
There's Big News From the ‘Children of Blood and Bone' Set
One of the most celebrated YA novels in recent history—Tomi Adeyemi's Children of Blood and Bone—is finally making its way to the big screen. The first installment in Adeyemi's Legacy of Orïsha fantasy trilogy, the book (and its follow-ups) have become enormous hits, and Paramount Pictures has brought in an impressive talent line-up to shepherd the adaptation.
In 2024, Adeyemi told ELLE that there was 'so much happening' with the film, the rights to which Fox 2000 initially acquired in 2017, prior to the book's publication. But after the Walt Disney Company acquired 21st Century Fox, a series of transitions eventually led to the rights expiring, and Paramount Pictures scooped up Children of Blood and Bone in 2022. Since then, Variety reports, 'The project has been a top priority for the studio leadership.'
Here's what we know about the film so far.
Adeyemi's story follows Zélie Adebola as a young woman in the West African-inspired land of Orïsha, where magic has been all but erased thanks to King Saran's persecution of Zélie's brethren. Zélie must team up with her brother, Tzain, as well as the king's children—Princess Amari and Prince Inan—to take control of their powers, rebel against the monarchy, and restore magic to their land.
Children of Blood and Bone has a stacked ensemble. Thuso Mbedu, Tosin Cole, Amandla Stenberg, and Damson Idris will round out the film's leads, with Mbedu (The Woman King) as Zélie; Cole (The Force Awakens) as Zélie's older brother, Tzain; Stenberg (The Acolyte) as Princess Amari; and Idris (Snowfall) as Prince Inan.
Joining them are Viola Davis as Mama Agba; Chiwetel Ejiofor as King Saran; Cynthia Erivo as Admiral Kaea; Idris Elba as Lekan; and Lashana Lynch as Jumoke.
Readers, fret not. Adeyemi is heavily involved in the adaptation of her beloved series, executive producing and co-writing the script alongside director Gina Prince-Bythewood, equally beloved for her work directing such films as Love & Basketball, The Secret Life of Bees, The Old Guard, and The Woman King.
Adeyemi described working with Prince-Bythewood in a 2024 ELLE interview. 'She's the calmest force of nature I've ever witnessed and collaborating with her has been so much fun,' Adeyemi said. 'What Gina does so well is tell these deep, complex stories of women who look like us front and center, with incredible action set pieces, incredible cinematography. It feels divine. It feels bigger than [just] making this project. We're really in sync.'
Yes. The movie is scheduled to hit theaters on Jan. 15, 2027.
Yes! On June 2, director Gina Prince-Bythewood posted a carousel on Instagram with photos of her and the cast with the caption, 'That is a Wrap on production! 74 days. Two countries and two islands. A passionate and dedicated crew. And an extraordinary cast who gave EVERYTHING. And the journey has just begun…'
This story will be updated.
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USA Today
3 hours ago
- USA Today
Trump White House ballroom: A look back at Grand Ballroom Trump built at Mar-a-Lago
Twenty years after the opening of the Grand Ballroom at President Donald Trump's Mar-a-Lago Club in Palm Beach, Trump announced another new ballroom on a grand scale — this time at the White House. The Trump Administration on July 31 said construction on a $200 million, roughly 90,000-square-foot White House State Ballroom will begin in September. The project will be paid for by donors including Trump and have a seating capacity of 650 people, the White House said. The U.S. Secret Service will oversee security features of the new structure, officials said. "President Trump is a builder at heart and has an extraordinary eye for detail," Chief of Staff Susie Wiles said in a White House news release. "The President and the Trump White House are fully committed to working with the appropriate organizations to preserving the special history of the White House while building a beautiful ballroom that can be enjoyed by future Administrations and generations of Americans to come." The style and architecture of the exterior of the new ballroom will be "almost identical" to the rest of the White House, Trump officials said. The work will include major renovations to the White House's East Wing, where presidents have historically held large receptions. Trump has frequently complained the White House lacks a proper large-scale ballroom for entertaining. While the outside of the new ballroom at what is known as the people's house will feature the same iconic styling as the rest of the property, renderings released by the White House show that the interior style is undoubtedly reminiscent of the Versailles-inspired