logo
FAFO parenting: is 'F**k Around and Find Out' the antidote to gentle parenting?

FAFO parenting: is 'F**k Around and Find Out' the antidote to gentle parenting?

FAFO parenting fundamentally operates as the name suggests - if you f— around, you'll probably find something (possibly something bad) out. By no means an exhaustive and robust psychological approach to child-rearing, it instead lends itself to specific scenarios - safe situations in which your child is able to make bad decisions and experience the discomfort of their consequences. Refusing to wear a coat, is an often-cited example, as is allowing your child to eat spicy food, skip meals, or not do homework. While the idea has been praised as a rejection of Gentle Parenting and a return to the way that Generation X were brought up, it's hardly embracing the return of the belt. For one, a crucial element of the idea is that you do, as a parent, still have a vital role in guiding your child through life and explaining why they should, and shouldn't do certain things. That rain will make you wet, or that not having lunch will make you hungry, are all concepts to be described - it's just that they are free to be ignored and experienced firsthand. There are also parameters within which a child can f— around. No-one is suggesting, for example, that they find anything out with a chainsaw, hunting rifle, or a stray firework.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

IITian impressed by Gen Z candidate's sassy reply after not being selected: ‘One day I'll be sitting on top while you …'
IITian impressed by Gen Z candidate's sassy reply after not being selected: ‘One day I'll be sitting on top while you …'

Time of India

time2 days ago

  • Time of India

IITian impressed by Gen Z candidate's sassy reply after not being selected: ‘One day I'll be sitting on top while you …'

The Recruiter's Post That Sparked a Debate The Candidate's Uncompromising Message Generational Reactions to the Boldness The Internet Weighs In Generation Z is rapidly proving that they are not a generation willing to remain silent in professional settings. With a reputation for speaking their minds openly, they challenge long-standing workplace norms and question traditional ideas about work-life balance, leadership, and career progression. Recently, one such unapologetically bold job seeker grabbed the internet's attention with a rejection response that was as fiery as it was Bid, the founder and CEO of the technology firm Coditas, shared an intriguing incident on LinkedIn. He posted a screenshot of an email he had received from a Gen Z applicant who was not selected for a role in his company. The message stood out not because it was bitter or defensive, but because of its sheer audacity and unwavering self-belief. Bid's post, tinged with amusement and admiration, highlighted the learning he felt he gained from younger the email, the candidate acknowledged the rejection but swiftly turned the conversation toward their belief that the company had overlooked their true potential. They asserted that the decision-makers had barely grasped their skills, determination, or the value they could bring to the organization. Instead of expressing disappointment, the candidate confidently declared that larger opportunities awaited them and that they would eventually secure a significant win—perhaps even within the same company, should it learn how to recognize exceptional response then escalated into a bold prediction: one day, they would rise to a position of power and might even be responsible for the exit of those who had dismissed them."I'm not here to beg for chances—I create them. And mark my words, one day I'll be sitting at the top while folks like you get shown the door," he candidate portrayed themselves as someone who doesn't plead for opportunities but actively creates them, positioning themselves as a lost asset for the organization—a 'gem' they believed the company had failed to his LinkedIn post, Bid also described how reactions to the candidate's message varied sharply depending on the age group. Among Baby Boomers and Generation X professionals, the dominant responses were surprise and, in some cases, irritation. Many seemed unsettled by the forthright tone and saw it as a breach of expected professional presented a mix of reactions. Some were as startled as the older generations, others showed empathy, and a few attributed the candidate's assertiveness to the influence of social media culture. Terms like 'entitlement' and 'disillusioned' surfaced, but so did acknowledgments of ambition and Z, unsurprisingly, largely rallied behind the candidate. Supporters praised the message as an expression of self-worth, motivation, and manifestation. Many felt it reflected the courage to challenge outdated recruitment attitudes and the refusal to shrink in the face of post quickly became a hotspot for debate, with the comments section turning into a forum for generational perspectives. Some users admired the candidate's conviction, even if it came across as abrasive. Others criticized the tone, arguing that confidence should be paired with commenter commended the self-belief but warned that a rejection handled with grace leaves a more lasting positive impression. Another suggested the response might stem from hurt pride rather than pure ambition, noting that some individuals hold themselves to such high standards that rejection feels personal. A few commenters pointed out that while the candidate's words brimmed with energy and ambition, they also carried hints of arrogance and dismissal toward the Bid holds a degree in computer science and Engineering from the prestigious IIT Bombay

