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Ariana Grande, Kieran Culkin, Jimmy Kimmel among 534 invited to join Oscars academy

Ariana Grande, Kieran Culkin, Jimmy Kimmel among 534 invited to join Oscars academy

Yahoo6 hours ago

The Oscars' voting body is growing again with a glittering list of new recruits that includes pop superstar Ariana Grande, newly minted Oscar-winner Kieran Culkin and late-night veterans — and past Oscar hosts — Jimmy Kimmel and Conan O'Brien.
On Thursday, the Academy of Motion Picture Arts and Sciences announced it had invited 534 new members across its 19 branches. This year's class includes Oscar nominees, below-the-line craftspeople and rising international voices — among them 'Wicked' star Grande; 'Succession' actor Culkin, who won the supporting actor Oscar for 'A Real Pain'; and late-night hosts Kimmel, a four-time Oscar emcee, and O'Brien, who hosted the ceremony for the first time this year. In all, the group features 91 Oscar nominees and 26 winners, including Mikey Madison, who took the lead actress Oscar for the best picture winner 'Anora.' Madison's co-stars Yura Borisov and Karren Karagulian were also invited to the actors' branch.
The latest invitations reflect the academy's ongoing push for greater inclusion, even after meeting its post-#OscarsSoWhite diversity benchmarks. Of the 2025 class, 41% identify as women, 45% as members of underrepresented ethnic or racial communities and 55% are from outside the United States. Across the total membership, 35% identify as women, 22% as members of underrepresented groups and 21% are based internationally.
Read more: Inside the 'Wicked' musical number that could win Ariana Grande an Oscar
After years of rapid expansion — peaking with a record-setting incoming class of 928 in 2018 — the academy has shifted toward more sustainable growth. Still, this year's tally represents a modest increase over last year's 487 invitees.
Other additions to the acting branch — the academy's largest — include 'The Apprentice' co-stars Jeremy Strong and Sebastian Stan, who drew nominations for their portrayals of Roy Cohn and Donald Trump, respectively, in the controversial biopic, along with supporting actress nominee Monica Barbaro ('A Complete Unknown'), Aubrey Plaza, Jason Momoa, Jodie Comer, Dave Bautista and 'Emilia Pérez' star Adriana Paz. (Notably, 'Emilia Pérez' lead Karla Sofía Gascón, who made history this year as the first openly transgender performer nominated in the lead acting category, did not receive an invitation — a decision that follows backlash over past controversial remarks.)
New recruits to the directors branch include this year's nominees Coralie Fargeat ('The Substance') and Brady Corbet ('The Brutalist'), as well as Gints Zilbalodis, who directed the Oscar-winning animated feature 'Flow.' Invitees in the documentary branch include the team behind this year's Oscar-winning 'No Other Land': Israeli and Palestinian filmmakers Yuval Abraham, Basel Adra, Hamdan Ballal and Rachel Szor.
'We are thrilled to invite this esteemed class of artists, technologists and professionals to join the Academy,' academy CEO Bill Kramer and President Janet Yang said in a joint statement. 'Through their commitment to filmmaking and to the greater movie industry, these exceptionally talented individuals have made indelible contributions to our global filmmaking community.'
If all invitations are accepted, the academy's total membership will rise to 11,120, including 10,143 voting members.
Sign up for Indie Focus, a weekly newsletter about movies and what's going on in the wild world of cinema.
This story originally appeared in Los Angeles Times.

