SA Menswear Week fashion trends to try this season
This season, men's wear at the shows was harking back to five favourite and aesthetic trends of the Y2K era
FUTURISTIC
Whether you go dystopian or psychedelic, the colourful and playful world of 2000s futurism is making a strong comeback. The look can also be achieved with cutouts that define the risk-taker approach to the trend.
DENIM CRAZY
While denim never left, fusing it with metallic fabrics or frills brings freshness to a stale staple. Puffer jackets in denim have also made for favoured custom pieces that are slowly seeping into retail.
SKATER BOY
While the utilitarian boxy silhouette has been the go-to for actual skateboard lovers who employ the laid-back street style of the subculture, the loose fits and low rise jeans of the trend are also making a comeback. Urban trends have also continued to embrace hippy elements and playful kidcore accents like stitched flowers or cartoon characters.
AFROPOLITAN
Reimagined African prints have also become a fast macrotrend thanks to textile quality expectations in high-end designs. This can also be embraced in safari suits, camouflage print and boots that wink back at the fashions of African leaders of yesteryear. Nostalgic African prints from products or bygone bags have become a favourite for many designers to reinterpret while others allow for bold prints to enjoy boxy silhouettes best suited for fashionistas who aren't interested in tailored suits. And speaking of ...
HIP HOP DAPPER
Perhaps a response to the growing interest men's wear has made in the suiting world over the past year, designers were keen on looking back to throwback colour combinations like yellow and navy or the contributions of dandies in rap spaces like Fonzworth Bentley with playful suits best suited for the beach. Reimagining these with drapes and African print also made the trend a lot more inclusive to those who wouldn't traditionally feel dapper styles were suited for the curve.
BLING
From big and bold jackets to furs, the 2000s bad boy is certainly fitted to make a comeback. Best paired with eye-catching diamond neckpieces, this look is not for the shy. Striking prints on tracksuits, convertible pants and fur trims are bound to be major staples around brightly coloured leather coats, velour jackets and high-waisted trousers.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Citizen
15 hours ago
- The Citizen
‘Black Women and Sex': South African filmmaker wins at American Black Film Festival
'Black Women and Sex' follows three women: Zambian Iris Kaingu, South African Glow Makatsi and Nigerian chef Olawumi Oloye. South African filmmaker Godisamang Khunou's documentary, Black Women and Sex, won the Best Documentary Feature at the recent American Black Film Festival (ABFF). By nature, sex is liberating, but most black women's experience of the intimate act isn't of freedom, but instead bondage. Speaking to The Citizen, Khunou said she was inspired to tell the story after meeting a filmmaker from Ghana in 2015 who had done a film about female genital mutilation. 'I had never heard of it at that point and it stayed with me for months and years after that because it is a violation of h uman rights, until I decided to write this film to find out to find out about the many politics involved for African women and sex,' Khunou told The Citizen. Founded in 1997, the ABFF is dedicated to showcasing film and television content by and about people of African descent. Now in its 29th year, the ABFF was held from June 11 to the 15th in Miami Beach. ALSO READ: 'Kivuli & Nuru: The Afrodisiacs Collection' —African erotic stories delving deep into the queer world of desire Validating win Black Women and Sex follows three women; Zambian media personality Iris Kaingu who was incarnated after her sex tape was leaked, South African gender equality activist and transwoman Glow Makatsi and Nigerian chef Olawumi Oloye. It took about six years to make the documentary, and Khunou said she became worried during the process because the film had already won awards for its development. '…in the process I was winning a lot of awards too for development, and I worried that the film wouldn't live up to the hype in the making of it, so it was very validating that I delivered what I had promised in those years when it won as a complete project at ABFF,' she said. Khunou said she had planned to attend the festival with Kaingu but couldn't after failing to find a US visa appointment in time for the festival. 'We tried everything between her resources and networks and mine, but in the end it didn't work out. I know many other South African filmmakers who were a part of the South African showcase at the American Black Film Festival this year who also couldn't make it because of difficulties with their visas,' said Khunou. Despite the main characters of the doccie being absent, 'all three women celebrated with us on social media, and that was lovely,' shared Khunou. ALSO READ: 'Far superior to anything we've done before': Zolisa Xaluva, Sindi Mahlangu and Thembi Seete on 'Kings of Joburg' season 3 South Africans at ABFF Black Women and Sex premiered at the ABFF, and Khunou said it will show in South Africa at the National Arts Festival in Makhanda later this month. 'The film will be screening at the National Arts Festival in Makanda, in the Eastern Cape, very soon, from the 26th of June 2025 to the 6th of July 2025 through the Fringe Programme, and I can't wait to share it with audiences here at home,' she said. Khunou attended the festival with the help of the Gauteng Film Commission. Other South African filmmakers and their films were present at the festival through a partnership between the ABFF and Art in Black Foundation. Through this partnership, the South African Collective was presented. The South African Collective was a curatorial art exhibition spotlighting five dynamic visual artists from South Africa. The artists are Steve Maphoso, Thabiso Dakamela, Assan Taylor, Siyabonga Mlambi and Ayanda Moyo. 