Growing up is the real nightmare in Pete Davidson's schlocky horror show
Growing up is the real nightmare in Pete Davidson's schlocky horror show

The Age

time2 days ago

  • The Age

Growing up is the real nightmare in Pete Davidson's schlocky horror show

THE HOME ★★½ (R) 97 minutes. Horror movies tend to be aimed at young people, so it makes sense that an entire subgenre has sprung up focused on the ickiness of getting old (even The Substance has some of this, though the message is supposed to be the opposite). The senior citizens in these films may be villains or victims, but either way, they're presented as physically repulsive: feeble-minded, shrivelled up and falling apart. Effectively, they're living corpses – and should they possess any sort of vestigial sex drive, we're invited to view this as the worst horror of all. James DeMonaco's crude, though not wholly ineffective, The Home starts out straightforwardly in this dubious vein – and never entirely veers off course, although DeMonaco, best known for the similarly grisly Purge films, has a couple of surprises in store if we haven't seen the spoiler-heavy trailer. Squarely in the Generation X demographic, DeMonaco is no newly hatched prodigy. Neither is the film's star Pete Davidson, who spent most of his 20s on Saturday Night Live. Still, at 30 or thereabouts, Davidson retains his lumbering adolescent sullenness as Max, a Staten Island graffiti artist sentenced to four months of community service as caretaker of the isolated Green Meadow retirement home, an oppressive brick fortress with shadowy corridors and officious staff. Decay is omnipresent, even setting aside whatever might be happening on the fourth floor, officially off-limits where Max is concerned. Small wonder he has recurring nightmares, some of them linked to the loss of his beloved older foster brother Luke (Matthew Miniero), a trauma dating to childhood.

Growing up is the real nightmare in Pete Davidson's schlocky horror show
Growing up is the real nightmare in Pete Davidson's schlocky horror show

Sydney Morning Herald

time2 days ago

  • Sydney Morning Herald

Growing up is the real nightmare in Pete Davidson's schlocky horror show

THE HOME ★★½ (R) 97 minutes. Horror movies tend to be aimed at young people, so it makes sense that an entire subgenre has sprung up focused on the ickiness of getting old (even The Substance has some of this, though the message is supposed to be the opposite). The senior citizens in these films may be villains or victims, but either way, they're presented as physically repulsive: feeble-minded, shrivelled up and falling apart. Effectively, they're living corpses – and should they possess any sort of vestigial sex drive, we're invited to view this as the worst horror of all. James DeMonaco's crude, though not wholly ineffective, The Home starts out straightforwardly in this dubious vein – and never entirely veers off course, although DeMonaco, best known for the similarly grisly Purge films, has a couple of surprises in store if we haven't seen the spoiler-heavy trailer. Squarely in the Generation X demographic, DeMonaco is no newly hatched prodigy. Neither is the film's star Pete Davidson, who spent most of his 20s on Saturday Night Live. Still, at 30 or thereabouts, Davidson retains his lumbering adolescent sullenness as Max, a Staten Island graffiti artist sentenced to four months of community service as caretaker of the isolated Green Meadow retirement home, an oppressive brick fortress with shadowy corridors and officious staff. Decay is omnipresent, even setting aside whatever might be happening on the fourth floor, officially off-limits where Max is concerned. Small wonder he has recurring nightmares, some of them linked to the loss of his beloved older foster brother Luke (Matthew Miniero), a trauma dating to childhood.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store