The Fantastic Four: First Steps Ending, Explained
Here's the ultimate break down of The Fantastic Four: First Steps.
And there are only two options: give up the world or give up Franklin. Of course, The Fantastic Four refuses to do either so they try to come up with a plan to save both. Reed comes up with a plan to try and move the Earth the same way that he moved the egg, but it's thwarted when Shalla-Bal comes and destroys all of the transporters around the world excerpt for the one in Times Square.
Johnny follows her there and stops her from destroying the final pillar by playing messages from her planet that she saved by sacrificing herself as Galactus' helper in finding other planets to consume. He reveals that he knows her true story after studying her language and asks her to help spare their Earth as well. When she refuses, he starts to play messages from other planets that we destroyed, showing her the damage that she has done. She immediately runs away, leaving Johnny alone in Times Square the team wondering what they should do next.
Reed immediately comes up with another plan, but after his conversation with Sue about sometimes coming up with the harshest ideas, he knows that she won't like it. They decide to use the final portal in Times Square to transport Galactus far away from their planet and any others. However, it also involves them using Franklin as bait in order to lure Galactus to the transporter.
The team agrees that it is the best way and they even create a special baby carrier that would be able to withstand multiple attacks. Galactus arrives to Earth and immediately spots Franklin in Times Square, causing him to walk from Battery Park where he landed to the middle of the city. However, before he gets to the baby, the team distract him and Johnny hurts his eyes, blinding him while they swap Franklin for an empty carrier. Johnny takes him to the Baxter Building for safekeeping where he is protected by the building's strong forces and H.E.R.B.I.E.
Galactus soon realizes that the carrier is empty before he event steps into the transporter and immediately turns away to head over to the Baxter Building. He is successfully able to grab Franklin and takes him away to eat him.
Sue, immediately seeing that her baby was taken, jumps into action and uses her powers to push Galactus to the Times Square portal. Reed and the other members of the team try to stop her before she pushes herself too much, but she does not listen as she attempts to save her baby. Reed, Johnny, and Ben all join in and Reed is successful in grabbing Franklin as Johnny starts up the transporter. They seemingly push Galactus through the portal, saving the day that is...
Until he starts to pull himself out as the portal is still open. Johnny then decides to sacrifice himself in order to push him through the portal again, but he is then pushed away by none other than Shalla-Bal, who successfully pushes Galactus through the portal as it finally closes.
While Earth is seemingly saved, we realize that Sue has been out cold on the ground and the rest of the team immediately go to her.
Unfortunately, Sue pushed herself too hard and she died trying to save her baby. Reed and the rest of the team start to mourn her. As Reed hovers over her body, Franklin is placed on her chest where he shocks everyone by using his powers to revive her.
With the world saved, the team can finally enjoy being together as a new family! That is...until something mysterious pops up in the mid-credits scene...
Also, we've already seen what happens next to them in the post-credit scene for Thunderbolts* so we know that this is not the end of their story. Here's to looking forward to the rest of phase 6!
