
New Harry Potter Cast: Who Are Dominic McLaughlin, Arabella Stanton And Alastair Stout?
It's official. Dominic McLaughlin will star as the new-age Harry Potter in the upcoming HBO television series. Arabella Stanton will play Hermione Granger and Alastair Stout will be seen as Ron Weasley.
The makers announced the trio as the face of the new Harry Potter television show in an Instagram post, which read, "Dear Mr. Potter, Miss Granger, and Mr. Weasley: We are pleased to inform you that you have a place at Hogwarts School of Witchcraft and Wizardry. Please welcome Dominic McLaughlin as Harry Potter, Arabella Stanton as Hermione Granger, and Alastair Stout as Ron Weasley to the HBO Original Series Harry Potter." The attached image featured the cast sitting in a meadow.
Who is the new Harry Potter, Dominic McLaughlin?
Dominic McLaughlin, set to play the titular character in the HBO series, has been described as a "screen newcomer". He was cast after he participated in an open casting call made by the makers last year for actors aged between 9 and 11.
Before the Harry Potter series, Dominic had already been part of projects like the Sky Original film Grow and the upcoming BBC series Gifted, reported The Mirror. Both titles are set to release later this year.
Who is the new Hermione Granger, Arabella Stanton?
Arabella will play Hermione Granger in the upcoming Harry Potter television series. However, the young actress has already made a name for herself on stage.
She played the lead role in Matilda: The Musical on London's West End from 2023 to 2024, captivating audiences with her charm and skill.
Who is the new Ron Weasley, Alastair Stout?
With no prior acting experience, the HBO series will be Alastair's big break as he plays the red-headed wizard in the Harry Potter series. Almost exactly like his predecessor Rupert Grint, this casting is one of the most precisely matched.
The Harry Potter franchise launched Daniel Radcliffe, Emma Watson and Rupert Grint to worldwide fame in the early 2000s. Now, the HBO series could very well do the same for Dominic McLaughlin, Arabella Stanton and Alastair Stout.
The series also features John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Paapa Essiedu as Severus Snape and Nick Frost as Rubeus Hagrid. While there's no exact release date for the show yet, HBO aims to release it sometime in 2026 or 2027.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
30 minutes ago
- Indian Express
‘Harry Potter' and Franchise Fatigue: Why the magic fades when it never ends
The wizarding world has come calling once again. HBO just dropped the first glimpse of its Harry Potter reboot. Instead of Daniel Radcliffe, a new 11-year-old Harry (Dominic McLaughlin) in round glasses was spotted striding alongside Nick Frost's towering Hagrid at Warner Bros Studios in Leavesden. Predictably, the images went viral and nostalgia kicked in. But alongside the excitement, fatigue also crept in. Not just for me, but for a generation of Potterheads who have been riding this broomstick for nearly three decades. For many, Harry Potter ended in 2007 with Deathly Hallows, the final novel in the series. That was the story. Seven books, eight films, one cultural juggernaut. Everything since has been extra material, sometimes charming, often exhausting, and occasionally embarrassing. Take The Cursed Child (2016), which was touted as the 'eighth story,' but landed on stage and page as poorly written fanfiction. Time-turner plot holes, flimsy arcs, and melodrama, which had even the most devoted fans muttering, 'This is not canon. This does not count.' Then came Fantastic Beasts, a would-be cinematic franchise that sputtered out under messy scripts and aimless plotting. What should have been a deeper dive into wizarding lore instead felt like a corporate cash grab wrapped in CGI. By the time the third film limped into theaters, most of us had already checked out. Even Hogwarts Legacy, the open-world video game that would have been groundbreaking a decade ago, arrived in 2023 into a very different climate. Instead of feeling like a fresh immersion into the wizarding world, it landed against the backdrop of J K Rowling's controversies and long-simmering franchise fatigue. But fatigue is not only about saturation; it is also about lack of reinvention. With each revival, audiences are confronted with recycled plots and the same flaws embedded in the original work. The house elf subplot, treated as comic relief, now reads as a dismissive handling of slavery. Slytherin, a school house that functions as a factory for fascists, was never interrogated as a system, only used as shorthand for 'evil.' Disease-carrying werewolves have been read as metaphors for the AIDS epidemic, goblins as personifications of anti-Semitic traits, and multiple attempts to make sense of the wizard economy have come to naught. These flaws were always embedded in the text, but largely invisible to young readers caught up in the narrative. They are simply harder to ignore with each retelling with fresh faces, but the same plot. Revisiting them now, especially under the shadow of Rowling's public persona, they are impossible to ignore. What stands out is how little has been done with them. The author herself had opportunities, through spinoffs, interviews, and endless post-book revelations, to refine or deepen her world. Instead, the interventions (retroactive identities, shallow retcons, and half-explanations) only made the foundations shakier, revealing how thin the scaffolding had been all along. This is where the fatigue truly sets in. Meanwhile, fanfiction communities thrived. From Dramione to Snarry to every