
'Hrithik Roshan, Wamiqa Gabbi have the best facial structure, says leading plastic surgeon: 'If they come to us, we would just fold hands, it's just God's grace on them'
In a recent podcast a leading plastic surgeon has spoken about celebrities who are really gifted by God as they have facial aesthetics which are close to perfection.
Dr. Sumit Malhotra—a leading plastic and reconstructive surgeon at Apollo Medics Super Speciality Hospital in Lucknow spoke spoke about how these two celebrities have the perfect facial features which is God's grace upon them. He said on 'Talk With Manvendra' podcast, "
Hrithik Roshan
ka face, jismein agar puchoge ke kya change karna chaahoge toh kuch bhi nahi change kar sakte."
He added, "Among women today, I believe Wamiqa has near to an ideal face. She has a very beautiful face. Agar yeh dono keh de ke hamare mein kuch change karna hai toh humein haath jodna padega kyunki bhagwaan ki aappe kripa hai. (If people like her were to visit a plastic surgeon and ask for a procedure, we'd probably just fold our hands in response. It's truly God's grace upon them).'
Wamiqa reacted to this and said, "My self-esteem is doing a little bhangra. Adding 'surgeon-approved face' to my bio and moving on with life. (Woke up to do some pending work BUT yeh dekhne ke baad vaapis sone jaa rahi hoon... Ok BYEEEEE!'
On the professional front,
Wamiqa Gabbi
is gearing up for her next releases — Bhoot Bangla, Dil Ka Darwaaza Kholna Darling, and the Telugu film Godhachari 2.
Hrithik Roshan has just completed the shoot of 'War 2' with Jr NTR and Kiara Advani.
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Mint
21 minutes ago
- Mint
Movie theatres are back to being prime drivers of Bollywood revenue as OTT cools
After years of playing second fiddle to streaming and satellite TV, the big screen is back in business. With recent Hindi and Telugu blockbusters raking in far higher box office numbers than money from satellite or music rights, movie theatres have reclaimed their spot as the biggest money-spinner for filmmakers—a sharp shift from the pandemic years. Allu Arjun-starrer Pushpa 2: The Rule, for instance, made over ₹1,233 crore at the box office, while digital, satellite and music rights brought in around ₹400 crore for the makers. Other titles such as period drama Chhaava and horror comedy Stree 2, which unexpectedly went to earn around ₹600 crore each at the box office, are estimated to have each earned between ₹120 crore and ₹130 crore from the sale of ancillary rights, according to trade experts. The experts pointed out that OTT (over-the-top) platforms have become cautious and selective, reducing their contribution to a film's overall revenue to 30% or less, compared to over 50% during the pandemic. Alongside, the satellite TV market has cooled precipitously and music rights are on the decline. This indicates that cinemas are back to bringing the biggest chunk of returns, prompting filmmakers to begin to produce and market films for theatres first. According to the Ficci-EY media and entertainment report 2025 that was released in March, incomes from theatrical releases accounted for over 70% of the overall revenue of a film in 2024, while ancillary rights like digital and broadcast brought in 23%. In contrast, in 2021, theatricals made up 48% of the overall revenue of a film, while ancillary rights contributed 50.5%. Further, in 2024, satellite TV rights sales stood at ₹1,300 crore, significantly lower than ₹2,100 crore in 2018. Ashish Saksena, chief operating officer, cinemas, BookMyShow, pointed out that the industry is witnessing a recalibration, where producers, especially those investing in mid-to large-scale stories, are anchoring their strategies around a theatrical-first model once again. A case in point is Aamir Khan's deliberate decision to give his production Sitaare Zameen Par a theatrical release and retain the theatrical window run for a long duration. Calling it a thoughtful reaffirmation of cinema as a communal experience form, Saksena said it signals renewed confidence in the box office while reasserting the enduring value of the big screen format. Film producer Anand Pandit said that OTT platforms and satellite channels are more selective now with what they acquire, and even music revenues depend heavily on social media traction. 'These platforms still contribute, but they're no longer leading the way like they did for a few years," Pandit said. 'This is an opportunity to expand our imagination beyond old revenue models and focus on theatrical releases. This is the time to create immersive, emotionally resonant cinema that can draw audiences to theatres." 'Movie channels were, at one time, drivers of reach, but that isn't the case anymore," Neeraj Vyas, former business head, Sony Entertainment Television, Sony SAB, PAL and Sony MAX Movie Cluster, had told Mint in an earlier interview. 