logo
No Season 2 for Kevin Bacon's 'Bondsman'

No Season 2 for Kevin Bacon's 'Bondsman'

UPI17-05-2025
Kevin Bacon's "The Bondsman" is not returning for a second season on Prime Video. File Photo by Greg Grudt/UPI | License Photo
May 17 (UPI) -- Tremors and Hollow Man star Kevin Bacon's new horror-comedy, The Bondsman, has been canceled after one season.
Deadline and The Hollywood Reporter reported the news Friday.
"This outlandish idea of becoming a bondsman, a bounty hunter for the devil and sending demons back, was so crazy," Bacon told UPI ahead of the eight-episode series' premiere on Prime Video last month.
"And, yet, the show has these very kind of grounded, regular scenes between regular family members," he added.
Kevin Bacon turns 60: A look back
Kevin Bacon joins wife Kyra Sedgwick at the first annual Broadcast Film Critics Association Awards in Los Angeles on January 22, 1996. Bacon was named Best Actor by the BFCA for his role in the film "Murder in the First." UPI File Photo | License Photo
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Thelma Schoonmaker on Martin Scorsese's 'Remarkable' Bond With Michael Powell and Using AI to Help Publish Her Late Husband's Diaries
Thelma Schoonmaker on Martin Scorsese's 'Remarkable' Bond With Michael Powell and Using AI to Help Publish Her Late Husband's Diaries

Yahoo

time3 hours ago

  • Yahoo

Thelma Schoonmaker on Martin Scorsese's 'Remarkable' Bond With Michael Powell and Using AI to Help Publish Her Late Husband's Diaries

Three-time Oscar winner and longtime Martin Scorsese collaborator Thelma Schoonmaker was the star of an Edinburgh International Film Festival event on Sunday, where she spoke about the life and work of her late husband, Michael Powell. Schoonmaker has worked on a whopping 22 of Scorsese's films across her decades-spanning career, picking up Academy Awards for Raging Bull (1981), The Aviator (2005) and The Departed (2007). She met Powell through Scorsese, whose reverence for the partnership between Powell and fellow English filmmaker Emeric Pressburger led to the pair becoming close friends. Scorsese became influential in helping to restore Powell's films and was a major advocate for the recognition of his brilliance. More from The Hollywood Reporter Renée Zellweger Unveils Her Directorial Debut in First Interview About Hand-Drawn Animation 'They': "A Passion Project - That's What This Is" Director Kevin Macdonald Recalls Working in "Wasteful" Era of Hollywood, Sending 'State of Play' Script to Brad Pitt: "He Said, 'I Hate It'" Terence Stamp, Brooding Legend of British Cinema, Dies at 87 'When I first started working with Scorsese, he immediately started giving me Powell and Pressburger films to take home and look at at night,' Schoonmaker told producer Emma Boa at Edinburgh's Tollcross Central Hall, the day after she introduced a restored, retrospective screening of Powell's 1937 film The Edge of the World. 'Scorsese had been bringing Michael to America. … He said, 'You love his films. Would you like to meet him?' And I said, 'Oh, yes, I would.' So I had dinner with Marty and Michael, and it was astounding, because Michael, even his face was so interesting. He didn't say much, but when he said something, it was very powerful. Nobody ever expected us to get married.' The pair were married from 1984 until Powell's death aged 84 in 1990. Among his and Pressburger's best-known movies are The Life and Death of Colonel Blimp (1943), I Know Where I'm Going! (1945) and The Red Shoes (1948). Schoonmaker became visibly emotional when discussing her husband's relationship with Scorsese. 'When Michael died, not one British director came to his funeral,' she said. 'Bernardo Bertolucci came, and Martin Scorsese flew across the Atlantic to be there and throw the first clump of dirt on Michael's grave. Their friendship was remarkable.' She recalls Powell coming to her one day and telling her: 'Marty's really upset 'cause he can't sell Goodfellas.' 'Can you imagine — he can't sell Goodfellas?' she continued. 'And the studios were saying to him: 'You have to take the drugs out.' And [Scorsese] said, 'The story of Goodfellas is the drugs. I can't take it out.' So Michael said to me, 'Read me the script.' I read the script to him on Sunday. … And he said, 'Get Marty on phone.' And I did. He said, 'Marty, you have to make this movie. It's the best script I've read in 20 years. You have to make it.' So Marty went in and somehow convinced Warner Bros. to make it.' Schoonmaker also confirmed she's still working on publishing Powell's diaries — some of them detailing his foray into theater directing — and is using AI to help. 'We're using AI with the diaries. … We have people read the diary from Michael's handwriting, because publishers want to see it in print, not handwriting,' she explained. 'It takes a lot of people to do it, and I have very dear friends who I can trust. He actually wrote the diaries for his mother, which is so interesting, and he's got a lot about his personal life with his family that I will remove because he didn't want his diaries published. So I will only publish some things that are relevant to film history.' The acclaimed film editor also went into some depth about the bumps in Powell and Pressburger's relationship. 'Emeric was much more aware of how bad the British film industry was and how are they going to survive it,' she explained, 'and he was willing to try and find a way to do that. But Michael was sticking to his feelings, and they went through a period of 20 years of total oblivion where nobody even knew who they were anymore,' she said, adding that Michael became 'quite broke.' Schoonmaker expertly and candidly fielded a myriad of questions about Powell's childhood, his acclimation to New York, how he inspired her editing and even when the pair fell in love. 'I don't think Marty actually was [too happy],' she laughed, 'because then he had to split his devotion to Michael and me. And you know, if I said, 'I have to go home and make dinner for Michael.' He had to say yes. But he loved having him around. He loved having him on the set.' She also spoke about her own career, navigating her way into the film industry and becoming friends with Scorsese. At the heart of the conversation, however, was Powell. She said about her favorite memories of him: 'I think just his love of life. What affected him every day was the weather, the light outside, the window, what he was cooking. He just knew how to get the best out of everything. And that was a great joy to live with.' The Edinburgh International Film Festival 2025 runs Aug. 14-20. Best of The Hollywood Reporter The 25 Best U.S. Film Schools in 2025 The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience

