Happy Birthday Yuzvendra Chahal: From Fairytale Wedding To Shocking Divorce—A Life Full Of Twists
Today marks the birthday of Indian cricketer Yuzvendra Chahal, and fans across the country are flooding social media with heartfelt wishes. Known for his clever spin and witty charm, Chahal has been a key player for Team India in white-ball cricket. While his on-field achievements continue to shine, his personal life has also made headlines recently with the news of his divorce from Dhanashree Verma. As Chahal celebrates his birthday today, the spotlight remains on both his professional journey and personal growth. Stay tuned for more updates on Yuzvendra Chahal's career milestones, love story, and life after divorce. https://zeenews.india.com/photos/sports/happy-birthday-yuzvendra-chahal-from-fairytale-wedding-to-shocking-divorce-a-life-full-of-twists-2935473 Updated:Jul 23, 2025, 08:10 AM IST 1. Love at First Dance: How Chahal Met Dhanashree During Lockdown
1 / 20
Yuzvendra Chahal enrolled in Dhanashree Verma's online dance class in 2020, sparking an unexpected connection that quickly turned from virtual learning to real-life romance. 2. Dance Teacher to Life Partner: The Unlikely Love Story Fans Adored
2 / 20
Their professional bond evolved into a personal one, with mutual admiration, values, and chemistry—earning them the reputation of being the most relatable celebrity couple post-pandemic. 3. Fast-Tracked Feelings: When Chahal Decided He Didn't Want to Just Date
3 / 20
Unlike many modern romances, Chahal was clear from the start—he wanted marriage, not dating. His commitment won over Dhanashree and fans alike. 4. The Engagement That Broke the Internet
4 / 20
On August 8, 2020, their Instagram engagement post took social media by storm, trending instantly and drawing millions of reactions across cricket and dance communities. 5. The Intimate Gurugram Wedding That Captivated India
5 / 20
The couple tied the knot on December 22, 2020, in Gurugram. Their wedding blended tradition with modern aesthetics, winning hearts across social media platforms. 6. From Reels to Real Love: Becoming a Social Media Power Couple
6 / 20
Their adorable dance collaborations and cute captions quickly went viral, branding them as 'Insta Couple Goals' in the influencer and sports world alike. 7. Pitch-Side Support: Dhanashree's Constant Presence in IPL Stands
7 / 20
Dhanashree cheered Chahal from the sidelines during IPL games, becoming a fan-favourite cricket WAG and showcasing her dedication publicly. 8. A Marriage Made for the Gram: Public Affection Won Fans Over
8 / 20
Their frequent joint appearances, photos, and videos reflected a deeply affectionate bond, giving fans couple content they loved to share and emulate. 9. The First Signs of Trouble: Fewer Posts, More Speculation
9 / 20
By 2023, their joint content disappeared, replaced by vague Instagram stories—fueling curiosity and gossip about a possible rift in their relationship. 10. Unfollowing Each Other: The Move That Confirmed Fans' Worst Fears
10 / 20
Fans noticed Chahal and Dhanashree unfollowed each other on Instagram, with Chahal also deleting all shared pictures—causing 'Chahal divorce news' to trend instantly. 11. Cryptic Instagram Story Sparks Emotional Speculation
11 / 20
Chahal's 2025 post about pain, character, and resilience was widely interpreted as a reflection on his marriage—sparking emotional responses and fan theories. 12. Mutual Divorce Filing at Mumbai Family Court Goes Public
12 / 20
In February 2025, the couple was spotted at Bandra Family Court, filing for divorce by mutual consent—confirming the rumours that had been swirling for months. 13. Chahal and Dhanashree Requested Cooling-Off Waiver
13 / 20
Their plea to skip the mandatory 6-month waiting period suggested they had been separated long enough to make a firm, respectful decision. 14. Divorce Finalized in July 2025: End of a Fairytale
14 / 20
The Mumbai Family Court granted the divorce in July 2025, officially bringing their 4.5-year-long relationship to a legal and emotional close. 15. Public Yet Private: A Dignified End Without Drama
15 / 20
Despite media frenzy, both maintained grace and dignity—choosing not to publicly bash each other, earning praise for mature handling of their personal lives. 16. Fans Left Shocked and Divided Over Their Breakup
16 / 20
Social media reactions ranged from heartbreak to support, with thousands sharing memories of their favourite moments and speculating what went wrong. 17. Chahal's Post-Divorce Focus: Cricket, Family, and Moving Forward
17 / 20
Post-separation, Chahal has shifted focus to his career and fitness, showing signs of emotional recovery and determination—prompting new fan support. 18. Dhanashree's Continued Rise as a Choreographer and Influencer
18 / 20
Dhanashree remains active in the dance and influencer scene, posting motivational content that subtly reflects her personal strength post-breakup. 19. A Relationship That Defined an Era of Cricket WAGs and Reels
19 / 20
