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The World, Through Craft

The World, Through Craft

Like recipes or songs, crafts are the fingerprints of our histories. Some are the byproducts of traditional ways of life, like functional objects designed to be used daily, but also beautiful in their artistry. Others began their lives as purely decorative pieces, and over the years have evolved into something that holds far greater weight. All are celebrations of the vast scope of human creativity and ingenuity, preserved and shaped by artisans working to ensure their traditions thrive in an ever-changing world. It makes sense, then, that crafts are also a portal through which a traveler can experience a place—and its people—in a deeper way.
Of course, some parts of the world are already inextricably linked with their most famous crafts—we probably don't need to introduce you to Moroccan rug weaving or Indian block printing. But a rising number of less exposed craft movements are landing on traveler's radars, or in some cases, be rewarded with a long-awaited resurrection. In the collection of stories below, we spotlight five of them. Yulia Denisyuk travels to Okinawa to visit its bingata textile workshops—a quiet symbol of resilience in a Japanese prefecture that still bears the scars of war. Ashlea Halpern uncovers a similar legacy in Bosnia, but in the form of Konjic woodcarving, a UNESCO-recognized art form that has been passed down through generations, its artisans having never stopped sourcing materials from the same local forest. In Andalusia, Spain, the country's rich equestrian culture still fuels its greatest craft: leatherwork, but which is now, as Nicola Chilton discovers, entering a new era in high fashion.
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In Lamu, Kenya, Dhow Sails Are Fluttering With New Life
In Lamu, Kenya, Dhow Sails Are Fluttering With New Life

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In Lamu, Kenya, Dhow Sails Are Fluttering With New Life

For centuries, these boats were central to the Indian Ocean trade, carrying goods like mangrove timber and ivory from East Africa to Oman and India, and returning with cloth, dates, and porcelain. This trade transformed the Swahili coast into a meeting point of cultures and influences—a maritime thread linking continents through wind, wood, and water. That enduring legacy is one of the reasons that Lamu is listed as a UNESCO World Heritage Site. The island is made up of several villages, each with its own character, but Matondoni is one of the last bastions of its traditional boatbuilding. In this quaint village, just a 20-minute boat ride from Lamu Old Town, life remains rural and artisanal. It is a patchwork of simple stone homes with thatched palm roofs, clustered along narrow sandy paths. Donkeys roam freely, and children chase each other barefoot. Life here is simple, but behind the simplicity lies a long history of craftsmanship. As trade along the Swahili coast peaked in the 1930s and '40s, nearly every household here was linked to the trade: as a fundi (craftsman), sailor, or supplier of mangrove timber. The air is thick with sea salt and sawdust, and the sound of wooden frames creaking softly as builders move with the quiet patience of men who know you can't rush a craft that has lived for centuries. This is where dhows are still made the Swahili way: slowly, by hand, by memory, and with a blessing from Allah. Today, only a handful of yards operate. Fiberglass boats—cheaper, lighter, and faster to build—have largely replaced traditional dhows. Handmade vessels take months; fiberglass boats are ready in days. Many old boats now sit abandoned on the beach, their sails traded for motors. Still, a few master builders press on, choosing memory over machinery in a tender act of resistance. Omar Sharif, a dhow builder and fisherman in Shela At Lulu Stories, a boutique in Lamu, handmade decor by local artisans include salvaged pieces from old dhows. Lulu Stories, Shela - Lamu Shelali Shee Mohammed—known locally as Fundi Shelali—has been building dhows for 45 years as part of a celebrated lineage of master builders that dates back to his great-great-grandfather. 'Mashallah, there have been too many dhows to count,' he says proudly. 'I leave my name on most of them—Fundi Shelali—like an artist signing their work.' But he fears the craft will end with him. 'Allah gave me only daughters, so I've tried to train young boys in the village, but they have no interest. They want easier jobs.' The rising cost of materials and strict logging regulations have made dhow building increasingly difficult. 'At the peak of my career in the 1980s, timber was free,' says Shelali. 'Now, cutting even one tree needs government permission.' Builders are required to source hardwoods like mvule, mahogany, and African teak from expensive licensed suppliers, making this craft even more inaccessible. Many old boats now sit abandoned on the beach, their sails traded for motors. Still, a few master builders press on, choosing memory over machinery in a tender act of resistance. Luckily, the dhow's story is taking on a new life beyond the high seas. In Nairobi, 500 km inland, Kenyan designer Roky Gambo—founder of Swahili Chic Interiors—is giving these vessels a new purpose. Roky is from the Chonyi Tribe, one of the smaller Swahili tribes native to Kenya's Coast, that are historically known for their woodwork. Determined to preserve his own heritage, Roky rescues abandoned dhows and repurposes their wood into modern furniture.

The World, Through Craft
The World, Through Craft

Condé Nast Traveler

time2 days ago

  • Condé Nast Traveler

The World, Through Craft

Like recipes or songs, crafts are the fingerprints of our histories. Some are the byproducts of traditional ways of life, like functional objects designed to be used daily, but also beautiful in their artistry. Others began their lives as purely decorative pieces, and over the years have evolved into something that holds far greater weight. All are celebrations of the vast scope of human creativity and ingenuity, preserved and shaped by artisans working to ensure their traditions thrive in an ever-changing world. It makes sense, then, that crafts are also a portal through which a traveler can experience a place—and its people—in a deeper way. Of course, some parts of the world are already inextricably linked with their most famous crafts—we probably don't need to introduce you to Moroccan rug weaving or Indian block printing. But a rising number of less exposed craft movements are landing on traveler's radars, or in some cases, be rewarded with a long-awaited resurrection. In the collection of stories below, we spotlight five of them. Yulia Denisyuk travels to Okinawa to visit its bingata textile workshops—a quiet symbol of resilience in a Japanese prefecture that still bears the scars of war. Ashlea Halpern uncovers a similar legacy in Bosnia, but in the form of Konjic woodcarving, a UNESCO-recognized art form that has been passed down through generations, its artisans having never stopped sourcing materials from the same local forest. In Andalusia, Spain, the country's rich equestrian culture still fuels its greatest craft: leatherwork, but which is now, as Nicola Chilton discovers, entering a new era in high fashion.

This California City Was Just Named the Best Place in the U.S. to Watch the Sunset
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  • Travel + Leisure

This California City Was Just Named the Best Place in the U.S. to Watch the Sunset

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