Latest news with #Paradise
Business Wire
2 hours ago
- Business
- Business Wire
Luxury Development Edition Birmingham Secures £127.5 Million Backing From Eldridge
LONDON--(BUSINESS WIRE)--Court Collaboration and Select Property, the strategic partners behind Edition Birmingham, one of the city's most prestigious residential developments, have today announced a £127.5 million loan from Eldridge Real Estate Credit, the real estate investing strategy of Eldridge Capital Management. The loan from Eldridge Real Estate Credit follows existing funding for the project provided by PGIM to Court Collaboration. Funding will support the construction of the flagship 581-apartment scheme in the heart of Birmingham. The new debt facility provided by Eldridge Real Estate Credit is one of the largest fundings announced this year for a residential development outside London. Edition Birmingham, which is being sold and marketed by Select Property, is located off Centenary Square, close to the Library of Birmingham and the £1.2 billion Paradise scheme. It is a short walk away from Colmore Row, the heart of the city's business district. The development's one- and two-bed apartments are split between two connected towers of 46 storeys and 15 storeys. Midgard has been selected as the contractor on the development, which has already secured over £87 million in revenue through off-plan sales. Phase one is expected to be completed by 2027. Edition's residents will have access to an unmatched range of wellness-led amenities and benefits. Alongside cutting-edge gym and spa facilities, residents will enjoy a 20-metre above-ground swimming pool with an accompanying hydro pool, plunge pool, sauna and steam room. Residents will also be able to relax at a sky lounge complete with private dining experiences on the 44 th and 45 th floors. The development also includes a premium co-working lounge, called The Study, and outdoor co-working space on a 14 th -floor garden terrace. Other outdoor amenities include a 9,000 sq ft podium terrace with a cinema screen and a BBQ area that connects the two buildings. Eldridge Real Estate Credit invests in real estate credit opportunities throughout the US, UK and Europe, including construction, transitional, and special situation opportunities across the capital structure. The platform has originated over $10 billion in loans, leveraging an experienced team with a disciplined approach seeking to create long-term value. PGIM Real Estate, the real estate business of PGIM, one of the largest investment firms in the world, is also a financial partner to Edition Birmingham via its PRECap series, its flagship European high-yield debt strategy. Alex Neale, CEO of Court Collaboration, said: 'This funding package from Eldridge, combined with our ongoing support and relationship with PGIM, is an endorsement of the quality of Edition. Our partners recognise that the development brings luxury living to the heart of Birmingham as the city centre benefits from over £1bn of investment over the coming years. With breaking ground expected soon and completion of phase one in 2027, there's real momentum and excitement building around Edition and what it will bring to Birmingham.' Adam Price, CEO of Select Property, said: 'I'm really pleased that our partners at Eldridge believe in the inherent investment opportunity Edition provides. Birmingham is on the rise, with significant investment in the city centre and a young and growing population that wants high-quality living in the heart of town. We've seen strong appetite from owner-occupiers and investors alike; something reflected in the large number of off-plan sales. All this underlines the prestige of Edition and the fact there is nothing else like it in Birmingham.' John Cole, Global Head of Real Estate Credit at Eldridge Capital Management, added: 'The teams at Court Collaboration and Select Property have consistently demonstrated their ability to deliver and market high-quality, competitive residential offerings. With over 40% of units already sold, we believe Edition is well-positioned to capitalise on Birmingham's continued growth, and we look forward to a strong and successful partnership.' Jesse Bostwick, Executive Director, European High Yield Debt Originations at PGIM Real Estate, commented: 'Court Collaboration has proven to be a trusted partner and we're excited to be working together on this project. Our PRECap strategy provides capital solutions including preferred equity and other flexible structures across the lending spectrum, which enables us to support projects in markets with strong fundamentals and unlock the potential of key central sites.' Court Collaboration was advised by Gateley Legal on the legal financing aspects of the transaction and by TRST on debt structuring. ABOUT COURT COLLABORATION Established in 2010, Court Collaboration is a specialist residential developer based in Birmingham, with a development portfolio and pipeline of over £1 billion of residential real estate developments across the West Midlands and the UK. Court Collaboration is committed to creating transformational developments that support local communities and economies. ABOUT SELECT PROPERTY With over 20 years experience, Select Property is a global property investment