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New ‘Squid Game' season breaks Netflix records

New ‘Squid Game' season breaks Netflix records

Business Times15 hours ago
[SEOUL] The third season of Netflix's blockbuster series Squid Game racked up record viewership in its first three days, reinforcing the South Korean survival drama's status as a global cultural phenomenon.
The final season of the dystopian thriller logged more than 60 million views in its first three days – the biggest debut in that time frame – and ranked No 1 across all 93 countries with top 10 rankings, according to Netflix. That compares with the debut of the previous season, which drew 68 million views in the first four days.
The runaway success of Squid Game highlights the enduring international appeal of Korean storytelling and Netflix's pivotal role in amplifying it. The series reflects deep-seated social anxieties while spotlighting South Korea's creative firepower.
For Netflix, which has invested billions of US dollars into Korean content, the challenge now is sustaining momentum with a pipeline strong enough to command global attention.
Originally released in 2021, Squid Game was an instant hit and a cornerstone of Netflix's local-for-local strategy. The series remains Netflix's most-watched title of all time, amassing approximately 600 million views across its first two seasons to date.
'Squid Game really must have been the first real Korean drama for a lot of people outside Korea to watch,' said Don Kang, vice-president of Netflix's Korean content. 'Ever since then, 80 per cent of Netflix members have watched Korean content and many of them still continue to do so.'
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Despite receiving mixed reviews for the third season, the show generated significant international buzz on social media following its debut on Friday (Jun 27). An American adaptation of Squid Game is reportedly in the works, directed by filmmaker David Fincher. Netflix has not officially confirmed any spinoff or sequels of Squid Game.
A massive parade was held in central Seoul on Saturday evening to celebrate the launch of the final season and as part of the Korean government's push to position the city as a cultural hub and global tourism destination.
'We want to be the place where creators come to us with stories that no one else will tell at a scale that has not been possible before,' Kang said. 'If we keep doing that, I think the next Squid Game will come.'
Netflix's Korea team has also transformed its variety shows into global sensations with hits like Physical: 100 and Culinary Class Wars. Both shows are set to return later this year and are currently in discussions for potential international adaptations, according to Kang.
In an increasingly crowded streaming market, Netflix has partnered with South Korea's Naver, to attract a new segment of users. Naver, which owns the New York-listed Webtoon Entertainment platform, brings added value to the collaboration, though the partnership is still in its early stages. Kang also said live streaming and sports content are being considered as part of Netflix's broader Korean strategy to boost global user engagement. BLOOMBERG
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7 albums from local bands that have shaped the Singapore sound
7 albums from local bands that have shaped the Singapore sound

