
Hunter Doohan fears becoming the 'Tom Holland of Wednesday'
The 31-year-old actor - who played coffee shop barista Tyler Galpin in the first season of the Netflix show - referenced the Spider-Man star's habit of accidentally revealing Marvel spoilers during interviews, and admitted he can't wait for the second season of Wednesday to finally come out so he can stop panicking about letting something slip.
Speaking to Women's Wear Daily, he quipped: "I don't want to be the Tom Holland of Wednesday. 'I feel like a jerk sometimes in these interviews, I'm like, 'I can't say that. I can't say anything.' '
Hunter did promise the new season will be "bigger and better" then its predecessor, which hit the streamer in 2023.
Two years later, the actor revealed he's excited to embrace the supernatural elements of the show, as he had to play his character in a grounded way before he was revealed to be the monstrous Hyde.
Speaking about season two, he said: 'It was really fun to be in the Tim Burton world a bit more because I'm not pretending to be the nice boyfriend barista.
'So this time I really felt like from the start I was living in the heightened genre of the world the whole time.'
As well as Wednesday, Hunter has been seen in series like Your Honor and Daredevil: Born Again, while he also appeared in episodes of Westworld, What/If and Schooled.
Next year, after a string of short film roles, he'll make his major big screen debut in Evil Dead Burns.
Hunter admitted despite a love for acting on screen, growing up in Fort Smith, Arkansas meant chasing his dream didn't feel "realistic".
He explained: 'I never saw film and TV as an option growing up there, even though I loved it.
"It just truly never even crossed my mind as something I could even try to pursue, whereas theater felt realistic.
'We had our high school theater and our community theater.'
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Sky News AU
3 hours ago
- Sky News AU
Meghan Markle eyeing new ‘gold mine' but Sussexes could still be forced to cut staff at Archewell production company
Meghan Markle and Prince Harry's new 'first look' deal with Netflix could end up netting the Sussexes more money than their original contract, an insider has claimed. The Sussexes signed a five-year, $100 million content partnership with the streaming giant through their Archewell company in the heady days of 2020. The deal produced the massively successful docu-series Harry and Meghan, where the Sussexes dished royal secrets, but subsequent projects have come and gone with little fanfare. Infamously, Harry's Drive To Survive-style series on Polo attracted less than 500,000 viewers around the world. Only Markle's cooking series With Love, Meghan, is set to return to the streamer for a 'second season'. It is understood the Sussexes will transition on to a 'first look' deal at Netflix within months, which gives the streamer first dibs on optioning any new Sussex projects. According to royal insider Alison Boshoff, the deal could end up being highly lucrative if Netflix opts to purchase several programs or expand the With, Love Meghan universe. 'There are options on the table for other lifestyle shows from the Duchess, tied to hosting gatherings at Thanksgiving or Christmas,' she wrote in the Daily Mail on Thursday. 'The idea is to announce those in September when the second series (already shot) of With Love, Meghan drops.' While standalone specials could be a 'goldmine' for Meghan, Ms Boshoff claimed that the Sussexes may struggle to cover the payroll at Archewell without the Netflix deal. 'It's bad news for their own large team at Archewell Productions, which has been funded up to now by the Netflix exclusive deal,' she wrote. 'Insiders suggest that running the team and the office costs around $3 million USD a year.' Meanwhile a source close to the couple expressed concerns that without the guiding hand of Netflix the Sussexes are 'horrible' at managing their business affairs. 'They are horrible at making decisions,' the source told the same outlet. 'They ask everyone, then don't take their advice.'


