
How censorship affects the artistic expression in film
For filmmakers, cinema is more than entertainment—it's a medium to voice ideas, reflect reality, and challenge norms. But censorship can often shackle this intent.
The recent controversy surrounding 'JSK: Janaki vs.
State of Kerala', starring Suresh Gopi, lays bare the struggle. The CBFC's objection to the character name "Janaki"—a reference also associated with a Hindu goddess—forced the makers into a difficult corner, raising questions about how far creative choices can stretch before crossing invisible lines.
Narratives rewritten, messages muted
Censorship doesn't just trim scenes—it can twist the spine of a story. In JSK's case, the board's refusal to clear the film due to its title and character representation has delayed its release.
Such interference risks muting stories that tackle real, difficult issues like sexual assault. When films are modified to appease sensibilities, their emotional and social impact can be lost.
Janaki vs State Of Kerala - Official Hindi Teaser
(Picture Courtesy: Facebook)
'We are moving backwards' - Actor Vinu Mohan
Speaking to the media regarding the 'JSK' censorship controversy, the 'Nivedhyam' actor Vinu Mohan said, 'There's a sequence I acted in that film, and if the film was released today, I fear I could have invited some issues.
There was a time when art was valued as a form of expression. Sadly, we now seem to be heading towards a mindset where it's more likely to be seen as offensive.'
He further said that censorship would become a norm. The actor added, 'That's why we're protesting — to ensure these incidents don't become a pattern,'
Director Abhinav Sunder Nayak on 'Oppenheimer' censorship - Those scenes were crucial to character exploration
During the time when Christopher Nolan's epic drama film 'Oppenheimer' was released, the Indian audiences were only able to watch the censored version which removed the explicit scenes in the film.
(Picture Courtesy: Facebook)
Reacting to the same, the director Abhinav Sunder Nayak told exclusively to ETimes, 'I cannot arrive at a conclusion whether the censorship of the explicit sequences in the movie has hampered my experience as I have not watched the full version yet. From what I saw from the censored version of 'Oppenheimer', I think Christopher Nolan wanted to explore much into the fact that J Robert Oppenheimer was a womanizer, and the inclusion of those explicit sequences could have worked well as the movie lays emphasis on character study.
'
'How can one experience what the director intended to convey?'
The 'Mukundan Unni Associates' director further said that the director's original message gets affected if some pivotal sequences are edited away from the movie. Abhinav further told us, 'From what I saw, I think Nolan wrote the film's story highlighting the sex life of Robert Oppenheimer and that should be also viewed from a psychological perspective.
If those pivotal sequences are cut away from the movie then how can one experience what the director intended to convey? I really can't point out what all I have missed from that character's life journey.
'
Fear of silence, fear of repercussions
Perhaps the most damaging consequence is the unseen one: fear. The fear that bold content won't make it past the board often leads to self-censorship. 'JSK's struggle has stirred Kerala's film fraternity to protest—not just for one film, but for every story waiting to be told without fear.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Pink Villa
30 minutes ago
- Pink Villa
Box Office: Mahavatar Narsimha puts strong foot against War 2 and Coolie, adds Rs 16 crore in 4th weekend with an eye on Rs 200 crore finish
Mahavatar Narsimha, directed by Ashwin Kumar, is doing wonders at the box office. The animated movie has recorded another solid weekend despite the release of two biggest movies of 2025. Mahavatar Narsimha adds Rs 16.40 crore in 4th weekend; Nears Rs 150 crore mark Presented by Hombale Films, Mahavatar Narsimha turned out to be Jai Santoshi Maa of modern cinema. The animated movie released on July 25 with almost no buzz, however, its word-of-mouth worked really well that translated into the footfalls instantly. After opening with Rs 29 crore in its first week, Mahavatar Narsimha added Rs 50 crore to the tally in the second week, followed by Rs 48.50 crore in the third week. The movie entered the 4th weekend with a strong hold. It collected Rs 5.50 crore on Friday (Independence Day), followed by Rs 4.95 crore on Saturday (Janamastami) and Rs 5.95 crore on Sunday, bringing the 4th weekend cume to Rs 16.40 crore net at the Hindi box office, despite facing a tough competition with War 2 and Coolie- The Powerhouse. The total 24-day box office collection of Mahavatar Narsimha now stands at Rs 143.90 crore net. It will storm past the Rs 150 crore net mark in a couple of days and then the movie will march towards the Rs 200 crore box office club. Since both War 2 and Coolie open to mixed-bag reactions, Mahavatar Narsimha is expected to show better traction in the coming few weeks. The next big release from Hindi cinema is Param Sundari, slated for August 29 release. The Day Wise India Net Collections Of Mahavatar Narsimha (Hindi) Are As Under The collections exclude 3D Handing charges Mahavatar Narsimha In Theatres Mahavatar Narsimha plays in theatres now. Tickets for the movie can be booked from the box office or from online ticketing applications and websites. Stay tuned to Pinkvilla for more updates.


