
Blink-182's Mark Hoppus elaborates on ‘very strange' rivalry with Green Day
Blink-182 bassist Mark Hoppus admits that his band's rivalry with Green Day was 'very strange.'
In 'Fahrenheit-182,' the musician's memoir published in April, he revealed his San Diego pop punk group developed a toxically competitive dynamic with Green Day during their joint 2002 tour. Now, Hoppus is elaborating on that relationship, claiming that the competition was driven by the East Bay punk trio.
'That was very strange because I grew up listening to Green Day,' he reflected during an interview with NME published on Friday, May 16. 'I was a huge fan, then we're touring with them, but it was a weird thing where Green Day were dipping at the time and Blink were ascendent.'
At the time, Blink-182 was riding the success of its 1999 breakthrough album, 'Enemy Of The State' and its similarly popular 2001 follow-up, 'Take Off Your Pants.' Meanwhile, Green Day was grappling with a decline in popularity after the 2000 release of its sixth studio album 'Warning,' which they didn't bounce back from until the 2004 release of 'American Idiot.'
Hoppus went on to explain how despite being billed as co-headliners, Green Day was essentially opening for Blink-182.
'Headlining over your idols is a little strange… We walked in thinking we were hot s— and Green Day walked in ready to fight — musically of course,' he said. 'Billie was super nice to us. Then, when it came time to get on stage… It's like athletes: we could be on different teams, but when we get on the field we're going to try and kick your ass.'
Green Day has not publicly responded to Hoppus' allegations.
The 'All the Small Things' hitmaker added that his band, which also included lead vocalist and guitarist Tom DeLonge and drummer Travis Barker at the time, didn't necessarily join the tour with that competitive state of mind.
'They blew us off the stage the first few nights and we were like, 'Oh s—, we have to up our game'. Then it was this battle back-and-forth about who could put on the better show and who could win people over,' Hoppus said.
Hopper described Blink-182's relationship with Green Day as 'rival gangs across town who both despise and respect each other' in his memoir, noting that sometimes they'd end up in 'screaming matches with their manager in the hallways.'
Though the bands haven't toured together since, there seems to be no bad blood on Hoppus' end.
'It definitely made us a better band,' he reflected. 'I think I inspired them so much they were like, 'We have to kill Blink-182 with an awesome album called 'American Idiot'.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 days ago
- Yahoo
Elusive street artist Banksy reveals new artwork – in France?
Banksy's back... and he / she / they may have crossed the Channel. In an Instagram post on Thursday, Banksy unveiled his latest piece: a traffic bollard casting a shadow of a lighthouse with the words "I want to be what you saw in me" written over it. The post was not accompanied by a caption or location. Within ten hours of posting, the image had collected more than 500,000 likes. Voir cette publication sur Instagram Une publication partagée par Banksy (@banksy) While Banksy's art regularly features satire or socio-political meaning, this new artwork has fans scratching their heads. A critique of state surveillance, perhaps? Or maybe a commentary about modern isolation? Or is it something more personal, a universal feeling characterised by a tinge of melancholia? Once again, Banksy shines in taking an ordinary object and turning it into something altogether more surprising – a simple yet potent reminder that what we dismiss in daily life as mundane can take on different meanings depending on how we decide to observe it... And not take the potentially extraordinary for granted. We all need a lighthouse, a sense of guidance and hope. We also feel the need to be seen for who we are and aspire to be a better version of ourselves... And how easier would life be if we managed to perceive ourselves through the eyes of another, and perhaps catch the reflection of the (hopefully better) person others imagine us to be? The new artwork has also left Banksy fans frantically speculating over its location. Geoguessers on social media have speculated that the street art may be Marseille, in the south of France. All we know is that the piece comes five months after 'Mother and Child', the December 2024 artwork that reinterpreted the religious iconography of the "Madonna and Child" in a contemporary light, and follows the elusive artist's 2023 'Beastly London' campaign. The latter was a nine-day burst of animal-themed murals scattered across the city which featured elephants peeking from boarded windows in Chelsea and a horny rhinoceros enthusiastically mounting a Nissan Micra in Walthamstow. Elsewhere, Blink-182 frontman Mark Hoppus sold his Banksy painting for €5.2 million at a London auction ealier this year, The record for a Banksy sale still stands at £18.6 million in 2021 (€27 million adjusted for inflation) for "Love is in the Bin". After Banksy installed a shredder into the frame of his 2006 painting "Girl with Balloon" and programmed it to self-destruct after an auction in 2018, the half-shredded painting was renamed and sold for the astronomical sum.
