The 'lost' Vera Lynn tracks you've never heard: WWII Forces' Sweetheart's audition recordings to be released 90 years on
The late singer's first records were found when Dame Vera's daughter donated her mother's record collection to the British Library after she moved out of her home in East Sussex.
Along with the three silver aluminium audition records, a copy of Dame Vera's first record, It's Home, recorded in 1935 with bandleader Howard Baker, was also found.
Recorded after trumpeter Baker invited Dame Vera to join his band in 1933, the first record is one of just 100 copies pressed.
Dame Vera's daughter, Virginia Lewis-Jones, said: 'It's so wonderful to hear ma's voice from those early days, right at the start of her career.
'I always had the feeling these would be worth exploring so I am absolutely thrilled that the audition tapes we've never heard can now be brought to life, and add significantly to what we already know about ma.'
Dame Vera made her name during the Second World War, when her rousing songs such as We'll Meet Again, (There'll Be Bluebirds Over) The White Cliffs Of Dover and There'll Always Be An England, earned her the affectionate name Forces' Sweetheart.
She gave outdoor concerts for the troops in Egypt, India and Burma as part of the Entertainments National Service Association (ENSA.
Her final studio album, Unforgettable, was released in 2010.
In May 2020, just weeks before her death aged 103, she became the oldest artist to have a top 40 album in the UK, with her greatest hits album 100.
Dame Vera lived for 40 years with her husband Harry Lewis at the home her daughter inherited.
A medley features on the records, including a section of the song I Hate Myself (For Being So Mean To You), and a piano-only version of debut single It's Home.
On one of the tracks an unknown voice joins Dame Vera and the piano cuts off at the end, as all that needed to be heard for the audition was her voice.
The records will now be available to listen to at the British Library's Sound Archive.
Karoline Engelhardt, curator of popular music recordings at the British Library, said: 'We are honoured that Virginia Lewis-Jones has chosen to donate her mother's fascinating audio collection to the British Library, including Dame Vera Lynn's very first recordings.
'The Vera Lynn collection is a key addition to the British Library's Sound Archive and these previously unreleased early discs capture a special moment in music history, when Dame Vera Lynn was still in the early stages of her career and was yet to become the voice of a generation.
'Our role in preserving and digitising these recordings will enable them to be enjoyed for generations to come.'
The audition discs will be released by Decca, with What A Difference A Day Makes released as a single on Friday to mark the 80th anniversary of VJ Day.
Further previously unheard and rare tracks from them will feature on a new album called Hidden Treasures, which will be released on November 7.
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Although the library receives the bulk of its funding from the Scottish government, private donors such as Graham, who has been repeatedly acknowledged by the library for his philanthropy, are also essential to its work. Graham has been one of the library's major donors over the past decade, funding major projects such as the digitisation of medieval manuscripts. He funds a scholarship at the library which is named in his honour, as is a room at the National Library of Scotland's moving image library at Kelvin Hall, Glasgow. Graham's generosity in supporting the centenary celebrations was singled out for praise by Shah at the launch of the Dear Library exhibition in June. Graham said he was initially impressed with it, before discovering that The Women Who Wouldn't Wheesht, which included a contribution from JK Rowling, had been excluded. 'On the opening night of the exhibition, I thought it was fantastic, because I found at least two books in there that I consider to be among the worst ever written,' Graham said. 'I said to Amina I thought that was great, because the whole point was that while some people are inspired by a book, others will hate it. That's the joy of the society we live in and the freedom that we have. 'There are books that are beyond the pale, but there are very few of them. You need to be very careful before you ban anything. 'This book [The Women Who Wouldn't Wheesht] was clearly selected to be included, and frankly the management were then bullied out of that by a staff lobby group. 'They say they've removed this book to protect relationships with stakeholders. But they certainly didn't consult me and if they had, I would have voiced strong opposition. I am angry and disappointed at the decision to remove the book as well as the implication that as a stakeholder, I am somehow supportive of it, which I am not.' Kate Forbes, the deputy first minister, has found herself at the centre of a similar row after staff and performers at Edinburgh's Summerhall arts venue criticised her views on trans rights. Summerhall's bosses said Forbes had been permitted to speak at the venue as 'an oversight' after some of the artists set up a 'safe room' while the 5ft 2in politician was present as they were 'terrified' because of her opinions. A whistleblower who works within the arts sector in Scotland said that activist staff members were becoming increasingly powerful within major publicly funded institutions. 'I have been in so many meetings where it is just taken as a given that everyone there is in lockstep on these issues — that everyone hates JK Rowling and that books like The Women Who Wouldn't Wheesht are dangerous and harmful,' a source claimed. 'The internal LGBT networks are given carte blanche and it is very isolating to those of us who do not agree with their extreme views, who are forced to self-censor or face, at best, being socially ostracised at work. 'It sounds ridiculous but those of us who don't agree with them feel like we're in an underground network like the French resistance or something, secretly sending each other supportive messages.' The insider added: 'A major part of the problem across the cultural sector is the infantilisation of younger staff members, who can't cope with any type of conflict or opposition to their views. 'This has now led to the ridiculous situation where people intolerant of ideas and books are not only working in our national library, but are calling the shots. Management are terrified and pander to them every time they have a tantrum.' The NLS has sought to defend its decision not to platform the book at its exhibition by claiming there were only 200 spaces for public display, and it received more than 500 nominations. However, documents released under a freedom of information request show that all books with two or more nominations were initially to be included in the public display, with the Women Who Wouldn't Wheesht obtaining four. Joanna Cherry, the former SNP MP and one of the essayists in the book, accused Shah of attempting to mislead her own staff with a message that claimed the library was not 'banning or censoring' books. Although the library does hold a copy of the book — a legal obligation given its statutory role — its exclusion from the Dear Library exhibition was the direct result of complaints from the LGBT staff network who did not like its contents, the documents show. 'I'm concerned that the librarian seems to be misleading her staff as well as the public and the media about what has occurred here,' Cherry said. 'The issue is not whether the book is available within the library's collections but her decision to withdraw it from an exhibition where it had rightly earned its place because of the prejudiced demands of a small group of her staff.' Cherry added: 'There is an increasing pattern in Scottish society where zealots masquerading as LGBTQ+ activists seek to censor women who want to talk about their rights. 'This book was written by feminists, survivors and lesbians. To remove it from an exhibition is not only an attack on freedom of expression, it is also discriminatory.' Hunter Blackburn said: 'We are very saddened that it has come to this, but we understand why Mr Graham has reached what must have been a very difficult decision for him. 'We will continue to seek for this to be resolved by the library making an unreserved apology, putting the book back in the exhibition where it won its rightful place, and, it becomes increasingly clear, undertaking a root-and-branch review of its internal culture and practices.' A spokeswoman for the NLS said: 'We are engaged in a robust and respectful conversation with Mr Graham about this matter, and we will accept his decision regardless of the outcome. 'It goes without saying we are indebted to Mr Graham for his support to the national library over the years. His assistance has helped us to preserve collections, reach new audiences and give young people's careers that much needed start through our apprenticeship programme.'
