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‘Hacks' Emmy Awards category submissions: Which episodes are being recognized?

‘Hacks' Emmy Awards category submissions: Which episodes are being recognized?

Yahoo20 hours ago

Ahead of tonight's fourth season finale, the team behind last year's Best Comedy series winner Hacks has revealed its submissions for Emmy nominations, and Gold Derby has confirmed the list.
Out in front is Deborah Vance herself, Jean Smart, who has won Best Actress in a Comedy Series for each of the three previous seasons, giving her six wins overall. She's currently the odds-on favorite to win again, according to Gold Derby's combined predictions. Her fellow cast members Hannah Einbinder, Megan Stalter, Paul W. Downs, and Carl Clemons-Hopkins have all also been submitted in their respective Supporting categories.
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Behind the scenes, the show's trio of showrunners — Downs, Lucia Aniello, and Jen Statsky — are being submitted for writing the fourth season's penultimate episode, "A Slippery Slope." A win for the writing team would mark their third Emmy in the category. Max additionally put Downs down for his directing duty on the same episode.
Recurring cast members Kaitlin Olson, Jane Adams, and Christopher McDonald are being joined by recent additions Robby Hoffmann, Tony Goldwynn, and Julianne Nicholson as Guest Actor and Actress submissions.
Check out the rest of the below-the-line Emmy nomination submissions for Hacks below!
Casting Linda Lowy, Morgan Smith
Cinematography for a Series (Half-Hour) Adam Bricker "I Love L.A."
Production Design for a Narrative Program (Half-Hour) Rob Tokarz, Jeanine Ringer, Jennifer Lukehart "A Slippery Slope"
Contemporary Costumes Kathleen Felix-Hager, Keely Crum "Heaven"
Contemporary Hairstyling Aubrey Marie, Jennifer Bell, Becca Weber, Marva Stokes, Sade Stafford "I Love LA"
Contemporary Makeup, Non-Prosthetic Debra Schrey, Erin Good Rosenmann, Rachel Galey, Denise DellaValle, Keith Sayer "I Love L.A."
Music Composition for a Series (Original Dramatic Score) Carlos Rafael Rivera, David Stal "A Slippery Slope"
Music Supervision: Matt Biffa "I Love L.A."
Sound Editing for a Comedy or Drama Series and Animation Brett Hinton, Daniel Coleman, Ben Rauscher, Owen Granich-Young, Jordan Aldinger, Sam Munoz, Noel Vought, Adam DeCoster, Ben Zales, Brendan Leong "I Love L.A."
Sound Mixing for a Comedy or Drama Series and Animation John W. Cook II, James Parnell, Jim Lakin
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'Paradise' directors John Requa and Glenn Ficarra on the 'chaos' of crafting 'the world coming to an end'
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Inside ‘The Daily Show': The team behind the satirical news series on politics, puppies, punchlines — and staying sane
Inside ‘The Daily Show': The team behind the satirical news series on politics, puppies, punchlines — and staying sane

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Inside ‘The Daily Show': The team behind the satirical news series on politics, puppies, punchlines — and staying sane

