
He turned a Mongolian BBQ joint into a Baja-style seafood spot — while battling cancer
In November, chef Joshua Gil nearly died. In February, he opened his new restaurant.
'I'm a very stubborn a—,' Gil quipped recently. 'I like telling people, 'I'm Mexican. I don't know how to give up.''
The prolific chef started pioneering pop-up dinner series Supper Liberation Front in 2009, and went on to open and close celebrated restaurants including Tacos Punta Cabras in Santa Monica and Mírame in Beverly Hills. As the founding chef of Mírate in Los Feliz he cemented himself as a local leader of Alta California cooking.
Now he's serving another menu of Mexican cuisine — alongside Mongolian barbecue — from a Westchester strip mall, while also battling Stage IV cancer.
Gil and his team of chef-partners recently flipped a neighborhood spot on Manchester Avenue known to locals for some 50 years as Three Flames Mongolian BBQ. The new Three Flames kept the flattop and will will serve Mongolian BBQ, reimagined, along with Baja-inspired fried seafood tacos, burgers, loaded fries and some of the city's most creative new tostadas and specials.
Despite years of health hardships, Gil won't stop cooking.
He received his Stage II cancer diagnosis in 2022. The following year he helped open the lauded Mírate in Los Feliz, then two restaurants in downtown's maze-like Level 8, a sprawl of restaurants and bars within the Moxy Hotel. Then, he quietly launched an Italian restaurant in Rancho Cucamonga.
Why open restaurants in the midst of Stage IV colorectal cancer?
'I love providing for people,' Gil said. 'What we do, we do it from our heart and soul. It's just love, and that's what I want to share.'
In late 2024 and into 2025, Gil underwent months of antibiotic treatments for an infection while also completing rounds of chemotherapy. The toll it took on his body nearly killed him, he said.
Simultaneously, he mounted a legal case. In November, Gil filed arbitration in an equity dispute with his former Mírame and Mírate business partner Matthew Egan, alleging contract fraud; the complaint is pending in Los Angeles County Superior Court. 'Out of respect for all parties, we are not able to comment on ongoing litigations,' a representative for Egan told The Times.
The last six months have been eventful for the chef. 'There were people [who were] super surprised that I was even functioning,' Gil said.
But he did not want his medical or legal strife to delay his latest project, which debuted in February. Gil tapped Anthony Rodriguez, with whom he'd cooked at both Mírame and Mírate, to head up the kitchen as Gil continues to battle cancer — and contemplate life, mortality and spirituality.
Gil said spirituality has long played an important role in his life. He practices shamanic healings and feels some of his most fulfilling moments come when his skills overlap: cooking for people during these ceremonies and providing people 'with the nourishment to be grounded.' Someday he'd like to open a spiritual retreat, where food would play a role.
For now he's focused on reprising some of his past achievements in a new light at Three Flames.
One of Three Flames' most popular items is a new albacore tostada inspired by Gil's Sonora-raised grandmother, whose uncle was a Chinese chef. Family lore included a recipe for chicken with sesame salsa; Gil created his own version, which now tops vegetables tossed in Key lime juice and burnt-habanero salsa, buttery albacore and chicharrón furikake.
The restaurant's made-to-order tortillas use fresh masa from the adjacent Maria's Tortillas. The tacos are filled with gluten-free tempura-fried scallops, shrimp, rock cod or a blend of mushroom, seaweed and cauliflower.
'It might look like a little taco shop, but the recipes are legit,' Gil said. 'There's a lot of layers to everything. I want it to pop. I want people to feel it in their heart. I want you to feel the love that we've been putting into it.'
Gil and his team brought new life to the original restaurant's hibachi recipes too, tweaking the ingredients and drawing on techniques from Gil's high-end teppanyaki restaurant, downtown's Maison Kasai.