Vogue Singapore

time3 hours ago

  • Vogue Singapore

7 albums from local bands that have shaped the Singapore sound

Getty First came the golden age of the '60s, where our music scene thrived, giving rise to a steady slew of local bands such as The Crescendos and The Quests. With many being formed by students, these bands gained popularity for covers of British and American songs, as well as original compositions that featured a unique blend of Asian and Western styles. A distinct subgenre of Malay popular music known as pop yeh yeh surfaced, influenced by British pop and rock, while incorporating Malay melodies and lyricism. Yet, sentiments against rock n' roll, as well as the withdrawal of British and American troops in the country—a significant audience for live music—led to a steady decline of the music scene in the '70s. Still, certain bands stood strong, including rock pioneer Sweet Charity, who went on to inspire a new generation of rock acts in the mid-1980s. By the time the '80s rolled around, Singapore was in the middle of what could perhaps be considered its most transformative stage in music yet. Led by groups such as The Oddfellows, the independent and alternative scene slowly flourished—opening the door for the local bands that we know of today to blossom. Below, we round up seven albums from across the years to showcase the Singapore sound in its many diverse facets Courtesy of Philips Records 1 / 7 The Boy Next Door by The Crescendos (1965) Formed in 1961 by schoolmates looking to participate in a talent contest, The Crescendos was the first Singaporean act to be signed by an international record label. Their first single, a cover of 'Mr Twister', became an instant hit and sold over 10,000 copies—with the band's next two singles, a cover of 'In The Good Old Summertime' and original composition 'The Boy Next Door' following suit. At the height of their popularity in 1966, the band decided to take a break to focus on their education and careers. However, an unfortunate accident in 1970 led to the death of then-22-year-old lead singer Susan Lim, and the band never regrouped. Courtesy of Philips Records 2 / 7 Happy Happy Birthday, Baby! by Naomi & The Boys (1965) In the '60s, a subgenre of Malay popular music known as pop yeh yeh surfaced. It was influenced by British pop and rock, while incorporating Malay melodies and lyricism. Among the bands that emerged was Naomi & The Boys, whose cover of 'Happy Happy Birthday, Baby!' became a household hit—topping the radio charts in Singapore, Malaysia and Indonesia, and becoming the song of the year in Singapore and Malaysia in 1965. Courtesy of Columbia Records 3 / 7 Questing by The Quests (1966) One of the most popular local bands of the 1960s, whose success extended to Malaysia and Hong Kong, The Quests achieved a long list of firsts for a Singaporean band. Among which, their first release 'Shanty' displaced The Beatles' 'I Should Have Known Better' to become the first song by a local band to top the local charts—where it stayed for 12 weeks. Their LP, Questing , was also the first album by a Singapore band to be recorded in stereo. Courtesy of Warner Elektra Atlantic 4 / 7 Pelarian by Sweet Charity (1980) Fronted by legendary singer-songwriter Ramli Sarip, rock pioneer Sweet Charity made such a big impact on the music scene in Singapore and Malaysia that it inspired a new generation of rock acts in both countries in the mid-1980s. The band went from playing gigs at weddings and small bars to headlining shows at the now-demolished National Theatre—before releasing hit songs like 'Kamelia', 'Pelarian' and 'Musibah' that turned them into a household name. In October 2023, the group reunited for a tour to celebrate their fifth decade together. Courtesy of BMG 5 / 7 Teenage Head by The Oddfellows (1991) Leading the alternative and indie wave that would shape the music scene through the '90s was The Oddfellows— who had independently financed and produced their debut album Teenage Head before record label BMG picked it up for distribution in 1991. Their single 'So Happy' became the first local song to top the charts of Perfect 10 98.7FM, the radio station of choice among the youth back then. When UK punk legends Buzzcocks performed in Singapore in 1992, The Oddfellows opened the show. Courtesy of Snakeweed Studios 6 / 7 Hiss by Wormrot (2022) For the uninitiated, grindcore is an extreme subgenre that fuses heavy metal with hardcore punk. It's a niche space, but iconic Singaporean group Wormrot has certainly made their name known within the scene. Recognised for their innovative, vicious sound, they are one of the top grindcore bands in the world and the first Singaporean act to play at the Glastonbury Festival. Courtesy of Dog Knights Productions 7 / 7 Get In Losers, We're Going to Eternal Damnation by Forests (2022) Emo band Forests' success reaches far beyond Singapore, with a global cult following that has seen them touring countries like the US and Japan. Their music, a unique, distinct blend of '90s emo and math pop, has been hailed by fans and critics alike—earning them a spot as the only Asian band highlighted on Vulture's list of 100 Greatest Emo Songs of All Time. Vogue Singapore's July/August 'Home' issue will be out on newsstands from 13 July and available to preorder online.

Sean 'Diddy' Combs jury to resume deliberations after partial verdict
Sean 'Diddy' Combs jury to resume deliberations after partial verdict