Since its debut in 1996, The Daily Show has been a cornerstone of political satire and late-night comedy. Under Jon Stewart's iconic leadership from 1999 to 2015, it evolved into a cultural phenomenon that reshaped how America engages with the news. After Stewart stepped down from his daily hosting duties, Trevor Noah took over the news desk. Following Noah's departure, Stewart made a return in 2024 as a weekly guest host on Mondays, joining a dynamic team of rotating hosts — Jordan Klepper, Desi Lydic, Ronny Chieng, Michael Kosta — and correspondents Troy Iwata, Josh Johnson and Grace Kuhlenschmidt. Each brings their own sharp perspective to the desk and in the field, continuing the show's tradition of blending humor with hard-hitting commentary. The Daily Show won two 2024 Emmy Awards for Best Talk Series and Best Picture Editing for Variety Programming from seven nominations, as well as the 2023 Emmy Award for Best Talk Series. In this candid Q&A with Gold Derby, the current team shares stories about working with Stewart, their first days on the show, memorable fan encounters, favorite segments, and how they unwind after dissecting the political landscape of today. More from GoldDerby Ripped from the headlines: How the showrunners of 'Monsters,' 'Apple Cider Vinegar' and 'Good American Family' mined truth for drama 'The Traitors' Season 4 casts a different Rob from 'Survivor,' a K-pop star, and Taylor Swift's potential future mother-in-law Dakota Fanning said 'yes' to 'The Perfect Couple' the moment she heard Nicole Kidman was involved, without knowing anything else about the show Gold Derby: What's a vivid memory from your very first day at ? Desi Lydic: I started right when Trevor [Noah] started at the show. They hired me when I was six months pregnant. I remember being so amped up and excited to show up to my dream job, but having low blood pressure. I was totally ready an hour and a half early and I walked down the hallway of the hotel room, hit the elevator door and started to get faint and then had to go back to the hotel room, lay down for a few minutes, then go try again. I somehow miraculously made it right on time. Then once I got in and met everybody, I was able to cool my pits a little bit, but it was a little dicey at first. Jordan Klepper: I was so nervously coming to work with the one suit I owned that I bought for my wedding a few months beforehand. You come into the morning meeting and I'm intimidated. There's Jon, all the writers and producers and we started talking about how Crimea had just been invaded that morning and they're like, "Jordan's going to do a piece on that. He's going to be live from Crimea." They take me into the office with Jon and with a couple of the executive producers and start talking about how they're going to frame Crimea. And I remember thinking, "What is Crimea?" Michael Kosta: I don't remember my first day, but I remember my audition. I was doing a piece about how extreme political views are like a horseshoe and extreme right goes all the way down to the bottom of the horseshoe and extreme left goes all the way down to the bottom of the horseshoe and they're pretty close to each other. I wanted a horseshoe as a visual aid for my audition and I didn't have one. Our studio is next to horse stables. So, I went next door and I got an old horseshoe and used it in my audition. It still sits in my office as a reminder that what a funny, weird situation this whole thing is, but what a privilege. Ronny Chieng: I remember coming in and it was a dream job and moving to my dream city and it felt like the first day of school. I remember thinking, "Why are there so many dogs in the office?" There's, like, eight dogs just running around the office. I went in thinking this is going to be a bunch of people who are great at their job. And being inside the building confirmed that everyone there was great at their jobs. The day goes like a million miles an hour, but everyone's under control and none of those feelings have ever stopped. Every day when I go in there, it still feels like I'm just as excited as I was the first day. Grace Kuhlenschmidt: I remember after my first day in the office calling my mom and one of the first things I said was, "There are so many dogs in the office." Troy Iwata: My first day was just kind of a tour of the building and one of our field directors, Stacey was taking me around and I'm very grateful for that because she gave me the inside scoop of just how the place works and how to navigate everything. We were still in COVID times, so I had two masks on and she was showing me around, but no one knew who I was. Stacey and I are both mixed Asian people. So a few people thought that I was just her brother that she was taking around and actually I loved that. Josh Johnson: My first day was as a writer back in 2017. I got my desk and it did become clear after maybe the second person who stopped by to say hi that I was taking the desk of someone who had left that was very, very, funny so then I was like, I hope to be as funny as this person. I hope that they don't want to come back and take this desk back. When people recognize you on the street, what do they usually say? Klepper: I am cursed with talking to MAGA people for my entire life. And so everybody wants to talk to me about the MAGA world and how to keep sane within the world of MAGA. If you're interested in that, just find me on the street and I've got hours on it. Lydic: Mostly Jon Stewart — what's it like to work with Jon Stewart. I say it's beyond a dream and the only bad thing I can say about him is that he's very lazy and will only work one day a week. But that's great for all of us. We get to cover his shifts for the rest of the week. Kosta: I get a lot of people thanking me for what the show does. I try to lower their expectations and say, I'm not a journalist, I'm a comedian. I've had a few people push back and say, stop, this is really important. You're one of the only shows that is consistently and effectively speaking truth to power, ridiculing who's in charge, and we think that's really important. Chieng: I might be meeting the same people Kosta's meeting because it's almost the exact same conversation, but I also just get a lot of like, "Hey man, good job, love your stuff." And then people are usually nice enough to just move on and not bother me anymore. Iwata: A lot of people say they love that they can go to us to get more palatable information on what's going on in the world and that we provide sort of escapism and calling out hypocrisy and just making them laugh at it because if