Queen Camilla Wore Her Late Mother's Necklace For a State Banquet in Rome
The Queen wore a striking green lace gown by Fiona Clare, with a turquoise and diamond necklace that belonged to her late mother, Rosalind Shand. The event was black tie, not white tie, so she did not wear a tiara. The King looked smart in black tie with his UK Order of Merit neck order and OMRI (Italian Order of Merit) star with a selection of British Orders, Realm and Jubilee medals.
The couple arrived at the Presidential residence at 8pm and were received by President Mattarella's Aide-de-Camp, General Marco Nasi, before posing for photographs. The banquet is being held in the Palace's Salone delle Feste. The King and President were scheduled to deliver toasts. Guests were due to dine on a four-course meal including vegetables, pasta with aubergine caponata, sea bass in salt crust, and ice cream cake with raspberries.
Earlier in the day, the King received more than one standing ovation for his speech to Italy's parliamentarians. He spoke in both Italian and English, telling them, 'I am here today with one purpose: to reaffirm the deep friendship between the United Kingdom and Italy, and to pledge to do all in my power to strengthen that friendship even further in the time that is granted to me as King.'
Referencing ancient ties, the King joked, 'It was the Romans who gave Britons the idea of putting a King's head on coins – so I am especially grateful to them.' He also spoke about defense ties, climate change and mentioned his late mother Queen Elizabeth.
At one point, the audience gave the King a standing ovation and someone else started speaking, thinking his speech was finished. He had to make it clear it wasn't, then joked as he resumed "I'm nearly finished."
You Might Also Like
12 Weekend Getaway Spas For Every Type of Occasion
13 Beauty Tools to Up Your At-Home Facial Game
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


American Military News
16 minutes ago
- American Military News
Report: Russian Sabotage Operations In Europe Have Quadrupled Since 2023
This article was originally published by Radio Free Europe/Radio Liberty and is reprinted with permission. Russia has dramatically increased sabotage operations throughout Europe, a new report has found, with the number of attacks targeting critical infrastructure nearly quadrupling since 2023. The findings, by the International Institute for Strategic Studies, dovetail with a growing number of press reports, indictments, and intelligence warnings alleging Moscow has made covert sabotage and surveillance operations a major priority, aimed at destabilizing European governments. 'While Russia has so far failed to achieve its primary aim, European capitals have struggled to respond to Russian sabotage operations and have found it challenging to agree a unified response, coordinate action, develop effective deterrence measures and impose sufficient costs on the Kremlin,' the report by the London-based think tank said. The scope of so-called hybrid attacks blamed on Russia includes arson attacks, incidents where ships have damaged undersea communications cables, disruption of GPS satellite navigation signals, and the hacking of computer infrastructure. The bulk of the targets, the report released August 19 found, are in Ukraine or are connected to European efforts to support or supply Ukraine with military and other civilian hardware. The uptick of incidents coincided with Russia's all-out invasion of Ukraine, launched in February 2022, and spiked in 2023 and 2024, quadrupling over that period. The report also tallied a slowdown in attacks in the first half of 2025, though it was unclear exactly what that could be attributed to. European and other Western governments have expelled dozens of Russian intelligence officers, many working under diplomatic cover, dating back to before the Ukraine invasion. That has forced Russian agencies to turn to proxy or mercenary-type of operations, where people are hired, some unwittingly, to carry out sabotage or other operations. Last month, a British court convicted three men of setting fire to a London warehouse where Ukrainian-bound equipment was being stored, a plot prosecutors said was orchestrated by operatives linked to the Russian mercenary company Wagner. In a related incident, three Ukrainians have been accused of trying to set fire to properties linked to British Prime Minister Keir Starmer. 'Russia has exploited gaps in legal systems through its 'gig economy' approach, enabling it to avoid attribution and responsibility. Since 2022 and the expulsion of hundreds of its intelligence officers from European capitals, Russia has been highly effective in its online recruitment of third-country nationals to circumvent European counter-intelligence measures,' the report said. There was no immediate response to the report from Russian officials. European governments have also under-invested in maintaining security systems for critical infrastructure, the report said, even as fears mount that the covert campaign could be part of a longer-term effort by Russia. 'Some NATO member states have assessed Russia's unconventional war to be part of its long-term preparations for a potential military confrontation with NATO,' the report said.