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Forbes
11 hours ago
- Forbes
‘Fantastic Four' Underwhelms, ‘Superman' Soars Higher At Box Office
Marvel Studios' summer tentpole The Fantastic Four: First Steps underwhelmed this weekend with just $118 million domestic and $100 million internationally, slightly ahead of what were frankly conservative estimates but realistically behind potential for such a major MCU release. Meanwhile, DC Studios' Superman soars higher at the box office past $500 million, after previously opening higher than Fantastic Four. Ebon Moss-Bachrach and Joseph Quinn star in "The Fantastic Four: First Steps." Fantastic Four Misses A Step In a surprise turnabout, it was Superman eating into The Fantastic Four: First Steps' weekend gross, rather than Marvel's summer tentpole acting as a speed bump for DC's cinematic reboot. Superman went from a trajectory toward $550 million to suddenly staring confidently at $600 million or more, if last weekend's upset moral victory is a sign of things to come. It's not a disaster, by any stretch (sorry, pun kind of intended), but a $218 million global bow for Marvel's biggest film of the year is not the champaign-popping result they wanted. Especially not after the previous two MCU releases this year underperformed. Fantastic Four debuting to less than Superman is a bad sign for the MCU in more ways than merely this film's own box office prospects. Marvel 'First Family' is meant to set up the two-part Avengers: Doomsday and Avengers: Secret Wars payoff, as well as setting the foundations for a soft reboot of the MCU (with X-Men serving as the other major players in laying the new groundwork). The Fantastic Four: First Steps did come in more than 10% ahead of Superman internationally, and the MCU tends to enjoy good overseas holds. However, overall lower opening weekend global sales combined with the fact Superman is holding far better than expected (particularly with families and younger viewers compared to Fantastic Four's alarming drops among those demographics), means we have to wait to see whether First Steps can match the Man of Steel's stamina. Right now, it appears Superman could wind up flying as high as $630 million, or as low as $590 million, but most likely somewhere north of $600 million at this point. The Fantastic Four: First Steps, on the other hand, might now have the more modest trajectory once anticipated for Superman. There's still a broad range of outcomes, however, because the A- Cinemascore and great 87% 'Certified Fresh" rating from critics via Rotten Tomatoes mean strong positive word-of-mouth just like Superman enjoyed, except Fantastic Four's numbers are actually a bit higher. Which usually spells good news for second and third weekend holds, particularly internationally – again, where the MCU gets most of its money. If Fantastic Four can build upon its lead with foreign audiences and make up lost ground there, it could allow the Marvel film to exceed Superman's international holds (which are still good, make no mistake, but still significantly weaker than domestic) and wind up making more worldwide despite a potentially (probably, to be frank) lower domestic haul than DC Studio's successful superhero revival. Fantastic Four And Family Films My guess is that what we're seeing is part of a much broader trend that's taking place, and it's displacing a lot of previously chart-topping genres and franchises. And it isn't a major surprise, if you follow annual box office charts much. So far this year, the top of the worldwide box office charts is dominated by family movies targeted heavily toward children and parents. China's Ne Zha II purportedly at the very top with $1.9 billion, followed by Lilo & Stitch with a huge $1 billion, A Minecraft Movie at $955 million, Jurassic World: Rebirth with $718 million to date, How to Train Your Dragon at $606 million so far, and then some adult-appealing Mission Impossible - The Final Reckoning closing out at about $595 million and F1 currently at $510 million and still going strong. Only then, at the bottom of the top 10, do we finally see Superman's $503 million gross (so far), Captain America: Brave New World at $415 million, and Thunderbolts with just $382 million. Now, these placements will change eventually, as other upcoming films inevitably bump some of these films from the top 10 box office charts. More important for the moment is that Jurassic World will remain in third place for a while, after it hits roughly $850 million. How to Train Your Dragon and Superman will face off over who has the highest $600+ grand total, with a near-tie possible. The Fantastic Four: First Steps will wind up somewhere in high-$500 millions or the $600 millions. F1 will race its way toward $575 million to perhaps even $600 million Likewise, Zootopia 2 and Avatar: Fire & Ash are both going to wind up high on the top-10 list by the end of the year, with Avatar 3 at the very top and Zootopia 2 almost surely among the top-5. So the final year-end chart will probably look something like this: Notice the top seven spots are dominated by child-leaning family movies, and the two that aren't (Avatar 3 and Jurassic