
Disney, NBCUniversal sue AI creator Midjourney in copyright dispute
Tuesday's lawsuit marked the first AI-related infringement suit taken on by a Hollywood giant. File Photo by Activedia/Pixabay
June 11 (UPI) -- Disney and NBCUniversal have joined legal teams in a lawsuit against AI image maker Midjourney over multiple claims of copyright infringement.
The lawsuit filed Tuesday in California's U.S. central district claimed that Midjourney, a generative artificial intelligence startup, utilized and distributed proprietary AI-generated characters from NBCU and Disney productions such as the Simpsons, Star Wars, Toy Story, Shrek and others.
It marked the first AI-related infringement lawsuit taken on by a Hollywood giant.
"This is an extremely significant development," IP lawyer Chad Hummel told Wired.
Meanwhile, Universal and Disney have petitioned for a jury trial and argue it risks upending "the bedrock incentives of U.S. copyright law."
The two plaintiffs claimed that Midjourney's own website displayed "hundreds, if not thousands, of images generated by its Image Service at the request of its subscribers" they believed infringed on their copyrighted works.
"Midjourney's bootlegging business model and defiance of U.S copyright law are not only an attack on Disney, Universal, and the hard-working creative community that brings the magic of movies to life, but are also a broader threat to the American motion picture industry," the complaint continued.
The joint suit further says that San Francisco-based Midjourney allegedly ignored prior legal requests to cease and desist and included dozens of examples in the complaint, calling Midjourney a "bottomless pit of plagiarism."
In 2023, Midjourney reported more than $200 million in revenue and in 2024 took in an additional $100 million on top of it to beat the prior year.
"Midjourney, which has attracted millions of subscribers and made $300 million last year alone, is focused on its own bottom line and ignored Plaintiffs' demands," according to court documents.
The two movie studios seek an unspecified amount in monetary damages, and further requested injunctive relief in order to prevent Midjourney from any future copyright violations.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
‘Andor' star Genevieve O'Reilly on Mon Mothma's big speech and wedding dance: ‘Star Wars' always reaches for ‘the universal and the intimate'
Since Andor Season 2 is split into groups of three episodes, each taking place one year after the last, viewers see the characters in several different modes and periods of their lives. In particular, Mon Mothma (Genevieve O'Reilly) plays quite a spectrum of emotions. In the first arc of the season, written by Andor creator Tony Gilroy, viewers see her navigate her daughter's wedding. It involves coaching her young daughter Leida (Bronte Carmichael) through bridal feelings and making covert political decisions with her fellow rebel leader Luthen Rael (Stellan Skarsgård). 'It's such an extraordinary thing that Tony and the writers did, to allow for such an arc this season starting with that wedding,' O'Reilly tells Gold Derby. 'There was an exploration of politics within the family home in Season 1, especially with her husband, so it's personal and political all at once, but the fact that the writers gave time to complex, nuanced mother-daughter scenes and husband-wife scenes within this massive umbrella of Star Wars allows for such an exploration of this woman.' More from GoldDerby Reality TV roundtable panel: 'American Idol,' 'Queer Eye,' 'The Secret Lives of Mormon Wives,' 'The Traitors' 'The Traitors' producer Sam Rees-Jones on the 'messiest group' ever and why the turret was pure 'chaos' 'The Secret Lives of Mormon Wives' producer Jeff Jenkins on how Taylor is an 'absolute unscripted superstar' Ledia's marriage to the son of oligarch Davo Sculdun (Richard Dillane) was arranged by Mon's childhood friend Tay Kolma (Ben Miles) back in Season 2, to help cover up Mon's financing of the nascent Rebellion. But Tay didn't understand the full extent of Mon's political activities, and starts to have second thoughts about getting involved with rebels as the wedding looms. Mon believes they can pay 'a number' to assuage Tay. Still, Luthen knows otherwise, and arranges to have Tay discreetly killed offscreen before he can incriminate Mon — the kind of difficult choice that revolutionaries sometimes have to make. Mon gets to process all of her emotions about that, as well as the wedding, the Rebellion, and everything else, in a kinetic, instantly meme-able dance scene in the third episode of Season 2. 