Their story symbolized a new-age relationship built in public, with digital intimacy, reel-life chemistry, and cross-platform fan following. 20. Lessons from the Chahal-Dhanashree Story: Love, Limelight, and Letting Go
20 / 20
Their relationship serves as a reminder that even picture-perfect love stories can end—with mutual respect and a touch of heartbreak in equal measure.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
&w=3840&q=100)
First Post
16 minutes ago
- First Post
Carlsen admits 'slow' mouse speed, acknowledges Indian GM Sarin's strength ahead of Esports World Cup 2025 chess event
Chess star Magnus Carlsen has admitted he doesn't have the fastest mouse speed among players at the Esports World Cup 2025 in Riyadh, and acknowledged Indian GM Nihal Sarin's strength. But the Norwegian is not worried about it. read more Magnus Carlsen is the favourite to win the chess event at Esports World Cup 2025 but he will face tough competition from players like Nihal Sarin. Images: Esports World Cup 2025/Nihal Sarin on X World No.1 Magnus Carlsen is unperturbed about his 'slow' mouse speed as he gets ready for his chess debut at the Esports World Cup 2025 with a unique format. The debut of an ancient sport like chess at the mega event, which has existed for centuries, started with the Last Chance Qualifiers, as 135 players competed for the remaining four slots. The main round of the chess tournament at the Esports World Cup 2025 in Riyadh, Saudi Arabia, will include a total of 16 players, including Carlsen, world No.2 Hikaru Nakamura and India's Arjun Erigaisi, who qualified directly for the tournament through the Champions Chess Tour 2025 standings. STORY CONTINUES BELOW THIS AD The tournament will be played in a 10-minute Rapid format with no time increment. It will begin on 29 July (Tuesday) with four groups of four players. Each group stage match will consist of two games and tiebreakers will be decided by an Armageddon match. Carlsen unperturbed by 'slow' mouse speed at Esports World Cup Will the faster time control of 10 minutes and no time increment be a problem for a 34-year-old veteran Carlsen, as compared to younger players like 21-year-old Nihal Sarin of India or France's Alireza Firouzja (22)? Only time will tell, but the Norwegian Carlsen feels he has done well in faster formats over the years and that will help him do well again. 'I only played two qualifier events to get here with this time control, but for me, it worked out okay. My mouse speed is not the best necessarily, but I play fast and well enough that it usually doesn't bother me,' Carlsen said in an interview with ChessBase India. While teenage sensation R Praggnanandhaa was knocked out in the qualifiers, Sarin from Kerala made it to the main draw through victories in the qualifier playoffs. Carlsen acknowledged that India's Nihal Sarin could prove to be a dangerous prospect, with his ability to play quickly under time pressure and high mouse speed, but Magnus is confident his motor skills will hold him in good stead. 'We will see, however, you could run into really dangerous matchups here. For instance, we saw in the qualifier how incredibly good Nihal is with very little time on the clock. So, there could be certain players like him and Alireza, I think, especially if they have a good event, they can certainly use that mouse speed to their advantage,' Carlsen added. 'But overall, as I said, it's entertainment and it is also esports and therefore motor skills should matter a little bit, be that overboard or both and generally I like that events are unforgiving in terms of time control and that time management actually is an important part of the game. So, overall I think it may make players uncomfortable at times, but that's part of the game and overall I like it.' STORY CONTINUES BELOW THIS AD The Young Prodigy delivers!@NihalSarin has officially qualified for the ESPORTS WORLD CUP: Chess Main Event 🏆 The grind begins now — eyes locked on that EWC Trophy! 🚀#Gameshuru #Gameशुरु #EWC2025 #S8ULFTW #iQOOS8UL — S8UL (@S8ulesports) July 26, 2025 Reflecting on who can be the favourites to win the tournament, Carlsen picked his friend Nakamura and Alireza 'I think the Falcons players, Hikaru, Alireza on paper, are the most dangerous. Hikaru is the most consistent among the others. But I think there are many players who could make a dent. I would say practically all the players here have some sort of chance to make a deep run. There isn't really that much in between them. I might have personal preferences of whom I would like to play, but if you talk to one of the other top players, it might be different. So, it's a really stacked field and everybody's very strong.' STORY CONTINUES BELOW THIS AD While the group stage matches will feature two games, it will increase to four games for the quarter-finals and six games in the semi-finals. The final will be played in a best-of-three sets format. The first two sets will include four games, followed by a two-game set played if needed. The chess tournament at Esports World Cup has a total prize pool of $1.5 million prize pool. The winner will take home $250,000.