World) are still popular with kids and teens as well as parents. F1 at the bottom is the only true adult drama entry on the list, the other nine being multi-demographic films with large or predominant family attendance, as well as big youth turnout overall. Superheroes are now mostly relegated to second-tier box office status and the bottom of the top-10. And even those impressive numbers for Jurassic World tell another story. Jurassic World: Rebirth is still in the weekend top-three and stomping its way toward maybe $850 million despite lousy audience grades and weak reviews. That's a big number, but it's also a huge comedown from the billion-plus box office of the preceding three chapters in the franchise. Meanwhile, the live-action adaptation of How to Train Your Dragon looks to finish around $625, which is higher than I personally expected (I figured between $500-600 million), and should become the highest grossing entry in the entire franchise, topping its animated predecessors. And of course, both Lilo & Stitch and Minecraft overperformed and are in the elite tier of the year-end box office. Ne Zha II is a whole special story, having made the bulk of its enormous gross in China, and I always have questions about how (*ahem*) accurate the accounting is. That said, it's still clearly a big hit and will get a North American release later this year, so we'll see how that goes. But regardless, it's another example of rekindled surging power of family entertainment at the top of box office charts. While family movies have always been popular and typically pepper the annual box office top-10, superhero cinema and certain other recurring tentpole franchises usually take several of the top-5 and tend to reside in the higher positions of the charts. But aside from rare billion dollar grossers like last year's Deadpool & Wolverine, superhero movies are settling into a lower tier at the box office, in the 'new normal' that sees viewers pickier about what they spend their dollars on, favoring family entertainment and looking for unique adaptations of familiar franchises. With so many superhero films and streaming series, not to mention plenty of animated superhero films and shows as well, parents and families are far less obliged to hit the multiplex for most of these pictures. Instead, they choose to watch them at home later, and reserve their theater seats for those predominantly kid-friendly family films. Unless a superhero film offers something really extra that makes it must-see, or unless it nails the appeal to families with young kids, those crucial family and youth demographics aren't as interested in keeping up in theaters. Binging on the shared-world ahead of major crossovers is easier and more appealing, it seems, and helps more easily work in viewings of the streaming shows. Fantastic Four And Marvel's Future That Marvel can't sustain the mind-boggling levels of success they enjoyed through their Infinity Saga isn't surprising, nor is it a sign of failure on their part. What Marvel is, and what it represents, has evolved and changed now. Marvel is at the 'what now?' point. Conversely, DC Studios has captured audiences' attention by stepping into that place the MCU once occupied with a fresh, fun new world being introduced, and it invites all ages to the party while everybody experiences it for the first time together. Marvel is now setting up their own soft reboot of sorts, but will audiences buy into it? They did with the DCEU's final dying gasps giving way to the newly introduced DCU in Superman, so maybe despite some underperformance for the MCU ahead of their own reset, they could enjoy some boost from the Avengers sequels coming up (although danger of underperforming always exists) and then introduce a whole new MCU that rekindles the sense of newness and joy. But even if both the DCU and MCU experience a new love affair with audiences, I suspect it will still never reach the heights of the Infinity Saga's recurring billion dollar franchise sequels and $2+ billion Avengers 'event' releases. Successful sustainable superhero cinematic universes will probably financially look more like Marvel's Phase One and Phase Two, or DCEU's first set of movies (Man of Steel, Batman v Superman, Suicide Squad, Wonder Woman, Justice League), where only the Avengers or major sequels/team-ups score $1 billion and the rest fall in the $500-700 million range. That means budgets will have to get under control, and there will be less releases each year, while streaming spinoffs become more attractive less 'tested' characters. If James Gunn and Peter Safran can guide DC Studios toward tweaking their approach in Superman but otherwise delivering on the potential to give audiences what they experienced with the original MCU build-up and payoff, then they'll be rewarded with solid success that might not quite achieve the Infinity Saga's heights, but will still be enormously successful and popular. And I'm going to say something controversial to some, but here it goes: the more Gunn and Safran make sure the rest of the DCU movies maintain the same appeal to families and kids, the more successful it will be. Dogs? Humor? All-ages fun? Yes, all