The Advertiser
5 hours ago
- The Advertiser
Killer thriller takes you on a wild European ride
When 30-year-old journalist Edward arrives on a small Greek island to spend some time with his distant mum Julie, he finds himself thrown into a world he never knew existed and ends up running for his life. That's because Julie is an assassin, and she's forced out of retirement when other professionals are sent to take her out. This leads to a massacre at a wedding in the village, and some very awkward conversations between the pair. Edward had no idea his mother was a trained killer and now he's got to go on the run with her. The duo are played by Freddie Highmore (The Good Doctor, Bates Motel) and Keeley Hawes (Bodyguard, Line of Duty), each straddling the line between drama and dark comedy. While Hawes owns the role and brings a great energy, Highmore seems a little out of his depth and never quite matches his co-star's tone. The six-episode series is a British-Australian co-production with action taking place all over Europe. There's conspiracies, blackmail, pursuits, you name it. But as the series progresses you find yourself increasingly wondering if The Assassin knows where it's going. It teases so many different story threads that you'd hope would have a solid payoff, but ultimately just fizzle out. By the time the finale rolls around, it seems that teenagers have taken over the writing tasks because this train goes completely off the rails. You might be tempted to finish the show just to solve the mysteries, but The Assassin is really not worth the trouble. That said, Aussie Devon Terrell (Totally Completely Fine) gives a spirited performance as the shallow, drug-taking son of an Aussie billionaire played by Alan Dale. Based on the novel by Esi Edugyan, Washington Black is a historical fiction series, following the titular George Washington Black across two timelines. In one, the young 'Wash' as he's known is a slave on a plantation in Barbados, looked after by another enslaved person with no knowledge of his birth family. The brother of the English slave-owner rolls into town in a fancy steam-powered vehicle - a shocking sight in the 1800s - and takes an interest in young Wash's astute mind. The pair end up setting out on an adventure together, but the dynamic is always awkward being that Wash is technically still owned by this man's family. The second timeline sees a now older Wash going by the name 'Jack Crawford' and living in Nova Scotia, Canada, in a city at the end of the famous Underground Railroad. He meets an English woman with mixed ancestry and is immediately taken with her, despite their differences in circumstances. The show is sprawling and beautifully costumed, but the reliance on CGI and weirdly juvenile storytelling is a drawback. In the grand tradition of RPA or 24 Hours in A&E, Netflix's Critical: Between Life and Death, takes viewers behind the scenes of series medical emergencies. Set in London, the docuseries focuses on significant trauma cases, and the paramedics, dispatchers, helicopter pilots, doctors, surgeons, nurses and coordinators who make these cases run as smoothly as possible. What's remarkable is how calmly and quietly these medical professionals go about their jobs - a far cry from the chaos people who religiously watched ER would come to expect from such occasions. The show also catches up with the people and their families involved in the accidents and incidents that led them to needing serious medical attention. There's plenty of documentary action to be found on your streaming services this week. On Stan you'll find The Accidental President, a fascinating feature documentary about the remarkable story of Sviatlana Tsikhanouskaya, who challenged the Belarusian dictator by running for president against him. Disney+ has a docuseries from producer Ryan Coogler (known for Black Panther, Sinners) called Hurricane Katrina: Race Against Time, looking back at the devastating natural disaster of 2005 in New Orleans. Also on Disney+ is a true crime docuseries, Her Last Broadcast: The Abduction of Jodi Huisentruit. Over on Prime Video you'll find another season of docuseries Shiny Happy People, this time focusing on Teen Mania, an evangelical Christian youth organisation out of Texas. While Netflix has some happier documentary fare with Hitmakers, a series focusing on the songwriters and producers behind some of the world's biggest musical artists. There's also, of course, Netflix's huge film release of recent times: Happy Gilmore 2. When 30-year-old journalist Edward arrives on a small Greek island to spend some time with his distant mum Julie, he finds himself thrown into a world he never knew existed and ends up running for his life. That's because Julie is an assassin, and she's forced out of retirement when other professionals are sent to take her out. This leads to a massacre at a wedding in the village, and some very awkward conversations between the pair. Edward had no idea his mother was a trained killer and now he's got to go on the run with her. The duo are played by Freddie Highmore (The Good Doctor, Bates Motel) and Keeley Hawes (Bodyguard, Line of Duty), each straddling the line between drama and dark comedy. While Hawes owns the role and brings a great energy, Highmore seems a little out of his depth and never quite matches his co-star's tone. The six-episode series is a British-Australian co-production with action taking place all over Europe. There's conspiracies, blackmail, pursuits, you name it. But as the series progresses you find yourself increasingly wondering if The Assassin knows where it's going. It teases so many different story threads that you'd hope would have a solid payoff, but ultimately just fizzle out. By the time the finale rolls around, it seems that teenagers have taken over the writing tasks because this train goes completely off the rails. You might be tempted to finish the show just to