logo
Will '28 Years Later' take a bite out of ‘Elio'? Will ‘Dragon' continue to soar? Here's our box-office prediction

Will '28 Years Later' take a bite out of ‘Elio'? Will ‘Dragon' continue to soar? Here's our box-office prediction

Yahoo5 hours ago

Despite two high-profile film releases this weekend, How to Train Your Dragon won't be slayed at the box office.
Universal's live-action adventure will remain on top of the June 20-22 box office, adding over $40 million to its $113 million domestic gross so far. How to Train Your Dragon has earned $227 million worldwide since it debuted last week.
More from GoldDerby
'Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts - and shows need for Best Director reform
All the 'Abbott Elementary' Season 4 Emmy predictions, including those 'Sunny' guest stars
Ryan Murphy and the JFK Jr.-Carolyn Bessette controversy, explained: Why 'American Love Story' Instagram post got so much hate
Sony's highly anticipated 28 Years Later, directed by Oscar winner Danny Boyle (Slumdog Millionaire), and Disney/Pixar's Elio will face off in a close battle for second place — both are projected to earn around $30 million.
28 Years Later will easily become the franchise's biggest debut, surpassing 2002's 28 Days Later ($10 million) and 2007's 28 Weeks Later ($9.8 million). Beyond its promising start, it won't take much for 28 Years Later to become the highest-grossing installment in the trilogy, a title currently held by 28 Days Later, which earned $75 million worldwide. With strong anticipation and a legacy behind it, the film is set to breathe new life into the acclaimed zombie franchise.
Set nearly three decades after the contagious rage virus devastated the world, 28 Years Later follows a group of isolated survivors who journey to the mainland, only to discover that a dangerous mutation threatens to decimate the remaining population. This latest installment will launch a new trilogy from director Danny Boyle and writer Alex Garland. The film was shot back-to-back with its sequel, 28 Years Later: The Bone Temple, slated for release in 2026. Meanwhile, a third entry — and the fifth installment in the franchise — is already in development, ensuring that the iconic series continues to expand its terrifying legacy.
Directed by Adrian Molina, Madeline Sharafian, and Domee Shi, Elio tells the story of an 11-year-old who unexpectedly forms a unique bond with eccentric aliens after being mistakenly identified as Earth's official intergalactic ambassador. With a production budget of $150 million, the stakes are high for Pixar, which has faced challenges in recent years. Three of its recent original movies — Turning Red, Luca, and the Oscar-winning Soul — were released directly to Disney+ instead of full theatrical runs, raising questions about the studio's box office strategy and its ability to deliver theatrical hits in a competitive marketplace.
Last year, Inside Out 2 delivered a record-breaking $1.69 billion worldwide for Pixar, reaffirming the studio's success with sequels, which have consistently proven to be more profitable than original concepts. Early projections suggest Elio could earn the unfortunate distinction of being the studio's worst theatrical debut ever — a title currently held by 2023's Elemental, which opened to a modest $29.6 million in North America. All eyes will be on the weekend numbers to see if Pixar can defy predictions and turn things around.
Also debuting this weekend is Magenta Light Studios' Bride Wars, a universally panned action-comedy starring Rebel Wilson as a secret agent who will stop at nothing to save her best friend's wedding.
Gold Derby readers predict that How to Train Your Dragon will win the June 20-22 weekend with between $25 million and $50 million domestically. 28 Years Later is the runner-up selection of our oddsmakers.
NEW RELEASES
Director: Danny Boyle Distributor: Sony Pictures A group of survivors of the rage virus live on a small island. When one of the group leaves the island on a mission into the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors. The horror sequel, starring Alfie Williams, Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, has a running time of one hour, 55 minutes, and is rated R. 28 Years Later is certified "fresh" with a 92 percent score per the aggregated critic reviews at Rotten Tomatoes; "generally favorbale" reviews compiled by Metacritic resulted in an overall score of 76 percent.
Director: Adrian Molina, Madeline Sharafian, and Domee Shi Distributor: Walt Disney Studios Elio, a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be. The animated adventure, featuring the voices of Zoe Saldaña, Yonas Kibreab, Remy Edgerly, and Brad Garrett, has a running time of one hour, 39 minutes, and is rated PG. Elio is certified "fresh" with a 86 percent score per the aggregated critic reviews at Rotten Tomatoes; "generally favorable" reviews compiled by Metacritic resulted in an overall score of 66 percent.
Director: Simon West Distributor: Magenta Light Studios When a mercenary group takes a lavish wedding hostage, they have no idea what they are in for as the maid of honor is actually a secret agent ready to rain hellfire upon anyone who would ruin her best friend's wedding. The action-comedy, starring Rebel Wilson, Anna Camp, Anna Chlumsky, and Da'Vine Joy Randolph, has a running time of one hour, 45 minutes, and is rated R. Bride Hard is certified "rotten" with a 27 percent score per the aggregated critic reviews at Rotten Tomatoes; "overwhelmingly negative" reviews compiled by Metacritic resulted in an overall score of 15 percent.
BOX-OFFICE PREDICTIONS
How to Train Your Dragon shows no signs of slowing down, expected to stoke the box-office flames with $40 million in its second weekend. In the highly competitive battle for second place, projections suggest 28 Years Later will narrowly edge out Elio, with the latter facing stiff competition for the younger audience still captivated by Dragon. Each are expected to earn around $30 million.
Speaking of younger audiences, Disney's Lilo & Stitch remake is likely to secure fourth place this weekend, bringing in another $8 million domestically. The film has already proven to be a massive success, grossing $864 million worldwide to date.
Rounding out the top five will likely be A24's Materialists, a rom-com from Celine Song starring Dakota Johnson, Chris Evans, and Pedro Pascal. However, it faces fierce competition from Tom Cruise's action-packed Mission: Impossible — The Final Reckoning. Paramount's blockbuster continues to draw audiences, amassing $509 million globally so far. It wouldn't be surprising if Cruise manages to overtake Materialists in the final rankings.
Here are Gold Derby's predictions box-office rankings for the top five:
1. How to Train Your Dragon 2. 28 Years Later 3. Elio 4. Lilo & Stitch 5. Materialists
Do you agree or disagree with those rankings? Make your predictions right now — it's fun and easy! Join the box-office discussion in our forums.
Best of GoldDerby
Tom Cruise movies: 17 greatest films ranked worst to best
'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin')
'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck'
Click here to read the full article.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns
Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

