logo
Book Review: 'April 1861' captures drama that occurred before Civil War's first shots

Book Review: 'April 1861' captures drama that occurred before Civil War's first shots

More than two decades have passed since historian Jay Winik wrote about the end of the Civil War with a book with 'April 1865: The Month That Saved America." His latest book covers the period of time that nearly led to its disintegration.
In '1861: The Lost Peace,' Winik covers the lead-up to the first shots being fired at Fort Sumter. The political intrigue leading up to 1861 rivals the battlefield action readers come to expect from many Civil War histories.
The overarching story is a familiar but important one for students of history: how a lowly Illinois congressman rose to power to lead a nation through its great divide over slavery and saved the American Experiment.
Winik chronicles Abraham Lincoln's evolution as a politician and as someone who 'was careful never to step too far ahead of prevailing opinion.'
But '1861' is one of the few Civil War histories where Lincoln isn't the most compelling figure. That title goes to a cast of characters, familiar ones such as abolitionist John Brown and lesser known figures such as Kentucky Sen. John J. Crittenden.
The book also portrays the waiting game that Major Robert Anderson faced as he commanded Fort Sumter and faced uncertainty as Lincoln took office.
Winik has a taut yet dramatic writing style that makes the book a compelling read even for those well-versed on the history leading up to the Civil War's outbreak.
Winik writes that the 'ultimate fate of nations is often measured and swayed not by large events, but by tiny ones,' and '1861' illustrates that point throughout its pages.
___

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

`This House' makes world premiere, exploring Black history through a family's legacy in Harlem
`This House' makes world premiere, exploring Black history through a family's legacy in Harlem

Hamilton Spectator

time2 hours ago

  • Hamilton Spectator

`This House' makes world premiere, exploring Black history through a family's legacy in Harlem