Straits Times

time4 hours ago

  • Straits Times

Sean 'Diddy' Combs jury to resume deliberations after partial verdict

Sign up now: Get ST's newsletters delivered to your inbox Sean \"Diddy\" Combs and his attorney Marc Agnifilo discuss how to respond to a new note sent by jurors, during Combs' sex trafficking trial in New York City, New York, U.S., July 1, 2025 in this courtroom sketch. REUTERS/Jane Rosenberg NEW YORK - The jury in Sean "Diddy" Combs' trial will continue deliberations on Wednesday, a day after reaching a verdict on four of the five counts the music mogul faces in his sex trafficking case but failing to agree on a racketeering conspiracy charge. U.S. District Judge Arun Subramanian said on Tuesday the jury had reached a verdict on the two counts of sex trafficking and two of transportation to engage in prostitution faced by Combs, a former billionaire known for elevating hip-hop in American culture. The judge did not reveal the verdict on those counts. Subramanian instructed the 12-member jury to keep deliberating about the racketeering count after the panel sent him a note indicating jurors had "unpersuadable opinions on both sides." Combs, 55, has pleaded not guilty to all five felony counts. He faces a mandatory 15-year prison sentence if convicted of sex trafficking. A guilty verdict on either that charge or the racketeering conspiracy count could result in up to a life sentence. Jurors must be unanimous to reach a verdict on any count. After reading the note the jury sent Subramanian, Combs appeared emotional, rubbing his eyes and resting his face against his palm while seated at the defense table with his lawyers huddled around him. Over the course of a seven-week trial in Manhattan federal court, prosecutors sought to persuade jurors that Combs for two decades used his business empire to force two of his romantic partners to take part in drug-fueled, days-long sexual performances sometimes known as "Freak Offs" with male sex workers in hotel rooms while Combs watched, masturbated and occasionally filmed. Top stories Swipe. Select. Stay informed. Singapore Singapore and Cambodia to expand collaboration in renewable energy, carbon markets and agri-trade Singapore 3 out of 4 in Singapore cannot identify deepfake content: Cyber Security Agency survey Singapore Ong Beng Seng's court hearing rescheduled one day before he was expected to plead guilty Singapore Three hair salons raided in clampdown on touting, vice, drugs in Geylang and Joo Chiat Singapore The romance continues: Former 'Singapore girl', 77, returns to Osaka Expo after 55 years Singapore GrabCab, Singapore's newest taxi operator, hits the roads with over 40 cabs to be rolled out in July Singapore Police looking into claim by driver who caused teen's death that he was an NUS student Singapore 3 weeks' jail for man who touched himself on train, flicked bodily fluid on female passenger Two of Combs' former romantic partners, the rhythm and blues singer Casandra "Cassie" Ventura and a woman known in court by the pseudonym Jane, testified that he beat them and threatened to cut off financial support or leak sex tapes if they stopped taking part in the performances. Combs' lawyers acknowledged that the Bad Boy Records founder, once famed for hosting lavish parties for the cultural elite in luxurious locales like the Hamptons and Saint-Tropez, was at times violent in his domestic relationships. But they said the sexual activity described by prosecutors was consensual. The apparent discord among the jurors had echoes of the sometimes fractious deliberations in movie producer Harvey Weinstein's trial in June on sex crime charges in New York state court in Manhattan, just across the street from where Diddy is on trial. Jurors spent five days deliberating Weinstein's fate, with some acrimony directed toward the foreman. They eventually convicted Weinstein of one felony sex crime but deadlocked on a rape charge, leading to a mistrial on that count. A CRIMINAL ENTERPRISE? To convict Combs of racketeering conspiracy, prosecutors would need to prove beyond a reasonable doubt that he was part of a criminal enterprise consisting of his employees and other associates whose aim was in part to facilitate his sexual abuse and keep evidence of wrongdoing under wraps. Jurors heard testimony from Combs' former personal assistants who said their jobs included setting up hotel rooms for "Freak Offs" and buying their boss drugs. An InterContinental security guard testified that Combs, in the presence of his chief of staff, paid him $100,000 to hand over what he thought was the only copy of the surveillance tape of his attack on Ventura. And Scott Mescudi, the rapper known as Kid Cudi, told jurors Combs was likely involved in an arson on his car after Combs found out he was romantically involved with Ventura. The defense argued Combs was a successful entrepreneur who used drugs recreationally, but kept his professional and personal lives separate. Combs has been held in federal lockup in Brooklyn since his September 2024 arrest. REUTERS

Australia says it cancelled Kanye West's visa over Heil Hitler song
Australia says it cancelled Kanye West's visa over Heil Hitler song

Straits Times

time4 hours ago

  • Straits Times

Australia says it cancelled Kanye West's visa over Heil Hitler song

Sign up now: Get ST's newsletters delivered to your inbox The American rapper released the song that praised the Nazi leader Adolf Hitler across social media and music streaming platforms in May. SYDNEY – Kanye West, also known as Ye, has had his Australian visa cancelled after he released Heil Hitler, a song promoting Nazism, the country's home affairs minister said on July 2. The American rapper released the song that praised the Nazi leader Adolf Hitler across social media and music streaming platforms in May. The song came a few months after West made a string of anti-Semitic posts on X, which included comments such as 'I love Hitler' and 'I'm a Nazi'. Home Affairs Minister Tony Burke said while previous offensive comments made by West did not affect his visa status, officials 'looked at it again' after the song's release. 'It was a lower level (visa), and the officials still looked at the law and said you're going to have a song and promote that sort of Nazism. We don't need that in Australia,' he told national broadcaster ABC. 'We have enough problems in this country already without deliberately importing bigotry,' he added. Mr Burke added that West has family in Australia and has been a longtime visitor prior to the visa cancellation. The singer married his wife Bianca Censori, an Australian architect, in December 2022. Top stories Swipe. Select. Stay informed. Singapore 3 out of 4 in Singapore cannot identify deepfake content: Cyber Security Agency survey Singapore Ong Beng Seng's court hearing rescheduled one day before he was expected to plead guilty Singapore Three hair salons raided in clampdown on touting, vice, drugs in Geylang and Joo Chiat Singapore GrabCab, Singapore's newest taxi operator, hits the roads with over 40 cabs to be rolled out in July Singapore The romance continues: Former 'Singapore girl', 77, returns to Osaka Expo after 55 years Singapore 2 men face charges over fatal maritime accident near Pedra Branca island Singapore Police looking into claim by driver who caused teen's death that he was an NUS student Singapore 3 weeks' jail for man who touched himself on train, flicked bodily fluid on female passenger Mr Burke's office declined to comment on the exact date of the visa cancellation. In October 2024, US conservative influencer Candace Owens was also barred from entry into Australia. Mr Burke said 'Australia's national interest is best served when Candace Owens is somewhere else'. REUTERS

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