The Morning Show Season 4: From release date and cast to storyline – Everything we know so far
Alright, folks, buckle up because The Morning Show Season 4 is coming, and it's bringing all the drama, heart, and juicy behind-the-scenes chaos fans love. This Apple TV+ gem, starring the unbeatable Jennifer Aniston and Reese Witherspoon, dives back into the wild world of morning news with a fresh batch of episodes. From who's in the cast to when it drops and what's cooking in the storyline, here's the full scoop on what's known so far. The Morning Show Season 4 Release Date
Get those watch parties ready! The Morning Show Season 4 kicks off on September 17, 2025, streaming exclusively on Apple TV+. Expect 10 episodes, with a new one dropping every Wednesday until the big finale on November 19, 2025. Filming started in July 2024 and wrapped up by early December, so everything's polished and ready to keep viewers glued to their screens through the fall. The Morning Show Season 4 Cast
The show's stacked lineup is back, and it's a mix of familiar faces and some exciting newbies stirring the pot. Here's who's lighting up the screen: Jennifer Aniston as Alex Levy
Reese Witherspoon as Bradley Jackson
Billy Crudup as Cory Ellison
Mark Duplass as Chip Black
Karen Pittman as Mia Jordan
Greta Lee as Stella Bak
Nestor Carbonell as Yanko Flores
Nicole Beharie as Chris Hunter
Jon Hamm as Paul Marks
Tig Notaro as Amanda Robinson
And then there's the fresh blood: Marion Cotillard as Celine Dumont
Jeremy Irons as Martin Levy
William Jackson Harper as Ben
Aaron Pierre as Miles
Boyd Holbrook as Brodie
Heads up: Julianna Margulies won't be back as Laura Peterson, Bradley's ex, after passing on a one-episode cameo to tie up her arc. That leaves room for some new sparks to fly. The Morning Show Season 4 Plot
Season 4 picks up in spring 2024, almost two years after Season 3's wild ending. The UBA-NBN merger is done, and the newsroom's a pressure cooker of corporate games, hidden agendas, and the fight to tell the truth in a world full of noise. The official word teases a season tackling big questions: 'With deepfakes, conspiracy theories, and corporate cover-ups running wild, who's got the real story?'
This time, the show's leaning hard into artificial intelligence and deepfakes, mirroring today's murky media landscape. Alex is riding high as a major player in the merged network, but her bold merger move comes with consequences. Bradley, meanwhile, is in hot water after her FBI confession tied to her brother's role in the January 6 mess. Will she face jail time, or can she claw her way back to the anchor desk?
The heart of the show is still Alex and Bradley's friendship, even as their paths split. Showrunner Charlotte Stoudt says their bond will pull them back together, no matter the chaos. Expect fierce rivalries, tough ethical calls, and plenty of power plays as the team navigates the new UBA. Plus, with the 2024 election in the rearview, the show's bound to weave in real-world vibes, keeping things as timely as ever.