At Three Flames the team switched the previously used udon to fresh yakisoba noodles. They've added more vegetables to the Mongolian-barbecue mix, and new sauces. A new shrimp option riffs on shrimp toast, forming it into a patty and throwing it into the noodle mix (it's also a burger).
Not everyone's been thrilled with Gil's new direction; multiple longtime Three Flames fans asked why they can no longer choose their stir-fry vegetables from a refrigerator, which Gil removed to make room for more seating.
The dual format of taqueria and Mongolian grill is also a frequent cause for confusion.
'People walk in and they're like, 'Wait, what?'' Gil said. 'We still have the Mongolian grill because we want to pay homage to what's been there, and what built the foundation of the spot.'
But with a strained immune system and a requirement for rest, Gil spends less time at the grill and more time mentoring. He helps steer the team and collaborates on specials such as butchering a whole tuna head for tuna machaca, or chopped clams with aguachile granita and Gil's 'Mexikosho,' a Mexican spin on yuzu kosho made with Meyer lemons, serrano chiles and Key lime.
'I can't really do it all anymore, so I'm doing this with him [Rodriguez] and a couple of my other chefs,' Gil said. 'They need to be owners.'
These days he sees Rodriguez as the chef, and himself as a cook who sometimes creates recipes.
'I've been sitting with our identities: who we are, our images of who we are,' he said. 'I haven't donned the [chef's] whites in a long time, and yet I'm still referred to as 'chef.' We never lose that. It doesn't matter how away from the kitchen you are. You're constantly being called 'chef' by those that know you as such, and it's [hard] holding on to that livelihood, that lifestyle.'
It is, he said, a little like the Sufistic belief in ego death: of 'dying' before physical death by separating one's self from the notions or titles of who he is.
Gil doesn't know what comes next for his culinary career or his life as he continues to battle cancer.
But he knows that he wants Three Flames to serve as a tool in bringing more love into the community. He plans to reprise and host his long-running, cross-cultural underground supper club there, bringing the renegade, experimental Supper Liberation Front and its rotation of anonymous chefs to the small strip mall in Westchester — one taco, Mongolian stir-fry or mystery fine-dining course at a time.
Three Flames is located at 5608 W. Manchester Ave., Los Angeles, and is open daily from 11 a.m. to 8 p.m.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Chicago Tribune
39 minutes ago
- Chicago Tribune
CSO hires a new chorus director; cancels next season's MusicNOW series
This week, Symphony Center saw a one-two punch of good news and bad news. On Tuesday, the Chicago Symphony Orchestra announced that Donald Palumbo, the former chorus master of the Metropolitan Opera, would lead its award-winning chorus on an initial three-year contract — a cheering development for an ensemble that has been without a director since 2022. That was followed on Thursday by word that MusicNOW, the CSO's contemporary music series, would be 'paused' next season. A statement from Cristina Rocca, the orchestra's vice president for artistic planning, said the organization intended to 'imagine new possibilities for connecting Chicago audiences with new music.' Once the domain of the CSO's composer-in-residence, MusicNOW programming is typically unveiled after the bulk of season programming has been announced. Instead, series subscribers were notified of the cancellation via a mailer. Palumbo will prepare the 2025-26 season's previously announced Chicago Symphony Chorus programs: Mozart's Requiem (Nov. 20-23), an Italian operatic potpourri conducted by music director emeritus Riccardo Muti (March 19-21, 2026) and Poulenc's 'Gloria' (May 14-16, 2026). He will also work with the chorus for 'Merry, Merry Chicago!', a CSO holiday tradition (Dec. 19-23). Palumbo spoke with the Tribune by phone between sessions with young singers at Lyric Opera's Ryan Opera Center. Rehearsals were well underway with the Chicago Symphony Chorus for Verdi's Requiem (June 19-24), his debut as chorus director designate. 'The rehearsals of the Verdi have gone really, really well so far,' Palumbo says. 