you just watch the news all day, it's very heavy. Kuhlenschmidt: I was in Ireland for a friend's wedding a couple weeks ago and his aunt's husband came up to me with a full thick German accent and was like, "I watch The Daily Show every day. I work in construction and I eat my lunch alone and watch it." Johnson: I don't know if you could really call this a fan interaction, but I did order food while I was at the office one time and then I was having trouble finding the delivery guy, so I left the building and when we finally linked up he was like, "Oh, this is where they shoot The Daily Show? I wonder how tall Jordan [Klepper] is?"What's been your favorite segment or interview? Klepper: I got to interview one of my idols, Eric Idle from Monty Python. Part of the reason I got into comedy is I fell in love with some of these legends of comedy who I watched for years. You live a pretty charmed life when you get rub shoulders with folks like that. Kosta: I pitched a segment one of my first weeks here that we still do, which is called "Thank Me Later." I was feeling very defeated by the system, by not feeling like each person can make a difference in our democracy. Over the course of many years we found people that have changed things in our society. The first one was this guy named Gregory Watson who noticed that a congressional amendment had been sitting untouched ready to be ratified for 171 years, and eventually through writing letters and being a pest got the 27th Amendment of the United States ratified, which is that Congress can't give itself a raise in its current term. Lydic: I was really grateful that I got to host the day after the election. It was a really tough day to come into work. Waking up that morning after the election and being so frustrated with the way that the media just immediately went to blame, Kamala [Harris] did this wrong, her campaign didn't do this. It was like, give us 48 hours and we'll get into dissecting that, but can we just take a moment and process this before we jump to playing the blame game? It felt really good to sit in that morning meeting and talk that out with everyone. It felt cathartic and then to be able to do it with the audience that night. I was proud of that show and how everyone showed up. It wasn't easy for a lot of people. It was a very proud day for The Daily Show. Chieng: It sounds kind of corny, but honestly I feel that way every time I'm on the show behind the desk. There's always something in the news that's like, "Whoa, can you believe this happened and we have to joke about it?" Or it could be a time we have on a really legendary guest or it could be as simple as I'm hosting and someone I went to high school with in Singapore is in the audience. Iwata: One of my most recent field pieces was about the mammoth and how a group of scientists are trying to de-extinct the mammoth and that just turned out so well. It was such a fun process to do. I always really enjoy when a field piece involves people that I know are insanely smarter than I am. I was talking to Harvard scientists and professors and I learned a lot. They were also very just confident in their field, so they were down to clown and just make fun of everything. Kuhlenschmidt: One of my favorite sketches that we did recently was basically discussing how horrible and depressing the news has been, but if you see a little poster on a wall of a kitten hanging off a rope with the words hang in there, your whole day can be turned around. It was so silly. And yet the more I thought about that piece, I was like, wait, that actually is how my brain works. I can be so depressed and then a top forties pop song comes on and I'm like, oh my God, I'm a really happy girl. I do feel like levity is art in its own way. Johnson: I worked on a chat with Kosta about the tariffs and how they were on again and off again. I think about it a lot because it's happening consistently. It's the only thing I've ever worked on at the show that is still happening all the time and it comes up in the news all the time. That's the closest I felt, whether it was the writers or it was Kosta that everybody came together to almost predict the future. What do you do to unwind from all the political news? Iwata: Honestly, coming here and the fact that everyone in this office has the goal of taking the news cycle and bringing levity to it and calling out hypocrisy and making it funny, that in itself helps. It's adjusted my take on the news because it's just adjusted how I interpret it. So I mean, honestly, just working here has kind of helped me avoid a lot of the dooming feelings. Kuhlenschmidt: I find levity in almost exclusively watching reality TV, so that's kind of my curse, but it's working for me. Right now I'm watching Survivor, which is I think is an excellent season. Johnson: As far as things that I use to wind down or give me some sense of joy and fun — a lot of fail videos. There's nothing like a good video of a guy racking up a lot of weight for the bench press and and then sometimes you can tell this is belief, this is a guy who's like, "I saw Captain America do it, and I'm feeling pretty good. I had two apples today, so looks like we're going to push 360." And then watching that bar slowly come down and seeing the realization on his face of like, "Oh, these are all heavy." Everything in here is heavy is a powerful reminder that we're only here for so long and it's important to cherish the time that we have. Klepper: I fell in love with the NBA because that just takes me out of the news world. So NBA and Tim Robinson videos will set me straight. Kosta: When I go home and on the weekends, I say I'm a camp counselor. I have a 5- and a 2-year-old, and there's no better way to get taken out of the news cycle than having to put together some toy for my 5-year-old — and then I do it wrong. Chieng: This job has helped me rediscover reading again. I had to read to prep for some guests and reading is the perfect antidote to social media. Honestly. You can feel your brain damage decrease when you're reading a book. The New York Public Library and I'm sure whatever library in your city, is pretty amazing. This is a severely underutilized resource, so more people should be using a library. Lydic: Ronny, that is such a healthy and well-rounded answer. I was going to say bourbon and reality TV. 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How big will ‘How to Train Your Dragon' be? Opening weekend for live-action remake could hit $80M
How big will ‘How to Train Your Dragon' be? Opening weekend for live-action remake could hit $80M

