feel very aspirational.' 'That's the aesthetic we were aiming to give the audience – this idea of this perfect wealth. And food porn,' she noted. 'Not only did you want to live in their house, but eat in their house.' Aside from high-end clothes, a home that could be featured in a magazine, and 'food porn' like 'towers of seafood,' Kender had another key marker to signify moneyed characters. 'I was talking with someone who was telling me that they had been an assistant for a very wealthy family. And one of the things the wealthy family did every other day was have their fresh flowers refreshed.' So, when Kender worked on 'We Were Liars,' she said, 'I was like 'these are the type of people who have their flowers refreshed in their home every other day…Not by the people who live there – it's almost like elves come in and refresh them.' 13 Emily Alyn Lind, Esther McGregor, Joseph Zada and Shubham Maheshwari in 'We Were Liars.' Jessie Redmond/Prime There are still some shows featuring characters who have modest homes and jobs, however — such as 'Abbott Elementary.' 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The Verge
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- The Verge
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News24
34 minutes ago
- News24
‘It all started off-camera': Makoto explains the real reason for her clash with Tshepo
The second season of Married at First Sight South Africa (MAFS Mzansi) has kept viewers glued to their screens, with explosive drama, heated confrontations, and unexpected friendships unfolding weekly. While the show's focus is on the turbulent marriages, one of the most heartwarming subplots has been the blossoming friendship between co-stars Palesa Mphaki and Makoto Phumodi, two women who found solace in each other amid the chaos of the social experiment. When asked about why she went through with marrying a stranger on national TV, she said: 'I decided to take part in Married at First Sight Season 2 because I wanted to try something different. I wanted to look for love in an unconventional way. I mentally prepared myself to get married to a stranger by simply being open to the unknown; that is all you can do, there is no manual to this experiment.' 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Their mild-mannered confrontation in episode 7 whet viewers' appetites, and a preview for episode 8 hints at another heated exchange during the couple's retreat. Although Nkululeko was the one who told Makoto what Tshepo had said about her, he did an about-turn when sitting across the table from Tshepo, when he claimed that he did not remember exactly how their conversation went. 'My husband confided in Tshepo a lot. Our argument happened off camera when Tshepo said I shouldn't be asking my husband about his whereabouts, 'Monna ha a botswe o tswa kae'. He was basically saying Nkululeko can do whatever he wants, whenever he wants, and I shouldn't ask anything. When I reacted to that comment, he called me disrespectful,' she told Showmax, tracing their feud back to its roots. Nkululeko's assertion ignited another fight between the newlyweds that led back to their underlying intimacy problem. 'Intimacy is important to me. If we can't connect emotionally, it won't work. My husband didn't believe in foreplay or kissing when we first met, so those are the things we had to learn about each other and overcome.' 'Palesa is my girl' Although Palesa and Tshepo are feuding, she gets along quite well with his wife. In her Showmax Q&A, Makoto opened up about her friendship with Palesa, saying: 'Besides my husband, Palesa is my girl. We've built a beautiful relationship outside of the show. We talk on the phone almost every day.' @_palesahm 'A girls girl'🥺❤️I beyond greatful to have met someone who just gets me like @Makoto does! 💕 Mokgotsi, I know our paths just crossed but it feels like we've known each other for years. This journey would have been beyond difficult had you not been there. Thank you for holding my hand. The vibes were instant, the laughs are real, and the conversations are deep. 🌟 I'm so grateful for new friendships that feel like old ones. Here's to many more 2 hour phone calls, spontaneous adventures, and late-night talks about life, love, and everything in between! Love you Mokgotsi ❤️ #NewFriendAlert #BestiesInTheMaking #FriendshipGoals #marriedatfirstsight #marriedatfirstsights2 #showmaxonline ♬ Girl - Destiny's Child Based on what viewers see on TikTok, Palesa and Makoto leaned on each other for support behind the scenes of all the on-screen chaos. Watching the show with this information in mind, their bond becomes even more evident as you notice the two often confiding in each other during group gatherings. Now, a year after the experiment, they've broken their social media hiatus, sharing throwback clips and photos, letting us in on their sisterhood. The actor also addressed the view that she is acting on the show while commenting on what it's like to watch her journey from a viewer's perspective: 'Watching my journey on screen is amazing. I'm not shocked by anything. People think I'm acting, but little do they know, I react like that in my everyday life.'