Ahmedabad Plane Crash
Aman Shukla is a post-graduate in mass communication . A media enthusiast who has a strong hold on communication ,content writing and copy writing. Aman is currently working as journalist at BusinessUpturn.com
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Los Angeles Times
9 hours ago
- Los Angeles Times
Ben Folds on the depth of the new ‘Snoopy Presents' animated musical and why he left Trump's Kennedy Center
Snoopy is the superstar of the 'Peanuts' world, but Ben Folds is loyal to Charlie Brown. 'I'm going to have to go with Chuck because he's so emotionally compressed,' the singer-songwriter said when asked for a favorite. Folds didn't grow up poring over the Charles M. Schulz comics or memorizing the TV specials — 'I can't think of anything I really was a fan of outside of music' — but he loved Vince Guaraldi's music for the animated specials. He started studying Charlie Brown and the gang when he was hired to write the title song for 'It's the Small Things, Charlie Brown,' sung by Charlie's sister Sally in the 2022 Apple TV special. And he recently dove back into the world of these iconic characters when he returned to write the final three songs for 'Snoopy Presents: A Summer Musical.' 'I think it's good that I came to fully appreciate the world of 'Peanuts' as an adult,' says Folds, although he adds that he was still starstruck about writing for Charlie Brown. 'It's a lot of responsibility,' he says. 'I was asking the Schulz family, 'Can I say this?' and they'd say, 'Yes, it's yours.'' Folds' best-known songs, such as 'Brick,' 'Song for the Dumped,' 'Army,' 'Rockin' the Suburbs' and 'Zak and Sara,' may seem too sardonic or dark for the sweet world of Snoopy and company. But he sees it differently. 'There's a lot of deep stuff there. 'Peanuts,' like 'Mister Rogers,' presents an empathetic and nuanced, not dumbed-down view of the world, and that is rare for kids programming,' he says. 'I was able to say stuff in my songs that kids will understand but that will go over the heads of many adults.' He also knows how to approach the storytelling aspect of musical writing pragmatically. Within the show's parameters, Folds is grateful to the creators for giving him his artistic freedom. 'They give me carte blanche and don't push back' Folds says, adding that when he puts in poetic imagery — 'I'm not calling myself f—ing Keats or anything,' he adds as an aside — director Erik Wiese would weave those ideas into the animation. 'That's really cool to see.' 'My ambition is to have them tell me that my lyrics meant they could delete pages of script,' he adds. 'That's what these songs are for.' Wiese says Folds was the ideal person to 'take the mantle' from Guaraldi: 'He brings a modern thing and his lyrics are so poetic; on his albums he always touches your heart.' Writer and executive producer Craig Schulz, who is Charles' son, was impressed by both Folds' songwriting and the responsibility the musician felt to the 'Peanuts' brand. 'He has a unique ability to really get into what each of the gang is thinking and drive the audience in the direction we want to,' says Schulz, adding that there was one day where the writers got on the phone with Folds to explain the emotions they needed a scene to convey 'and suddenly he says, 'I got it, I'm super-excited' and then he hangs up and runs to the piano and cranks it out.' The first song Folds wrote for 'A Summer Musical' was when Charlie Brown realizes that the camp he holds dear 'is going to get mown over in the name of progress. I wanted him to have the wisdom of his 60-year-old self to go back to 'when we were light as the clouds' to let him understand the future,' he says. So it's a poignant song even as he's writing about Charlie Brown looking through 'old pictures of people he met five days ago. That's the way kids are — they're taking in a whole world and learning a lot in five days.' (He did not write the show's first two songs, though you'll hear plenty of Folds-esque piano and melody in them because, Wiese says, 'We wanted it to sound cohesive.') In the final song, Folds' lyrics celebrate the saving of the camp (yeah, spoiler alert, but it's 'Peanuts,' so you know the ending will be happy), but he laces in the idea that these children are inheriting a lot of bad things from older generations, including climate change. But it's not cynical, instead adding an understanding that their parents did the best they could (with a 'Hello Mother, Hello Father' reference thrown in for the old-timers) and that this new generation will do the best they can and make their own mistakes. Folds says it's important for people in the arts and on the left to bring a realistic view but not to become doomsayers. 'I see how bad it could get, but there are two stories you can always tell that might be true — one way to talk about climate change will leave people saying, 'We're screwed anyway so I'll just drink out of plastic bottles and toss them in the garbage,' but the other way is to motivate people, to tell a story that shows an aspiration towards the future.' That does not mean, of course, that Folds is blind to the perils of the moment. He stepped down as the National Symphony Orchestra's artistic advisor at the Kennedy Center to protest Donald Trump's power play there. 'I couldn't be a pawn in that,' he says. 'Was I supposed to call my homies like Sara Bareilles and say, 'Hey, do you want to come play here?'' But he's focusing on the positive, noting that he's now working with other symphony orchestras with that free time. Folds has recently also tried countering the turmoil of our current era: Last year he released his first Christmas album, 'Sleigher,' and his 2023 album 'What Matters Most' opens with 'But Wait, There's More,' which offers political commentary but then talks about believing in the good of humankind, and closes with the uplifting 'Moments.' And obviously, Folds knows that a show that stars a beagle and a small yellow bird that defies classification is not the right place to get bogged down in the issues of the day. Even when the lyrics dip into melancholy waters, they find a positive place to land. 'In this era I don't want the art that passes through my world to not have some semblance of hope,' he says.
