Ahaan's mother pours heart in special note, calls Saiyaara blessing of grandparents
She attributed Ahaan's current success to the blessings of his ancestors, stating, "Your grandparents & great grandparents are blessing you from above my darling son." This perspective underscores her belief in the spiritual support and guidance from past generations, which she sees as pivotal in her son's journey.Concluding her heartfelt message, Deanne offered words of encouragement, urging her son to remain humble and kind amidst the ups and downs of life. She stated, "Your simplicity & humbleness stayed with you from so young." View this post on Instagram A post shared by Deanne Panday (@deannepanday)Her note encapsulated a blend of pride, love, and timeless advice, reinforcing the values that have guided Ahaan thus far and will continue to do so in his future endeavours.'Saiyaara', directed by Mohit Suri and produced by YRF, stars Ahaan as a rising singing sensation. The film is getting a terrific response from the audience in theatres. It is performing exceedingly well at the box office, with Rs 132 crore in five days. 'Saiyaara' also marks the debut of Aneet Padda in a full-fledged role. - Ends
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While outsiders with no godfathers or any prior connection to the show business have to toil endlessly to even land roles that get their faces registered in the minds of audiences, Dulquer undoubtedly benefited from his father's legacy to receive a debut film. And much like most other nepo babies, he received the lead role in his first film. However, what set him apart was the kind of movie and role he chose to commence his journey with. Director Srinath Rajendran's Second Show (2012) was not just a unique noir gangster film, but it leaned significantly towards the emerging aesthetics and narrative style of that era, characterised by the unfiltered portrayal of grey in both people and society at large. Revolving around a group of young perpetual-troublemakers who eventually get involved in organised crimes, Dulquer played a character, Lalu, who wasn't noble and pure-hearted, nor instantly likeable in the movie. In a way, Lalu can be called the anti-hero of Second Show. 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But a closer look at the characters they all played would lay bare the master plan. The same can be said about the major nepo kids of Dulquer's generation in Malayalam as well. From Fahadh Faasil and Prithviraj Sukumaran to Pranav Mohanlal, Kalidas Jayaram, Kalyani Priyadarshan and Vineeth Sreenivisan, most of them made their acting debuts playing good-natured characters, with the only exceptions being Indrajith Sukumaran and, to some extent, Keerthy Suresh. But Dulquer took on a character, if not executed properly, could make people loathe him completely. And considering that Second Show was Srinath Rajendran's directorial debut as well, the risk was even greater. Nonetheless, all of them emerged with flying colours. Subsequently, Dulquer kept delivering bangers after bangers, mostly playing characters that were tailor-made for him in movies like Ustad Hotel, ABCD: American-Born Confused Desi, 5 Sundarikal and Neelakasham Pachakadal Chuvanna Bhoomi. When he attempted to break out of his comfort zone and try his hand at something new in Theevram, it didn't get much reception from people, although his efforts didn't go unnoticed. Despite facing setbacks with movies like Pattam Pole, Salalah Mobiles, Samsaaram Arogyathinu Haanikaram/Vaayai Moodi Pesavum and Njaan, he took no time in making a comeback with Bangalore Days, Vikramadithyan, 100 Days of Love, Charlie and Kammatipaadam. Meanwhile, he also won over the hearts of Tamil audiences with his striking performance in Mani Ratnam's OK Kanmani, where his breathtaking chemistry with Nithya Menen received the most appreciation. With Jomonte Suvisheshangal, Comrade in America, Parava (where he played an extended cameo) turning out to be massive box-office successes, Dulquer cemented his position in the industry. But that was 2017. Since then, Dulquer's Malayalam career has been a rollercoaster ride. While most of his films failed to impress audiences, their frequency also declined significantly due to various factors, including more lucrative offers from other industries. After the underperformance of Solo, he returned to Malayalam cinema only a year and a half later with Oru Yamandan Premakadha, which became a critical and commercial disaster. Soon, he began working on the biographical period crime thriller Kurup, helmed by Second Show's Srinath Rajendran. Made on a massive scale, it was unlike anything DQ had done till then, and he tried to give it his all. In between, he also worked on the small-scale project, Varane Avashyamund (2020). Although the movie was a success, it didn't offer him quite enough to regain what he had lost. Barring a cameo in the disappointing Maniyarayile Ashokan, which he bankrolled too, Dulquer had no other movie that year. Thus, all began waiting for Kurup, and it arrived in November 2021 with a bang. Not just that the movie was a critical and commercial success, DQ also showcased his untapped potential by masterfully playing fugitive Sukumara Kurup without diluting any of the real-life person's vileness. Despite his next, Salute (2022), also earning favourable responses, since it had a direct-to-OTT release owing to the Covid situation, DQ's box office base here was affected once again. Although his non-Malayalam films like Hey Sinamika, Sita Ramam and Chup: Revenge of the Artist were released in Kerala too, the desire for fans to watch a Dulquer movie in theatres kept getting delayed. The biggest blow of all came when his much-anticipated and massively hyped gangster drama King of Kotha (2023) tanked at the box office and became a meme goldmine eventually. It's been almost two years since King of Kotha now, which means he hasn't had a single success in his home ground in about four years. However, amid all these, he found success in Telugu. There too, he received an enviable debut, playing Gemini Ganesan in Nag Ashwin's biographical drama Mahanati. Delivering an extraordinary performance and that too as a yesteryear star, he quickly won over the audience's hearts. Hanu Raghavapudi's period romantic drama Sita Ramam was just what he needed after that to take him to lofty heights. With the movie capitalising fully on both his charm and cuteness, and his mesmerising on-screen chemistry with co-actors, particularly women, it gave him the sort of push that his Malayalam movies weren't offering him. Considering that Dulquer had more arrows in his quiver than most of his Telugu peers — many of whom were also more fixated on larger-than-life mass entertainers — DQ was quickly crowned their heartthrob by Telugu audiences, who had been desperately searching for one. Unlike in Malayalam, where he struggled amid actors who were arguably far more talented, and burdened by his own ambitions fueled by the excessive expectations of his fans, DQ cherry-picked the best of the guy-next-door roles in Telugu and experimented with them whenever possible. In Venky Atluri's Lucky Baskhar (2024), he found the best mix of both, and Dulquer managed to bring out his A-game effortlessly, contributing to the period crime film's massive success. The reception that his cameo appearance in Kalki 2898 AD received in the Telugu market, and the disappointment of the audience over his role being too small, further underscored the space DQ has managed to carve in the hearts of Telugus. A post shared by Dulquer Salmaan (@dqsalmaan) Interestingly, his performance in Lucky Baskhar also earned him the Special Jury Award at the Gaddar Telangana State Film Awards, presented by the state government to recognise excellence in Telugu cinema. Later, he met with Telangana Chief Minister Revanth Reddy in Hyderabad to express his gratitude for the honour. As a result of all these, despite his next outing, Aakasam Lo Oka Tara, being only in its pre-production stage at the moment, expectations are high among the audience already. For an actor with a massive fan base in his home turf, staying away from it for so long — especially after delivering a major disappointment — is no small move. It remains to be seen whether this has affected his box office pull. For that, we will have to wait for Dulquer's next, RDX director Nahas Hidhayath's I'm Game, to find out. Nonetheless, if he manages to replicate in Malayalam what he's been doing right in Telugu, DQ's journey back to the top may not take long.