'This exhibition is an exciting step forward in ABFF's mission to uplift global Black creatives,' said ABFF founder Jeff Friday. 'We are proud to provide a platform where African art and cinematic storytelling can exist in conversation, inspiring deeper cultural connection.' The idea for this collaboration was born during an immersive art tour through South Africa led by curator Allana Foster Finley of Cur8Africa and Friday. NOW READ: 'A new chapter': Siphokazi celebrates independence after 16 years with former label


The Citizen
2 days ago
- The Citizen
Daal makhani (buttery lentils) makes a great meat-free dish
GET IT MAGAZINE I'm an experienced writer, sub-editor, and media & public relations specialist with a demonstrated history of working in the media industry – across digital, print, TV, and radio. I earned a diploma in Journalism and Print Media from leading institution, Damelin College, with distinctions (Journalism And Print Media, Media Studies, Technical English And Communications, South African Studies, African & International Studies, Technology in Journalism, Journalism II & Practical Journalism). I also hold a qualification in Investigative Journalism from Print Media SA, First Aid Training from St John's Ambulance, as well as certificates in Learning to Write Marketing Copy, Planning a Career in User Experience, and Writing a Compelling Blog Post.


The Citizen
3 days ago
- The Citizen
North author redefines African narrative through ink and action
A Pretoria writer is encouraging his community to embrace their individual African stories and journeys to share collective progress, claim their identity and live a life filled with hope. Using his book, Voices of the African Gamechangers, as a platform for thinkers, he hopes the youth can use it as a beacon to showcase what's possible for every young person in areas such as Mabopane. Nkagare Makhudu said he was not in the spirit of just writing books, but is rewriting perceptions, reclaiming identity, and redefining Africa's story, one page at a time. Makhudu described himself as a man deeply rooted in values, community, and identity. 'I have always believed in the power of stories. Not just stories we are told, but stories we tell ourselves, and those we choose to tell the world,' he said. Makhudu found his voice in writing. Voices of the African Gamechangers is Makhudu's first official book, published last month, after a draft of the book was initially self-published in August 2023. Though the book is a collaborative project, Makhudu's chapter reveals personal experiences of overcoming doubt, navigating professional spaces, and finding a deeper sense of purpose. The book offers a selection of essays and reflections by dynamic African thinkers, entrepreneurs, and change agents reshaping their communities and the world. 'Writing this chapter allowed me to reflect deeply on my journey, not just professionally, but personally. 'It's easy to be defined by titles and positions, but my story is really about resilience, community, and the courage to create a different reality,' he said. 'I want young people from Mabopane, Itsoseng, Bethanie and other places to see themselves in my journey. Not because it's exceptional, but because it's possible.' His message to aspiring leaders is simple: Start where you are. 'You don't need money to make an impact. You need vision, consistency, and a heart for people.' Looking ahead, Makhudu is more focused on legacy than accolades. He is passionate about succession planning and is already mentoring a new generation of changemakers. 'We cannot afford to be the last generation of torchbearers. We must pass it on, not when we retire, but now.' Born in the village of Bethanie in North West, he was raised in Itsoseng near Mahikeng, and later rooted in Mabopane before settling in Mountain View. His journey is a reflection of the South African spirit being grounded in struggle, lifted by purpose, and driven by hope. Growing up in communities where opportunity was scarce and hope often suspended, he understands the structural and psychological barriers faced by many young Africans. 'Too many of us have internalised the idea that success looks like something Western, something imported. 'But the African story is full of innovation, intelligence, and inspiration. We just need to give it a platform,' said Makhudu. His work with the Morongwa Foundation focusing on youth development, leadership training, and entrepreneurship particularly among marginalised communities, is an expression of this philosophy. 'I want young people to see themselves as capable, valuable, and powerful. And sometimes, all it takes is one voice, one story, to unlock that potential. 'There are more stories to tell, mine, yours or ours,' he said. Do you have more information about the story? Please send us an email to bennittb@ or phone us on 083 625 4114. For free breaking and community news, visit Rekord's websites: Rekord East For more news and interesting articles, like Rekord on Facebook, follow us on Twitter or Instagram or TikTok. At Caxton, we employ humans to generate daily fresh news, not AI intervention. Happy reading! Stay in the know. Download the Caxton Local News Network App Stay in the know. Download the Caxton Local News Network App here