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How big will ‘How to Train Your Dragon' be? Opening weekend for live-action remake could hit $80M

Universal's How to Train Your Dragon, a live-action remake of the 2010 animated film based on Cressida Cowell's 2003 novel, takes flight in theaters this weekend. Directed by Dean DeBlois, the film is poised to ignite the 2025 box office, with a projected blockbuster debut of $80 million. The action-fantasy film is soaring to an impressive start, raking in over $11 million during early previews, according to Deadline. These figures are comparable to Frozen II's preview gross in 2019, which ultimately launched with a $130 million opening weekend. How to Train Your Dragon is bolstered by a stellar 99 percent audience score on Rotten Tomatoes and a "certified fresh" rating from critics, currently sitting at 77 percent. More from GoldDerby 'Agatha All Along' star Ali Ahn: Getting Patti LuPone's approval while singing was 'like I had died and gone to heaven' Inside 'The Daily Show': The team behind the satirical news series on politics, puppies, punchlines - and staying sane Ripped from the headlines: How the showrunners of 'Monsters,' 'Apple Cider Vinegar' and 'Good American Family' mined truth for drama The How to Train Your Dragon animated trilogy, which grossed a combined $1.6 billion worldwide and earned four Oscar nominations, set a high bar for success. The live-action remake, however, is poised to soar even higher at the box office. The strongest opening of the original trilogy came from How to Train Your Dragon: The Hidden World in 2019, which earned $55 million in its first weekend. Also debuting this weekend is Celine Song's Materialists from A24, the highly anticipated follow-up to her Oscar-nominated feature debut, Past Lives. Meanwhile, Mike Flanagan's The Life of Chuck, a potential awards contender and winner of the People's Choice Award at last September's Toronto International Film Festival, expands to wide release courtesy of Neon. Gold Derby readers predict that How to Train Your Dragon will win the June 13-15 weekend with between $75 million and $100 million domestically. Lilo & Stitch is the runner-up selection of our oddsmakers. NEW RELEASES Director: Dean Deblois Distributor: Universal Pictures As an ancient threat endangers both Vikings and dragons alike on the isle of Berk, the friendship between Hiccup, an inventive Viking, and Toothless, a Night Fury dragon, becomes the key to both species forging a new future together. The live-action remake, starring Mason Thames, Nico Parker, and Gerard Butler, has a running time of two hours, five minutes, and is rated PG. How to Train Your Dragon is certified "fresh" with a 77 percent score per the aggregated critic reviews at Rotten Tomatoes; "mixed" reviews compiled by Metacritic resulted in an overall score of 60 percent. Director: Celine Song Distributor: A24 A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex. The romantic comedy, starring Dakota Johnson, Chris Evans, and Pedro Pascal, has a running time of one hour, 56 minutes, and is rated R. Materialists is certified "fresh" with a 87 percent score per the aggregated critic reviews at Rotten Tomatoes; "generally favorable" reviews compiled by Metacritic resulted in an overall score of 70 percent. BOX-OFFICE PREDICTIONS How to Train Your Dragon will keep the box-office fires burning with an $80 million opening weekend, with more optimistic projections suggesting it could reach the $100 million mark. Holding steady in second place is Disney's Lilo & Stitch, which will add another $14 million to its $348 million domestic total (and $807 million worldwide), cementing its status as the year's second-biggest release behind Warner Bros.' A Minecraft Movie. The Materialists is expected to debut in third place with a strong $13 million opening. Completing the top five are Lionsgate's Ballerina, which is expected to earn $12 million, and Paramount's Mission: Impossible — The Final Reckoning, pulling in $9 million. Here are Gold Derby's predictions box-office rankings for the top five: 1. How to Train Your Dragon 2. Lilo & Stitch 3. Materialists 4. Ballerina 5. Misson: Impossible — The Final Reckoning Do you agree or disagree with those rankings? Make your predictions right now — it's fun and easy! Join the box-office discussion in our forums. Best of GoldDerby Stephen King movies: 14 greatest films ranked worst to best 'The Life of Chuck' cast reveal their favorite Stephen King works, including Mark Hamill's love of the 'terrifying' 'Pet Sematary' From 'Hot Rod' to 'Eastbound' to 'Gemstones,' Danny McBride breaks down his most righteous roles: 'It's been an absolute blast' Click here to read the full article.