'There's that scene with Luthen where she tacitly agrees to her friend being murdered. So then the chaos that is within her emerges through this big dance number,' O'Reilly says. 'I'm able to wrestle Mon Mothma out of what we've seen before, and give her all of this humanity. I feel like we all see ourselves in that dance. At different times in our lives, we've all done that dance for many different reasons. It's something we can really connect to, because I recognize her in that moment. I recognize myself in that moment.' On the other end of the Andor spectrum, the third arc of Season 2 finally depicts a crucial moment in Star Wars lore when Mon Mothma publicly denounces the Ghorman Massacre and then flees the Senate before the Empire's stormtroopers can arrest and/or kill her. This event was hinted at in O'Reilly's previous appearance as Mon on the animated series Star Wars Rebels. Still, now viewers get to see and hear Mon's dramatic speech denouncing the Emperor and calling the Ghorman repression a 'genocide.' O'Reilly has been looking forward to playing that scene for years, and it helped her play the other aspects of Mon Mothma. 'It felt deeply important to me. I felt that that was the crux of who this woman really is within the 20-year arc that I have had within this woman,' O'Reilly says. 'I did know it was coming, so it was something I was very much looking forward to as a performer and as an actor, and for us to be able to see her voice have a massive impact and to see the courage it took to have that voice. We also see the complexity around speeches. You don't just stand and give a speech. What is the straw that breaks the camel's back before it? What happens to make you actually be willing to set fire to your life? How afraid are you in that moment? What words can you put together? Dan Gilroy wrote that episode, and I know Tony was working with him in it, but what they did to really carve an understanding of what it is to have to give a speech like that was very important to me.' O'Reilly continues, 'As an actor, it felt like the centerpiece of that woman, and perhaps because I knew that was the centerpiece, it allowed for me to work backwards. It allows for the dance sequence and the mother-daughter scenes. You can spread your wings a bit if you know where you're going.' Andor's depiction of the Ghorman Massacre and Mon's fiery speech denouncing it fills an essential gap in Star Wars lore. But there's more than just fictional world-building going on. By so thoroughly fleshing out Mon Mothma's character and her stakes, O'Reilly and the Gilroys help viewers see connections between her struggles and political crises in our real world. 'The narrative is really driven by the individual characters. And so when we come to that speech in episode nine, we understand her cost,' O'Reilly says. 'We understand that she's not just a senator standing and giving a speech, that she is all of these things: A wife, a mother, a friend, a confidante. You understand that there is a fragile human at the center of these stories, and it does allow for us to recognize ourselves in it.' O'Reilly continues, 'I think Star Wars is always reaching for the universal and the intimate at once. The very first story was about starfighters, but it was also about family.' Best of GoldDerby Reality TV roundtable panel: 'American Idol,' 'Queer Eye,' 'The Secret Lives of Mormon Wives,' 'The Traitors' 'The Traitors' producer Sam Rees-Jones on the 'messiest group' ever and why the turret was pure 'chaos' 'The Secret Lives of Mormon Wives' producer Jeff Jenkins on how Taylor is an 'absolute unscripted superstar' Click here to read the full article.
Yahoo
an hour ago
- Yahoo
‘Hacks' Emmy Awards category submissions: Which episodes are being recognized?