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At Proper Hotels, Come For Vacation, Stay For The Live Music
At Proper Hotels, Come For Vacation, Stay For The Live Music

Forbes

time43 minutes ago

  • Forbes

At Proper Hotels, Come For Vacation, Stay For The Live Music

AUSTIN, TEXAS - MARCH 10: DJ Pee .Wee performs during Proper Presents: DJ Pee .Wee at The Quill Room ... More at Austin Proper Hotel on March 10, 2025 in Austin, Texas. (Photo byfor Austin Proper) Imagine you head to Santa Monica or Austin on business, and you are booked into a Proper Hotel. Looking to unwind, grab food, you have a meeting, whatever, and you head to the restaurant or bar and there is Phantogram playing, or Anderson Paak. DJing. This is the new reality as the music and hotel industries increasingly understand the symmetry between the two worlds. Musicians bring customers with them wherever they go, and hotels have built-in clienteles looking for things to do. Why not introduce them to each other? As I found in talking to hotels around the country (a full roundup is coming soon), the idea of live music on properties is an increasingly common and advanced practice, with some venues, like Rockaway Hotel, in New York, hosting full shows. With properties in several major locations – LA, Santa Monica, Austin, San Francisco, Montauk, Miami, Palm Springs and more – Proper is uniquely positioned though to build on this dynamic by booking artists into multiple venues. I spoke with Proper President and co-founder Brian De Lowe and VP, Activations and Experiences Casey Dolkas about the relationship between the two worlds. They explained that with wellness, fitness, hospitality and more, it is part of their Proper Presents program, creating a world within a world. Steve Baltin: How have you seen the demand for live music change in the hotel industry? Brian De Lowe: It's interesting, because I think when we started in the hotel business, you know, at another hotel brand, our hotels were differentiated because of the design. That was what differentiated us, and that was enough, because back in the day the hotels got standardized with the Marriot's and the Hilton's of the world. And we could do something different that's boutique and independent and design forward and people flocked, and I think to your point, now just having design isn't enough. So, our hotels today are a lot more than just a cool place to stay with great design. They know they can come to our hotels and get the pulse of the city without leaving the hotels and music's a big component of that. Baltin: It seems like it's something where it used to be you'd go into a city, you'd stay in the hotel, you'd go out and go back to the hotel that night. But now the hotel has become where you go for the entertainment. De Lowe: Yeah, we're creating spaces and experiences, so you don't have to leave. You wake up, you don't have to leave to go to the gym because we have an incredible fitness center, amazing wellness amenities like cold plunges and saunas and red-light therapy and all that. You don't have to leave to get coffee because we partner with a great coffee brand and we have a great breakfast in the lobby and then you don't have to leave for meetings because everyone wants to come to you because our lobbies are so beautiful and all that. And then of course, Casey will talk more about Proper Presents, but what really keeps you is all the cultural programming. Casey Dolkas: You said you're familiar with Santa Monica Proper. Austin Proper obviously is a huge music scene. And my favorite thing about Austin Proper is watching guests, we have many different food and beverage outlets and spaces, right? So, imagine a guest going there for dinner and then naturally there as they're walking out, they get sucked into this space because they want to grab a drink and there's music. They find this pocket of this lounge where they can grab a different drink and hear a different vibe of music here and then going upstairs. So that's my favorite thing about Austin Proper and Santa Monica has a great opportunity for that as well. So, in terms of music, even just subconsciously, that guest, whether you're staying at the hotel or you're just a local coming for dinner to experience, you end up just getting sucked into the environment, the energy. Baltin: I imagine the artists love it as well because it brings them to a new audience. Dolkas: Definitely, that's definitely one of my favorite parts. And that's how Proper Presents was born. Last year, we wanted our cultural programming platform to have an identity. That became Proper Presents. Within Proper Presents, we have different categories. There's health, wellness, fitness, culinary, panels and conversations. And then, of course, music, which we find is really