Mint
an hour ago
- Mint
War 2 Box Office Collection Day 4: Hrithik Roshan-Jr. NTR's movie crosses ₹150 crore mark, mints THIS amount on Sunday
War 2 Box Office Collection Day 4: Action-packed YRF Spy Universe series film, War 2, performed well on its first 3 days at the box office and crossed ₹150 crore mark on the fourth day. Advertisement War 2 box office collection Day 4: According to trade industry tracker Sacnilk, War 2 earned an estimated ₹21.65 crore (India net) at the box office in India on Sunday. The movie had a 27.85% Hindi occupancy on Sunday in 2D, 42.96% Tamil occupancy in Tamil (2D) and 30.12% Telugu occupancy (2D). War 2 worldwide collection: Sacnilk reported that War 2 had collected an overall total of ₹215 crore worldwide by Saturday, including ₹142.6 crore net in India and ₹45 crore from overseas. The earnings include 99.5 crore in Hindi, ₹90 lakhs in Tamil and ₹42.2 crore in Telegu. Advertisement On the day of release (Thursday), War 2 collected ₹52 crore (India net), which increased to ₹57.35 crore on Friday and ₹33.25 crore on Saturday. About War 2: Sequel to the 2019 film War, War 2 is directed by Ayan Mukerji and produced by Yash Raj Films, reportedly at a budget of ₹300-400 crore. Apart from lead actors Hrithik Roshan and Jr NTR, the movie features Kiara Advani, Ashutosh Rana, and Anil Kapoor in key roles. 'Things get complicated when Kabir Dhaliwal, a secret agent, is accused of betraying his nation and his former batchmate Vikram is assigned the task of finding him," stated film database platform IMDb while describing the plot of the film. Advertisement War 2 review: While giving 1.5 stars to the action thriller, film trade analyst Taran Adarsh called War 2 "disappointing." In a post on the social media platform X, he wrote,'Weakest film in #YRFSpyUniverse... Has star power, scale, style, stunts - but lacks soul... Writing is the biggest culprit here... Not even #HrithikRoshan and #NTR can save this royal mess. Notably, film business analyst Sumit Kadel described it as a 'catastrophic opening,' given the scale, star cast, and franchise value. With two of the biggest superstars from North and South, Kadel highlighted, 'The major highlight of the film is the Jaanabe Ali song and dance performed by both leads.'


Economic Times
an hour ago
- Economic Times
Salman Khan's Sikandar director says not having 'complete command' led to movie's poor performance
Synopsis Salman Khan's Sikandar, released during Eid 2025, failed to meet box office expectations despite high anticipation. Director AR Murugadoss has attributed the film's underperformance to execution challenges, citing the emotional story's complexity and his lack of familiarity with original Hindi content. While comparing it to his earlier success Ghajini, Murugadoss acknowledged that working outside his comfort zone affected the final product. AR Murugadoss Opens Up on the Challenges Behind Salman Khan's Sikandar Salman Khan's Sikandar, released during Eid 2025, was anticipated as a major comeback for the superstar. However, the film failed to resonate with audiences and critics alike, emerging as one of Khan's lowest-performing projects in recent years. Now, director AR Murugadoss has taken responsibility for the film's underwhelming performance, pointing to execution issues as the main reason behind the box office an interview with Velaipechu Voice, Murugadoss explained that the film's core story was deeply emotional but ultimately fell short in its execution. The narrative revolves around Sanjay Rajkot, also known as Sikandar, a principled king whose wife, Sai Shree (played by Rashmika Mandanna), passes away unexpectedly. Her organs are donated to three individuals, prompting Sikandar to track them down and address the unfinished matters in their lives, while forming connections with an entire village in the process. Murugadoss said the story sought to explore universal human emotions, particularly the way people often fail to value relationships until it is too late. Despite the compelling premise, he admitted that translating it effectively onto screen proved director drew a comparison between Sikandar and his earlier Bollywood success, Ghajini (2008), starring Aamir Khan. He noted that Ghajini was a remake of his own Tamil film and that his prior experience gave him complete control over the material. In contrast, Sikandar was an original Hindi project for him, which made the adaptation process more difficult. He said, 'I could pull off Ghajini because it was a remake, not an original script. I had already done it before, so I had complete command. With Sikandar, that wasn't the case." Murugadoss acknowledged that this gap in familiarity contributed to the film's lack of also referenced language as a barrier that may have influenced the movie's execution, underscoring the challenges faced when working outside his comfort on a reported budget of Rs 200 crore, Sikandar earned approximately Rs 184–185 crore worldwide, falling short of expectations. The film's ensemble cast included notable actors such as Sathyaraj, Kajal Aggarwal, Prateik Babbar, and Sharman Joshi, yet critics and audiences cited a weak narrative and underdeveloped execution as key reasons for its the setback, Murugadoss remains open to returning to Hindi cinema. He indicated that he would continue to explore projects in Bollywood, provided he feels confident about connecting with the audience.