Time Magazine
17 minutes ago
- Time Magazine
The Problem With 'The Twisted Tale of Amanda Knox'
In a notorious video that circulated around the globe, 20-year-old exchange student Amanda Knox is kissing her boyfriend, Raffaele Sollecito. Out of context, it looks like banal, sun-dappled vacation footage—American girl goes to picturesque Perugia, falls for scarf-wearing Italian boy. In fact, the couple had just learned, after an eerie morning at the apartment Knox shared with three other young women, that police had found her roommate Meredith Kercher brutally murdered in Kercher's bedroom. The kiss became a key piece of a prosecutorial propaganda campaign, giddily inflamed by the tabloid media, that framed Knox as a perverse, cold-blooded killer. You only have to keep watching for a few more seconds, as the lovers turn away from one another, to catch the look of pain and confusion on her face and realize she's not celebrating. The moment is recreated in The Twisted Tale of Amanda Knox, a true crime drama that traces the since-exonerated Knox's Kafkaesque ordeal in an Italian justice system that tarred her as a psycho sex fiend who masterminded Kercher's rape and murder. What's strange, considering that Knox, her husband Chris Robinson, and public-shaming expert Monica Lewinsky are among the series' executive producers, is how much more ambiguous the kiss looks in this telling. When Grace Van Patten, who plays Knox, turns to face the camera, her expression is wide-eyed and inscrutable. Twisted is otherwise overwhelmingly sympathetic to its protagonist, and Van Patten (Nine Perfect Strangers, Tell Me Lies) does an admirable job with limited material. Yet the fumbling of this scene captures what is so frustrating about the show. For all its fidelity to the complicated facts of one of this century's most infamous murder cases, Twisted fails to deliver the one element of Knox's story that might be best expressed through scripted drama: insight into who its viciously caricatured, widely misunderstood subject really is. The eight-part series, helmed by showrunner K.J. Steinberg (This Is Us), often plays like an extended version of the broad reenactments you see in crime docs. In a way, this makes sense. There is much to reenact, to explain and unravel and contextualize, in a legal saga that began on Nov. 2, 2007, the morning Kercher's body was discovered, and had yet to be fully resolved as late as this year. Italy's justice system differs greatly from its American counterpart; prosecutors lead police investigations, criminal and civil trials can be consolidated into the same proceedings, juries in even the highest-profile cases are unsequestered. From paparazzi photos to footage recorded at the scene by the forensics team to TV news reports to interviews with Knox, plenty of imagery exists from throughout this story—much of which already appeared in the 2016 Netflix documentary Amanda Knox before being restaged, shot-for-shot, in Twisted. Following a flash-forward to Amanda's return to Italy in 2022, during which she spends a tense car ride hiding under a blanket from local media ravenous for a glimpse of its favorite villain, the tale unfolds in mostly chronological order. We watch an ingenuous Amanda skip around Perugia, in the fall of 2007, living out a study-abroad fairytale with her new boyfriend, Raffaele (Giuseppe De Domenico, heartbreaking), and three female roommates, including Meredith (Rhianne Barreto), a British student. About 10 minutes into the premiere, the dream sours. Amanda returns to her adorable apartment to shower after a night at Raffa's but slowly realizes something isn't right. There are blood stains in the bathroom, a revolting mess in the toilet. Meredith's door is locked, and no one answers when Amanda calls out to her. Soon after the body is found, the young couple become crucial witnesses in the police investigation, detained at the station for days' worth of questioning. Bilingual scripts effectively demonstrate how the language barrier exacerbated Knox's predicament, as she was far from fluent in Italian at the time and often lacked an adequate translator. It is (almost cartoonishly) clear from the outset that Amanda has rubbed the investigators the wrong way. They don't like the kiss, or her sexual candor, or the vibrator that was found among her toiletries; their prejudices are reinforced when Meredith's British friends express their own dislike for Amanda. A pair of nightmarish, physically and psychologically violent marathon interrogations ends with Raffaele manipulated into destroying her alibi and a disoriented Amanda implicating Patrick Lumumba (Souleymane Seye Ndiaye), the proprietor of the bar where she worked, in the murder. (Though she almost immediately recanted this accusation, Lumumba was arrested, then quickly cleared, and a slander charge was added to list of crimes for which she'd face trial.) The middle half of the series wades, somewhat laboriously, through years of legal wrangling and incarceration, as Amanda and Raffaele are found guilty and serve four years of their sentences before seeing their convictions overturned due to an astonishing absence of reliable physical evidence. The arrival in Italy of Amanda's fiercely loyal mother, Edda Mellas (the usually great Sharon Horgan, struggling with an American accent), should raise the emotional stakes, but, as is the case with so much of the show's dialogue, the women mostly speak in gloomy exposition. Richer and more thoughtfully depicted is the