Yahoo
4 days ago
- Yahoo
'Well this is a first…': Richard Fortus says it was so hot in Saudi Arabia that his pickups melted
When you buy through links on our articles, Future and its syndication partners may earn a commission. Strange things can happen to our gear in the heat. It can play havoc with a vintage germanium fuzz pedal. It can do all kinds of unwelcome things to our guitar's setup. Oh, and on some occasions it do something even more drastic – like what happened to Richard Fortus just the other day. Fortus was playing at the Mohammed Abdu Arena in Riyadh, Saudi Arabia. Guns N' Roses took to the stage just after 10pm, the sun long gone over the horizon, the temperature a little more amenable to a three-hour rock concert on the Arabian Peninsula. During the day it was a different story, with the mercury reaching 45° Celsius/113° Fahrenheit. Not all of the gear came out of the GNR truck in the same condition it went in. Fortus' signature Gretsch Falcon looked like it needed a bit of work to get it ready. 'Well this is a first,' Fortus wrote on Instagram. 'It was so hot in Saudi Arabia that the wax in my pickups melted!' Alex Skolnick metaphorically spoke for all of us here when the Testament guitarist left an open-mouthed emoji. Horror is the only appropriate response. Melting wax is a new one on us. Wax-potted pickups are commonplace, and for good reason. Wax potting reduces mechanical vibrations in the pickup, which in turn helps nix unwanted microphonics. Also, just think how sweaty you get during a show. Wax potting prevents moisture getting into the pickup and corroding the pole pieces, preserving the lifespan of your pickup. But just look at front of Fortus' Gretsch guitar. It's like a candle has been dripping onto the guitar's top. The V-Stoptail looks like it could be caked in it. The good news is that this is easily enough fixed by a qualified tech. Guns N' Roses will have at least one or two on the payroll with them. Also, it's rare. Image 1 of 3 Image 2 of 3 Image 3 of 3 Indeed, when MusicRadar spoke to Fortus in 2022 about the Falcons, he said 'They've proven to be incredibly stable on this tour'. But then maybe a June/July run through Europe is not quite as hot as the an-Nafud desert. The Filter'Trons you will find on Fortus' signature guitar are not your garden variety Filter'Tron. He tried every variant before co-designing a pair with Gretsch that suited his Falcon to a tee. 'At first, we tried all the boutique Filter'Trons – Lollar, Mojotone, TV Jones… We went through everything including the Arcanes, which is what I use in my [hollowbody] Players Edition Falcons,' said Fortus. 'I love the Arcanes in those guitars. They sound amazing. 'In fact, I've just recommended them to Charlie Starr from BlackBerry Smoke. He ended up putting them in an old White Falcon he has – like a late '60s model. But in the end, it was quite the process. We had the luxury of being able to wind pickups and test them in Guns N' Roses rehearsals. 'I had several guitars on rotation and John Gaudesi was winding pickups on the spot. We were listening in fine detail through in-ears and in the control room and tweaking them as we went along until we found the perfect sound.' Guns N' Roses concluded the Middle East run of their tour in Abu Dhabi, UAE, yesterday and start their European run on 30 May in Georgia. They play Birmingham on 23 June and London on the 26 June. See Guns N' Roses for full dates and ticket details.