'If I sound like a kid in a candy store, well, I kind of am.' Palumbo is only the third director of the Chicago Symphony Chorus in its nearly 70-year history. At 76, his tenure will doubtlessly be shorter than predecessors Duain Wolfe and founding director Margaret Hillis, the latter leading the chorus for a whopping 37 seasons. But Palumbo — whose remarkable career trajectory saw him ascend from being a primarily self-taught hobbyist musician to the most in-demand choral director in the country — says he's approaching the job like any other. 'I'm going to do my job, and it's going to go on as long as I'm doing a good job, I want to do it, and they want me,' he says. Palumbo's résumé made him a contender to watch after Wolfe's mid-season departure from the chorus in 2022. Prior to his appointment at the Met, the country's most storied opera house, Palumbo directed the Lyric Opera chorus from 1991 to 2007. He is still a known quantity to scores of local singers, including some who sang under him during his Lyric tenure. 'He prepares you in such a way that you feel so understanding of the piece of music that you're doing,' says Chicago Symphony Chorus alto Emily Price, whom Palumbo also hired to the Lyric Opera Chorus in his final season there. 'The language is so important, and the intensity of each line has to be so specific.' Palumbo's preparation of the chorus for two Muti-led programs in 2022 and 2023 — an unstaged 'Un ballo in maschera' and Beethoven's 'Missa solemnis,' respectively — sealed the deal. Muti made his affinity for Palumbo known when, after 'Missa solemnis,' the outgoing CSO music director implored Palumbo to consider leading the chorus 'permanently' in onstage remarks. 'That was very unexpected,' he recalls, laughing. But in time, the prospect began to make natural sense. Palumbo feels he'd done his time in the opera world, where margins are getting ever tighter. At this stage in his career, he prefers to focus on the music — a stated position of Muti, once again his collaborator in the forthcoming Verdi Requiem concerts. The CSO post, Palumbo says, allows him to get down to fundamentals. 'I was just in Japan for a month doing a 'Traviata' production with a chorus of young singers. … I told them, 'For better or for worse, this could be my very last 'Traviata,' and it's your first,'' he says. 'It's a progression.' The appointment comes at a time when the CSO is in need of steady leadership. Klaus Mäkelä, the CSO's music director designate, does not begin his term at the organization until 2027. While he continues to spearhead orchestral hires, Mäkelä did not participate in Palumbo's search committee, owing to the timing of his own appointment, in 2024. 'When we engaged Klaus, we informed him of any number of things artistically that were going on here, including the search for a new chorus director. Knowing that he wouldn't be working with the full chorus for quite a while, he agreed that we should just move ahead and have the committee make the selection,' says CSO president Jeff Alexander. Mäkelä will, however, be part of Palumbo's renewal talks in 2028, which were intentionally timed to the end of Mäkelä's first season. Though Mäkelä and Palumbo are not working together next season, Alexander confirmed they would begin working together on programs beginning in the 2026-27 season. The CSO has pointed to the same contractual awkwardness in its curtailing of MusicNOW, its contemporary music series. Last year, the CSO did not appoint a composer-in-residence, citing the interregnum between music directors Muti and Mäkelä, who have hiring power over the position. (Despite this, the CSO filled a similar gap between Muti and former music director Daniel Barenboim 20 years ago with a twin appointment of composers Osvaldo Golijov and Mark-Anthony Turnage.) Alexander reaffirmed the CSO's commitment to hiring a new composer-in-residence, 'probably' during Mäkelä's first season in 2027-28. But he acknowledged that MusicNOW, or anything like it, may not be under that person's aegis. 