the heartbeat of Proper Presents. And yeah, you nailed it. I think it's so amazing to see someone like Phantogram or Neil Frances putting them in these spaces where they might have a built-in audience already coming to Proper to see this very special intimate performance or on the contrary, discovery. So, if you're a hotel guest traveling and you're walking out of the lobby and you happen to see Phantogram or Neil Frances performing, that's going to be something that you're going to remember. Baltin: It is a very mutual relationship because obviously people are coming into the hotel to see a Phantogram. Then hopefully they come back on the weekend to check it out, go to dinner, whatever. Dolkas: Yes, and that's definitely how we always want to approach it. We want to approach it in a very organic partnership angle. So, for example, Phantogram was an album release party, Miami Horror's album release party, Banks was an album launch. So, we always like to approach it in this very like win-win scenario where the artists, the record label, their team, they're getting a marketing event out of it. We split the guest list with them, so they get to invite either personally or they know of our hotels and our guests and fans of our hotels already. So, it's not just this mutually beneficial business deal. It's where they know our brand and they know us, and they resonate with us. It feels natural for them to come because our venues aren't music venues, which is part of what's cool about it. They come and they're comfortable in the space, they're comfortable with the crowd. There's a real sense of discovery for some. There are the fans; the mix of all that together is really special. Baltin: Obviously being a hotel, you have a built-in advantage in establishing relationships with and understanding artists because you have musicians stay there all the time. Dolkas: Correct. And yeah, we're fortunate that those artists want to stay with us whether they're on tour or in town for a festival and that's a great way to partner with them as well. We love to support so if we are supporting their album launch, their tour launch, some sort of marketing event or promo for them, that's the best way to approach it and it becomes a true partnership as opposed to just a paying gig for them. Then furthermore to support artists we've incorporated their new music into our playlist, so we love that if they're coming over to stay with us or for the event, they'll hear their new music within our playlist. Baltin: I have to know for each of you, who's the dream artist to have in? Dolkas: The first thing that came to mind is Sting. He's so involved in wellness. I've been a fan, since my parents are massive fans, I've seen him live so many times. So I think doing an amazing stripped-down sunset, rooftop session with Sting sounds pretty iconic. De Lowe: I'll answer a different way with a more random artist. Are you familiar with The Geographers? It was a band that I listened to a lot in a certain period of my life. And Casey came to me and said, "I just landed these guys. What do you think?" I'm like, "Oh my God, I can't believe that. That brings back so many memories.' It was so fun to go and experience it. Dolkas: We actually had them perform at Santa Monica Proper rooftop, which just fit the mold -- summer sunset, ocean as the backdrop, palm trees turn into silhouettes. So that music just definitely fit that energy. And then he was actually going to be at South by Southwest. So, because that was successful, we had him again at the Austin location. And that's something that we love to do as well since we build relationships with these artists. We're able to plug them in in each of our locations. Baltin: How many shows do you guys do per summer? Dolkas: I would say a couple a month. There are two different ways to approach. There are these bigger moments that we have, which are under Proper Presents. But additionally, we also have our ongoing repeatable series, which is every Friday and Saturday, for example, with local artists. So, in addition to these bigger moments with Proper Presents, we also support the local artists in the local communities, which is a few times a week. Baltin: What do you look for in the local artists? Dolkas: It caters to the local communities, community being a major pillar of ours. So, for example, we have an incredible vinyl -based series at Downtown LA Proper in Calaverde, as opposed to Palma at Santa Monica Proper. We just did an amazing series called Women on Wax, which is an all-female vinyl program. And then furthermore, we actually encourage guests to provide vinyl's to those who lost their vinyl collections in the fires. So, we added a philanthropic angle to it as well. Any sort of hook or theme, just to keep it fresh.