BLACKPINK at Wembley Stadium review: The world's biggest girl group are at the top of their game
BLACKPINK at Wembley Stadium review: The world's biggest girl group are at the top of their game

Yahoo

time4 hours ago

  • Yahoo

BLACKPINK at Wembley Stadium review: The world's biggest girl group are at the top of their game

Olivia Rodrigo owning Glastonbury, Sabrina Carpenter playing two nights at Hyde Park, Charli XCX's Brat victory lap, 2025 has undoubtedly been the summer of the pop girlies. It's only right then that BLACKPINK, the biggest girl band in the world, get in on the action. The K-pop titans' Deadline world tour took over London's Wembley Stadium for the first of two shows on Friday night, following an 18-month hiatus where the four-piece worked on solo projects. Each member was given plenty of space to flex during the two-hour show. Jisoo performed her dreamy Your Love accompanied by confetti and chairography, Jennie was every bit the swaggering rockstar for her snarling viral hit Like Jennie. Lisa couldn't have been more different to her softly-spoken The White Lotus character during a trio of brilliant, high-energy tracks from debut solo album Alter Ego while Rosé went full '00s for the snotty pop-punk inspired Toxic and a surprisingly chaotic APT.. All four are clearly stars and looked very comfortable on their own in the spotlight but together, they're on a whole other level. Previous BLACKPINK tours have been incredibly choreographed events, performed with an eventual concert movie in mind. Deadline was a far more relaxed affair – well, as relaxed as a six-act stadium show with a curved runway, fireworks and an entire dance academy can really be. There was still plenty of polish and no one could accuse the group of phoning it in, but they spent as much energy interacting with the crowd and trying to make each other laugh as they did recreating their slick music videos. The whole thrilling gig was wonderfully playful. At one-point FKA Twigs joined Rosé backstage for a scone and a shot. Why? Why not. A live band gave earlier, more polite tracks WHISTLE and BOOMBAYAH an added bite while the obnoxiously OTT pop of Pink Venom and Pretty Savage were clearly written to make a stadium full of people dance. Their music has always been ambitious, taking the best bits of countless different genres to create perfectly-formed pop spectaculars, but there was a joyous, infectious energy that came with performing it in one of the biggest venues around. As the first K-pop group to headline Wembley Stadium, BLACKPINK made sure to have the most fun possible, but they also took every opportunity to soak up the 'surreal' and 'insane' achievement. 'It really is such an honour,' said Jennie, thanking the crowd for supporting the band over the past nine years. There have been rumours circulating online that BLACKPINK will go on a more permanent hiatus after this tour, but at no point during the show did it feel like things were winding down. 'I wanted to do a song that felt like a goodbye, just for the meantime,' Rosé said before the tender Dance All Night, deliberately hinting at a return, while the mini-movies that were played during the gig were a celebration of the girls coming back together. Despite their historic legacy it was the recently released Jump, an urgent mash-up of Spice Girls camaraderie and the energy of a sweaty rave, that got the biggest reaction of the night. It's such a banger, it was played twice. What more could you possibly want?