‘The Bear' star Abby Elliott used her own birth experience to inform the standout Season 3 episode ‘Ice Chips'
‘The Bear' star Abby Elliott used her own birth experience to inform the standout Season 3 episode ‘Ice Chips'

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‘The Bear' star Abby Elliott used her own birth experience to inform the standout Season 3 episode ‘Ice Chips'

Abby Elliott had known Natalie 'Sugar' Berzatto would give birth during the third season of The Bear for a while. So when it came time for Elliott to give birth to her son in June 2023, she was prepared to go the extra mile. More from GoldDerby Roy Wood Jr. on how 'Lonely Flowers' became his most personal special to date 'He feels like he's the smartest guy there': 'Abbott Elementary's' William Stanford Davis on Mr. Johnson's 'veneer' of 'mystery' 'The Shining' at 45: How Stanley Kubrick's Stephen King adaptation became the Razzies biggest regret 'I knew that the contractions would be a part of the episode, so when I had my actual labor with my second child, with my son, I had my mom in the delivery room with me, and she recorded my contractions,' Elliott says during the latest episode of Awards Magnet. 'So I could go back and watch them for acting purposes.' For Elliott, the immersive approach to preparation was critical. She wanted to make sure Natalie's contractions felt as real as possible, sharp and painful shocks that arrived quickly and broke up the tension of Natalie's conversations with her estranged mother, Donna (Jamie Lee Curtis). 'You're in excruciating pain, and then you're kind of like, 'OK, now, what do we do?'' she says. 'But then, having Donna there made for such drama.' 'Ice Chips,' Elliott's standout episode from The Bear Season 3, was written by co-showrunner Joanna Calo and directed by creator and co-showrunner Christopher Storer. The episode is essentially a two-hander between Elliott and Curtis, an Emmy Award winner for her performance in Season 2 of The Bear, where their characters try to find common ground after years of strife and difficulty. 'Jamie's just unbelievable. She's just so warm and nurturing. But also, I'm terrified of her, because she's so intimidating and incredible,' Elliott says of her screen partner. 'When you work with her, she feels like such a good friend, and then she snaps into Donna once that wig is on. She gets into it — like she is Donna. So all the hugging and the nurturing stuff that she has done as Jamie kind of goes out the window a little because she wants you to really feel the moment.' Elliott says she and Curtis ran through the episode's main sequence — basically a 20-minute scene — just once. 'If there was a lull or something didn't go as planned, we just kind of rolled with it,' she says of the show's improvisational nature. 'If one of us forgot a beat, I could always go to a contraction. It all just felt authentic. They need each other in this moment.' 'Ice Chips' ends without a significant resolution for Natalie and Donna; the baby is born (and the birth is not shown on screen) while Donna sits in the hospital waiting room. 'In this moment, there was a connection,' Elliott says of where the characters ended up and what lies ahead for their relationship. 'But Donna, with these traits — whether you want to call them borderline alcoholic, bipolar — that doesn't go away. You know she's trying, she's there, but it's still not perfect after this. And that's what I think Chris does so brilliantly with the show. It isn't wrapped up in a bow. Life isn't like that. It continues. And you can have this beautiful moment and some deep connection, and then return to being the people you are.' The Bear returns for its fourth season on June 25, where Natalie's child will presumably impact not just her life, but her relationship with Carmy (Emmy Award winner Jeremy Allen White). Through the first three seasons, Natalie has often bounced between being a sister for Carmy and being his surrogate mother as the older sibling. Elliott says the dynamic is invariably forced to change due to Natalie's new responsibilities as a parent. 'Natalie has wanted to step into that role of oldest sibling after Michael's death,' she says. 'With Carm, it's like this constant push and pull between deeply wanting to help him, and just dreading that she's going to be disappointed by him constantly. And I think that just with every season — and with him continuing to be in his patterns and in his head like that — it just escalates more and more for her. So now that Natalie has a child to take care of, there is a little bit of throwing your hands up in the air at Carm. Just like, 'OK, I can't help you!' And then, you know, immediately saying, 'Oh no, but I do need you so badly. You're the only one left.' So I think it's just the constant struggle.' The Bear streams on Hulu. Email your questions to slugfests@ Best of GoldDerby Inside 'The Daily Show': The team behind the satirical news series on politics, puppies, punchlines — and staying sane Dakota Fanning said 'yes' to 'The Perfect Couple' the moment she heard Nicole Kidman was involved, without knowing anything else about the show 'Slow Horses' star Rosalind Eleazar gets real about her MI5 outcast Louisa Guy: 'She's really not OK' Click here to read the full article.

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