around. I know everybody wants some idealized world where each franchise director is given exclusive visionary control and every film can be its own thing, but I'm talking about a different level of success that builds a whole DC world around an inclusive 'all fans welcome' approach and pointedly wants to create young fans who will remain fans for decades to come. I agree that a grounded Batman can coexist with a fantastical Superman, but that's easier in the comics than in live action cinema, and crucially there is a difference between what comic book fans' cultural expectations are compared to the much larger mainstream global film audience who are fans of these superheroes. Folks showing up to the Marvel movies responded the way they did because it all was within a shared world and it felt like it. Audiences bring those expectations and subconscious assumptions or judgments with them into the cinema, and it matters for their sense of buy-in. This has become more obvious as we've seen the differences between Marvel's and DC's successes and failures over the years. Superman had an aesthetic and sensibility, as well as tonal balance and sense of humor, that works for superhero movies meant for all audience members. It feels very similar to Sam Raimi's Spider-Man and Spider-Man II, and most of all the director's Doctor Strange In the Multiverse of Madness. We all remember how successful those films were, and I think leaning into that for the overall DC world works extremely well if the family audience appeal is front and center. It's actually not dissimilar to the aesthetics of Zack Snyder's Watchmen movie, which I long said would be an excellent aesthetic template (minus the graphic violence, sex, and profanity) for adapting the DC universe to film in a shared world. Perhaps leaning into Superman's family-friendly aspects most of the time, and allowing for leaning more toward Watchmen for the slightly 'edgier' or darker films like Brave and the Bold (might it eventually be retitled Batman and Robin?), but even that film could use the grittier tone while tilting back the other way by having Robin/Damian as the main character instead of Batman/Bruce. For Marvel, and for The Fantastic Four: First Steps, the evolved aesthetic approach is an interesting introduction to what the potential future of the MCU might look like, with a world growing out of Fantastic Four's history merged with the existence of Mutants and X-Men. It makes sense that when previous superheroes like Iron Man, Captain America, and others are rebooted with new actors, it will happen in a new world with new aesthetic changes to avoid repetition and to allow entirely new approaches and inspirations. At least, I hope that happens, but it depends a lot on the success of Fantastic Four, and on the success of Avengers: Doomsday and Avengers: Secret Wars. Let's find out how Fantastic Four: First Steps does through the weekdays as word-of-mouth spreads, and then how strongly it holds – I'm especially interested in what those international figures tell us over the next seven days, because that's where we'll get the best glimpse of Fantastic Four's box office future, and what it might mean for the rest of the MCU's plans. Superman's own numbers will separately tell us whether it's headed for the lower end or higher end of those $600+ expectations.
Buzz Feed
12 hours ago
- Buzz Feed
Pedro Pascal Vanessa Kirby Joseph Quinn Ebon Moss-Bachrach Cast Wars
It's no secret that The Fantastic Four: First Steps cast is super close. If their most recent press tour is any indication, they love each other a whole lot and consider each other family. So, to celebrate the release of Marvel's newest movie, which finally brings Reed, Sue, Johnny, and Ben into the MCU, we had Pedro Pascal, Vanessa Kirby, Joseph Quinn, and Ebon Moss-Bachrach compete in a game of Cast Wars to see how well they actually know each other. Split into two teams, they started off competitively, like when Joseph and Ebon had to guess what Pedro's character in Buffy the Vampire Slayer was up to. Or when Pedro and Vanessa had to guess which song Joseph played as Eddie in the Upside Down on Stranger Things. But, just to prove how much they embody Marvel's first family, they were eventually just helping each other out with answers, and the whole thing was so chaotically wholesome. Like, they even knew so much MCU and Fantastic Four lore — Pedro in the thinking "dad" stance is killing me, LOL. You can watch Pedro, Vanessa, Joseph, and Ebon's full Cast Wars video below: And be sure to watch The Fantastic Four: First Steps, which is in theaters now! Do you love all things TV and movies? Subscribe to the Screen Time newsletter to get your weekly dose of what to watch next and what everyone is flailing over from someone who watches everything!
Buzz Feed
13 hours ago
- Buzz Feed
Fantastic Four Character Quiz
Who did you get? Share your results in the comments below! Heck, even share the team you created to fight Galactus! Do you love all things TV and movies? Subscribe to the Screen Time newsletter to get your weekly dose of what to watch next and what everyone is flailing over from someone who watches everything!
