This Shocking Docuseries Is The Top Show On Netflix Right Now
According to Netflix's public ranking system, 'Bad Influence: The Dark Side of Kidfluencing' is currently the most popular show on the platform.
As the title suggests, the shocking docuseries examines the troubling reality of the child influencer industry. Specifically, the show focuses on the rise and fall of social media star Piper Rockelle, her mother's role in her career and her 'squad' of friends.
'Bad Influence' consists of three episodes ranging between 45 and 52 minutes and features interview with parents, former child influencers and industry experts.
Read on for more trending shows of the moment across streaming services including Apple TV+, Hulu, Max and Disney+. And if you want to stay informed about all things streaming, subscribe to the Streamline newsletter.
The most popular show on Apple TV+ is 'Your Friends & Neighbors,' which premiered on April 11 with the release of the first two episodes.
Starring Jon Hamm, the darkly comedic crime drama follows a newly divorced and unemployed hedge fund manager who turns to criminal tactics to maintain his wealth. Olivia Munn and Amanda Peet also star.
'Hacks' is trending on Max at the moment. The fourth season of the critically acclaimed comedy drama debuted on April 10.
Hannah Einbinder plays a disgruntled comedy writer who takes a job working for a legendary comedian, portrayed by Jean Smart.
The dystopian Hulu series 'The Handmaid's Tale' returned for sixth and final season on April 8.
Based on Margaret Atwood's famous 1985 novel, the show stars Elisabeth Moss as a determined woman living in world where collapsing fertility rates and civil war have resulted in the establishment of a totalitarian, theonomic government in the former U.S.
'Doctor Who' is trending on Disney+ following the premiere of the new season on April 12.
Ncuti Gatwa returns as the Fifteenth Doctor ― an alien humanoid 'Time Lord' who travels the universe to gain knowledge and help others. The latest installment also features Varada Sethu and Millie Gibson.
'The Last Of Us' Season 2 Premiere Had A Shocking Reveal
'The Pitt' Finale Proves Why It's The Best Medical Drama On Television
This 'Black Mirror' Episode Is Surprisingly Not Depressing — And It's A Must-Watch
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The Verge
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Apple turns up the speed on Podcasts and adds a new emoji game to News
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Apple iPad 11: Tested and reviewed
Apple put so little effort into revealing the new 11th-generation iPad this past spring that I'd bet most don't know that there's a new basic iPad for 2025. Announced within the press release for the new iPad Air M3, the new entry-level iPad is both massively important and admittedly boring. That's what we expect, though, when Apple continues to make small tweaks that don't rock the boat on its most-accessible iPad. Still, this latest iteration ensures that Apple's most affordable tablet is still the best iPad for most people and likely the top tablet as well. But is this update one that demands purchase right now, or can you wait until you need it? Let's find out. Apple iPad (11th Gen)The 2025 iteration of Apple's basic tablet is faster than before, but the biggest difference comes with a starting storage upgrade that makes it easier to download and use a bunch of apps. The iPad is still the de facto tablet for most people For a while, the regular iPad had the same boring design and the same dark and flat colors you get on its pricier laptops. Then, in 2022, Apple introduced the 10th-generation iPad with flat sides that match the rest of its tablet hardware. This iPad is the first update to that model, and it is physically identical, sharing all the same dimensions and weight. The iPad's 11-inch screen is surrounded by bezels that aren't especially chunky and give you a fair amount of room to grip the tablet without activating the display accidentally. While the iPad Mini is arguably better for reading books and for smaller spaces like an airplane's seat-back tray table, this screen is pretty great for most activities, including multitasking in split-screen mode. While the iPad's screen is a bit too glossy (more on that below), it's still otherwise great for everything I watched and played this week. From the bright yellow plane in the trailer for 'Mission: Impossible — The Final Reckoning' to the lush greens of the grass in Genshin Impact, just about all my content looked pretty good. It looked good enough, in fact, that I was wishing there were a larger, 13-inch version of this iPad, a size that's currently reserved for the iPad Pro. The iPad draws power from the USB-C port on the bottom, and it's got a three-dot Smart Connector for connecting various keyboard accessories. It's sold in blue, pink, silver and yellow, a bold set of colors that I wish were available throughout Apple's lineup and not just for the iMac M4. You also get some of the same standards as before, such as the rear 12-megapixel camera that can record 4K video. The 10th-generation iPad had this same camera, which was an upgrade from the 8-megapixel camera with 1080p video in the 9th-generation iPad. I'm not sure who needs that resolution in a tablet, but it's nice to know it's there. Additionally, you get a 12-megapixel front camera that supports Apple's Center Stage feature that keeps you properly framed on the screen by zooming in and out on video calls. When I dialed up my colleague Mike Andronico on Slack for a video call, he said I sounded and looked 'normal,' which is basically a ringing endorsement because I primarily use a 4K webcam (which Slack compresses). Apple's A16 chip delivers a performance boost This iPad has proved a stellar part of my days and nights during this past week. While I've been at work, I've kept it open next