'There have been many FTA (free-to-air) launches that take eyeballs away from the pay TV universe." Entertainment industry experts like Pandit emphasize that OTT platforms are no longer in the content-buying race the way they were in 2020-21. Their focus has shifted from quantity to quality and profit. Satellite channels, on the other hand, are dealing with changing audience behaviour. TV viewership patterns are shifting, especially among younger audiences, and advertising revenue doesn't support the acquisition of films at exorbitant rates. As a result, they've become very selective, too. Further, with music, only a few songs really break out and drive revenue in a market where paid subscriptions aren't exactly growing. Unless something goes viral, the returns are limited. So overall, purse strings are tightening across the board. The market has changed, and the easy pre-release revenue models producers once relied on have shrunk. 'Prices have now rationalized after the initial bubble burst. Producers are back to relying on revenues from the theatrical business and the good part is films are also breaching the ₹500-600 crore box-office mark. This means the theatrical model is robust and you just have to ensure the content and math of the budget are right," said Bhumika Tiwari, head of content acquisition and film distribution (worldwide) at Dharma Productions. Over the past two years, films like Pathaan, Jawan, Gadar 2, Animal, Stree 2 and Chhaava have crossed the ₹500-600 crore mark at the box office. 'We've seen first-hand how the theatrical ecosystem in India has consistently anchored the film industry's commercial and cultural relevance. While the revenue mix has evolved over the years, theatrical contribution is one metric that has been steady in the life cycle of a film. Its ability to generate both economic value and audience engagement at scale, repeatedly is unmatched," Saksena said.


News18
5 hours ago
- News18
Vijay Deverakonda's Brother Anand Pens Moving Note To ‘Anna': ‘I Was Completely Emotional...'
Last Updated: Anand Deverakonda shared a touching reel celebrating Kingdom's brotherhood anthem and his bond with Vijay, calling him his biggest support system. Actor Anand Deverakonda shared an emotional tribute to his elder brother Vijay Deverakonda, following the release of the latest track Anna Antene from Vijay's upcoming film Kingdom. Taking to Instagram on July 18, Anand posted a heartwarming reel that celebrates sibling love, layered with personal memories and rare family moments. The video features a mix of childhood pictures and behind-the-scenes glimpses of the Deverakonda brothers' lives—family vacations, goofy clips from home, and candid memories that capture their tight bond. The song's lyrics, which focus on the unbreakable connection between brothers, struck a deep chord with Anand. Sharing the reel, Anand wrote, 'I was completely emotional when I first heard this song. He's always been there for me — believing in my dreams, even when I couldn't see them myself. It made me realise how often we take our siblings for granted, expecting them to always play that role without ever saying it out loud. So, maybe this song is the perfect opportunity to acknowledge and celebrate our relationship. Anna Antene… My Anna @thedeverakonda." View this post on Instagram A post shared by Anand Deverakonda (@ananddeverakonda) Composed by Anirudh Ravichander, Anna Antene is the latest track from Kingdom and stars Vijay Deverakonda alongside Satya Dev. The song has quickly connected with fans for its emotional weight and catchy melody. Amid the song's release, fans have also been concerned about Vijay's health. As per multiple reports, the actor has been hospitalised due to dengue. Sources close to the actor suggest that he is under observation but likely to be discharged by July 20. If all goes well, Vijay is expected to resume promotions for Kingdom later this month. Directed by Gowtam Tinnanuri, Kingdom is an upcoming Telugu-language spy action thriller also starring Bhagyashri Borse and Satya Dev. Initially scheduled for a March release, the film will now hit theatres on July 31. The film promises a blend of high-octane action, emotional storytelling, and a gripping espionage narrative. First Published: Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


Indian Express
7 hours ago
- Indian Express
Junior movie review: Kireeti's launchpad buckles under sentimentality and sloppy logic
