Shoppers run to Primark for new summer tracksuit – it comes in three colours and hailed the ‘perfect airport outfit'
SHOPPERS are racing to Primark this week after spotting a "cute" new tracksuit in store - and it's only £22.
The two-piece set has already been hailed as the perfect airport outfit by delighted fashion fans.
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So if you're jetting off on holiday soon and need a comfy outfit for travelling, you've come to the right place.
And it's stylish as well as slouchy, coming in three gorgeous colours that will match a tan perfectly - dark brown, sage green and cream.
The oversized T-shirt is priced at £10, while the tracksuit bottoms will set you back £12.
If you hate cuffed trousers, they're the ideal pick for you too.
Modelling the new sets in the changing room, a member of staff at Primark's Lincoln store said: "These T-shirt tracksuits are back and in the nicest colours yet! Who else wants all of them?"
The clip quickly racked up 19,000 views, with fashionistas loving the new arrivals.
"Need immediately", one gushed.
A second cried: "Omg the brown!"
"Already bought it", chimed in a third.
A fourth insisted: "Omg I need one!"
Fashion fans are 'loving' Primark's new £6 Zara dupe - it's a summer essential, half the price and 'so cute'
Meanwhile, a fifth added: "Oh very cute."
But a sixth did advise: "Defo size down twice I would recommend. Mine is massive, I already went down one size."
Elsewhere in store, shoppers have found a winning summer dress that's floaty and great quality - and there's a mini-me version too.
Amanda, the self-proclaimed "confidence queen' and size 14 fashionista, who regularly shares high-street fashion content online, has praised the Primark frock that's super floaty and cool.
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She modelled the sleeveless V-neck Trapeze Mini Dress, that's ideal for holidays.
Thrilled with the white trapeze frock, which features an elegant tiered shape, the content creator beamed: 'This one might just win me over girls, because there's a mini-me.
'The quality of this feels absolutely fantastic. It's lovely and floaty and oversized.'
The mini dress is available not only in white, but green too and is priced at £20.
Why Primark is great for looking expensive on a budget
By Clemmie Fieldsend, Fabulous Fashion Editor
AS someone who's no stranger to grabbing a last-minute outfit from Primark for a night out, it's about time that celebrities started catching on too.
For as long as I've been heading out, Primark has been my go-to for those 'I have nothing to wear' moments, rushing in at the last minute to find something perfect.
And I'm definitely not alone - on any Friday or Saturday night, you'll find plenty of shoppers doing the same thing, right before closing time.
But no matter what, Primark always delivers.
Now, Rita Ora is leading the charge, showing that you can snag a designer-worthy look without spending a fortune at high-end stores.
While Rita's not rushing in last minute for a red carpet outfit, she's proving you can achieve the same high-impact style for much less.
Looking stunning in her tailored suit alongside her mum Vera, Rita fit right in among the other A-listers dripping in Prada, Dior, and Victoria Beckham - if anything, she looked even better than some of the guests at The Fashion Awards.
With Myleene Klass and Roxy Horner already jumping on the Primark bandwagon, I'm sure more stars will be following suit soon enough.
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There are nans in electric wheelchairs, heroically holding pints of cider as they weave their way up the hill to the Stone Circle. And if you've ever fancied Gandalf, Glastonbury is the place to bag a hot wizard — there are throngs of super-fit bearded OAPs, some actually holding staffs, tending the permaculture fields and/or dancing on top of an upturned bin. Revellers on Glastonbury 2025's opening day WILLIAM DAX/SWNS Every time I come here, I try to figure out exactly why I love Glastonbury so much. After years of therapy I only have one recurrent dream and it's that I'm at Glastonbury on a Sunday, hours before the event is due to finish, and I have a sudden, panicked revelation. 'I haven't done the best bit,' I'm saying desperately to friends. 'I got distracted — I was talking to someone I don't really like; I was having an argument — and I forgot to go to the best bit.' The best bit is always different — a certain field; a certain band — but the emotion is always the same: somehow I've wasted Glastonbury. In the last hours I must run, run, and find it, like in Gone with the Wind when Scarlett O'Hara dreams of running through the fog to try to find Rhett Butler. I have this dream almost every week. A lot of it is, obviously and simply, that Glastonbury is emblematic of fun. Where else would Louis Tomlinson from One Direction discover that nowhere is showing the Euro 2024 England v Slovakia match, then bring a 42in flatscreen TV, a generator and a wi-fi dongle to his campsite and broadcast the match to anyone who wanted to watch it, as he did last