
Woolly warmth
A crocheted wollyback, reminiscent of the popular labubu toy, is winning the hearts of people in Bahrain as it aims to raise awareness about autism and support individuals on the spectrum.
Arroy the Lamb, dubbed as the 'Bahraini Labubu', is a fun twist on the viral international trend, and is the initiative of Alia Early Intervention and Rehabilitation Centre, which has designed it as an extension of a story series to help young minds navigate difficult situations.
The toy was brought alive through a collaboration with Bahraini women specialising in local handmade products, and continues to be handcrafted by bright young individuals at the Alia centre.
It is based on Arroy, a lovable character steeped in Bahraini culture and widely featured in children's stories.
'Grandparents tell these tales when children in the family do not listen,' the centre's public relations head Khalid Al Awadhi explained, adding that their new story, entitled Arroy the Lamb, hopes to help children, including young adults at the centre, with the anxiety associated with hospital visits.
'It is a story for all kids and the first in a planned series of social stories designed to help children understand everyday situations in a calm, reassuring way,' Khalid added.
'It was developed through collaboration between our students, teachers and therapists, so it really reflects what our children need to see and hear. The aim is to build confidence, reduce anxiety, and make these experiences feel familiar and safe.'
Autism Spectrum Disorder (ASD) is a neurological and developmental condition marked by disruptions in brain signalling that cause people to behave, communicate, interact and learn in atypical ways.
Currently, Alia centre works with 160 individuals on the spectrum, aged from six to 45 years.
The toy, Arroy the Lamb, and the story book are available at Halla by Alia café in A'ali, the kingdom's first café run by young adults with autism. Proceeds from the sales of the toy will be used towards the centre and for the individuals it works with.
'Arroy is more than a handmade toy; it's a symbol of connection,' the centre's director Dr Shaikha Rania Al Khalifa told GulfWeekly.
'Watching our students and team bring Arroy to life reminds me daily that small things, made with care, can make a big difference,' she added.
Each Arroy is handmade by the centre's boys and girls, giving it a one-of-a-kind charm.
'Every purchase helps students develop creative and work skills while raising public awareness about autism. It's a small symbol of Bahraini creativity, inclusion, and community spirit,' said an employee at the centre, who works directly with the young adults.
'Crocheting Arroy with the children has been such a grounding experience. You see them relax, follow patterns, and express themselves. It helps them handle big feelings in a gentle, tangible way,' the employee added.
While there are no treatments or cures for autism, intervention with supportive measures, including speech therapy, occupational therapy, social skills training, sensory integration therapy, visual aids, structured routines, individualised education plans, family therapy and providing a calm and predictable environment, remains critical for improving cognitive, social and communication skills in children with ASD.
The Arroy toy is priced at BD16.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Tribune
3 hours ago
- Daily Tribune
Kids Learn Sustainability
TDT | Manama A week-long environmental awareness event hosted by the Southern Municipality has drawn enthusiastic crowds of families and children, blending education with creativity through the interactive initiative "Little Municipalities Village." Held from July 12th to 18th at Oasis Mall in Riffa, the event concluded with a ceremony honouring contributors, volunteers, and partners who helped bring the programme to life. Engineer Isa Abdulrahman Al-Buainain, Director General of the Southern Municipality, and Abdullah Ibrahim Abdul Latif, Chairman of the Southern Municipal Council, led the appreciation ceremony, recognising youth volunteers, Bahraini artists, and private and government sector participants. Community Spirit in Action Al-Buainain described the initiative as a resounding success that resonated with children and parents alike. He said the event was part of the municipality's broader strategy to enhance public environmental awareness, correct negative behaviours, and highlight the importance of cleanliness in achieving sustainability. In 2024, Bahrain ranked among the top five GCC countries in municipal innovation initiatives targeting youth engagement and environmental sustainability. Fun and Learning for Kids The event featured multiple educational zones designed specifically for young participants. These included: Hands-on eco workshops (e.g. painting glass, recycling plastic containers, creating cardboard models) Interactive storytelling sessions with environmental themes Face painting Mini-lectures reinforcing sustainability at home and in the community Short films explaining the municipality's services Much-loved characters such as Saeed and Droopy, a water bottle mascot made from recycled materials, helped convey key messages about environmental conservation in fun, accessible ways. Creative Collaboration The event saw strong participation from Bahraini artists Khalil Al Rumaithi, Al Bassam Ali, and Mohammed Saqr, who engaged children through live performances, games, and prize giveaways. Al-Buainain thanked all the partners involved, including: The event successfully merged fun with education, promoting a strong environmental message to the Kingdom's next generation.