Elle
10 hours ago
- Elle
Denzel Washington and Spike Lee Reunite for ‘Highest 2 Lowest'—Here's How to Watch
Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. Spike Lee and Denzel Washington reunite for the fifth time in Highest 2 Lowest, a modern reimagining of Akira Kurosawa's revered 1963 thriller High and Low. Set in present-day New York, Lee casts Washington as David King, a music mogul pulled into a high-stakes ransom plot. Today's theatrical release arrives after the film premiered at Cannes Film Festival, where it earned a six-minute standing ovation (and a rare Rihanna red carpet appearance). This marks Washington and Lee's first film together since 2006's Inside Man, a collaboration Washington says was built on deep mutual trust. 'There was only one person to do this. And I'm sitting next to him,' the actor recently told Vanity Fair. Lee approached the project as 'a jazz reinterpretation of a great film,' adding, 'I knew if I was to do this, it had to be a reimagining. And it was right up my alley—a big, fat, juicy one coming down the middle of the plate. And I feel like I knocked it out.' Washington sees the project as long overdue in his career. 'In [most of] the time I've been an actor, I wouldn't even have been allowed to play a part like this. No white directors were hiring us, and no studios were hiring us,' he told Vanity Fair. 'That's why I called Spike. I trust Spike, and he trusts me.' Lee hopes audiences catch the film on the biggest screen possible. 'No matter how big that TV on the wall in your home is, see it in theaters first,' he says. Washington added, 'In the theaters, in the theaters, in the theaters. I'll keep saying August 15.' Not yet, but soon. After debuting in theaters today, the film will land on Apple TV+ on Sept. 5, 2025, just 19 days later. Until then, you'll need to catch it during its theatrical run. Take it from Lee—it's worth seeing on the big screen. GET TICKETS
Yahoo
11 hours ago
- Yahoo
This Native Hawaiian Woman Called Out The People Complaining About "Chief Of War" Being In The Hawaiian Language With English Subtitles
Earlier this month, Chief of War premiered on Apple TV+ and completely blew me away. The historical drama focuses on the unification of the Hawaiian islands, mainly from the point of view of Kaʻiana (played by Jason Momoa). As a Polynesian woman, I grew emotional seeing Hawaiian history and culture represented on screen. And so well done, too! From the cinematography to the acting to the costumes, you can feel how much love and care went into the making of this show. Since Chief of War is Jason's longtime passion project, I wouldn't expect anything less! And to hear all the actors speaking ʻōlelo Hawaiʻi (the Hawaiian language) — goosebumps! I never in a million years imagined we'd get a show like this on a major streaming platform in a Pasifika language. What a powerful decision to kick off the series in the language these historical figures actually spoke, one with a complicated history that's being revitalized today. As of the time of writing, Apple TV+ has released three episodes, with more English in the most recent episode due to the historical events explored in the show. So, imagine my surprise when I came across quite a few social media posts criticizing Chief of War for not being in English. Some people were apparently annoyed about reading subtitles, with this X (formerly Twitter) user writing, "What morons make a show for an American audience and put it in a completely foreign language. If I wanted to read, it would be a book." Note: The image of Jason Momoa in the original tweet was replaced here due to photo rights. As more and more of these complaints made the rounds online, some Kānaka Maoli (Native Hawaiian) social media users began pushing back against this terrible take. One such person was Lily Hiʻilani Okimura, a 27-year-old substitute teacher and content creator. In a video posted to TikTok, she criticized the above tweet and explained some Americans might not be the target audience, but that doesn't mean other cultures don't deserve TV shows in their own language. In another video, she gave her review of the first few episodes and emphasized the importance of ʻōlelo Hawaiʻi in the series, saying, "It is not treated as a