Donald J. Trump Grand Ballroom that was completed at Mar-a-Lago in late 2004 and had its grand opening in 2005. Here's what to know about Mar-a-Lago's large ballroom and its history. When was Mar-a-Lago completed, and what are some of its features? Construction on Mar-a-Lago began in 1922. The house was designed for cereal heiress Marjorie Meriweather Post in the Spanish-Moorish style by architect Joseph Urban, who also designed the nearby Bath & Tennis Club and the Paramount Theatre farther north in Palm Beach. When completed in 1927 on its 17-acres, the crescent-shaped main house had 115 rooms, with 58 bedrooms and 25 bathrooms. Urban drew on classical designs, looking to the Thousand Winged Ceiling at the Accademia in Venice as inspiration for the 34-foot ceiling in Mar-a-Lago's living room, and the Palazzo Chigi in Rome as inspiration for the hand-painted ceiling in the dining room, according to a 2002 Daily News report about Mar-a-Lago's history. After a major redecoration in 1956, Post added Mar-a-Lago's White and Gold Ballroom as a venue to host to her popular charity events and the square dances for which she was so well-known, according to the 2002 profile. She also added three bomb shelters during the Korean War. What has Trump added to Mar-a-Lago? Trump paid a reported $10 million for Mar-a-Lago in 1985: $5 million for the property itself, an additional $3 million for the furnishings, plus $2 million for the beachfront stretch that years prior was sold to a neighbor. When Mar-a-Lago's club opened in 1995, it had amenities such as a spa, tennis courts and nine-hole golf course. In 2000, construction began on the $3 million beachfront project at Mar-a-Lago that added a new swimming pool, a pair of two-story buildings with cabanas and a snack bar, a spa, fountains, and ramps and stairs down to the beach, the Daily News reported in 2002. In 2004, Trump received approval from Palm Beach to tear down an aging slat house on Mar-a-Lago's property to build a kitchen to help serve the estate's new ballroom, which opened in 2005. Over the years, some of Trump's plans for Mar-a-Lago have been shot down by state and town officials, including a proposal for a 120-slip marina and, before opening the club, a concept that would have subdivided Mar-a-Lago's acreage to build estate homes. What about Mar-a-Lago's Grand Ballroom? The Daily News first reported in 1996 that the National Trust for Historic Preservation was reviewing plans for a new ballroom or expansion of the dance pavilion at Mar-a-Lago. Because Mar-a-Lago is a national landmark, all major changes must be reviewed and approved by the trust. "We're just looking art different concepts, different ideas. It's very preliminary," Trump told the Daily News in 1996. "We need a ballroom because of the success of Mar-a-Lago. It has been so successful that the crowds are potentially hazardous to the facility, and the ballroom could remedy this problem." Mar-a-Lago's team "did a lot of shuttle diplomacy with the National Trust for Historic Preservation," said Wes Blackman, who was Mar-a-Lago's project manager for the ballroom. The trust has easements at Mar-a-Lago, including two to protect the views to the east and west, and one to protect the tree line along the south property line, he said. After Mar-a-Lago opened as a club in 1995, the events coordinator at the time brought Blackman and Trump to the ballroom built by Post and said it would not be able to meet the demand for large events . "There isn't room to put them that is weatherproof," Blackman recalled the coordinator saying. When the ballroom was officially pitched to the town in 1999, it was set to replace a large white tent that Mar-a-Lago had temporarily erected to host large events on the property, Blackman said. Because the structures could not be permanent, air conditioner compressors for events in the tent were placed on trailers, and temporary bathrooms were brought in, he said. The ballroom was "a very large building," he said, with records showing that it was 17,000 square feet, larger than the 11,000-square-foot ballroom built by Post. West Palm Beach-based architect Rick Gonzalez of REG Architects was the lead designer on the project. Blackman said he and Gonzalez took a lot of trips to Washington, D.C., and the trust visited the property as well, as they worked to finalize a design the trust would approve. Together with Gonzalez, Blackman said Mar-a-Lago's team "chased that building all over the property" with the trust until the location was settled. "It's in a hollow, a low spot, and it's behind the wall, and you really have a hard time even knowing the building is there when you pass the property," Blackman said. Before finalizing the