solve the mysteries, but The Assassin is really not worth the trouble. That said, Aussie Devon Terrell (Totally Completely Fine) gives a spirited performance as the shallow, drug-taking son of an Aussie billionaire played by Alan Dale. Based on the novel by Esi Edugyan, Washington Black is a historical fiction series, following the titular George Washington Black across two timelines. In one, the young 'Wash' as he's known is a slave on a plantation in Barbados, looked after by another enslaved person with no knowledge of his birth family. The brother of the English slave-owner rolls into town in a fancy steam-powered vehicle - a shocking sight in the 1800s - and takes an interest in young Wash's astute mind. The pair end up setting out on an adventure together, but the dynamic is always awkward being that Wash is technically still owned by this man's family. The second timeline sees a now older Wash going by the name 'Jack Crawford' and living in Nova Scotia, Canada, in a city at the end of the famous Underground Railroad. He meets an English woman with mixed ancestry and is immediately taken with her, despite their differences in circumstances. The show is sprawling and beautifully costumed, but the reliance on CGI and weirdly juvenile storytelling is a drawback. In the grand tradition of RPA or 24 Hours in A&E, Netflix's Critical: Between Life and Death, takes viewers behind the scenes of series medical emergencies. Set in London, the docuseries focuses on significant trauma cases, and the paramedics, dispatchers, helicopter pilots, doctors, surgeons, nurses and coordinators who make these cases run as smoothly as possible. What's remarkable is how calmly and quietly these medical professionals go about their jobs - a far cry from the chaos people who religiously watched ER would come to expect from such occasions. The show also catches up with the people and their families involved in the accidents and incidents that led them to needing serious medical attention. There's plenty of documentary action to be found on your streaming services this week. On Stan you'll find The Accidental President, a fascinating feature documentary about the remarkable story of Sviatlana Tsikhanouskaya, who challenged the Belarusian dictator by running for president against him. Disney+ has a docuseries from producer Ryan Coogler (known for Black Panther, Sinners) called Hurricane Katrina: Race Against Time, looking back at the devastating natural disaster of 2005 in New Orleans. Also on Disney+ is a true crime docuseries, Her Last Broadcast: The Abduction of Jodi Huisentruit. Over on Prime Video you'll find another season of docuseries Shiny Happy People, this time focusing on Teen Mania, an evangelical Christian youth organisation out of Texas. While Netflix has some happier documentary fare with Hitmakers, a series focusing on the songwriters and producers behind some of the world's biggest musical artists. There's also, of course, Netflix's huge film release of recent times: Happy Gilmore 2. When 30-year-old journalist Edward arrives on a small Greek island to spend some time with his distant mum Julie, he finds himself thrown into a world he never knew existed and ends up running for his life. That's because Julie is an assassin, and she's forced out of retirement when other professionals are sent to take her out. This leads to a massacre at a wedding in the village, and some very awkward conversations between the pair. Edward had no idea his mother was a trained killer and now he's got to go on the run with her. The duo are played by Freddie Highmore (The Good Doctor, Bates Motel) and Keeley Hawes (Bodyguard, Line of Duty), each straddling the line between drama and dark comedy. While Hawes owns the role and brings a great energy, Highmore seems a little out of his depth and never quite matches his co-star's tone. The six-episode series is a British-Australian co-production with action taking place all over Europe. There's conspiracies, blackmail, pursuits, you name it. But as the series progresses you find yourself increasingly wondering if The Assassin knows where it's going. It teases so many different story threads that you'd hope would have a solid payoff, but ultimately just fizzle out. By the time the finale rolls around, it seems that teenagers have taken over the writing tasks because this train goes completely off the rails. You might be tempted to finish the show just to solve the mysteries, but The Assassin is really not worth the trouble. That said, Aussie Devon Terrell (Totally Completely Fine) gives a spirited performance as the shallow, drug-taking son of an Aussie billionaire played by Alan Dale. Based on the novel by Esi Edugyan, Washington Black is a historical fiction series, following the titular George Washington Black across two timelines. In one, the young 'Wash' as he's known is a slave on a plantation in Barbados, looked after by another enslaved person with no knowledge of his birth family. The brother of the English slave-owner rolls into town in a fancy steam-powered vehicle - a shocking sight in the 1800s - and takes an interest in young Wash's astute mind. The pair end up setting out on an adventure together, but the dynamic is always awkward being that Wash is technically still owned by this man's family. The second timeline sees a now older Wash going by the name 'Jack Crawford' and living in Nova Scotia, Canada, in a city at the end of the famous Underground Railroad. He meets an English woman with mixed ancestry and is immediately taken with her, despite their differences in circumstances. The show is sprawling and beautifully costumed, but the reliance on CGI and weirdly juvenile storytelling is a drawback. In the grand tradition of RPA or 24 Hours in A&E, Netflix's Critical: Between Life and Death, takes viewers behind the scenes of series medical emergencies. Set in London, the docuseries focuses on significant trauma cases, and the