
Visit Granite Mountain Hotshots Memorial State Park
The big picture: The park opened in 2016 as a way to memorialize the tragedy that killed 19 wildland firefighters in northern Arizona in 2013.
It features a 7-mile round-trip trail with memorial placards honoring each of the victims.
The final ¾ mile is called the "journey trail" and follows the last steps taken by the Hotshot crew. It concludes at the fatality site, where their bodies were discovered, which is encircled by 19 linked gabion baskets.
Zoom in: Visitors are encouraged to leave memorial items at the tribute wall that overlooks the fatality site.
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San Francisco Chronicle
7 days ago
- San Francisco Chronicle
Memoir ‘Hotshot' exposes harassment, hardship and hope in wildland firefighting
When River Selby signed up at age 19 to become a wildland firefighter, the decision wasn't driven by a search for adventure or opportunities to be a hero. Instead, Selby was running away — from a tough, feral adolescence during which they had been a homeless runaway – including a terrifying stretch in San Francisco at 16 — as well as a sex worker, a stripper, a rape victim and a heroin user before deciding on a whim to try firefighting. Selby's absorbing new memoir, 'Hotshot: A Life on Fire,' takes readers inside the decade they spent fighting raging fires in the West, including four years on the most elite, almost entirely male, 'hotshot' crews in Utah and Sequoia National Forest that conduct the initial attack on extreme fires. Selby describes finding a newfound calm and stability being out in the wilderness for 16 hours a day, up to 21 days in a row, with an important job to do. But 'Hotshot' also details the trauma of being objectified, tokenized and incessantly judged and harassed. Interwoven throughout the narrative are Selby's deeply researched historical examinations of U.S. fire policy and its shortcomings. As California residents have learned the hard way, excessive fire suppression has worsened wildfire seasons. Since 2005, fires in the Western U.S. have more than doubled in size. Selby spoke with the Chronicle by phone from Tallahassee, Fla., about their experience of fighting fire while also fighting to be seen as a whole person. A: Yeah. It's wild reflecting on it now. I bounced around when I was younger. I ran away for the first time when I was 12, and my mom handed me cash and said good luck. I had been homeless off and on as a teenager, and had used drugs from a very young age. Everything I did as a human was defense; There was no offense. I didn't even know what the job would be, but I thought I'd give it a shot. I was lucky that first season in 2000 was a really busy (fire) season. She was right. It did distract me, for sure. Q: Elite wildland firefighting is an almost exclusively male world, and you describe how being the only woman, or one of a few, on a crew took a toll on you. Can you talk about how you were perceived and how that affected you? A: It was this dual experience of wanting to be seen outside of being a sexual object, but also internally not having been allowed in my life to be identified outside of that. I had learned to objectify myself and had internalized a lot of misogyny. I was constantly in this bind where I was trying to prove myself, working twice as hard as many of the guys, while also navigating the kinds of attention I was getting on the crew and dealing with the fallout from the ways in which I engaged with some of the guys. You know, men sleep with people on their crew all the time, but it's always the women facing the fallout. Q: Do you think things have gotten better for women firefighters today? A: Throughout the process of writing and researching, I was surprised to learn that they really haven't. Now that I've started talking about the book, I've heard from other women who've told me they thought they alone had this experience. Two women messaged me saying they left fire for similar reasons. Q: Because of harassment? Q: Looking back, what did you love about firefighting? You describe learning to confidently set fire yourself with a blowtorch (to control a burn area) as the moment you fell in love with being a hotshot. A: I loved working outside. I loved the camaraderie with the guys that I did connect with. It taught me such a work ethic. And it was a beautiful experience to lay fire on the ground, and to be able to predict what it's going to do. I can maybe just begin to understand why for Indigenous people it's not only an agricultural tool, but something that is powerful culturally in spiritual life. Kind of like a surfer who can predict the waves, when you're working with fire and know it's going to regenerate the land, it's an incredible experience. Q: There's an irony running through your book, that when you were fighting fires, you were starting to understand that fire shouldn't always be seen as the enemy. A: Right. Fire is naturally a part of all of our landscapes in the U.S., especially anthropogenic fire. Humans in North America have been tending the land with fire for thousands of years. Many landscapes need fire to be able to regenerate in a way that's healthy for them, and none of that was part of my training. As a federal firefighter, we would always burn in the same way despite how different these landscapes were and what they might require. Q: When a catastrophic fire hits California, like this year in the Palisades, and it receives a lot of media attention, is there anything you would like people to know that might get lost in the coverage? A: I think one thing the general public or media gets wrong is this idea that we need to somehow stop fire altogether from happening in these places. It's actually quite the opposite. More frequent fire on micro levels is needed in these places. There need to be lower barriers to nonprofits and Indigenous groups burning and doing mitigation, and more funding for homeowners of all economic statuses to be able to clear defensible space around their houses. Q: There are Indigenous tribes advocating to bring healthy fire back to California. Are you hopeful that these efforts will make real progress? A: It's one of the reasons I wrote my book, because Indigenous people give me hope. They're working so hard, in so many different places, to bring fire back. These groups need more funding and they need to be allowed to lead fire suppression, instead of just state and federal agencies. This is a hopeful book. I am a hopeful and optimistic person, and that's probably how I've survived. Q: Do you mind if I ask why you decided against writing directly about your non-binary identity, and instead wrote about your past as you lived it, including using your former name, Ana? A: I had to be honest about my experiences during that time, and I didn't have words then for being non-binary. I didn't identify in that way. What's interesting is that in writing about my experience, the book is a book about being non-binary. It is a book about experiencing the world as somebody who doesn't quite feel right in the gender identity that's been handed to them. It's also about being queer. And about being a survivor of trauma. By not addressing these outright, I wanted to make sure other people would be able to say, This is my experience too.


