
Deftones dazzle Boston with energetic TD Garden show
'You've Seen the Butcher,' from 2008′s 'Diamond Eyes,' opens with riffs that resemble a malfunctioning car ignition before the song explodes into a hiccupping, grinding chronicle of obsession, while 'Sextape,' also from that album, is searching and cavernous, Moreno looking for metaphysical clarity and closure while tethered to Earth. The encore-opening 'Minerva,' from the band's 2003 self-titled album, pairs sweeping riffs with a churning low end, giving Moreno's stretched-out syllables ample room to soar.
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The Deftones fanbase has steadily grown in multiple directions since their debut 'Adrenaline' came out in 1995. Newer bands proudly cite them as an influence, the genres their music has touched on over the years get freshly discovered by younger listeners, and older rock enthusiasts who missed them the first time around unearth them on streaming services. The audience was solidly cross-generational, with the general-admission ticket holders on the floor erupting into push-and-shove mosh pits as a testament to their collective appreciation.
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From the first note, Tuesday's show provided a dazzling example of why Deftones have become part of rock's firmament. The band closed their set with the thwacking 'Adrenaline' cut '7 Words,' a scrappy young cousin of skate-metallers Suicidal Tendencies' angst-ridden 1983 touchstone 'Institutionalized' that allowed Moreno to lead the arena in one final, frenzied freakout, placing an exclamation point on the room's shared catharsis.
DEFTONES
With The Mars Volta, Fleshwater
At TD Garden, Tuesday
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Hamilton Spectator
2 hours ago
- Hamilton Spectator
Is it art, or is it stealing work? Album cover designers stare down an AI future
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Sometimes, he submits those altered images back into the AI to generate more ideas. 'There's quite a bit of back-and-forth where you're applying your own skill and then putting it back in,' he said. 'It's a little bit like arguing with a robot. You have to nuance it into doing what you want.' One of his first experiments was the cover artwork for Finger Eleven's 2024 single 'Adrenaline.' The illustration shows a curvaceous woman in a skin-tight red-and-white-racing suit, her head concealed under a motorcycle helmet. She's standing in the middle of a racetrack with her back to the viewer. A cloudy blue sky imparts an otherworldly calm. Anyone who's seen recent AI artwork will probably recognize the hyperrealistic sheen of its esthetic. Other familiar AI trademarks are there too, including a landscape firmly rooted in a dream world. Generative image models are trained on billions of photographs to learn patterns, such as recurring shapes and styles. 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You know, the usual Twitter uproar, being like scraped across the internet as these terrible people that use AI in their music.' Unleash the Archers responded on their socials, issuing a statement acknowledging they had unintentionally implied their video featured original artwork by Bradshaw when it was actually produced through an AI program without his direct involvement. Their statement recognized how fraught the risks are for bands eager to explore new technology, saying that 'while we were expecting some controversy, we weren't expecting as much as we got.' Slayes said the backlash has forever sullied her connection to the album, which she originally intended as an exploration of an inevitable AI future. Instead, to her, it's become a reminder of how fast-developing AI technology is provoking deep-rooted anxieties. 'People are still afraid of it,' she said. 'And for good reason, because it is taking jobs.' For other artists, she urges them to think carefully about how they introduce AI into their own projects: 'If you're going to use AI for your artwork, you've got to have a really good reason.' This report by The Canadian Press was first published June 10, 2025.
Yahoo
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Foo Fighters, Chappell Roan & Linkin Park to Headline Corona Capital 2025
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