paramedics, dispatchers, helicopter pilots, doctors, surgeons, nurses and coordinators who make these cases run as smoothly as possible. What's remarkable is how calmly and quietly these medical professionals go about their jobs - a far cry from the chaos people who religiously watched ER would come to expect from such occasions. The show also catches up with the people and their families involved in the accidents and incidents that led them to needing serious medical attention. There's plenty of documentary action to be found on your streaming services this week. On Stan you'll find The Accidental President, a fascinating feature documentary about the remarkable story of Sviatlana Tsikhanouskaya, who challenged the Belarusian dictator by running for president against him. Disney+ has a docuseries from producer Ryan Coogler (known for Black Panther, Sinners) called Hurricane Katrina: Race Against Time, looking back at the devastating natural disaster of 2005 in New Orleans. Also on Disney+ is a true crime docuseries, Her Last Broadcast: The Abduction of Jodi Huisentruit. Over on Prime Video you'll find another season of docuseries Shiny Happy People, this time focusing on Teen Mania, an evangelical Christian youth organisation out of Texas. While Netflix has some happier documentary fare with Hitmakers, a series focusing on the songwriters and producers behind some of the world's biggest musical artists. There's also, of course, Netflix's huge film release of recent times: Happy Gilmore 2. When 30-year-old journalist Edward arrives on a small Greek island to spend some time with his distant mum Julie, he finds himself thrown into a world he never knew existed and ends up running for his life. That's because Julie is an assassin, and she's forced out of retirement when other professionals are sent to take her out. This leads to a massacre at a wedding in the village, and some very awkward conversations between the pair. Edward had no idea his mother was a trained killer and now he's got to go on the run with her. The duo are played by Freddie Highmore (The Good Doctor, Bates Motel) and Keeley Hawes (Bodyguard, Line of Duty), each straddling the line between drama and dark comedy. While Hawes owns the role and brings a great energy, Highmore seems a little out of his depth and never quite matches his co-star's tone. The six-episode series is a British-Australian co-production with action taking place all over Europe. There's conspiracies, blackmail, pursuits, you name it. But as the series progresses you find yourself increasingly wondering if The Assassin knows where it's going. It teases so many different story threads that you'd hope would have a solid payoff, but ultimately just fizzle out. By the time the finale rolls around, it seems that teenagers have taken over the writing tasks because this train goes completely off the rails. You might be tempted to finish the show just to solve the mysteries, but The Assassin is really not worth the trouble. That said, Aussie Devon Terrell (Totally Completely Fine) gives a spirited performance as the shallow, drug-taking son of an Aussie billionaire played by Alan Dale. Based on the novel by Esi Edugyan, Washington Black is a historical fiction series, following the titular George Washington Black across two timelines. In one, the young 'Wash' as he's known is a slave on a plantation in Barbados, looked after by another enslaved person with no knowledge of his birth family. The brother of the English slave-owner rolls into town in a fancy steam-powered vehicle - a shocking sight in the 1800s - and takes an interest in young Wash's astute mind. The pair end up setting out on an adventure together, but the dynamic is always awkward being that Wash is technically still owned by this man's family. The second timeline sees a now older Wash going by the name 'Jack Crawford' and living in Nova Scotia, Canada, in a city at the end of the famous Underground Railroad. He meets an English woman with mixed ancestry and is immediately taken with her, despite their differences in circumstances. The show is sprawling and beautifully costumed, but the reliance on CGI and weirdly juvenile storytelling is a drawback. In the grand tradition of RPA or 24 Hours in A&E, Netflix's Critical: Between Life and Death, takes viewers behind the scenes of series medical emergencies. Set in London, the docuseries focuses on significant trauma cases, and the paramedics, dispatchers, helicopter pilots, doctors, surgeons, nurses and coordinators who make these cases run as smoothly as possible. What's remarkable is how calmly and quietly these medical professionals go about their jobs - a far cry from the chaos people who religiously watched ER would come to expect from such occasions. The show also catches up with the people and their families involved in the accidents and incidents that led them to needing serious medical attention. There's plenty of documentary action to be found on your streaming services this week. On Stan you'll find The Accidental President, a fascinating feature documentary about the remarkable story of Sviatlana Tsikhanouskaya, who challenged the Belarusian dictator by running for president against him. Disney+ has a docuseries from producer Ryan Coogler (known for Black Panther, Sinners) called Hurricane Katrina: Race Against Time, looking back at the devastating natural disaster of 2005 in New Orleans. Also on Disney+ is a true crime docuseries, Her Last Broadcast: The Abduction of Jodi Huisentruit. Over on Prime Video you'll find another season of docuseries Shiny Happy People, this time focusing on Teen Mania, an evangelical Christian youth organisation out of Texas. While Netflix has some happier documentary fare with Hitmakers, a series focusing on the songwriters and producers behind some of the world's biggest musical artists. There's also, of course, Netflix's huge film release of recent times: Happy Gilmore 2.