Ahead of tonight's fourth season finale, the team behind last year's Best Comedy series winner Hacks has revealed its submissions for Emmy nominations, and Gold Derby has confirmed the list. Out in front is Deborah Vance herself, Jean Smart, who has won Best Actress in a Comedy Series for each of the three previous seasons, giving her six wins overall. She's currently the odds-on favorite to win again, according to Gold Derby's combined predictions. Her fellow cast members Hannah Einbinder, Megan Stalter, Paul W. Downs, and Carl Clemons-Hopkins have all also been submitted in their respective Supporting categories. More from GoldDerby Directors open up about identity, risk and emotional storytelling at Disney's FYC fest 'M*A*S*H' star Loretta Swit dies at 87, and more of today's top stories 'Maybe Happy Ending' star Darren Criss on his Tony nomination for playing a robot: 'Getting to do this is the true win' Behind the scenes, the show's trio of showrunners — Downs, Lucia Aniello, and Jen Statsky — are being submitted for writing the fourth season's penultimate episode, "A Slippery Slope." A win for the writing team would mark their third Emmy in the category. Max additionally put Downs down for his directing duty on the same episode. Recurring cast members Kaitlin Olson, Jane Adams, and Christopher McDonald are being joined by recent additions Robby Hoffmann, Tony Goldwynn, and Julianne Nicholson as Guest Actor and Actress submissions. Check out the rest of the below-the-line Emmy nomination submissions for Hacks below! Casting Linda Lowy, Morgan Smith Cinematography for a Series (Half-Hour) Adam Bricker "I Love L.A." Production Design for a Narrative Program (Half-Hour) Rob Tokarz, Jeanine Ringer, Jennifer Lukehart "A Slippery Slope" Contemporary Costumes Kathleen Felix-Hager, Keely Crum "Heaven" Contemporary Hairstyling Aubrey Marie, Jennifer Bell, Becca Weber, Marva Stokes, Sade Stafford "I Love LA" Contemporary Makeup, Non-Prosthetic Debra Schrey, Erin Good Rosenmann, Rachel Galey, Denise DellaValle, Keith Sayer "I Love L.A." Music Composition for a Series (Original Dramatic Score) Carlos Rafael Rivera, David Stal "A Slippery Slope" Music Supervision: Matt Biffa "I Love L.A." Sound Editing for a Comedy or Drama Series and Animation Brett Hinton, Daniel Coleman, Ben Rauscher, Owen Granich-Young, Jordan Aldinger, Sam Munoz, Noel Vought, Adam DeCoster, Ben Zales, Brendan Leong "I Love L.A." Sound Mixing for a Comedy or Drama Series and Animation John W. Cook II, James Parnell, Jim Lakin Best of GoldDerby 'I cried a lot': Rob Delaney on the heart and humor in FX's 'Dying for Sex' — and Neighbor Guy's kick in the 'zone' TV directors roundtable: 'American Primeval,' 'The Lord of the Rings: The Rings of Power,' 'Paradise' 'Paradise' directors John Requa and Glenn Ficarra on the 'chaos' of crafting 'the world coming to an end' Click here to read the full article.


CBS News
an hour ago
- CBS News
Barbie maker Mattel and OpenAI partner to develop AI-powered toys
Barbie maker Mattel is partnering with OpenAI to develop generative AI-powered toys and games, as the new technology disrupts a wide range of industries, Mattel announced Thursday. Mattel billed the alliance as a "strategic collaboration to support AI-powered products and experiences based on Mattels' brands." It added that the pair would likely announce their first product later this year, as the toymaker strives to get ahead of the AI curve. The collaboration will combine Mattel's most well-known brands — including Barbie, Hot Wheels, American Girl and more — with OpenAI's generative AI capabilities to develop new types of products and experiences, the companies said. "By using OpenAI's technology, Mattel will bring the magic of AI to age-appropriate play experiences with an emphasis on innovation, privacy and safety," Mattel said in the statement. It added that any AI woven into toys or games would be used in a safe and secure manner. On the corporate front, Mattel said it plans to leverage OpenAI's business tools including ChatGPT Enterprise — an enhanced version of ChatGPT designed for businesses — to power new product development. The collaboration is yet another signal that virtually no field is insulated from disruption by AI. Mattel touts OpenAI's tools as having the ability to improve both its business operations and enhance its product development processes. Initially promoted as a way to automate mundane tasks and free up humans to do more creative jobs, generative AI tools are becoming increasingly sophisticated and capable of doing more than just rote work. OpenAI Chief Operating Officer Brad Lightcap said the company is "pleased to work with Mattel as it moves to introduce thoughtful AI-powered experiences and products into its iconic brands, while also providing its employees the benefits of ChatGPT." "With OpenAI, Mattel has access to an advanced set of AI capabilities alongside new tools to enable productivity, creativity and companywide transformation at scale," he added in a statement. Amid flagging toy sales, Mattel has leveraged its intellectual property to produce other forms of entertainment, including movies, television and mobile games. The company's studio arm has a slate of more than a dozen films planned based on its famous toy brands, following the success of its 2023 "Barbie" movie. Mattel is also among a number of large U.S. retailers that have pulled their financial guidance amid ongoing economic uncertainty. Last month, Mattel paused its full-year guidance for 2025 citing tariff-driven uncertainty. The company also said it would raise prices on some goods to offset added costs form tariffs.