'It may still include some curation of some kind regarding our contemporary music offerings, and the rest will probably remain pretty much the same: writing a new piece for the orchestra each year, et cetera,' Alexander says. Above all, economic factors prevailed. Alexander noted that MusicNOW — essentially a chamber series featuring members of the CSO — tended to follow the ticket-sale trends of those programs, filling just a fraction of Orchestra Hall's capacity. That's despite having costs not usually associated with those programs, like music licensing fees or guest artist expenses. (Featured composers and, occasionally, soloists and conductors were typically flown out for the series.) Instead, Alexander signaled that a short-term strategy may be to program more contemporary music on the CSO's mainstage. Though the CSO's 2025-26 season includes just one premiere (Matthew Aucoin's 'Song of the Reappeared' in December), subscription concerts feature works by 16 living composers: Camille Pépin, Carlos Simon, Thea Musgrave, Unsuk Chin, Jörg Widmann, Paquito d'Rivera, Gabriella Smith, Kevin Puts, Joel Thompson, Jennifer Higdon, Erkki-Sven Tüür, John Adams, Wynton Marsalis, Joe Hisaishi and former CSO composer-in-residence Jessie Montgomery. 'The word we're using is 'pause,' because, as we thought about it, we're a symphonic organization first of all,' Alexander says. 'If we put a contemporary piece on a CSO subscription program and it's performed three times, on a good week, 6,000 people are hearing it. If we put it on a MusicNOW concert, maybe 300 people were hearing it. … Part of our thinking is, let's beef up the contemporary offerings on the CSO main (series). Cautiously, of course. But more than normal.' Rocca's written statement went on to say that 'conversations with the artistic planning team' and Mäkelä 'are underway to guide future plans' for contemporary music programming at the CSO.


USA Today
2 hours ago
- USA Today
'Ghost Adventures' star Aaron Goodwin cries as ex-wife sentenced in plot to kill him
'Ghost Adventures' star Aaron Goodwin cries as ex-wife sentenced in plot to kill him Show Caption Hide Caption TikTok influencer Valeria Marquez shot while livestreaming in Mexico A man fatally shot a 23-year-old Mexican TikTok influencer, Valeria Marquez, while she was livestreaming. Victoria Goodwin, the ex-wife of "Ghost Adventures" star Aaron Goodwin, is heading to prison for helping orchestrate a murder-for-hire plot to kill him. Goodwin's lawyers confirmed to USA TODAY Thursday, June 5, that she had been sentenced to 36-90 months in prison following a guilty plea in April. At the sentencing hearing, cameras for CourtTV captured a clearly distraught Goodwin awaiting her sentencing, listening on as lawyers for her husband recounted the plot in which she is accused of hiring a hitman to kill him rather than ask for a divorce. "Firstly and most importantly, I would like to apologize to Aaron," Goodwin said, through a shaky voice, reading a statement during the hearing. "I'm so immensely sorry for the pain and anxiety I have caused you and the betrayal you undoubtedly and rightfully feel by my actions. "I'm sorry I broke us, and I'm consumed with regret every day," she continued, vowing to bow out of his life forever and adding she was "ashamed" and "disappointed" with herself. Goodwin's lawyers, arguing that she had never been in any previous legal trouble and had by November abandoned the plot to kill, urged for a shorter sentence. Aaron Goodwin then delivered a statement, speaking through tears about his "fear." "This has led me to fear for my life," he said of discovering that his wife had put a hit out on him. "I can't trust anything anymore. I cry every day, I feel so alone. She turned me into a person I never was." Goodwin was originally arrested in March on suspicion of two felony charges: solicitation to commit murder and conspiring to commit murder, according to county court records. According to the criminal complaint, Goodwin hired, commanded or otherwise solicited up to two people to "commit the murder of Aaron Goodwin." They say she conspired with a man via cell phone communications to have her husband "killed by a third party by providing the location of the victim and providing funds to pay for the murder." Investigators uncovered the alleged plot through Victoria Goodwin's text and Facebook message communications with an inmate in Florida, discovered on his phone when it was seized by correction officers in October. During an interview with detectives before her arrest, Goodwin revealed she had become aware of the Florida inmate "through a true crime documentary and began writing to him." "Victoria explained at the time of the text messages," with the inmate, "she and Aaron were going through problems in their marriage. She further described being lonely and began connecting" with the Florida inmate, the report states. When asked about "texts soliciting and conspiring to murder Aaron," police said "she denied wanting her husband to be killed" and denied remembering those specific messages. Who are Victoria and Aaron Goodwin? Aaron Goodwin is a camera operator and star of the Discovery+ paranormal and reality TV series "Ghost Adventures" led by paranormal investigator Zak Bagans. The hit series has been on air since 2008. Aaron and Victoria Goodwin were married in August 2022 and divorced in March. Contributing: Taijuan Moorman, KiMi Robinson