New York Post
03-07-2025
- New York Post
Peter-Henry Schroeder, ‘Star Trek' and ‘Argo' actor, dead at 90
Peter-Henry Schroeder, who played Klingon Chancellor in 'Star Trek: Enterprise,' has died. He was 90. The actor passed away peacefully on June 7 at Lake City VA Medical Center in Florida with his family by his side, according to an online memorial page. 'I had a long and rich life, and I thank God for it,' Schroeder was quoted once saying. 5 Peter-Henry Schroeder died on June 7, 2025. Lally Talent Agency Schroeder was born on January 2, 1935, in Syracuse, New York. He lived in Los Angeles for 60 years. From 1953 to 1955, Schroeder served in the U.S. Army during the Korean War. He was assigned to a unit that participated in a USO show and saw Marilyn Monroe perform for the troops. 5 Peter-Henry Schroeder in 'Star Trek: Enterprise.' USA Network After his return from service, Schroeder began to pursue a career in acting. He studied with actress Paula Strasberg and studied privately at Carnegie Hall with Dustin Hoffman and Jon Voight. Schroeder made his acting debut in 1979's 'The Seduction of Joe Tynan' also starring Meryl Streep and Alan Alda. He went on to land roles in the films 'Fire in the Night,' 'Hotshot,' 'Journey to the Center of the Earth' and 'Hider in the House,' as well as the shows 'B.J. and the Bear' and 'Thirstysomething.' He also played a Maitre d' in an episode of 'Cheers' in 1989. In 2001, Schroeder portrayed Klingon Chancellor in a two-episode arc on 'Star Trek: Enterprise.' The series, a prequel to 'Star Trek: The Original Series,' starred Scott Bakula, John Billingsley, Jolene Blalock and Dominic Keating. It aired from 2001 to 2005. Later in his career, Schroeder played a producer in Ben Affleck's 2012 Oscar-winning political espionage film 'Argo.' 5 Peter-Henry Schroeder in the 2010 short film 'Gunslinger.' Nova Entertainment Schroeder was also a recording artist for Capital Records and Ascot and released 'Where's the Girl for Me' in 1960 and 'Memories of Marilyn' in 1964, ten years after he saw her in Korea. Additionally, Schroeder formed his own production company, PHS Productions, was a guest teacher at the American Academy of Dramatic Arts and established the Actor/Artist Group Workshop in 1979 where he trained and mentored hundreds of actors. 5 A photo of Peter-Henry Schroeder. Human Animal Life Foundation Schroeder's memorial page described him as 'a masterful character actor' who 'through his creativity, passion, and dedication, led a remarkable life and career which enriched the lives of those he touched.' Schroeder is survived by his daughter Valerie Lynn, son Peter Henry II, grandsons Peter Henry III and Jarrid Michael, and more relatives.


Axios
02-07-2025
- Axios
Visit Granite Mountain Hotshots Memorial State Park
The Granite Mountain Hotshots Memorial State Park allows visitors to trek the final path traveled by the fallen Yarnell Hill firefighters. The big picture: The park opened in 2016 as a way to memorialize the tragedy that killed 19 wildland firefighters in northern Arizona in 2013. It features a 7-mile round-trip trail with memorial placards honoring each of the victims. The final ¾ mile is called the "journey trail" and follows the last steps taken by the Hotshot crew. It concludes at the fatality site, where their bodies were discovered, which is encircled by 19 linked gabion baskets. Zoom in: Visitors are encouraged to leave memorial items at the tribute wall that overlooks the fatality site.