year? • Glastonbury? I'd pay good money not to go — even for Rod Stewart Where else would the super-WAG Nancy Dell'Olio turn up in a mud storm, wearing knee-high suede boots, ask hopefully if there were 'any taxis' on site to take her to her Winnebago, then be portered through the backstage area in a wheelbarrow, like a piece of luggage, by a resourceful steward? If you've ever wished for a reality TV show based on what celebrities would do on a camping trip, Glastonbury fulfils your every whimsy. But of course, although the celebrities take up a lot of the Glastonbury coverage, it's only because they are the most visible conduit for trying to convey what the experience is like for the other 210,000 people. There is no single, definitive Glastonbury experience. Unlike any other festival — Reading, Latitude, Coachella — you cannot 'play' Glastonbury like a computer game, Pokémon Go, say, collecting all its 'classic' experiences, because the festival is deliberately designed to make that impossible. 'Why would they put Neil Young on at the same time as Charli XCX, Scissor Sisters and Doechii?' Glastonbury chat boards moan. 'That's a terrible clash! Idiots!' Of course, these clashes are purposely crafted to stop crushes and bottlenecks. In 2023, when Elton John performed to the biggest modern crowd at the festival — an estimated 120,000 in the field, plus 7.3 million on TV — I was well versed enough in Glastonbury logic to not even attempt this 'must-see moment'. We went to see Queens of the Stone Age on the Other Stage instead, whom we instantly became massive converts to, then watched Elton on telly when we got home. Glastonbury makes you go and discover new favourite things. That's the point of its ludicrous abundance. The computer game analogy is, I think, best for understanding why people get addicted to Glastonbury, why 'the Glastonbury spirit' is talked about as a definite and palpable thing. Glastonbury isn't linear. You can't complete it. Instead it's like the gaming phenomenon Roblox — a 'sandbox' world in which users make their own games, worlds and apps. Almost every field, stage, piece of art or 'happening' on site is made by someone who initially came here as a punter and then approached the festival with an idea they wanted to contribute to the next event. The gigantic helicopter, retooled with the face of a bug, hovering over Arcadia, shooting lasers out of its eyes and playing drum'n'bass? The trance disco in Shangri-La that takes place surrounded by carefully tended raised vegetable beds? The secret Underground Piano Bar? This year's new Azaadi space, where a southeast Asian team play hip-hop, bhangra, garage and Bollywood classics? All of them are created by people who walked around Glastonbury at 3am and thought, 'I want to join in. I want to make something.' This is why, unlike any other festival, Glastonbury takes up more and more news space every year: it constantly converts its punters into creatives. You don't just do Glastonbury, you can be Glastonbury if you have the right idea. Of course, because there is no lens wide enough, or storytelling format big enough, to cover the simply mind-boggling scale of a 50-year-old festival the size of a city, most Glastonburys are reduced down to a single issue — mud, Elton, Prince Harry in the secret club the Rabbit Hole. This year's issue is Kneecap. More than 3,000 acts are playing but it's the Northern Irish band who have dominated the headlines. The band's Liam Óg Ó hAnnaidh is on bail, having been charged with waving a flag in support of the proscribed organisation Hezbollah at a London gig, and the prime minister took time out of his schedule to condemn Glastonbury for letting Kneecap's Saturday slot go ahead, saying he didn't think it was 'appropriate'. • BBC will not ban Kneecap from its Glastonbury coverage Consequently, Kneecap have become a must-see moment — what will they say on stage? What will they do? And why did Glastonbury not boot them off the bill? Right now it seems a burning topic but, of course, Glastonbury has hosted a million 'controversial' acts before. Whatever Kneecap eventually do, however outrageous they might be, Glastonbury is simply too huge, too varied and too old for the future to hold anything more than Kneecap being a very small footnote in the Wikipedia entry for Glastonbury 2025. Young men in bands habitually say and do attention-seeking things. And then, 40 years later, they're either obsolete — or legends. As a sensible-shoed, middle-aged Glastonbury-goer, it's this decades-long perspective that I think explains my recurrent dream about the place on Sunday night, running, full of regret, to find something I'd foolishly forgotten. It's clearly a metaphor for life: don't waste time on conversations with people you don't care about. Don't get caught up in stupid arguments. Get out there. Go. Revel in it while you still have time. When the potential for joy is all around you — and wherever you are, it always is, just a short walk away — go find the best bit. It's midsummer and you are getting older. You must always remember: go and look for the magic.