New York Post
2 hours ago
- New York Post
Disney+ series showrunner denies hit ‘Star Wars' show is a ‘left-wing' political story
'Andor' series showrunner Tony Gilroy said Thursday he does not believe his 'Star Wars' series is 'left-wing.' In an interview with New York Times columnist Ross Douthat on his podcast 'Interesting Times,' Gilroy denied that he wrote the show to represent a left-wing revolution against fascist authoritarians. Advertisement 'I never think about it that way. It was never- I mean, I never do. I don't,' Gilroy declared in response to Douthat asking if he agreed the show is a 'left-wing work of art.' The second season of the critically acclaimed series debuted on Disney+ in April. It follows the adventures of Cassian Andor, a key player in the rebellion against the Galactic Empire. He was a main character in the hit 2016 movie 'Rogue One.' Advertisement The show, which lasted two seasons, provides a dark and realistic depiction about how individuals band together to resist a creeping authoritarian government that uses deception, censorship and violence to cement its own power. 4 The second season of 'Star Wars' series 'Andor' released on Disney+ in April. The cast of the 2nd season sat down for an interview on April 14th. Getty Images for Disney In the interview, Douthat said he believes Gilroy's depiction of the rebellion against the empire in the series is distinctly left-wing. While introducing his guest, he said, 'The 'Star Wars' serial 'Andor' has somehow managed to pull off originality within the constraints of a familiar franchise, pleasing obsessive fans and critics alike. Part of its originality is that it has an explicitly political and, to my mind, left-wing perspective on its world, without feeling at all like tedious propaganda.' Advertisement Gilroy admitted the work was political in that it was inspired by his fascination with revolutions in world history. 4 Tony Gilroy (left) told New York Times columnist Ross Douthat that his show is not explicitly 'left-wing.' Interesting Times with Ross Douthat 'The canvas that was being offered was just a wildly abundant opportunity to use all of the nonfiction and all the history and all the amateur reading that I'd done over the past 40 years and all the things I was fascinated by, all the revolution stuff that not only I would never have a chance to do again, but I really wondered if anybody else would ever have a chance to do again,' he said. Elsewhere, he told Douthat that he was particularly inspired by dictatorships throughout history, like Italian dictator Benito Mussolini's regime. Advertisement 'I want to pay as much attention to the authoritarian side of this, the people who've cast their lot with the empire, who get burned by it all,' he said. 4 The ''Andor' showrunner revealed the inspiration behind the show in an onstage interview. Getty Images for Disney 4 Andor characters Alastair Mackenzie as Perrin Fertha (left), Genevieve O'Reilly, as Mon Mothma (middle), Stellan Skarsgard as Luthen Rael (right). ©Disney+/Courtesy Everett Collection However, the showrunner denied he meant to portray the empire as a right-wing authoritarian government being undone by left-wing freedom fighters. 'But it's a story, but it's a political story about revolutionary ––' the conservative columnist protested. Gilroy interjected, 'Do you identify with the Empire? Do you identify with the Empire?' 'No, I don't,' Douthat said. 'But I don't think that you have to be left-wing to resist authoritarianism. I see the Empire as you just described it: It's presented as a fascist institution that doesn't have any sort of communist pretense to solidarity or anything like that. It's fascist and authoritarian, and you're meditating on what revolutionary politics looks like in the shadow of all that.'