The Advertiser
5 hours ago
- The Advertiser
First look: Netflix reveals glimpse of Emma Corrin's new Pride and Prejudice
The Crown star Emma Corrin can be seen embodying Elizabeth Bennet in a first-look image for Netflix's adaptation of Pride And Prejudice. In the Jane Austen novel, Elizabeth and her four sisters face pressure to marry rich as their father's property is entailed and can only be passed to a male heir. A first-look at the production shows the five Bennet sisters in Georgian-era clothing walking in a field alongside their mother. It was previously announced that Oscar-winning actress Olivia Colman would be playing Elizabeth's mother, Mrs Bennet, with Slow Horses star Jack Lowden starring as the protagonist's love interest, Mr Darcy. Netflix has announced that Industry star Freya Mavor will play Jane Bennet, with Heartstopper actress Rhea Norwood starring as Lydia Bennet and newcomers Hopey Parish and Hollie Avery playing Mary and Kitty Bennet respectively. Also joining the cast ensemble is Scoop actor Rufus Sewell as Mr Bennet and comedian and actor Jamie Demetriou as Mr Collins, a clergyman and distant cousin of Mr Bennet's. Other cast members include Irish actress Fiona Shaw as Lady Catherine de Bourgh, Disclaimer star Louis Partridge as Mr Wickham, Domino Day's Siena Kelly as Caroline Bingley, Irish actor Daryl McCormack as Mr Bingley, Black Mirror's Anjana Vasan as Mrs Gardiner and Marie Antoinette actor Sebastian Armesto as Mr Gardiner. The six-part series will be a classic adaptation of Austen's novel, written and executive produced by Everything I Know About Love author Dolly Alderton. There have been many adaptations of Austen's classic across the years including the 2005 film, starring Keira Knightley, which marks its 20th anniversary this year. In 2024, the shirt worn by Colin Firth when he strode across fields dripping wet after a swim in the lake during the BBC TV adaptation in 1995 sold for £20,000 at a charity auction. Among the other adaptations is comedy horror film Pride And Prejudice And Zombies, starring Lily James and Matt Smith, which is based on Seth Grahame-Smith's book of the same name. PA/AAP The Crown star Emma Corrin can be seen embodying Elizabeth Bennet in a first-look image for Netflix's adaptation of Pride And Prejudice. In the Jane Austen novel, Elizabeth and her four sisters face pressure to marry rich as their father's property is entailed and can only be passed to a male heir. A first-look at the production shows the five Bennet sisters in Georgian-era clothing walking in a field alongside their mother. It was previously announced that Oscar-winning actress Olivia Colman would be playing Elizabeth's mother, Mrs Bennet, with Slow Horses star Jack Lowden starring as the protagonist's love interest, Mr Darcy. Netflix has announced that Industry star Freya Mavor will play Jane Bennet, with Heartstopper actress Rhea Norwood starring as Lydia Bennet and newcomers Hopey Parish and Hollie Avery playing Mary and Kitty Bennet respectively. Also joining the cast ensemble is Scoop actor Rufus Sewell as Mr Bennet and comedian and actor Jamie Demetriou as Mr Collins, a clergyman and distant cousin of Mr Bennet's. Other cast members include Irish actress Fiona Shaw as Lady Catherine de Bourgh, Disclaimer star Louis Partridge as Mr Wickham, Domino Day's Siena Kelly as Caroline Bingley, Irish actor Daryl McCormack as Mr Bingley, Black Mirror's Anjana Vasan as Mrs Gardiner and Marie Antoinette actor Sebastian Armesto as Mr Gardiner. The six-part series will be a classic adaptation of Austen's novel, written and executive produced by Everything I Know About Love author Dolly Alderton. There have been many adaptations of Austen's classic across the years including the 2005 film, starring Keira Knightley, which marks its 20th anniversary this year. In 2024, the shirt worn by Colin Firth when he strode across fields dripping wet after a swim in the lake during the BBC TV adaptation in 1995 sold for £20,000 at a charity auction. Among the other adaptations is comedy horror film Pride And Prejudice And Zombies, starring Lily James and Matt Smith, which