India.com
16 minutes ago
- India.com
Educational qualifications of Ajay Devgn's family? The actor has studied till..., Kajol is a dropout, Nysa Devgan pursued…, Yug Devgan studies in…
Bollywood's popular actor Ajay Devgn is famous not only for his stunts but also for his pranks on the sets of films. He keeps doing one prank after another with his directors and co-stars. Ajay Devgn was associated with Bollywood films at a young age. Today, we will know how qualified Ajay Devgn, Kajol, Nysa Devgan, and Yug Devgan are. Know educational qualifications of Ajay Devgn Singham actor, Ajay Devgn, studied at Silver Beach High School in Mumbai. After passing the 12th, he got a graduation degree from Mithibai College in Mumbai. Ajay Devgn made his debut in the industry only after completing his studies. However, it is not known in which stream he studied. View this post on Instagram A post shared by Ajay Devgn (@ajaydevgn) Know Kajol's educational qualification You will be surprised to know that Kajol herself is a school dropout. Yes, Kajol has not even completed her schooling. Born on 5 August 1974 in Mumbai. Kajol's mother Tanuja, is an actress, while her father, Shomu Mukherjee, was a film director and producer. Kajol studied in St. Joseph Convent School, Panchgani. Apart from her studies, she also used to teach dance. Kajol started acting while she was still in school. Kajol made her acting debut at the age of 17 in the 1992 romantic drama Bekhudi. After starting work on Bekhudi at the age of 16, Kajol wanted to return to schooling. But Kajol left school to pursue a career in films. View this post on Instagram A post shared by Kajol Devgan (@kajol) Kajol didn't even complete her 10th and 12th grades. After dropping out of school, Kajol never completed her school education. Kajol never went to college. She does not have a degree. However, later Kajol admitted on many occasions that she regretted the decision of not completing her studies. How qualified is Ajay Devgn's daughter, Nysa Devgan Talking about Nysa Devgan's educational qualification, she is focusing on completing her studies. She has done her schooling from India's prestigious Dhirubhai Ambani International School, Mumbai. Many star kids have studied here and are currently studying as well. She went to Singapore for high school studies and took admission in the United World College of South East Asia. View this post on Instagram A post shared by Nysa Devgan (@nysadevganx) According to reports, she is currently pursuing a degree in International Hospitality from Glion Institute of Higher Education, Switzerland. According to the website, the fee of this institute is around Rs 1.5 crore Where is Ajay Devgn's son Yug Devgn studying? According to media reports, Ajay Devgn's son Yug Devgan studies at Dhirubhai Ambani International School. However, not much information about Yug is available in the public domain. But according to some media reports, Yug is a student in the 9th or 10th. Dhirubhai Ambani International is a famous school in Mumbai. View this post on Instagram A post shared by Ajay Devgn (@ajaydevgn) If we talk about Yug's school fees, Dhirubhai Ambani's fees is Rs 1400 per month, which amounts to Rs 70,000 per year. Reportedly, an amount of Rs 5,000 is also charged as an admission fee. On the other hand, the report also states that the fees for IGCSE students are Rs 49,000 per month, which amounts to Rs 5,90,000 per year.