improbable pairing in between, online writers built parallel canons that often felt more daring, diverse, and emotionally rich than the 'official' material. In many ways, fanfiction became the real site of creative expansion, while the licensed stories circled back on themselves. What the studio treated as an inexhaustible brand, fans treated as an open playground, and their imagination frequently outshone the sanctioned output. Unlike The Lord of the Rings, which retains its sense of specialness precisely because J R R Tolkien's world was built on depth and coherence, Harry Potter was constructed more like a stage set, convincing enough for the story, but never meant to be inhabited beyond it. Tolkien's world could support layers of history, language, and myth without collapsing, which is why every adaptation feels anchored in something solid. Rowling's, by contrast, buckles when pressed, because the details were never designed to bear that kind of weight. Or take Star Wars, another franchise of immense cultural reach. For all its missteps, it survives because it continually reinvents itself through new timelines, new characters, new forms of storytelling. Sometimes it fails, sometimes it surprises, but it moves. Harry Potter has remained static, circling the same story with different packaging. What was once expansive now feels claustrophobic. So Harry Potter persists, but in a diminished form. Each new project feels less like a spark of magic and more like the mechanical turning of a money-making wand. For a story that once made millions believe in magic, that kind of exhaustion is fatal. When I see that leaked set photo of Harry and Hagrid, my heart still stirs, but only for a moment, a reminder of something we used to love. Sometimes, the most magical thing a story can do is end.


Indian Express
an hour ago
- Indian Express
Bharti Singh reveals 40% of her income is from YouTube channel: ‘Still eat with hands in five-star hotels and business class flights'
Comedian Bharti Singh opened up about her relationship with money, and said that even though she has seen great financial success over the years, she remains a simple person at heart. Bharti hails from humble beginnings, and experienced great difficulties while growing up in Punjab. Her father died when she was two, and her mother had to work as a house help to make ends meet. But she encouraged Bharti to take a risk and go to Mumbai when work beckoned, and this decision changed Bharti's life. Now, Bharti is one of the highest-paid personalities on Indian television, while also balancing a successful side hustle as a vlogger on YouTube. In an appearance on Raj Shamani's podcast, Bharti spoke about her YouTube journey, and said that she earns a surprisingly large chunk of her income from her online presence. 'I make 60% of my income via television work, and 40% from YouTube. I can't believe it. If you'd told me that I would get paid for doing something as basic as cleaning a microphone and posting it… It was Haarsh (husband Haarsh Limbachiya) who told me that TV isn't going to last, and that I should focus on YouTube. At first, I didn't quite understand it. But then, I started enjoying it. And then, I started making money, which was even better. I've learned one thing; if you're dedicated and hard-working, YouTube will be just as dedicated to you.' Also read – Bharti Singh says 'main kaam waali ki beti hoon'; would eat three-day-old leftovers, doesn't recognise dead father in pictures: 'Ajnabee hain' Bharti's channel has 7 million subscribers, putting her in the upper echelon of Indian content creators. By comparison, Flying Beast has around 9 million subscribers, and Raj Shamani himself has 12 million. 'Sometimes, I feel like putting out four vlogs in a day. I have so much content, way more than 12 minutes can accommodate. I started YouTube a little over two years ago, and now I have over 7 million subscribers. I used to upload one vlog a week earlier. But the money is good; still, it's not as good as TV. I can earn on TV in one day what I make on YouTube in a month. I love both mediums. Now, I feel strange when I don't share a vlog.' Speaking about her relationship with money now, Bharti said, 'Yes, I travel business class and stay at five-star hotels, but I still eat with my hands. That will never change. I haven't changed. I still crave Amritsar. But I haven't been able to visit in three years. That's the thing about Mumbai; if you're a hard-worker, this city won't let you leave. Whenever I make a plan to visit Amritsar, I get some new work.' Several of Bharti's peers have also embarked upon YouTube careers. Archana Puran Singh and her family also share daily vlogs, and are inching towards the 1 million subscribers mark. In a recent video, Archana said that she was inspired to start vlogging by Farah Khan. 'During lockdown, I started posting small videos with my house-help, Bhagyashree, on Instagram because I had too much time on my hands. People called me up and told me that what I was doing was called vlogging, and I didn't even know. The videos were going viral, and Bhagyashree became world-famous. So Farah Khan suggested to me that I should start a proper channel. We have done theatre, films, TV, and OTT. The only thing that was left was having a presence on YouTube,' Archana said. In an interview, Parmeet admitted that vlogging has turned out to be a more successful venture than even his acting career. 'It has proved to be more fruitful, definitely. We started it because we believe that this is the future and we wanted to be a part of it. The entertainment landscape is changing rapidly,' he said in an interview with SCREEN.


