logo
The Smashing Pumpkins to Play First-Ever UAE Show at Etihad Arena

The Smashing Pumpkins to Play First-Ever UAE Show at Etihad Arena

CairoScene23-05-2025
The legendary alt-rock band is bringing its 'Rock Invasion' tour to Abu Dhabi on October 9th with a career-spanning setlist.
May 23, 2025
The Smashing Pumpkins are heading to Abu Dhabi for the very first time, bringing decades of alt-rock anthems to Etihad Arena on Thursday, October 9th, as part of their globe-spanning Rock Invasion tour. The Chicago-born icons, led by frontman Billy Corgan alongside original members James Iha and Jimmy Chamberlin, are set to ignite the capital with a career-spanning set that blends grunge-era nostalgia with their latest sonic experiments.
Fans can expect to be swept up in the emotional swell of classics like 'Tonight, Tonight', scream along to the angst-fuelled chorus of 'Bullet with Butterfly Wings', and drift back to teenage memories with the shimmering dream-pop of '1979'. But this won't be just a greatest hits show—the band's newer material, including tracks like 'Empires' and 'Beguiled' from their recent albums, will keep things fresh and furious.
With over 30 million albums sold, Grammy wins, and a legacy that helped shape the alt-rock movement of the '90s, The Smashing Pumpkins remain one of rock's most dynamic acts—balancing poetry, distortion, and the occasional existential scream.
Tickets go live this Friday, May 23rd, at 10 AM via Live Nation Middle East's official website. Set your alarms—because in the words of Billy Corgan, the world is a vampire, and this show will sell fast.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Terence Stamp, "Superman" and "Priscilla" Star, Dies at 87
Terence Stamp, "Superman" and "Priscilla" Star, Dies at 87