background element. It is foundational to the storytelling." To learn more, I reached out to Lily, who was "extremely impressed" by Chief of War. She told BuzzFeed, "After watching the first couple episodes and hearing it completely in ʻōlelo Hawaiʻi, my jaw was dropped, and I felt as if I was immersed into the world. Of course, the show will eventually transition more into English as the story progresses and events in our history takes place, but having the beginning of this show and whole episodes be set in Hawaiian was amazing. And ESPECIALLY for Apple TV+?! Wouldn't have thought they would've approved. Jason Momoa and [series co-creator] Thomas Paʻa Sibbett must've fought really hard for this!" View this photo on Instagram Lily began learning ʻōlelo Hawaiʻi in 2020 while studying for her MFA in Hawaiian Theatre. Not only does the Hawaiian language in the show give her the opportunity to follow along and practice, but it "just makes sense" due to the plot and setting, she said. Additionally, this "further normalizes and legitimizes ʻōlelo Hawaiʻi to the outside world and for folks who may have only heard a few of the words in our language like 'aloha' and 'mahalo.'" "Hawaiian is a real language, a Polynesian language from the Austronesian language family," she continued. "It was spoken in our lands for generations before colonialism, and we were forced to speak only English. The Hawaiian language ban affected many ʻohana, including my own, where they couldn't speak it at schools or in public in order to assimilate into this new (forced) American way of living. I'm the first in my family to relearn our mother tongue, and I hope to teach it to my future children, enroll them into Hawaiian Immersion school, and that they will be fluent, and they can teach me!" "Having the show in ʻōlelo Hawaiʻi also brings cultural authenticity, allowing viewers to experience the story through the same lens and worldview our kūpuna (ancestors) did, instead of filtering it through English for outside convenience. It contributes to language revitalization by making ʻōlelo Hawaiʻi visible and functional in a mainstream setting, inspiring more people to learn and speak it. For fluent speakers and immersion students, hearing the language on screen validates their identity and shows that their voices belong in the global media landscape. Just like Korean, Spanish, or French films, it reminds the world that Hawaiian deserves the SAME respect as any other global language." As far as the backlash goes, Lily thinks the complainers are "extremely uncultured and need to get out more." She continued, "There are English subtitles! Can these people not read or what?" before pointing out several examples of other languages in pop culture, from anime to Star Trek's Spock speaking Klingon to Parasite, which won the Oscar for Best Picture in 2020. "We share this planet with billions of people, coming from different backgrounds and cultures and lived experiences. How boring would it be to only experience and consume art and media that only reflects one narrow worldview? Art, history, and storytelling lose so much richness when they're stripped of the language that shaped them. ʻŌlelo Hawaiʻi isn't just a translation option; it's the lens, the rhythm, and the worldview of our people. English was forced here through colonization, and for decades, speaking Hawaiian was punished. Choosing to tell a Hawaiian story in Hawaiian is a deliberate act of resistance and cultural restoration. Complaining about that because it's 'inconvenient' for you isn't just lazy — it's participating in the same erasure that tried to kill our language in the first place." View this photo on Instagram Lily hopes that Chief of War will open the door to more TV shows and movies diving into Hawaiian history and mythology, especially in ʻōlelo Hawaiʻi. "Thus, more opportunities for Kānaka Maoli to tell our stories! More, new, and fresh faces! Maybe an actual TV and film industry here in the islands that's Hawaiian-centered." "E ola ka ʻōlelo Hawaiʻi! The Hawaiian language shall live!" she concluded. View this photo on Instagram To learn more about Kānaka Maoli culture and issues, be sure to follow Lily on TikTok and Instagram! And you can watch Chief of War on Apple TV+ here.