Hindustan Times
an hour ago
- Hindustan Times
Priyanka Chopra's 3-year-old daughter Malti Marie is setting airport travel goals for toddlers worldwide - here's how!
If anyone thought airport fashion was only about oversized sunnies and chic trench coats, they hadn't seen Malti Marie Chopra Jonas rolling in like royalty. Seated on a 'ride on suitcase', she turned what is usually a stressful airport rush into a fun toddler joy ride. Priyanka Chopra Jonas showed that travel convenience can have its charm. Priyanka Chopra and Nick Jonas with their daughter Malti Marie. That little clip of Malti Marie happily perched on her MiaMily ride-on travel luggage was enough to win hearts everywhere. The smile on her face, the ease with which Priyanka Chopra pulled her along, and the sheer calmness of the moment said it all. Parents know the chaos of juggling passports, carry-ons and a restless toddler. This simple yet stylish trick made the whole scene look like a breeze. If toddlers wrote wishlists Imagine toddlers with their own Instagram grids or letters to Santa. The MiaMily ride-on travel luggage would be right at the top. It's fun, durable and works both as handy luggage and a little playmate on wheels. Parents might raise an eyebrow at the ride-on suitcase price(Starts at ₹30000), but the convenience factor makes it hard to ignore. When you need budget-friendly options Not every parent has Chopra-Jonas spending power. The good news is that there are plenty of budget ride-on suitcase choices available on Amazon India. Here are a few names parents are already loving: American Tourister kids' ride-on in bright shades that catch a child's eye and work well for short trips Trunkii flamingo suitcase that adds a dose of fun while being practical enough to pull through the airport NHR cabin ride-on suitcase that is simple, functional and keeps little ones occupied without burning a hole in your pocket They might not feel as polished as the MiaMily, but they do the job of keeping toddlers entertained while giving parents a little relief. Why ride on suitcases are every mum's best friend Parents know airport terminals can be tricky. Between queues, security checks and restless kids, the stress levels are high. A ride-on suitcase for kids can feel like a lifesaver during long airport waits. Think of it as: A way to keep toddlers seated and entertained while you move through long corridors A smooth-wheeled helper that saves your arms from carrying them for hours A style statement that adds fun to an otherwise chaotic environment A little trick that makes your child the envy of the play town and the star of the boarding gate Rolling in with style Priyanka Chopra showed how simple it can be to turn travel into something stylish and practical. Malti Marie, seated like a tiny queen, proved that even the most restless toddler can ride through the airport in style. Parents can take inspiration here. Travel doesn't have to feel like a marathon when the right luggage doubles up as entertainment. So the takeaway is simple. You don't have to be Priyanka Chopra Jonas to bring a little flair to airport travel. A MiaMily ride-on travel luggage or even a budget ride-on suitcase can change the vibe of the entire trip. Let the airport be less about stress and more about rolling through with style, convenience and a happy toddler by your side. Similar articles for you Get vacation-ready! Up to 80% off on top picks for trolley bags Travel smarter, not harder: Your guide to affordable trolley bags under ₹2500 Duffles and backpacks at up to 60% off on Amazon; Top picks to buy now! Beyond basics: Fun and fashionable backpacks for girls; Top 8 picks Disclaimer: At Hindustan Times, we help you stay up-to-date with the latest trends and products. Hindustan Times has an affiliate partnership, so we may get a part of the revenue when you make a purchase. We shall not be liable for any claim under applicable laws, including but not limited to the Consumer Protection Act, 2019, with respect to the products. The products listed in this article are in no particular order of priority.