See - Sada Elbalad

timea day ago

  • See - Sada Elbalad

Terence Stamp, "Superman" and "Priscilla" Star, Dies at 87

Yara Sameh English-born Terence Stamp, who burned brightly as a young actor in the 1960s, with praise heaped upon him for roles in 'Billy Budd,' 'The Collector' and 'Far From the Madding Crowd,' memorably played the villain General Zod in the Superman films and was the highlight of Steven Soderbergh's 'The Limey,' died Sunday, his family said. He was 87. 'He leaves behind an extraordinary body of work, both as an actor and as a writer that will continue to touch and inspire people for years to come,' said the statement from his family. Stamp brought a fierce, blue-eyed stare and an intense integrity to his roles. He was nominated for an Oscar for best supporting actor for 1962's 'Billy Budd.' More recently, he had appeared in Tim Burton's 2014 film 'Big Eyes,' in which Stamp played an influential art critic who scorns the work of Margaret Keane, which is popular with the masses. In 2013, he played another aesthete, an art thief who has become an informer, in 'The Art of the Thief.' His final roles were a brief cameo in Edgar Wright's 2021 'Last Night in Soho' and an appearance on the TV series 'His Dark Materials.' From 2003 to 2011, the veteran actor, in a twist from his earlier role as a villain in the 'Superman' films, had recurred (via voice only) on the TV series 'Smallville' as Jor-El, Superman's real father from the planet Krypton. But it all started for Stamp with the splash he made in 1962 in his first film, Peter Ustinov's adaptation of Herman Melville's novel 'Billy Budd.' The New York Times said of the young actor's performance: 'Terence Stamp, a new English actor with a sinewy, boyish frame and the face of a Botticelli angel, is perfect as Billy Budd, the innocent, trusting sailor who cannot comprehend wickedness. Billy Budd, in character, and in performance, is almost too good to be true.' While Stamp began with an innocent character, he would mostly play villains throughout his career. For his performance in William Wyler's 1965 film 'The Collector,' in which he played an odd, repressed young man who kidnaps a beautiful woman, played by Samantha Eggar, with whom he becomes obsessed, Stamp won the best actor prize at the Cannes Film Festival. He played the sidekick to the title heroine, played by Monica Vitti, in 1966 spy spoof 'Modesty Blaise' and impressed some critics in his role as the hateful cavalry officer Frank Troy in John Schlesinger's 'Far From the Madding Crowd' in 1967 (Roger Ebert said he was 'suitably vile'). The same year, he also starred in director Ken Loach's indictment of British society, 'Poor Cow,' which was more significant for its politics than for its quality. After starring in the execrable Western 'Blue,' Stamp starred in the Fellini-directed segment of the 1968 anthology film 'Spirits of the Dead,' as 'an out-of-control movie star stuck in the surreal purgatory of his own fame,' in the words of critic Nathan Rabin. Next up was the starring role in Pasolini's ineffable, controversial masterpiece 'Teorema,' in which Stamp played a Visitor who seduces each member of an Italian household in turn. During his unusual run of successful pictures in the 1960s, the deeply handsome Stamp was romantically involved with the likes of Julie Christie, Brigitte Bardot, and especially supermodel Jean Shrimpton. Still in the mood for the offbeat, Stamp next starred in 'The Mind of Mr. Soames,' in which he played a man brought to consciousness after being in a coma since birth. It offered him an opportunity to do some very primal acting as a defiant adult toddler. The 1970s saw Stamp work little, and mostly in little-seen European films, such as 'Hu-Man,' opposite Jeanne Moreau, and 'The Divine Nymph' with Laura Antonelli. He spent much of the decade living at an ashram in India. He appeared briefly at the beginning of 1977's 'Superman,' in a brief but highly memorable scene in which General Zod and his co-conspirators are banished from Krypton, and Stamp's Zod was brought back as the principal villain in the 1980 sequel. In 'Superman II' Zod, along with his two accomplices, introduced an element of real menace that was missing from the original film (in which Gene Hackman's Lex Luthor was a more genial supervillain). Yet Stamp still retained his taste for the artfully obscure, as with theater director Peter Brooks' little-seen but visionary film 'Meetings With Remarkable Men.' Nevertheless, his work in the 'Superman' movies had brought him to the attention of Hollywood, and by the 1980s, he was often working in more high-profile projects. In Stephen Frears' 1984 film 'The Hit,' Stamp turned in an intriguing performance as a mob stool pigeon who's been kidnapped so that he can be killed before the boss he squealed against, but instead of acting terrified, he serenely accepts his fate while subtly