is based on Seth Grahame-Smith's book of the same name. PA/AAP The Crown star Emma Corrin can be seen embodying Elizabeth Bennet in a first-look image for Netflix's adaptation of Pride And Prejudice. In the Jane Austen novel, Elizabeth and her four sisters face pressure to marry rich as their father's property is entailed and can only be passed to a male heir. A first-look at the production shows the five Bennet sisters in Georgian-era clothing walking in a field alongside their mother. It was previously announced that Oscar-winning actress Olivia Colman would be playing Elizabeth's mother, Mrs Bennet, with Slow Horses star Jack Lowden starring as the protagonist's love interest, Mr Darcy. Netflix has announced that Industry star Freya Mavor will play Jane Bennet, with Heartstopper actress Rhea Norwood starring as Lydia Bennet and newcomers Hopey Parish and Hollie Avery playing Mary and Kitty Bennet respectively. Also joining the cast ensemble is Scoop actor Rufus Sewell as Mr Bennet and comedian and actor Jamie Demetriou as Mr Collins, a clergyman and distant cousin of Mr Bennet's. Other cast members include Irish actress Fiona Shaw as Lady Catherine de Bourgh, Disclaimer star Louis Partridge as Mr Wickham, Domino Day's Siena Kelly as Caroline Bingley, Irish actor Daryl McCormack as Mr Bingley, Black Mirror's Anjana Vasan as Mrs Gardiner and Marie Antoinette actor Sebastian Armesto as Mr Gardiner. The six-part series will be a classic adaptation of Austen's novel, written and executive produced by Everything I Know About Love author Dolly Alderton. There have been many adaptations of Austen's classic across the years including the 2005 film, starring Keira Knightley, which marks its 20th anniversary this year. In 2024, the shirt worn by Colin Firth when he strode across fields dripping wet after a swim in the lake during the BBC TV adaptation in 1995 sold for £20,000 at a charity auction. Among the other adaptations is comedy horror film Pride And Prejudice And Zombies, starring Lily James and Matt Smith, which is based on Seth Grahame-Smith's book of the same name. PA/AAP The Crown star Emma Corrin can be seen embodying Elizabeth Bennet in a first-look image for Netflix's adaptation of Pride And Prejudice. In the Jane Austen novel, Elizabeth and her four sisters face pressure to marry rich as their father's property is entailed and can only be passed to a male heir. A first-look at the production shows the five Bennet sisters in Georgian-era clothing walking in a field alongside their mother. It was previously announced that Oscar-winning actress Olivia Colman would be playing Elizabeth's mother, Mrs Bennet, with Slow Horses star Jack Lowden starring as the protagonist's love interest, Mr Darcy. Netflix has announced that Industry star Freya Mavor will play Jane Bennet, with Heartstopper actress Rhea Norwood starring as Lydia Bennet and newcomers Hopey Parish and Hollie Avery playing Mary and Kitty Bennet respectively. Also joining the cast ensemble is Scoop actor Rufus Sewell as Mr Bennet and comedian and actor Jamie Demetriou as Mr Collins, a clergyman and distant cousin of Mr Bennet's. Other cast members include Irish actress Fiona Shaw as Lady Catherine de Bourgh, Disclaimer star Louis Partridge as Mr Wickham, Domino Day's Siena Kelly as Caroline Bingley, Irish actor Daryl McCormack as Mr Bingley, Black Mirror's Anjana Vasan as Mrs Gardiner and Marie Antoinette actor Sebastian Armesto as Mr Gardiner. The six-part series will be a classic adaptation of Austen's novel, written and executive produced by Everything I Know About Love author Dolly Alderton. There have been many adaptations of Austen's classic across the years including the 2005 film, starring Keira Knightley, which marks its 20th anniversary this year. In 2024, the shirt worn by Colin Firth when he strode across fields dripping wet after a swim in the lake during the BBC TV adaptation in 1995 sold for £20,000 at a charity auction. Among the other adaptations is comedy horror film Pride And Prejudice And Zombies, starring Lily James and Matt Smith, which is based on Seth Grahame-Smith's book of the same name. PA/AAP