to me with Messages, Mail and one other app (sometimes Todoist for my productivity, other times Safari for my social media) open at the same time. I was able to juggle those, along with Apple's Photos and Notes apps, without a smidge of a hiccup or stutter. Gaming on the 11th-generation iPad also worked well, at least for mobile titles. The modestly demanding but massively addictive Balatro card game ran super smoothly, and the iPad also did a fine job with the 3D adventure game Genshin Impact. Everything looked correct as my characters ran around the woods and I switched between sword and bow-and-arrow attacks. Just don't expect the big AAA games that have been announced for iPads and Macs to run on this basic iPad: the recent Resident Evil and Death Stranding ports require an M-series chip, so they're exclusive to the iPad Air and iPad Pro. The A16 chip also delivered great scores on the Geekbench 6 benchmark tests, beating pricier tablets such as the Google Pixel Tablet, Samsung Galaxy Tab S10 FE+ and Microsoft Surface Pro 2024. Interestingly, though, the 11th-generation iPad's single-core score on that test — which measures performance in less-demanding, everyday apps — is basically within the margin of error of what we saw from the iPad Air M2. 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CNN Underscored editors thoroughly test all the products in our testing guides, and we take tablets just as seriously as we do laptops and all other tech. We're made up of a skilled team of editors and writers who provide full transparency about our testing methodology for our product reviews. Electronics writer Henry T. Casey has been testing tablets for more than a decade, having tried everything from the chunkiest kids' tablet to the priciest iPad Pro. He's seen plenty of tablets turn into doorstops and paperweights over the years and wants to make sure you love the one you buy.
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In 2022, director Dan Trachtenberg proved Predator still had steam with Prey, a gloriously high-concept and brilliantly realized reinvention of the previously DOA 80s action IP. It was a bold departure from previous films in that it set its story in the early 18th century and centered it on a Comanche warrior, inevitably begging the question, 'If we can do a Predator movie there, where else can we put a Predator?' Fans quickly began generating ideas for what new potential Predator installments could look like. How about a Predator in ancient Egypt? How about a Predator in feudal Japan? How about a Predator during Vietnam? Well, at least one of these wishes has come true in Predator: Killer of Killers, a previously secret Predator project that has now graced our television screens (Hulu in the States, Disney+/Star everywhere else). 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Killer of Killers marks the second time Disney has unceremoniously plopped an exquisitely crafted production straight to streaming, a criminal act for a company that allows hollow cinematic detritus like the new Lilo & Stitch to rack up Memorial Day dollars. Thankfully, this critic was able to experience the film in a theater as part of the Tribeca Festival's 'Escape to Tribeca' midnight programming slate, and calling the experience transcendent would be underselling it. The most notable difference is in the soundscape, which is booming with an absorbing surround mix and an intense, enrapturing score from Benjamin Wallfisch (Alien: Romulus). This is especially stirring in the film's third and final vignette, which incorporates the sounds of aerial combat a la Top Gun to bombastic effect. Unless you have a solid home theater setup, this is something you simply can't fully appreciate from the comfort of your home. Then, of course, there's the animation. 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It's undeniable that these three short films are infectiously entertaining, taking a previously militarized franchise and imbuing it with the kind of acrobatics, combat, and ingenuity that feel reminiscent of a John Wick-meets-Mortal Kombat bloodbath. It's a shame, then, that Killer of Killers succumbs to the MCU-ification of modern filmmaking and insists that 'everything is connected.' Though it isn't worth getting into for fear that it will spoil what is an admittedly electrifying third act, the final scenes of the film do explicitly connect the three vignettes and imply a much larger story world than Killer of Killers initially lets on. Each film is strong enough on its own that the additional narrative work, while fun, feels both narratively superfluous and vaguely exploitative. One can't help but fear that the film's story devices may eventually be abused to provide nostalgia-fellating franchise fodder. Arnold Schwarzenegger has certainly been brought back to his franchises with less effort. All of that said, the film is so invigorating from a pure genre perspective that it's easy not to care. Unlike franchises within the Marvel machine or even other blockbusters like Mission: Impossible or James Bond, Trachtenberg has proven he is only interested in pandering continuity porn when it comes secondary to expanding his franchise's lore in his own image. Though we expect his next film, Badlands, to be a more narratively coherent experience, there's nothing wrong with letting him experiment with a few creative exercises if they look, sound, and feel this good. Obsessive easter egg hunters will surely have some things to pick apart, but, for the most part, Killer of Killers is a sublime standalone project that invites endless possibilities to the Predator franchise while providing a cutthroat action romp that never takes its foot off the brakes. Predator: Killer of Killers held its New York Premiere as part of the Escape From Tribeca section at the 2025 Tribeca Festival. It is now streaming globally on Hulu and Disney+.