Yahoo

time40 minutes ago

  • Yahoo

Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

English director Danny Boyle said that he would not direct "Slumdog Millionaire" if it was made today due to "cultural appropriation" and would rather have a "young Indian filmmaker" make it instead. "We wouldn't be able to make that now. And that's how it should be. It's time to reflect on all that. We have to look at the cultural baggage we carry and the mark that we've left on the world... At the time it felt radical," Boyle told The Guardian. 'Snow White' Becomes Disney's Worst-performing Live-action Remake In Nearly 10 Years Set in India, the movie tells the story of Jamal, a young "slumdog" who's been selected to appear on the country's version of "Who Wants to Be a Millionaire?", and hopes to also find his childhood lost love, Latika. Throughout his appearance, events from his tumultuous life are shown in flashback and help him answer the questions. Released in 2008, "Slumdog Millionaire" was a hit with audiences and critics, grossing nearly $380 million on a $15 million budget and winning eight Oscars, including Best Picture and Director for Boyle. Denzel Washington Shuts Down Reports He Bailed On Cannes Film Festival After Red Carpet Incident Read On The Fox News App However, despite its success, the movie was controversial for appearing to exploit Indian culture and portray stereotypes of India from a western perspective. Some Indian critics enjoyed the movie, but some Indian artists were underwhelmed, claiming it was "saturated with stereotyped images of India," TIME magazine reported. Boyle added that while the film was in production over 15 years ago, he was sensitive to the exploitative implications of making the movie as a foreigner then. "We made the decision that only a handful of us would go to Mumbai. We'd work with a big Indian crew and try to make a film within the culture. But you're still an outsider. It's still a flawed method. That kind of cultural appropriation might be sanctioned at certain times," Boyle told The Guardian. He went on to say, "But at other times it cannot be. I mean, I'm proud of the film, but you wouldn't even contemplate doing something like that today. It wouldn't even get financed. Even if I was involved, I'd be looking for a young Indian filmmaker to shoot it." Boyle's other notable movies include "Trainspotting," "Steve Jobs," "127 Hours" and the "28 Days Later" horror series. The latest, "28 Years Later", was released on Friday. Boyle nor his representatives immediately responded to Fox News Digital's request for comment. Click Here To Read More On Fox NewsOriginal article source: Danny Boyle admits he couldn't make 'Slumdog Millionaire' today because of cultural appropriation concerns

Weekend Box Office: ‘Dragon' Slaying '28 Years Later' And ‘Elio'
Weekend Box Office: ‘Dragon' Slaying '28 Years Later' And ‘Elio'

Forbes

timean hour ago

  • Forbes

Weekend Box Office: ‘Dragon' Slaying '28 Years Later' And ‘Elio'