manipulating his two kidnappers, played by John Hurt and Tim Roth. The actor was even fifth-billed in 1986's 'Legal Eagles,' the big-budget romantic comedy starring Robert Redford. Stamp's performance in Oliver Stone's 1987 'Wall Street' was lost amid all the star power in the film, but his was a critical role with a complex moral backdrop — he played the big financial player morally outraged by Gordon Gecko's shenanigans, to which he would not stoop himself, and was perhaps director Stone's suggestion that one could be a power on Wall Street without entirely abandoning one's moral compass. He appeared in Brat Pack Western 'Young Guns,' and he played the villain in sci-fi 'Alien Nation,' starring James Caan and Mandy Patinkin. The 1994 Australian film 'The Adventures of Priscilla, Queen of the Desert' caused quite a sensation for its story of two drag performers and a trans woman on a road trip through the Outback, and those who were still following Stamp's career at that point were quite surprised to find him show up in the film as said trans woman. Roger Ebert said, 'At the beginning of the film we're distracted by the unexpected sight of Terence Stamp in drag, but Stamp is able to bring a convincing humanity to the character.' The actor gave an interesting, invested performance as a therapist with unusual methods in 1997's 'Bliss.' Stamp perhaps never achieved a higher profile than he had in 1999, when he appeared in three wildly different films, all successful in their way. In Soderbergh's 'The Limey,' he played a Brit recently released from prison who travels to Los Angeles to discover the truth about his daughter's death. Variety said: 'Pic's most interesting element is the positioning of two icons of 1960s cinema, the very British Terence Stamp and the very American Peter Fonda, as longtime enemies. A key scene alludes to Stamp's landmark late-'60s movies: Wyler's 'The Collector' and Pasolini's 'Teorema.' Indeed, the two lead performances mirror key roles Stamp and Fonda have played in the past 30 years.' Soderbergh used extensive footage from Ken Loach's 1967 film 'Poor Cow,' to depict the past of Stamp's character. Also in 1999, the actor played Chancellor Valorum, leader of the Galactic Republic, in 'Star Wars: Episode I — The Phantom Menace,' and in the Steve Martin-Eddie Murphy comedy 'Bowfinger,' Stamp gamely played the guru of a Hollywood cult group modeled on Scientology called Mind Head. Stamp appeared in a wide variety of films in the 2000s, including sci-fi 'Red Planet,' Soderbergh's 'Full Frontal,' 'My Boss's Daughter,' Disney's 'The Haunted Mansion,' Angelina Jolie starrer 'Wanted,' Tom Cruise starrer 'Valkyrie,' and 'The Adjustment Bureau.' He played Brigham Young in 2007's 'September Dawn' — and Siegfried, head of KAOS, in the feature adaptation of 'Get Smart.' Stamp and Vanessa Redgrave had a popular success in 2013 with the sentimental British film 'Unfinished Song,' in which he played a wheelchair-using curmudgeon married to a woman dying of cancer but still singing in the church choir. Stamp was born in Stepney in London. He trained at the Webber Douglas Academy of Dramatic Art, then performed with a variety of provincial repertory theatres. His most notable effort during this time was a national tour of Willis Hall's play 'The Long the Short and the Tall' together with Michael Caine. He starred in the play 'Alfie!' on Broadway in 1964. When it came time for the film version, the busy Stamp recommended his roommate, Caine, who became a star as a result. His autobiography 'Stamp Album' was published in 1988. Stamp was married to Elizabeth O'Rourke from 2002-2008. read more New Tourism Route To Launch in Old Cairo Ahmed El Sakka-Led Play 'Sayidati Al Jamila' to Be Staged in KSA on Dec. 6 Mandy Moore Joins Season 2 of "Dr. Death" Anthology Series Don't Miss These Movies at 44th Cairo Int'l Film Festival Today Amr Diab to Headline KSA's MDLBEAST Soundstorm 2022 Festival Arts & Culture Mai Omar Stuns in Latest Instagram Photos Arts & Culture "The Flash" to End with Season 9 Arts & Culture Ministry of Culture Organizes four day Children's Film Festival Arts & Culture Canadian PM wishes Muslims Eid-al-Adha Videos & Features Story behind Trending Jessica Radcliffe Death Video News Israeli-Linked Hadassah Clinic in Moscow Treats Wounded Iranian IRGC Fighters Arts & Culture "Jurassic World Rebirth" Gets Streaming Date News China Launches Largest Ever Aircraft Carrier News Ayat Khaddoura's Final Video Captures Bombardment of Beit Lahia Business Egyptian Pound Undervalued by 30%, Says Goldman Sachs Videos & Features Tragedy Overshadows MC Alger Championship Celebration: One Fan Dead, 11 Injured After Stadium Fall Arts & Culture South Korean Actress Kang Seo-ha Dies at 31 after Cancer Battle Lifestyle Get to Know 2025 Eid Al Adha Prayer Times in Egypt News The Jessica Radcliffe Orca Attack? 100% Fake and AI-Generated