Los Angeles home owned by Brad Pitt was burglarized, source says
Los Angeles home owned by Brad Pitt was burglarized, source says

CNN

timean hour ago

  • CNN

Los Angeles home owned by Brad Pitt was burglarized, source says

People in entertainment Brad PittFacebookTweetLink Follow A Los Angeles house an official said was burglarized Wednesday evening is owned by Brad Pitt, according to a law enforcement source familiar with the investigation. The Los Angeles Police Department said a break-in occurred at a house in the Los Feliz neighborhood, in response to a CNN inquiry, but did not name the victim. Pitt's representative declined to comment to CNN. Three people entered the house through the front window at 10:30 p.m. Wednesday, rifled through belongings and fled with an unknown amount of property, LAPD Officer Drake Madison said. No suspects are in custody and there is no further information available, he added. This is a developing story and will be updated.

Lalo Schifrin, composer of the ‘Mission: Impossible' theme, dies at 93
Lalo Schifrin, composer of the ‘Mission: Impossible' theme, dies at 93

New York Post

timean hour ago

  • New York Post

Lalo Schifrin, composer of the ‘Mission: Impossible' theme, dies at 93

Lalo Schifrin, the composer who wrote the endlessly catchy theme for 'Mission: Impossible' and more than 100 other arrangements for film and television, died Thursday. He was 93. Schifrin's sons William and Ryan confirmed his death to trade outlets. The Associated Press' messages to Schifrin's publicist and representatives for either brother were not immediately returned. The Argentine won four Grammys and was nominated for six Oscars, including five for original score for 'Cool Hand Luke,' 'The Fox,' 'Voyage of the Damned,' 'The Amityville Horror' and 'The Sting II.' Advertisement 7 Composer Lalo Schifrin has died at 93. WireImage 'Every movie has its own personality. There are no rules to write music for movies,' Schifrin told The Associated Press in 2018. 'The movie dictates what the music will be.' He also wrote the grand finale musical performance for the World Cup championship in Italy in 1990, in which the Three Tenors — Plácido Domingo, Luciano Pavarotti and José Carreras — sang together for the first time. The work became one of the biggest sellers in the history of classical music. 'The most contagious tune ever heard' Advertisement Schifrin, also a jazz pianist and classical conductor, had a remarkable career in music that included working with Dizzy Gillespie and recording with Count Basie and Sarah Vaughan. But perhaps his biggest contribution was the instantly recognizable score to television's 'Mission: Impossible,' which fueled the just-wrapped, decades-spanning feature film franchise led by Tom Cruise. Written in the unusual 5/4 time signature, the theme — Dum-dum DUM DUM dum-dum DUM DUM — was married to an on-screen self-destruct clock that kicked off the TV show, which ran from 1966 to 1973. It was described as 'only the most contagious tune ever heard by mortal ears' by New Yorker film critic Anthony Lane and even hit No. 41 on the Billboard Hot 100 in 1968. 7 Perhaps Schifrin's biggest contribution was the instantly recognizable score to television's 'Mission: Impossible.' ©Paramount/Courtesy Everett Collection Schifrin originally wrote a different piece of music for the theme song but series creator Bruce Geller liked another arrangement Schifrin had composed for an action sequence. Advertisement 'The producer called me and told me, 'You're going to have to write something exciting, almost like a logo, something that will be a signature, and it's going to start with a fuse,'' Schifrin told the AP in 2006. 'So I did it and there was nothing on the screen. And maybe the fact that I was so free and I had no images to catch, maybe that's why this thing has become so successful — because I wrote something that came from inside me.' When director Brian De Palma was asked to take the series to the silver screen, he wanted to bring the theme along with him, leading to a creative conflict with composer John Williams, who wanted to work with a new theme of his own. Out went Williams and in came Danny Elfman, who agreed to retain Schifrin's music. 7 Schifrin originally wrote a different piece of music for the theme song but series creator Bruce Geller liked another arrangement. Penske Media via Getty Images Hans Zimmer took over scoring for the second film, and Michael Giacchino scored the next two. Giacchino told NPR he was a hesitant to take it on, because Schifrin's music was one of his favorite themes of all time. Advertisement 'I remember calling Lalo and asking if we could meet for lunch,' Giacchino told NPR. 