Mason Thames in "How to Train Your Dragon." How to Train Your Dragon is projected to top the domestic box office again ahead of newcomers 28 Days Later and Elio. The live-action version of the 2010 animated hit How to Train Your Dragon is projected by Deadline to earn $35.2 million in its second-weekend frame from 4,373 theaters, which is below the trade publication's forecast of $40 million earlier this week. If Deadline's projection holds, it will up Universal Pictures' How to Train Your Dragon's domestic tally to $158.6 million through Sunday. Meanwhile, director Danny Boyle's zombie thriller 28 Years Later is projected by Deadline to gross $28 million to $30 million from 3,444 theaters through Sunday, which is in line with the trade's projections earlier this week. The projected weekend domestic tally is on the low end, however, of Box Office Pro's long-range tracking for 28 Years Later, which on June 7 was forecasting a $30 million to $40 million opening. Released by Sony Pictures Entertainment, 28 Years Later — which stars Ralph Fiennes, Jodie Comer and Aaron Taylor-Johnson — had a production budget of $60 million before prints and advertising, Deadline reported. A scene from "Elio." 'Elio' Tops Projections But Has A Lot Of Ground To Make Up Disney and Pixar's animated sci-fi adventure Elio is projected by Deadline to earn $22 million to $24 million from 3,750 million in its opening weekend frame, which is ahead of the trade's $20 million-plus forecast from earlier this week. Still, an opening weekend tally of $24 million domestically falls far short of Box Office Pro's long-range tracking forecast from May 31, which pegged the film to open in the $35 million to $45 million range. Elio a lot of ground to make up in the long term, since the film cost $150 million before its marketing spend, Deadline noted. By contrast, Disney's Pixar's Inside Out 2 opened with $154.2 million from 4,440 North American theaters a little over a year ago. There's also one other newcomer this week — Bride Hard — though it's not opening nearly as wide as 28 Years Later or Elio. Directed by Con Air and Lara Croft: Tomb Raider helmer Simon West, Rebel Wilson and Anna Camp's action comedy Bride Hard is debuting in 2,000 theaters domestically. Bride Hard is the product of Magenta Light Studios, which distributed last summer's indie serial killer thriller Strange Darling. Note: This box office report will be updated throughout the weekend with the most current numbers as they become available. The final numbers for this weekend's box office will be released on Monday.

‘Jaws': The Prototype Summer Blockbuster Turns 50, Losing None of Its Bite
‘Jaws': The Prototype Summer Blockbuster Turns 50, Losing None of Its Bite

Yahoo

time2 hours ago

  • Yahoo

‘Jaws': The Prototype Summer Blockbuster Turns 50, Losing None of Its Bite

One of my formative movie memories is of being in a theater in 1975, packed with excited kids and teenagers in Newcastle, Australia, to see Jaws for the first time. It's not surprising that an audience in a city with miles of golden beaches might be especially primed to react to Steven Spielberg's ageless shark shocker. Even so, the screams were deafening, the nervous laughter that followed each jolt of terror was contagious and the physical sensation of entire rows of seats shaking as people reflexively lifted their feet up off the floor — and 'out of the water' — during each attack was unforgettable. More from The Hollywood Reporter 'Jurassic World Rebirth' Tracking to Set Off Major Box Office Fireworks With $100M-$125M Opening Scarlett Johansson Details Depths of Her 'Jurassic Park' Fandom, From Pitching Herself to Steven Spielberg to Organizing Screening for Avengers Cast 'Music by John Williams' Doc Director on How Spielberg Convinced the Legendary Composer to Do the Film This was long before massive Imax screens, earth-rumbling sound systems and haptic motion seating made the visceral moviegoing experience a regular thing. It felt like the modern-day equivalent of French audiences ducking or even fleeing the theater as cinema pioneers the Lumière brothers sent a train hurtling toward them in 1896, urban legend or not. Spielberg's first major hit single-handedly changed the business model for Hollywood, giving birth to the blockbuster summer event movie. I've been a sucker for shark thrillers ever since, and even after way too many viewings to count, Jaws still scares the hell out of me. It spawned a feeding frenzy of imitators that continues to this day, aiming to tap into our primal fear of the monster from the deep. Some are effectively lean and mean, like the narratively spare Open Water in 2003, or The Shallows from 2016, which is basically Blake Lively in a bikini being circled on a rock by a great white for 90 minutes. But nothing has ever come close to the tension that floods our veins at the sound of that immortal two-note ostinato, the signature of John Williams' suspenseful score. Or the dolly zoom on the face of Roy Scheider's aquaphobic Amity Island police chief Martin Brody as he watches from the beach while a kid on an inflatable raft turns into a fountain of blood. Or Brody scooping chum from a bucket off the back of the Orca — the boat owned by Robert Shaw's maverick shark hunter Quint — when their target rears up out of the Atlantic, razor teeth bared. Spielberg's mastery, even at that early stage of his career, was in full bloom. Possibly the best thing that happened to him on that troubled shoot — with its soaring budget and stretched schedule — was the constant malfunctioning of the mechanical prop sharks. That forced the director to get crafty, almost inadvertently generating one of the all-time great screen examples of the power of the unseen monster to frighten the wits out of us. Prop issues also led to Spielberg making more extensive use of footage shot by pioneering Australian underwater cinematographers Ron and Valerie Taylor, notably in a standout scene in which a shark attacks and destroys a dive cage. That sequence featuring a real great white in action prompted a rewrite that saved the life of Matt Hooper, the wise-ass oceanographer played by Richard Dreyfuss. (He was shark food in the novel and the original shooting script.) Jaws was shot on Martha's Vineyard, just a hop, skip and jump up Cape Cod from where I spend time every summer in beautiful Provincetown. Even before reports of shark attacks in the area in recent years or the addition of warning signs on the main beaches, I always had a Chief Brody moment whenever I put a toe in the water. But it's never stopped me going in. Best of The Hollywood Reporter Wes Anderson's Movies Ranked From Worst to Best 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store