ST. LOUIS (AP) — Near the end of 'This House,' a heart-wrenching opera given its world premiere last weekend, the matriarch Ida poignantly intones messages to her family on stage and to the audience. 'History's the only thing to survive,' soprano Adrienne Danrich sings before adding: 'You may have left us, but we will never leave you.' A rumination on love, aspiration, coping and the unyielding weight of the past, the roughly two-hour work that opened Saturday night at the Opera Theatre of St. Louis mixes the living and ghosts ambiguously in a Harlem brownstone. Ricky Ian Gordon's lush score brings to vivid life a libretto by Lynn Nottage and her daughter Ruby Aiyo Gerber, weaving impacts of the Civil War, Great Migration, Black Power movement, AIDS crisis and gentrification. There are five more performances through June 29. 'I just wanted to be able to tell all of these really important moments in Black history,' Gerber said, 'but as they relate to one family up into the current moment, so that there is not this erasure as if the past was the past, which I think increasingly now, especially as we see more and more censorship of Black history, is kind of this pervasive narrative.' Writing began when Gerber was a college senior Now 27, Gerber started 'This House' as a play in 2020 during her senior year at Brown while the coronavirus pandemic unfolded. Her mother, the only woman to win a pair of Pulitzer Prizes for drama, for 'Ruined' and 'Sweat, ' suggested Gerber adapt it with her into an opera composed by Gordon, Nottage's partner on 'Intimate Apparel' at Lincoln Center Theater. Opera Theater of St. Louis commissioned 'This House' for its 50th anniversary festival season as its 45th world premiere. 'Equal parts a family drama, a ghost story and a meditation on inheritance and memory,' company general director Andrew Jorgensen said. Ideas were exchanged when Gordon, Nottage and Gerber met at a Providence, Rhode Island, hotel. Among the changes, an escapist duet the librettists centered around Barcelona was changed to Valencia so as not to be similar to Stephen Sondheim's 'Company.' 'Being a mother-daughter you can be so honest,' Gerber said, recalling her mom telling her of one flowery passage: 'That's corny and I don't think it works.' Nottage still lives in the Brooklyn parlor house where Gerber grew up. 'We have different muscles. I'm someone that comes from the playwriting world,' Nottage said. 'Ruby's comfort zone is really poetry and language. and so I thought that between the two of us, we could divide and conquer in some ways.' Opera is set in Harlem brownstone In the resulting story, a house at 336 Convent Ave. was bought in 1919 by Minus Walker, a sharecropper's son. Zoe, a present-day investment banker (soprano Briana Hunter), and husband Glenn (tenor Brad Bickhardt) mull whether to move back to the house and subdivide the property. Zoe's brother, poetic painter Lindon (baritone Justin Austin), doesn't want to leave the house. and his lover Thomas (bass-baritone Christian Pursell) suggests they travel to Spain. Hunter tapped into anxiety, fear, pain and grief to portray Zoe. 'She's an ambitious woman, and she has been through a lot of really horrible, traumatic events through her family,' Hunter said. 'I understand the desire to kind of escape that. She's kind of a classic case of you can't avoid things forever.' Eight of the 10 characters are Black. There's a love triangle, pregnancies and surprise deaths. The house itself sings in 12-tone chords. Ida's Uncle Percy (tenor Victor Ryan Robertson) is a numbers runner who jolts the first act with an aria 'Drink Up!' 'Sportin' Life on steroids,' Gordon said, referring to the dope dealer in 'The Gershwins' Porgy and Bess.' 'We all are haunted by our past, and we all are haunted by our ghosts,' Gordon said. 'The question of living one's life is how does one reconcile the past and go on? How do you move into a future unbridled and free enough to be liberated and not imprisoned by the past?' Conductor has a penchant for contemporary works Daniela Candillari led her third world premiere in less than two years after Jeanine Tesori's 'Grounded' at the Washington National Opera and Rene Orth's '10 Days in a Madhouse' at Opera Philadelphia. Gordon originally envisioned the orchestra as chamber sized to hold down expenses, but Candillari pushed to add instruments. Conducting this is different from leading Verdi or Puccini. 'You can have two conductors read the score in a very different way,' she said. 'Having that direct source. a living composer who can tell you: This is what I heard and this is how I meant it and this is what this needs to be, that's incredibly invaluable.' Forty-eight players from the St. Louis Symphony Orchestra were in the deep pit at the Loretto-Hilton Center for the Performing Arts, a venue with a thrust stage and difficult acoustics. James Robinson, the company's former artistic director, returned to direct the performances and is likely to bring the staging to Seattle Opera, where he became general and artistic director in September 2024. 'It is kind of a ghost story, and I think that's the most important thing, knowing that we're able to bounce back and forth between time periods efficiently,' he said. For Danrich, portraying Ida has a special resonance. She is a St. Louis native and is staying at a hotel three blocks from where she grew up. 'My cousins, my grandmother, my grandfather, me, my sisters, we all lived in that big old house and we called it the big house,' she said. 'I was like, yep, this is my house. I'm actually basing her movements and her mannerisms off of my mother.'

Is Civil War Coming to Europe?
Is Civil War Coming to Europe?

New York Times

time2 hours ago

  • New York Times

Is Civil War Coming to Europe?

Whether the debate is occasioned by a polemical book or a movie like last year's 'Civil War,' I consistently take the negative on the question of whether the United States is headed for a genuine civil war. In those debates it's usually liberals warning that populism or Trumpism is steering the United States toward the abyss. But with European politics the pattern is different: In France and Britain, and among American observers of the continent, a preoccupation with looming civil war tends to be more common among conservatives. For years, figures associated with the French right and French military have warned of an impending civil conflict driven by the country's failure to assimilate immigrants from the Muslim world. (The great reactionary novelist Michel Houellebecq's 'Submission' famously imagines this war being averted by the sudden conversion of French elites to Islam.) Lately there has been a similar discussion around Britain touched off by an essay by the military historian David Betz that argues that multicultural Britain is in danger of tearing itself apart, and lately taken up by the political strategist, Brexit-campaign architect and former Boris Johnson adviser Dominic Cummings in an essay warning that British elites are increasingly fearful of organized violence from nativists and radicalized immigrants alike. When I've written skeptically about scenarios for an American civil war, I've tended to stress several realities: the absence of a clear geographical division between our contending factions; the diminishment, not exacerbation, of racial and ethnic polarization in the Trump era; the fact that we're rich and aging and comfortable, not poor and young and desperate, giving even groups that hate each other a stake in the system and elites strong reasons to sustain it; the absence of enthusiasm for organized communal violence as opposed to lone-wolf forays. Does the European landscape look different? On some fronts, maybe. Tensions between natives and new arrivals are common on both sides of the Atlantic, but ethnic and religious differences arguably loom larger in Europe than they do in the United States: There is more intense cultural separatism in immigrant communities in suburban Paris or Marseilles than in Los Angeles or Chicago, more simmering discontent that easily turns to riots. At the same time, British and French elites have been more successful than American elites at keeping populist forces out of power, but their tools — not just the exclusion of populists from government, but an increasingly authoritarian throttling of free speech — have markedly diminished their own legitimacy among discontented natives. This means that neither under-assimilated immigrants nor working-class whites feel especially invested in the system, making multiple forms of political violence more plausible: pitting immigrant or native rebels against the government, or pitting immigrants against natives with the government trying to suppress the conflict, or, finally, pitting different immigrant groups against one another. (English cities have already played host to bursts of Muslim-Hindu violence.) Want all of The Times? Subscribe.