Quentin Tarantino reveals 'crazy' reason he scrapped his final film 'The Movie Critic'
Quentin Tarantino reveals 'crazy' reason he scrapped his final film 'The Movie Critic'

Yahoo

time4 hours ago

  • Yahoo

Quentin Tarantino reveals 'crazy' reason he scrapped his final film 'The Movie Critic'

Quentin Tarantino may have backed out of his swan song, but it wasn't because of stage fright. The Oscar-winning filmmaker, who was slated to conclude his esteemed directing career with "The Movie Critic," opened up about the film's cancellation in an Aug. 15 interview on "The Church of Tarantino" podcast. "It's a little crazy to listen to podcasts and hear all these amateur psychiatrists psychoanalyze as if they (expletive) know what they're talking about," Tarantino, 62, said. "About what's going on with me, about how I'm so scared of my 10th film. ... 'Oh my God. I'm so fragile about my legacy.'" Tarantino, who previously said he planned to retire after his 10th film, told Deadline in 2023 that the film was set in California in 1977 and based on a real-life film critic who wrote "movie reviews for a porno rag." Brad Pitt, who won an Oscar for his role in Tarantino's 2019 film "Once Upon a Time... in Hollywood," was reportedly in talks to star in the film. Tarantino said the film started as a limited, eight-episode series. While the "Pulp Fiction" director was satisfied with the show's script, he later decided to adapt it into a film format: "No one's waiting for this thing, per se. I mean, I can do it whenever I want. I mean, it's already written. So OK, let me just not start it right now." "Let me try writing it as a movie and let me see if it's better that way. ... And I was like, 'Oh, OK. No, I think this is going to be the movie.' And then it wasn't," Tarantino continued. "I pulled the plug on it. And the reason I pulled the plug is a little crazy." Throughout his nearly four-decade career, Tarantino has become an icon of cinema thanks to his colorful neo-noir style, which often includes graphic violence and frequent references to popular culture. Some of his best-known films are "Reservoir Dogs," "Pulp Fiction" the "Kill Bill" franchise, and "Inglourious Basterds." 'The Movie Critic': What Quentin Tarantino has said about Brad Pitt-led film Why Quentin Tarantino didn't move forward with 'The Movie Critic' When it comes to movie magic, Tarantino isn't one to repeat himself. The director told "Church of Tarantino" host Reverend Scott K. that he gave himself a "challenge" with the subject of "The Movie Critic," which fueled much of his creative interest in the film. "Can I take the most boring profession in the world and make it an interesting movie?" Tarantino said. "Who wants to see a movie called 'The Movie Critic'? ... If I can actually make a movie or a TV show about somebody who watches movies interesting, that is an accomplishment." Quentin Tarantino's movies, ranked: From 'Reservoir Dogs' to 'Once Upon a Time... in Hollywood' And while Tarantino felt he met that goal, he said the film's production process bore too many similarities to "Once Upon a Time... in Hollywood," which is also set in a retro period of Los Angeles. "I wasn't really that excited about dramatizing what I wrote when I was in pre-production," Tarantino said. "There was nothing to figure out 'cause I already kind of knew, more or less, how to turn LA into an older time. So, it was too much like the last one." As for what the future holds, Tarantino shared that his upcoming projects include an untitled play and "The Adventures of Cliff Booth," a sequel to "Once Upon a Time... in Hollywood" written and co-produced by Tarantino, directed by David Fincher, and starring Pitt as the title character. "I won't be on the set every day and everything, but I'll be around if they need me to do something," said Tarantino, adding with a laugh: "It's a little more like I've given David a gigantic novel written in screenplay form, and it's his job." Contributing: Brendan Morrow, USA TODAY This article originally appeared on USA TODAY: Quentin Tarantino explains why he cancelled 'The Movie Critic'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store