Bethlehem's Wonder Cabinet Opens Call For 10-Week Learning Programme
Bethlehem's Wonder Cabinet Opens Call For 10-Week Learning Programme

CairoScene

time4 days ago

  • CairoScene

Bethlehem's Wonder Cabinet Opens Call For 10-Week Learning Programme

Bethlehem's Wonder Cabinet Opens Call For 10-Week Learning Programme From October to December, the cultural hub home to Radio al Hara will host a learning programme with Jordan's Spring Sessions rooted in cultural and creative exchange between Amman and Bethlehem. Bethlehem's culture and production center Wonder Cabinet announced an open call for a 10-week learning programme for artists and cultural practitioners. The artist hub is home to Radio al Hara, the Covid-born station that runs 24/7. Jordanian collective Spring Sessions will facilitate the programme, titled 'Spring Forward, Fall Back', which will run between October and December. They are looking for artists, curators, and cultural practitioners to participate in its learning modules and public programming. The fellowship is rooted in exploring the relationship between Palestine and Jordan through artistic exchange and collaboration. Applications are due August 31. Spring Sessions will accept a maximum of 12 participants, giving priority to art students and emerging artists based in Palestine and Jordan. However, the programme is open to anyone regardless of age or nationality. This is the first time Spring Sessions will hold their programme in Palestine. They are coming back for the first time since Covid, where from 2014 to 2019, they engaged with over 150 artists inside and outside of the region in workshops, exhibitions, and collaborative projects. Wonder Cabinet Producer Ibrahim Owais explained that the center was created in May 2023 as a place to host residencies, educational and cultural programmes. In any given season, the center runs multiple initiatives and hosts fellows everywhere from Greece to India to South Korea. Among these fellowships is 'Sounds of Places', dedicated to the disappearing rituals and cultural sounds inhabiting the Palestinian landscapes and heritage sites, and the 'Sound and Bar Residency', which invites project proposals across a number of community building and creative themes. In its third season, collective Spring Sessions won the Fall 2025 Sound and Bar Residency. Owais anticipates that Spring Sessions will collaborate with the other fellows hosted by the Wonder Cabinet this fall. While the center has successfully hosted many creatives in the past two years, running residency programmes under Israeli occupation it is not without its challenges. 'Not everyone can obtain a visa to come to Palestine,' Owais said. One of the largest obstacles to their residencies is ensuring fellows can reach their final destination of Bethlehem. Beyond the obstacles they will encounter upon arrival to the West Bank - checkpoints, settler violence, and constant road closures - entering Palestine, either through the Ben Gurion Airport in Tel Aviv or King Hussein Bridge via Jordan, is a difficult process on its own. 'Ater the war, everything changed. It became much harder to obtain these visas, because if you want to come to the West Bank, you have to obtain a visa from the Israeli embassy,' he added. This makes it easier for Palestinians who also have foreign passports, such as European or American, to participate in the residency programmes. Owais mentioned, for example, British-Palestinian dance artist Sasha Shadid who participated in the 2024 Sounds of Places residency. Shadid, originally from Haifa, had never been to Palestine before. As part of his residency, he produced an original sound and dance performance titled 'Faster-than-light, always,' in collaboration with Palestinian creatives. The piece, per its YouTube description, spoke to 'the aesthetics of the Cremisan Valley in Palestine [which lies between the West Bank and Jerusalem] and the way the occupation forces have been using the last green space around Bethlehem to further suffocate its community. The performance uses the body as a medium for claiming the land, celebrating its ample and smooth curves, its terraces and the bearing trees it cradles.' Motion is also a theme central to Spring Sessions. 'The project seeks to navigate the tension between forward motion and reflective return in the face of ongoing Nakba, ecological collapse, and cultural and ethnic erasure,' the collective wrote on their open call for participation. 'Our gathering at the Wonder Cabinet is rooted in the connection between Bethlehem and Amman, two places historically intertwined through routes of pilgrimage, trade, exile, and return,' they continued. 'This relationship, shaped by movements across Bilad al-Sham and its neighboring geographies, forms the ground from which we come together to think, study, and make.' Owais named the difference between Amman and Bethlehem as one of space. In Palestine, cities are less connected because of the geographical barriers imposed by Israeli occupation. He describes the West Bank as a collection of cities separated from each other with distinct sub cultures. Ramallah is different from Nablus which is different from Bethlehem. In Jordan, on the other hand, people have freedom of movement, allowing for cultural unification. Through Spring Sessions time at Wonder Cabinet, he hopes to see the network expand between Palestinian and Jordanian communities. You can apply for Spring Sessions here.

Farhot Samples Arabic & Somali Classics in Downtempo EP ‘Raqs'
Farhot Samples Arabic & Somali Classics in Downtempo EP ‘Raqs'

CairoScene

time6 days ago

  • CairoScene

Farhot Samples Arabic & Somali Classics in Downtempo EP ‘Raqs'

The acclaimed Afghan producer steps outside his comfort zone to explore the musical heritage of Arabic-speaking regions. Aug 14, 2025 Afghan-born producer Farhot has been a Deutschrap staple since the mid-2000s, known for his unruly productions that celebrate his heritage through a collage of vocal samples and diasporic sounds. His latest offering, 'Raqs', Farhot steps outside his comfort zone to explore the musical heritage of mostly Arabic-speaking regions from North Africa to West Asia and East Africa. He samples classics and traditional sounds from Egypt, Lebanon and Somalia, crafting complex and playful productions that are still imbued with his sonic signature, particularly his unconventional approach to chopping and distorting vocals. Built for the dancefloor, the five-track EP is a chillout groove that almost serves as a scattershot homage to rich and diverse musical traditions across the region. On 'Hooyoo', Farhot linked up with German record producer Siriusmo, flipping Somali traditional dance melodies into a bouncy afro-house cut, while 'Yana', featuring Daniel Kimaz, samples the chorus of Sabah's 'Yana Yana' into a hybrid of classical compositions, rattling drum loops, and ambient textures. Meanwhile, Fairuz's 'Al Quds' appears drastically different, dressed in almost experimental uptempo productions.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store