architectural plans, Trump sent Gonzalez and Blackman to New York to meet with famed architect Philip Johnson, whose Glass House in Connecticut remains an iconic example of the International Style of design. Johnson, who died in January of 2005, declined to take on the task of designing the new ballroom, which was essentially "locked into the Mediterranean revival framework" because of the rest of the property, Blackman said. "He wasn't into that," Blackman said. "He was in his 'monster phase,' which were a lot of oblique angles, and he wasn't into having to fit into a mold like that." Trump also asked Blackman to consult with another friend: crooner Paul Anka, whom Trump hoped would weigh in on the new ballroom's acoustics. "I did call him," Blackman said. "It was a unique experience." He added that because Trump had already made the decision to have marble floors in the ballroom: "There's nothing you can do with that. It's gonna be a reflective surface," Blackman said of Anka's advice. Trump was adamant that the new ballroom needed to be larger than the 15,000-square-foot Ponce de Leon Ballroom at The Breakers Palm Beach resort, Blackman said. While that was part of the inspiration, he said that Trump also wanted to bring the annual International Red Cross Ball to Mar-a-Lago. Trump was successful, and one of the highlights of Palm Beach's social season soon moved to Mar-a-Lago's Grand Ballroom. "We always thought that it helped getting the National Trust to approve something first, and then that kind of gave us the 'Good Housekeeping' certificate that we could cash in with the Landmarks Commission," Blackman said of the town's approval process. While the project to build the new ballroom received approval from Palm Beach's council in October of 1999, the timeline was pushed back several times because of construction of a new Royal Park Bridge, the Daily News reported in September 2002. The project received final approval from Palm Beach's landmarks board in April of 2002, and construction began the next year, with the building permit issued in August of 2003, Blackman said. While his 10-year tenure with Mar-a-Lago ended soon after receiving the permit, Blackman returned to work on other projects at Mar-a-Lago, including the ballroom's kitchen and the massive flag pole that led to a legal battle between Trump and Palm Beach. What does the Grand Ballroom look like? The exterior of the ballroom building, which is on the property's south side between the main house and Southern Boulevard, was designed by Gonzalez to mimic the Spanish-Moorish style of the rest of the estate, the Daily News reported at the time. But the ballroom's interior was designed with France in mind. The decor drew on Versailles, with shining marble floors, intricate gold leaf designs, crystal chandeliers and soaring 40-foot coffered ceilings. The Daily News reported at the time that the gold leaf alone carried a $7 million price tag, and the overall project cost stood at $35 million. "I modeled the interior after Versailles, and there is nothing like it in the United States," Trump said of the ballroom in a 2005 interview with Florida Design magazine. When it opened, guests were reportedly awestruck by the 17 Stras chandeliers, each with a cost of $250,000 and imported from Czechoslovakia. The first major event in the new ballroom was Mar-a-Lago's annual New Year's Eve Gala to ring in 2005, according to news reports. From a Dec. 31, 2004, Daily News report: "A 1,200-square-foot loggia leads into the two-story foyer through a series of Palladian-style mahogany doors with wrought-iron borders. A staircase leads to a 45-foot observation tower. For New Year's Eve, there will be stages at opposite ends of the ballroom, one for the dance orchestra and one for headliner Vanessa Williams." The next event: a grand party to mark the marriage of Trump to his then-fiancée, Melania Knauss. Their marriage ceremony was Jan. 22, 2005, at the Episcopal Church of Bethesda-by-the-Sea, and celebrants then made the short drive to Mar-a-Lago for the reception. Anka, a guest at the wedding, treated guests to two songs at the reception: "Diana," and a version of the song "Lady Is a Tramp" that Anka dubbed "Donald is a Trump." USA Today contributed to this report. Kristina Webb is a reporter for Palm Beach Daily News, part of the USA TODAY Florida Network. You can reach her at kwebb@ Subscribe today to support our journalism.


Elle
19 hours ago
- Elle
Brunello Cucinelli Transformed the Hamptons Into an Italian Piazza for a Night
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Elle
a day ago
- Elle
Here's Where You Know the Cast of ‘The Hunting Wives' From
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