How Anita Mui became ‘Daughter of Hong Kong'
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South China Morning Post
3 hours ago
- South China Morning Post
Nanking massacre film speaks to the resilience of ordinary Chinese
Feel strongly about these letters, or any other aspects of the news? Share your views by emailing us your Letter to the Editor at letters@ or filling in this Google form . Submissions should not exceed 400 words, and must include your full name and address, plus a phone number for verification A new Chinese film recounting the Nanking massacre has prompted a national reckoning with history. In its first week in release, Dead to Rights grossed 814 million yuan (US$113 million) and achieved an impressive score of 8.6 out of 10 on Douban, a prominent review platform. This signifies more than box office success. It is a sign of collective engagement with historical memory. Drawing from documented atrocities, the film presents an opportunity for audiences to confront this chapter of World War II. On social media, many have said that although the movie is difficult to watch, it is a must-see. The imagery is haunting – a blood-red river, a blade hovering over an infant. Silence envelopes cinemas across the nation, filling viewers with sorrow and determination: we must remember to guard against any recurrence. For me, the film has deep personal resonance. In my family's ancestral burial ground, deep in the Taihang Mountains in northern China, there stands an empty tomb dedicated to my grandfather's uncle, who was brutally killed during the war of resistance against Japanese aggression, with no remains left. I could only learn through my elders' sighs and laments that he was a man of elegance and the pride of the family.
South China Morning Post
5 hours ago
- South China Morning Post
Why Nanking massacre remains such a powerful Chinese cultural symbol
This summer, two Chinese films – Dead To Rights and 731 – have stirred strong public reactions. Focusing on some of the darkest chapters of World War II in Asia, these films revisit the horrors of the Nanking massacre and the atrocities of Japan's Unit 731 , which conducted biological experiments on civilians in northeastern China. The films have triggered a wave of reflection, especially among younger audiences. Many are watching depictions of these wartime events for the first time, discovering a legacy of trauma that still shapes Chinese national identity – and foreign policy. The timing is significant. This year marks the 80th anniversary of China's victory in the War of Resistance Against Japanese Aggression, which began in 1931 and left more than 35 million Chinese dead. The Nanking massacre started in December 1937, when Japanese troops occupied the then capital and killed over 300,000. I remember first learning about it in a history textbook. The shock, for a teenager, was beyond words. Just looking at the pictures was excruciating. There are things one never wants to see again, even as the images never leave you. I have not yet prepared myself to step into the cinema – not because I forget, but because I remember all too well. For many Chinese, it is more than a tragic chapter in history – it is a moral wound, never properly acknowledged or atoned for by the Japanese government.
South China Morning Post
5 hours ago
- South China Morning Post
China boy writes to marine park about missing fish, receives personal reply, invitation
A six-year-old boy who is besotted with fish wrote to an ocean aquarium after noticing some sea life had disappeared, and surprisingly received a well-illustrated handwritten letter back and an invitation. Advertisement Tao Tianxing has been a huge fan of the Shanghai Ocean Aquarium since the age of two. He does not know many Chinese characters, but already knows more than 800 species of fish and has drawn tens of thousands of sea life in his sketchbook. Tao Tianxing just loves everything about fish, so much so that he noticed some species were missing when he visited his favourite aquarium recently. Photo: handout In January, he noticed that several fish had gone missing from the aquarium. His mother, surnamed Xu, said he was deeply bothered by it. She suggested that he write a letter to the aquarium. The parents wrote down his questions, which were illustrated with Tao's drawings of the fish. Advertisement To the family's surprise, in February, they received a letter back from the institution.