Hamilton Spectator
5 days ago
- Hamilton Spectator
Comic Lisa Gilroy promises ‘manic' energy at streaming-only Canadian Screen Awards
TORONTO - When Lisa Gilroy was asked to host this year's Canadian Screen Awards, she pounced at the offer like a goalie on a rebound. 'I thought maybe they made a mistake so I said yes really fast before they could take it back,' the Edmonton-born comedian says on a call from her Los Angeles home. It's a fitting attitude for a performer who says she's been open to just about every opportunity lately, from cameos in Netflix's 'Black Mirror' and a Blink-182 music video to helming Canada's biggest film and television bash on Sunday. 'I'm out here kind of saying yes to absolutely anything.' she laughs. Amid ongoing U.S.-Canada tensions fuelling protectionist talk around film and media production, Gilroy sees this weekend's Screen Awards as a chance to champion homegrown talent and the offbeat Canadian voices that shaped her — and she hopes to nudge at the politics in a 'positive, lighthearted' way. 'When push comes to shove, like (Prime Minister Mark) Carney said, we're not for sale and we're our own thing. It's an amazing moment to look at, 'Who are we? What's the kind of art we make? What's our style of comedy?'' she said, adding she was raised on Canadian staples such as 'Trailer Park Boys' and 'The Red Green Show.' Gilroy is fast becoming one of Canada's buzziest comedy breakouts, known for her cartoonish energy and taste for the absurd. Since going viral for her pandemic-era sketch videos and becoming a regular on the comedy-podcast circuit, she's landed roles in Seth Rogen's HBO comedy 'The Studio' and Hulu dramedy 'Interior Chinatown.' Next up, she'll appear in Peacock's post-apocalyptic series 'Twisted Metal' and Netflix's Jennifer Lopez–led rom-com 'Office Romance.' Gilroy says live comedy is her first love, and she credits her L.A. improv shows for opening doors to her screen career. 'If you're a director or a producer and you come and see me on stage acting like a maniac and pretending to be some sort of swamp troll that lives in a sewer and eats dogs, and you want to put me in something, then absolutely, God bless you,' she says. 'You know what you've signed up for.' Sunday's Canadian Screen Awards bash concludes three days and five awards shows of honouring the best in Canadian film, television and digital media. Gilroy says viewers can expect 'the same energy you've seen me have on podcasts, which is like, manic, unstable.' For the first time since the pandemic, the Screen Awards show won't air on any TV channels — it will instead stream live exclusively on CBC Gem. Tammy Frick, the CEO of Academy of Canadian Cinema & Television, says moving the show to streaming makes it more 'accessible' and 'flexible.' 'The way people are consuming content has changed a lot over the years, and we wanted to meet the audience at that point,' she says. 'In the linear broadcast, we were committed to 60 minutes, which was very difficult for us to present the show that we wanted. Moving to CBC Gem allows the show to breathe a little bit. Now we have 90 minutes.' Leading all contenders is Citytv's 'Law & Order Toronto: Criminal Intent,' with 20 nominations in the television categories, while Matthew Rankin's Winnipeg-shot dramedy 'Universal Language' tops the film side with 13 nods. 'Law & Order Toronto' executive producer Amy Cameron questioned the choice to skip a traditional TV broadcast of the Screen Awards. 'I would love for it to be on TV. I find it a bit disappointing, but you can't know why anybody's made these decisions,' she said in March after the nominations were announced. Cameron said the lack of a broadcast is a missed opportunity to celebrate Canadian talent more widely. 'I would love for a Canadian audience to recognize just how talented we are collectively as an industry here. But if they're very interested in it, they'll come and watch the stream.' Gilroy, meanwhile, says she's leaving the broadcast decisions to the powers that be and is just happy to be in the room. 'I wish I was a woman who wore a suit and had a briefcase and was the king of CBC, but I'm not. I just do what they tell me to do. And I don't want to lose this job. So streaming or TV, whatever it's going to be, I just want to celebrate Canadian talent,' she says. 'I want to be able to touch one Canadian Screen Award. I'm not even going to get to take one home, but maybe I'll get to stand next to Tom Green for one second. Maybe I'll get to make eye contact with Jason Priestley. I'm trying to just stay positive and think about those moments.' This report by The Canadian Press was first published May 28, 2025.