Junior movie review: The protagonist of Radha Krishna Reddy's Junior feels like a hacky blend of Allu Arjun's Arya, Aamir Khan's Rancho, Ravi Teja's Kalyan (from Kick (2009)), and countless other popular characters from modern lore. Abhi (Kireeti Reddy) has a singular priority in life, and that is to make memories. There isn't a moment that he wouldn't live to the fullest or an experience he would shy away from, and all because of his overbearingly doting father Kodandapani (V Ravichandran). The father has raised Abhi as a single parent, and though his ways of nurturing his child are pleasant, the son has grown up feeling stifled by all the care and affection. So, if there's an opportunity to get into a random fist fight with a fellow college kid or swear revenge against the boss at work, Abhi is all game and excited because his father has never allowed him to encounter those emotions before. Arya, Rancho and Kalyan might have different individual reasons for their zest for life, but the approach remains the same among all of them. But what if Abhi were to be the lucky one, while someone else aches for the very love Kodandapani gives him so freely? What if he were to realise that the purpose of his life isn't to live for himself, but to create new memories for that someone else? Junior, in essence, is a coming-of-age drama, but the method it chooses to drive its message home is that of a sentimental family drama – and the film rarely tries to rein in its sentimentality. Teeing off by introducing Kireeti's Abhi as a spunky college kid, Junior lavishly uses its 154-minute runtime through several scenes that are playful yet dispensable. A majority of the first half is spent running back and forth explaining Abhi's comical conundrums, with his select few friends and classmate/crush Spoorthi (Sreeleela in a rather underwritten role) mucking about alongside. Barring the opening sequence that establishes the emotional depth behind Kodandapani's possessiveness, most of what follows is intentionally frivolous and low-stakes. Devi Sri Prasad attempts to breathe some vigour into these scenes with his trademark uptempo score/songs, while Kireeti himself comes to the fore with some acrobatic dance moves. Yet, all effort yields little of worth because the writing is haphazard and lacks the required guile or intent for the themes it wishes to explore. These inconsequential scenes further nag at us as neither the jokes land nor the story presses on. It is only when Genelia Deshmukh's Vijaya enters the fray that the film's true direction begins to emerge. The popular actor's comeback film in Telugu offers her a feisty yet stoic character who leads a huge global enterprise, and Genelia does a fine job in infusing some strength into Vijaya. The character is sure to remind many of the formidable female figures of Trivikram Srinivas' oeuvre, who often pose a stiff challenge to the male protagonist and urge them to find the maturity lurking deep inside them. Radha Krishna Reddy manages to set the stage for something very similar in Junior, and for a brief while, he succeeds in creating a delicious battle between a scrappy, up-and-coming young man and a seasoned, highly successful woman. However, the fire dies down quite early into the proceedings because the writing, once again, starts to meander by depending heavily on cliches. What also holds the film back is how often logic takes a backseat in the storytelling. There's no plausible reason as to why a massive crew of techies, led by their CEO herself, would shift base to a tiny village for the sake of a CSR (corporate social responsibility) obligation. Characters are forced to remain estranged for convenience's sake while medical conditions are twisted and wrung about just so that the film throws a few punchy surprises at us. One finds no harm in using such contrivances to develop drama in the narrative, but the problem occurs when the contrived nature of the writing doesn't warrant merit – and Junior seldom finds itself deserving of the benefit of the doubt. Yet, there are a few worthy bright moments that linger (aided by DSP's background score). Ravichandran's restrained performance as the wistful yet warm father leaves a solid impression, while Kireeti shares a handful of emotionally resonant sequences with Genelia; debutant Kireeti, otherwise, fares underwhelmingly in the role that barely demands much. The production design, too, makes a mark and 'Baahubali' and 'RRR' cinematographer KK Senthil Kumar's frames are fittingly rich and vivid. The technical team and the rest of the ensemble cast deliver what's expected, though the script gives them precious little to work with. Also Read | Saiyaara movie review: Aneet Padda-Ahaan Panday show spark, but this is no Aashiqui 3 Ultimately, Junior finds itself juggling between being a grand launchpad for its lead actor and a striking family drama with echoes of Telugu cinema's not-so-long-ago past. For the latter, it required a nuanced approach that would have done away with the datedness of the material and imbued it with some freshness and originality. Without the required agency, it ends up being a tediously long, illogical affair that relinquishes the good opportunities it fleetingly presents itself. Junior movie cast: Kireeti Reddy, Sreeleela, Genelia Deshmukh, V Ravichandran Junior movie director: Radha Krishna Reddy Junior movie rating: 2.5 stars