relationship that Amanda, an avowed atheist, develops with Don Saulo Scarabattoli (Alfredo Pea), the prison's open-minded, in-house priest. The advice he gives her when she's on the verge of yielding to despair over what could become a life sentence—"You can serve humanity even if it doesn't serve you'—will shape her future. Knox and Lewinsky have talked about how they insisted on ending Twisted not with Amanda and Raffaele's first acquittal, on appeal in 2011, but with a pair of episodes that trace the case's aftermath: the bumpy reacclimation to freedom, the permanent reputational damage, the search for purpose in a life derailed, the ongoing legal woes and media circus. The instinct to move beyond the true crime template, avoiding a false happily-ever-after ending, is a good one. But as executed, the penultimate episode just feels like more trudging from point to point on a timeline of well-documented events. Amanda endures an aggressive interview with Chris Cuomo (Josh Burdett): Check. Amanda finds community with other exonerees: Check. The finale—which is, unfortunately, the only episode co-written by Knox—goes deeper. We see Amanda, now an author, wife, and mother, compare battle scars with Raffaele and confront the prosecutor, Giuliano Mignini (Francesco Acquaroli), who, despite the early emergence of airtight forensic evidence implicating the third person convicted of Kercher's murder, perpetrated the character assassination that led to her imprisonment. It's in this coda that the series finally feels like it's about something other than the obvious fact that Knox suffered a grave injustice. We discover that, just as Amanda is not the sex-crazed monster Mignini created, Mignini is not the bloodthirsty misogynist her allies imagined; he's a man tortured by personal demons. Everyone is more complicated than tabloid headlines make them out to be. (Knox took this argument to an extreme in a recent Atlantic essay that called the common description of University of Idaho killer Bryan Kohberger as, simply, evil 'an excuse to stop thinking, to ignore the evidence, to hate and punish someone law enforcement didn't, or wouldn't, understand.') This perspective tempers the hysteria of an earlier episode, which opens with a mini-biography narrated by Mignini that races from a childhood steeped in the Madonna-whore complex to his father's untimely death ('You're the man of the house now,' the boy is told, graveside, in an egregiously canned bit of dialogue) to the debacle that was his involvement in the Monster of Florence serial killer case. The Italian-stereotype quotient is high in this rendering, as it also is in another episode's more empathetic portrait of Raffaele. Perhaps out of respect for the privacy of the real people or their families, we barely spend any time with Meredith or Patrick—another innocent victim, whose experience as a Black, Congolese immigrant feels under-acknowledged in a story so concerned with Amanda's gendered shaming. But Raffa, a sweet, inexperienced romantic hoping for another shot at love with a woman he adores, comes through clearly. I left the series feeling as if I knew him much better than I knew Amanda, even though she gets far more screen time than any other character and Van Patten narrates most of the episodes. (These voiceovers can get pretty purple: 'Telling my tale is a sticky, tricky thing—especially when I was a stranger to my story's true beginning.') This is not for lack of discussion about her personality. She is described, variously, as quirky, impassive, naive, vulgar, blithely optimistic. 'Everyone says I'm like Amélie'—the eponymous gamine from the movie she and Raffaele watched the night of Meredith's murder—'because I'm a weirdo,' Amanda says at one point. Edda calls her 'sunny despite everything.' One of Meredith's friends testifies that the defendant struck her as 'cold,' 'unfeeling,' and 'quite open about her sex life.' It's fine that none of these contradictory characterizations bear much resemblance to the Amanda we observe. This is, after all, the story of a woman who was misread by a significant chunk of Earth's population. But The Twisted Tale of Amanda Knox should have a compelling counternarrative to offer about Amanda Knox. To the extent that she's defined, it's in terms of what she self-evidently is not—not a killer, not a sex freak, not a callous American femme fatale. With ample evidence of Knox's innocence available for over a decade, Steinberg and her writers had the chance to do something more than mount yet another defense. They could've made us understand Amanda's thinking in the most awkward and insensitive-seeming moments of her trial by media. Instead, the show tends to replay these gaffes without adding much new perspective. Amanda's alleged weirdness is mentioned more than it's explored; how much could we have learned about her if Steinberg hadn't rushed through a scene set at her time-traveler-themed wedding? A flashback episode that gave us more time with Amanda before Meredith's death might also have helped. Some of the best crime docudramas, like Hulu's own The Dropout and The Girl From Plainville, thrive on nuanced portraiture of real women whose mass-media villain edits contain far more truth than 'Foxy Knoxy.' Without powerful insight into a person who is also Twisted's executive producer—and who has drawn more perceptive conclusions from her ordeal in two memoirs, multiple podcasts, and the Netflix doc—it's hard to justify the reopening of 18-year-old wounds.