Hegseth orders the name of gay rights activist Harvey Milk scrubbed from Navy ship
Hegseth orders the name of gay rights activist Harvey Milk scrubbed from Navy ship

Yahoo

time2 hours ago

  • Yahoo

Hegseth orders the name of gay rights activist Harvey Milk scrubbed from Navy ship

WASHINGTON (AP) — Defense Secretary Pete Hegseth has ordered the Navy to rename the USNS Harvey Milk, a highly rare move that will strip the ship of the moniker of a slain gay rights activist who served as a sailor during the Korean War. U.S. officials say Navy Secretary John Phelan put together a small team to rename the replenishment oiler and that a new name is expected this month. The officials, who spoke on condition of anonymity to discuss internal deliberations, said the next name had not yet been chosen. The change was laid out in an internal memo that officials said defended the action as a move to align with President Donald Trump and Hegseth's objectives to 're-establish the warrior culture.' It marks the latest move by Hegseth and the wider Trump administration to purge all programs, policies, books and social media mentions of references to diversity, equity and inclusion. And it comes during Pride Month — the same timing as the Pentagon's campaign to force transgender troops out of the U.S. military. The decision was first reported by Phelan's office did not respond to a request for comment. The USNS Harvey Milk was named in 2016 by then-Navy Secretary Ray Mabus, who said at the time that the John Lewis-class of oilers would be named after leaders who fought for civil and human rights. Milk, who was portrayed by Sean Penn in an Oscar-winning 2008 movie, served for four years in the Navy before he was forced out for being gay. He later became one of the first openly gay candidates elected to public office. Milk served on the San Francisco Board of Supervisors and had sponsored a bill banning discrimination based on sexual orientation in public accommodations, housing and employment. It passed, and San Francisco Mayor George Moscone signed it into law. On Nov. 27, 1978, Milk and Moscone were assassinated by Dan White, a disgruntled former city supervisor who cast the sole vote against Milk's bill. The ship was christened in 2021, and during the ceremony, then-Navy Secretary Carlos Del Toro said he wanted to be at the event 'not just to amend the wrongs of the past, but to give inspiration to all of our LGBTQ community leaders who served in the Navy, in uniform today and in the civilian workforce as well, too, and to tell them that we're committed to them in the future.' The ship is operated by Military Sealift Command, with a crew of about 125 civilian mariners. The Navy says it conducted its first resupply mission at sea in fall 2024, while operating in the Virginia Capes. It continued to resupply Navy ships at sea off the East Coast until it began scheduled maintenance at Alabama Shipyard in Mobile, Alabama, earlier this year. While the renaming is rare, the Biden administration also changed the names of two Navy ships in 2023 as part of the effort to remove Confederate names from U.S. military installations. The USS Chancellorsville — named for the Civil War battle — was renamed the USS Robert Smalls after a sailor and former enslaved person. And the USNS Maury, an oceanographic survey ship originally named after a Confederate sailor, was renamed the USNS Marie Tharp after a geologist and oceanographic cartographer who created the first scientific maps of the Atlantic Ocean floor. Maritime lore hints as to why renaming ships is so unusual, suggesting that changing a name is bad luck and tempts retribution from the sea gods. ___

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store