The Wire
16 minutes ago
- The Wire
The Theatre of Ratan Thiyam: Profound Beauty on the Modern Stage
I remember Ratan Thiyam, almost always dressed in black, performing an elaborate curtain call along with his actors at the end of his show. Together they would all go down on their knees and touch their foreheads to the stageboards so as to thank the audience for coming to the performance. The grace of this gesture in some sense encoded the essence of Ratan's theatre work – its formal rigour and its elegance as it walked the fine line between performance and secular ritual for, and of, the modern stage. One the most celebrated theatre makers of India, Ratan Thiyam, who passed on July 23, 2025, in Imphal at the age of 77, was in command of many roles at one and the same time throughout his life. He was a theatre director of brilliance, but was also a writer and a poet, a theatre teacher, a guru, a distinguished organiser and a leader – heading institutions like the National School of Drama as its Director (1987–88) and as its Chairperson (2013–17), while creatively shaping the artistic style of the renowned Chorus Repertory Company that has performed across India and the world to great acclaim for more than four decades. However, let me begin this tribute to Ratan by taking a step sideways. It is said that there is a philosophical connection between landscape artists, horticulturalists and theatre makers. All of them understand the effects of a slant of light, the depth of shadow, grades of colour, chiaroscuro, and the inter-relationships, by placement, between nature, humans and objects. I had the occasion several years ago to visit the Chorus Repertory Company, located at the edges of Imphal city, and I vividly remember the nearly three-acre site: the neatly trimmed hedges, the small pond, the clusters of trees with blossoming vines wrapped around their trunks, the flower beds, the vegetable patch, and the gravelly pathways connecting one part to another. The vegetables harvested from the fields fed everyone who lived on site including Ratan. He lovingly introduced the garden, the water body and the plants, many of which he had planted himself. Also read: Ratan Thiyam, the Risks He Took and the Future of Indian Theatre Working the land was a part of the daily routine set up several decades before the connections between agricultural activity and theatre practice had come into focus, as they have done now. Apart from this there was, and still is, another routine in place – of practising movement, breath, vocalisation, song and music derived from the vocabularies of Manipuri dance traditions, martial arts and ritual practices. This training happened in a cluster of buildings set amidst the landscape, that included an exhibition space, a rehearsal space, and a blackbox theatre equipped with light and sound systems. Away from the noise of the city, the Chorus Repertory as imagined by Ratan functions as a sort of ashram, where skill is transferred to the shishya – student – on a daily and continual basis, a mode of transmission different from the segmented time-tables of 'modern' theatre training institutes. But back to the theatre maker and the horticulturalist, and their understanding of atmosphere – which is objective and subjective, material and non-material, at the same time; something that you can breathe in and recognise it to be joy or peace or melancholy for instance, but not know what it is that you have drawn into your lungs. Ratan's use of light and shadow in theatre is unparalleled. He was able to create degrees of darkness on the stage – experienced as sometimes dense and sometimes diffuse with a precision that requires an exact understanding of the properties of lighting apparatus. At one moment the lights dimmed so low that you might see nothing but the glint of sequins on the potloi (the structured skirt worn by Manipuri dancers) as a group of performers glide across the stage; at another moment you might see a slash of light illuminate fingers wrists and upper arms flickering against the cyclorama – leaves, insects or distress signals from a drowning chorus? From the dark upstage you might see a tall, white fabric umbrella, held firmly by an actor, float downstage, to form a halo ─ marking a passage to the heavens? The tumultuous clang and flash of hand-held gongs deafen and blind the spectators as the chakravyuh gains the velocity of a tornado in a circle of red beams. And who can forget the often-cited image of an elephant materialising on stage as if in a dream, in his memorable production of Agyeya's Uttarapriyadarshi! These are stage effects that cause the heart to pound. Almost nobody understood the magic of the image in theatre better than Ratan Thiyam. And almost nobody used the proscenium arch theatre, also known as the picture-frame stage, better than him. The picture-frame stage, brought to India by the British to house their theatricals, has given rise to much debate. The proscenium, as we know, is the architectural frame that edges the opening of the stage. The major experiential convention it produces is a play of dark and light; the stage being illumined while the audience is in darkness is as much an emotional experience as it is material. What effect does such architectural framing have on traditional forms and their grammars? How does it change our viewing habits and our expectations? Ratan Thiyam's work, performed primarily in the proscenium, disturbs assumptions and generates a contradiction. Even when he remodelled traditional grammars, and reshaped gestures drawn from Manipuri martial arts and dance forms so as to align them with the enclosing edges of the frame, Ratan produced performances that have often been understood as, or even become synonymous with, Indian theatre. A description that we must inflect, gloss and interrogate by keeping his remodelling, his refashioning of form stance and music in mind. Ratan Thiyam's luminous stage work exceeds description; what stays in our memory is his love for the craft of theatre, and the beauty it can produce. It reminds us that meaning-making in theatre is not by word alone but by all the elements that make up the performance – from minutiae such as glinting sequins and flying tassels on costume, to the voluminosity of shadowed tableaus and grand battles choreographed to thunderous percussion that judder the very foundations of the auditorium. Our homage to Ratan Thiyam: the person who ignited the spell of material fiction that is theatre; the one whose aesthetic and pedagogical imagination enhanced the discourse of modern Indian theatre.