Yahoo
22 minutes ago
- Yahoo
Israel's war conduct is condemned during Italian funeral for Palestinian woman evacuated from Gaza
Italy Palestinian Funeral PONTASSERCHIO, Italy (AP) — Funeral services were held Wednesday for a young Palestinian woman who died in Italy shortly after being evacuated from Gaza last week, exposing Italians to the desperate plight of Palestinians in the besieged territory. The funeral of Marah Abu Zuhri, attended by several hundred people, was interrupted repeatedly by chants of 'Free Palestine' and featured speeches by local Italian authorities denouncing Israel's policy in Gaza and expressing solidarity with the Palestinian people. As Palestinian flags fluttered, mourners stood in prayer before Zuhri's coffin, which was draped in a Palestinian flag and a keffiyeh scarf in a park in the town of Pontasserchio, near Pisa. Zuhri, 19, had been evacuated to Italy with what Israel had called leukemia, but Italian doctors said they found no initial evidence of that and instead found 'profound wasting" and an undiagnosed or misdiagnosed condition. The United Nations and partners have said 22 months of war have devastated Gaza's health system, and food security experts have said the 'worst-case scenario of famine is currently playing out.' Israel is moving ahead with a new military offensive on some of the territory's most populated areas, Mayor Matteo Cecchelli said he wanted to honor Zuhri's life with a public service in the town's Park of Peace, to 'make noise' about what he called a political and humanitarian 'catastrophe' in Gaza. 'The reality is that every day in the Gaza Strip, people are dying in the deafening silence of world governments," he said to applause. "We cannot remain silent today in this field of peace. There are those who have decided to make noise and have decided to be here to express their dissent towards this genocide.' Israel asserts that it abides by international law and is fighting an existential war in Gaza after Hamas' deadly Oct. 7, 2023, attack that killed some 1,200 people and took more than 250 others hostage. Israel has rejected genocide allegations related to its war in Gaza and called them antisemitic. Zuhri arrived in Italy overnight on Aug. 13-14 as one of 31 sick or injured Palestinians evacuated on an Italian humanitarian airlift that has brought nearly 1,000 ill Palestinians and their families to the country since the war began. Israel said she had leukemia and had been offered an evacuation earlier but claimed that Hamas had exploited her case, without offering evidence. The U.N. World Health Organization, which coordinates patients' evacuations, didn't respond to a request for comment. Gaza's Health Ministry has asserted that evacuations are often delayed or canceled by Israeli authorities. It says over 18,000 patients and wounded require treatment outside Gaza. Zuhri was admitted to the hematology ward of Pisa University's Santa Chiara Hospital, a known oncological hospital in Tuscany, but died there on Aug. 15. The hospital said she arrived with a 'very complex/compromised clinical picture and in a state of profound wasting.' She suffered a sudden respiratory crisis and subsequent cardiac arrest, which killed her, it said. The head of the hematology department at the Pisa hospital, Dr. Sara Galimberti, said Zuhri arrived with a diagnosis of suspected acute leukemia, but tests the hospital conducted came back negative, with no signs of the 'bad cells' that would indicate leukemia. Galimberti told reporters that Zuhri likely had been misdiagnosed, and that her condition was nevertheless seriously compromised and had been for a while. "The patient was in a complete condition of wasting, and completely bedridden despite being 19 years old,' she said. The hospital conducted a nutritional consultation and began a hypercaloric therapy and transfusional support, but Zuhri died before a full diagnosis was possible, Galimberti said. The doctor said the woman's mother, Nabeela Abu Zuhri, declined an autopsy on religious and personal grounds. The mother, who accompanied her daughter on the flight, spoke briefly at the funeral, thanking Italy for trying to save her daughter and asking for prayers for Palestinians. She said she was 'leaving a part of my heart, a part of me, with you' before returning to Gaza. The imam of Pisa, Mohammad Khalil, who translated for her, tried to calm the crowd and focus on Zuhri, but he also spoke of food shortages and hunger in Gaza. He presided over the service and burial in a newly designated area of the cemetery for Muslims. 'It will remain a memorial in our territory for future generations as a symbol of the genocide of the Palestinian people,' the mayor, Cecchelli, said. The United Nations has said starvation and malnutrition in Gaza are at their highest levels since the war began. The U.N. says nearly 12,000 children under 5 were found with acute malnutrition in July — including more than 2,500 with severe malnutrition, the most dangerous level. The World Health Organization says the numbers are likely an undercount. Israeli Prime Minister Benjamin Netanyahu has repeatedly asserted that no one in Gaza is starving, with 'no policy of starvation in Gaza.' AP reporting has found that malnourished children were arriving daily at a Gaza hospital, with some dying from hunger, including ones with no preexisting conditions. ___ Winfield reported from Rome.