
The 5 Hong Kong movies to watch if you liked ‘Twilight of the Warriors: Walled In'
Long Arm of the Law (1984)
This may be a pretty old movie, but Johnny Mak's Long Arm of the Law is a classic that can be seen as an ancestor of the various crime and gangster films that were to follow in Hong Kong cinema. Five men from mainland China cross into Hong Kong hoping to strike riches with a jewellery heist, but nothing goes according to plan as betrayal, car chases, murder, and spectacular violence plague the group. The film's final 15 minutes are actually filmed in the old Kowloon Walled City, in a famous chase sequence and climatic showdown that shows how indiscriminately violent the police are as well, and remains one of the best finales in Hong Kong cinema.
Limbo (2021)
Before Twilight burst onto our screens, Soi Cheang had already directed Limbo, also an action thriller but much more dark – literally, as the film is in stark black and white. If you thought the Kowloon Walled City looked bleak, the Hong Kong in Limbo is even more claustrophobic and dank, with the rain cascading down onto both piles of trash and discarded people alike. Violent beatdowns, gang crime, dismemberment, weary cops: this urban noir film has got them all. It's not an easy watch, but Limbo shows a Hong Kong that is as aesthetic as it is depressing.
Chasing the Dragon (2017)
This action crime drama by prolific Hong Kong filmmaker Wong Jing is a remake of To Be Number One (1991), and tells the story of the real-life gangster Ng Sik-ho. Donnie Yen plays the illegal immigrant from mainland China who makes his way into 60s-era Hong Kong and transforms himself into the drug lord called Crippled Ho, while Andy Lau reprises his role as police officer Lee Rock from the Lee Rock film series. But things are not that clear cut, as Crippled Ho is portrayed as a half-decent dude, while Lee Rock is a half-corrupt cop, and they both meet halfway in the grey middle while getting revenge.
Paradox (2017)
The third film in the Sha Po Lang film series, Wilson Yip's Paradox has parallels with Twilight as it was Cheang who co-produced it, with Sammo Hung doing the action choreography and Louis Koo starring in the leading role. The neo-noir action flick follows Koo's police inspector who searches for his missing daughter in Thailand, which leads to the discovery of human trafficking, corrupt officials, awful truths, and plenty of death and destruction. Thai martial artist and actor Tony Jaa also stars as Lee's detective friend, so you can expect the action sequences to be spectacular. Koo also won multiple Best Actor awards for this film.
I'm Livin' It (2019)
While on the surface very different to the dramatic action of Twilight and the other triad movies on this list, Danny Wong's directorial debut I'm Livin' It also deals with poverty, the fringes of society, and how a bunch of people down on their luck can band together for survival. Aaron Kwok's character is a former finance bro incarcerated for embezzlement and has since become a McRefugee – a homeless person who spends the night in 24-hour McDonald's branches. He meets a group of similarly disadvantaged people, including a teenage runaway, a has-been singer, a street artist, an old man with dementia, and more. Wong takes care not to exploit or fetishise the true circumstances of McRefugees, instead weaving together harsh, humanised, and nuanced stories.
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Scottish Sun
6 days ago
- Scottish Sun
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Scottish Sun
05-08-2025
- Scottish Sun
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Scotsman
04-08-2025
- Scotsman
Wednesday is a show I wish had existed when I was a teen
Wednesday Addams returns this week - but I wish this show had existed when I was a teenager 🕷 Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Wednesday will finally return to Netflix this week. The second season arrives after a nearly three-year wait. But catching up, all I could think about is how I wished it had come out when I was a teenager. The first season of Wednesday was one of those that just passed me by. You know how it is, a new show comes to Netflix, you add it to the watch list, and then three years go by, and you are still meaning to get around to it. What can I say, it happens to the best of us! But with the second season creeping up like a disembodied hand, I finally had the push needed to catch up on this hit streaming show. Advertisement Hide Ad Advertisement Hide Ad All I really knew heading into the show was that it was about Wednesday Addams (and maybe the rest of the family), it involved Tim Burton, and there was a dance that went viral. But that was about the extent of my knowledge before I hit play… what was waiting for me on the other side? Wednesday is a show that I wish existed when I was a teenager Jenna Ortega as Wednesday Addams in Wednesday series 1 | Netflix I am unfortunately about 15 years removed from being the target audience for this show, but it did make me wish I had been the right age for it. Don't get me wrong, there is plenty still to enjoy. It is macabre, gothic, and funny, with a killer lead performance from Jenna Ortega. Christina Ricci is also a brilliant bit of nostalgic-bait casting for those of us who love the 1990s movies. The school setting is well realised, for the most part. It really does have the nostalgic feel of one of those 2010s fantasy-romance film adaptations that came out in droves after Twilight hit it big. In fact, it does occasionally feel like an adaptation of a book, even if one does not actually exist, especially when it comes to the pacing around the big school events. We are suddenly in a big school boat race, for example, or a dance arrives without much build-up before it, and it makes the pacing feel ever so slightly off. Advertisement Hide Ad Advertisement Hide Ad However, when it comes to hitting the brief of being a young-adult series, it executes that extremely well, featuring the tropes without getting bogged down in them. There is a love triangle, adults who ignore the clever kids, and a school dance (featuring the aforementioned viral scene). I know that if I had been 13 or 14 when this show came out, I would have been obsessed. It has spooky stuff, a mystery, gothic vibes, and of course, the love triangle. Unfortunately, I am more than a bit past that age. Like many of us, my teenage years were awkward ones, and I gravitated towards media about outsiders and the weird. I remember counting down the days until the next volume of episodes of Supernatural was released on DVD (in the days before streaming). I feel like Nevermore Academy is exactly the kind of place my teenage self would have longed to exist in. Undoubtedly, as a werewolf (being on Team Jacob). Advertisement Hide Ad Advertisement Hide Ad Alas, that bus has come and gone, and Wednesday is here instead for misfits growing up during the age of lockdowns and social media. Even still, while I am not the target audience, there is still a lot to like. Even if you can see the first season twist coming a mile off, it is a fun way to refresh the Addams family for a new generation. It also feels very Emo, which may be down to the Tim Burton connection. I couldn't help but find myself wondering about just how good that soundtrack would have been in the late 2000s, early 2010s. We would have had cello covers of My Chemical Romance, Paramore, Linkin Park, and Evanescence for sure. I can almost hear it now, echoing from the depths of my subconsciousness. But that is the march of time, and fortunately, a whole new generation of TV watchers has had the chance to discover the Addams family through a more-ish 21st-century lens. Every generation of oddballs and misfits deserves a weird, spooky show/ book/ film that they can imagine themselves finding a place inside. If you love TV, check out our Screen Babble podcast to get the latest in TV and film.