'And I was very nervous — I felt like someone asking a father if I could marry their daughter or something. And he said, 'Just have fun with it.' And I did.' Mission: Impossible' won Grammys for best instrumental theme and best original score from a motion picture or a TV show. In 2017, the theme was entered into the Grammy Hall of Fame. 7 Hans Zimmer took over scoring for the second film, and Michael Giacchino scored the next two. U2 members Adam Clayton and Larry Mullen Jr. covered the theme while making the soundtrack to 1996's first installment; that version peaked at No. 16 on the Billboard 200 with a Grammy nomination. A 2010 commercial for Lipton tea depicted a young Schifrin composing the theme at his piano while gaining inspiration through sips of the brand's Lipton Yellow Label. Musicians dropped from the sky as he added elements. Early life filled with music Born Boris Claudio Schifrin to a Jewish family in Buenos Aires — where his father was the concertmaster of the philharmonic orchestra — Schifrin was classically trained in music, in addition to studying law. After studying at the Paris Conservatory — where he learned about harmony and composition from the legendary Olivier Messiaen — Schifrin returned to Argentina and formed a concert band. Gillespie heard Schifrin perform and asked him to become his pianist, arranger and composer. In 1958, Schifrin moved to the United States, playing in Gillespie's quintet in 1960-62 and composing the acclaimed 'Gillespiana.' 7 Lalo Schifrin appears at the Governors Awards in Los Angeles on Nov. 18, 2018. Jordan Strauss/Invision/AP Advertisement The long list of luminaries he performed and recorded with includes Ella Fitzgerald, Stan Getz, Dee Dee Bridgewater and George Benson. He also worked with such classical stars as Zubin Mehta, Mstislav Rostropovich, Daniel Barenboim and others. Schifrin moved easily between genres, winning a Grammy for 1965's 'Jazz Suite on the Mass Texts' while also earning a nod that same year for the score of TV's 'The Man From U.N.C.L.E.' In 2018, he was given an honorary Oscar statuette and, in 2017, the Latin Recording Academy bestowed on him one of its special trustee awards. Later film scores included 'Tango,' 'Rush Hour' and its two sequels, 'Bringing Down The House,' 'The Bridge of San Luis Rey,' 'After the Sunset' and the horror film 'Abominable.' Writing the arrangements for 'Dirty Harry,' Schifrin decided that the main character wasn't in fact Clint Eastwood's hero, Harry Callahan, but the villain, Scorpio. Advertisement 7 'Mission: Impossible' won Grammys for best instrumental theme and best original score from a motion picture or a TV show. 'You would think the composer would pay more attention to the hero. But in this case, no, I did it to Scorpio, the bad guy, the evil guy,' he told the AP. 'I wrote a theme for Scorpio.' It was Eastwood who handed him his honorary Oscar. 'Receiving this honorary Oscar is the culmination of a dream,' Schifrin said at the time. 'It is mission accomplished.' Beyond film and TV Advertisement Among Schifrin's conducting credits include the London Symphony Orchestra, the Vienna Symphony Orchestra, the Israel Philharmonic, the Mexico Philharmonic, the Houston Symphony Orchestra, the Los Angeles Chamber Orchestra and the Atlanta Symphony Orchestra. He was appointed music director of Southern California's Glendale Symphony Orchestra and served in that capacity from 1989-1995. Schifrin also wrote and adapted the music for 'Christmas in Vienna' in 1992, a concert featuring Diana Ross, Carreras and Domingo. He also combined tango, folk and classical genres when he recorded 'Letters from Argentina,' nominated for a Latin Grammy for best tango album in 2006. 7 Lalo Schifrin attends 34th Annual BMI Film, TV & Visual Media Awards attends at Regent Beverly Wilshire Hotel on May 9, 2018 in Beverly Hills, California. Getty Images for BMI Schifrin was also commissioned to write the overture for the 1987 Pan American Games, and composed and conducted the event's 1995 final performance in Argentina. Advertisement And for perhaps one of the only operas performed in the ancient Indigenous language of Nahuatl, in 1988 Schifrin wrote and conducted the choral symphony 'Songs of the Aztecs.' The work premiered at Mexico's Teotihuacan pyramids with Domingo as part of a campaign to raise money to restore the site's Aztec temple. 'I found it to be a very sweet, musical language, one in which the sounds of the words dictated interesting melodies,' Schifrin told The Associated Press at the time. 'But the real answer is that there's something magic about it. … There's something magic in the art of music anyway.' In addition to his sons, he's survived by his daughter, Frances, and wife, Donna.

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