Gulf Weekly
5 days ago
- Gulf Weekly
Woolly warmth
melissa@ A crocheted wollyback, reminiscent of the popular labubu toy, is winning the hearts of people in Bahrain as it aims to raise awareness about autism and support individuals on the spectrum. Arroy the Lamb, dubbed as the 'Bahraini Labubu', is a fun twist on the viral international trend, and is the initiative of Alia Early Intervention and Rehabilitation Centre, which has designed it as an extension of a story series to help young minds navigate difficult situations. The toy was brought alive through a collaboration with Bahraini women specialising in local handmade products, and continues to be handcrafted by bright young individuals at the Alia centre. It is based on Arroy, a lovable character steeped in Bahraini culture and widely featured in children's stories. 'Grandparents tell these tales when children in the family do not listen,' the centre's public relations head Khalid Al Awadhi explained, adding that their new story, entitled Arroy the Lamb, hopes to help children, including young adults at the centre, with the anxiety associated with hospital visits. 'It is a story for all kids and the first in a planned series of social stories designed to help children understand everyday situations in a calm, reassuring way,' Khalid added. 'It was developed through collaboration between our students, teachers and therapists, so it really reflects what our children need to see and hear. The aim is to build confidence, reduce anxiety, and make these experiences feel familiar and safe.' Autism Spectrum Disorder (ASD) is a neurological and developmental condition marked by disruptions in brain signalling that cause people to behave, communicate, interact and learn in atypical ways. Currently, Alia centre works with 160 individuals on the spectrum, aged from six to 45 years. The toy, Arroy the Lamb, and the story book are available at Halla by Alia café in A'ali, the kingdom's first café run by young adults with autism. Proceeds from the sales of the toy will be used towards the centre and for the individuals it works with. 'Arroy is more than a handmade toy; it's a symbol of connection,' the centre's director Dr Shaikha Rania Al Khalifa told GulfWeekly. 'Watching our students and team bring Arroy to life reminds me daily that small things, made with care, can make a big difference,' she added. Each Arroy is handmade by the centre's boys and girls, giving it a one-of-a-kind charm. 'Every purchase helps students develop creative and work skills while raising public awareness about autism. It's a small symbol of Bahraini creativity, inclusion, and community spirit,' said an employee at the centre, who works directly with the young adults. 'Crocheting Arroy with the children has been such a grounding experience. You see them relax, follow patterns, and express themselves. It helps them handle big feelings in a gentle, tangible way,' the employee added. While there are no treatments or cures for autism, intervention with supportive measures, including speech therapy, occupational therapy, social skills training, sensory integration therapy, visual aids, structured routines, individualised education plans, family therapy and providing a calm and predictable environment, remains critical for improving cognitive, social and communication skills in children with ASD. The Arroy toy is priced at BD16.


Gulf Weekly
5 days ago
- Gulf Weekly
Spotlighting Arab cinema
Creative Zaid Sater has made history as the first Bahraini filmmaker to have a project featured at the CineYouth Festival in Chicago. Mixed Signals, his latest short film, explores the inner world of an Arab immigrant turning to dating apps; not in defiance of tradition, but in search of connection. 'It's a huge honour, and honestly, a bit surreal,' Zaid told GulfWeekly. 'Being the first Bahraini filmmaker at CineYouth is meaningful not just on a personal level, but also because it signals that stories from the Gulf are starting to find space on international stages,' the 22-year-old, who was raised in Dubai and trained in Los Angeles, added. 'The story follows an Arab immigrant who turns to dating apps, not out of rebellion, but out of loneliness. For me, it's less about romance and more about how tradition and technology collide in really personal ways. 'Mixed Signals was inspired by conversations I've had with friends about what it means to search for connection when your cultural background is wired for privacy and silence around desire. I hope audiences walk away thinking about how much of our identity is shaped not just by where we come from, but by what we choose to hide or reveal in the digital world.' Zaid's nuanced exploration of identity isn't limited to one film. It's central to his broader creative philosophy. He isn't interested in fitting into categories and is carving out a cinematic language that refuses to be boxed in. This fusion of identities – regional, cultural and artistic – has become the core of his creative voice. 'Diasporic identity isn't just about leaving one place for another; it's about constantly negotiating who you are in relation to where you are. That's something I've felt deeply growing up between the Gulf and the West.' Zaid is particularly drawn to stories that sit in between binary ideas of East and West, or old and new. 'A lot of young Arabs today are navigating complex inner lives, faith, family pressure, shame, pride, love, all while engaging with the same digital culture as everyone else. That blend creates a kind of emotional whiplash that I think deserves more screen time.' Though rooted in the region, Zaid's work has been shaped just as much by his experiences in the US. 'I grew up with a Bahraini father, an Iraqi mother, and spent most of my childhood in Dubai. Visiting Bahrain often kept me grounded in my roots and gave me a strong sense of cultural identity. Then later, moving to the US for film school (Emerson College) gave me the cinematic tools to express those experiences more clearly. 'One thing that really stood out to me in Los Angeles was how much personal identity is celebrated; how you're encouraged to turn your unique background into your creative voice. Ironically, being away from home actually made me embrace my heritage more deeply,' he explained. This cultural fluidity has led him to develop what he describes as a 'dual vision'. 'The Gulf, with its deeply private social fabric, teaches you to communicate through what's left unsaid — through gesture, tone, and subtext. LA, on the other hand, is all about bold expression and pushing visual storytelling to its limits. As a filmmaker, I'm constantly trying to bridge those two ways of seeing the world; the Arab instinct for emotional subtlety and the Western emphasis on structure, spectacle and psychological depth.' Zaid co-wrote Mixed Signals with creative partner and fellow filmmaker Ibrahim Fitaihi. Together, they also co-founded Obscura Films, a production company created to give voice to under-represented filmmakers. That collaboration is part of a wider mission. 'Growing up, I rarely saw stories that reflected the realities of people like me, Arabs navigating layered identities across different cultures. Too many stories about the Middle East were either filtered through an outsider's gaze or reduced to clichés. We wanted to create a space where diasporic filmmakers could tell stories on their own terms, with nuance, humour, and emotional complexity. 'When we started Obscura, it wasn't just about representation, it was about reclaiming authorship. We're especially drawn to projects that feel culturally specific but emotionally universal; stories that explore identity, migration, class, and generational tension, but in unexpected or genre-bending ways,' he said. Looking to the future, Zaid hopes to build on the momentum of Mixed Signals, not just as an individual director, but through Obscura's expanding slate. 'My aspirations for my filmmaking career and for Obscura Films are deeply rooted in the goal of making a meaningful mark in Arab and Middle Eastern representation in cinema,' he noted. He envisions a moment when global audiences will meet Arab stories on their own terms. 'Much like how Parasite and Squid Game created a cultural bridge that invited the world to explore Korean cinema on its own terms, I want our projects to connect our culture with the world in a way that feels authentic and grounded, never exoticised,' he said.