specialist, offering a fully integrated service from consultation to exit strategy. With over £2.8bn in property sold to date and a focus on delivering market-leading returns, we develop, sell, and manage high-performing residential assets tailored to investor and resident needs. Our commitment to vibrant, resident-led communities drives long-term value, and with offices in Manchester, Dubai, Shanghai, and Hong Kong, we provide on-the-ground support to investors worldwide. ABOUT ELDRIDGE Eldridge is an asset management and insurance holding company with over $70 billion in assets under management that consists of two divisions: Eldridge Capital Management and Eldridge Wealth Solutions. Eldridge Capital Management, through its subsidiaries, focuses on four investment strategies – diversified credit, GP solutions, real estate credit, and sports & entertainment. Eldridge Wealth Solutions, an insurance and retirement solutions platform, is comprised of Eldridge's wholly owned insurance companies, Security Benefit and Everly Life. Eldridge is wholly owned by Eldridge Industries. To learn more, visit ABOUT PGIM REAL ESTATE PGIM Real Estate is the world's third-largest real estate investment manager, with $210 billion in gross assets under management and administration, 1 and real estate professionals located in 30+ cities worldwide. Built on our belief that strong performance is fueled by dynamic expertise, our global network of on-the-ground specialists is dedicated to opportunity creation, optimization, and timely capital deployment amid shifting market conditions. Through our full suite of real estate equity and debt solutions, we aim to achieve exceptional outcomes on behalf of investors and borrowers. Our uncompromising commitment to building lasting relationships with our clients is founded on trust, transparency, and mutual respect. PGIM Real Estate is a business of PGIM, the global asset management business of Prudential Financial, Inc. (NYSE: PRU). For more information visit 1 As of March 31, 2025. Net AUM is $136 billion and AUA is $47 billion. PGIM Real Estate is the third-largest real estate investment manager (out of 72 firms surveyed) in terms of global real estate assets under management based on Pensions & Investments' 'Largest Real Estate Investment Managers' list published October 2024.
Yahoo
a day ago
- Entertainment
- Yahoo
‘Paradise' Boss on How Their End-of-the-World Research Sets Up Season 2
[This story contains spoilers from season one of .] By now, everyone should be caught up on Paradise. More from The Hollywood Reporter Emmys Nominations Snubs: 'Squid Game' Shut Out, 'Handmaid's Tale' Only Lands One Nod - Uzo Aduba Surprises Emmys: HBO and Max Score Most Nominations, Apple Takes a Big Bite 'The Last of Us' Season 2 Just Scored a Bunch of Emmy Nominations After becoming a runaway streaming hit when it launched on Hulu in early 2025, the Dan Fogelman-created post-apocalyptic drama then became a linear hit when ABC re-aired the season weekly in the spring. Now, for the trifecta, the Sterling K. Brown-starring saga just picked up four Emmy nominations this week, landing more nods in top categories than even awards experts predicted. Safe to say, Paradise is a hit and people are watching. The Hollywood Reporter previously spoke with executive producer John Hoberg, who wrote the groundbreaking seventh episode, 'The Day.' That penultimate episode of season one flashed back in time to reveal to viewers what exactly happened on the day of the extinction-level event that preceded the beginning of the series. Paradise viewers had been imagining how the show's world ended ever since the twisty premiere. But nothing prepared them for how current it would feel when it was revealed. Paradise opened in a post-apocalyptic world, where 25,000 people were saved from some sort of catastrophic climate event that nearly wiped out civilization. That event, we find out in episode seven, was from a super volcano erupting in the arctic, shattering the ice shelf, melting trillions of gallons of water and triggered a tsunami traveling 600 miles per hour with a wave as high as 300 feet. The coastal cities were wiped out first and global devastation followed. The president, played by James Marsden, and his hand-picked survivors were the only ones who escaped — to the underground bunker-society called Paradise. 'Imagine writing it, it destroyed me for a month,' Hoberg recalled to The Hollywood Reporter about his experience of penning the propulsive hour, which was directed by Glenn Ficarra and John Requa. Read our chat below on all the research that went into 'The Day' and how it informs season two, which is now filming in Los Angeles. *** How did you get to be the lucky one to write this episode? Well, I'm an EP with Dan [Fogelman] so I'm in the room. I was either going to write the second-to-last or the last episode. I will tell you, it wasn't my experience writing on Galavant [the 2015 musical series created by Fogelman] that made them think I should do the end-of-the-world episode (laughs). But it had a lot to do with White House and the Air Force, and those are my obsessions. My wife [Kat Likkel] and I have always written together until this show; she wanted to write a novel and so I took this job with Dan. We have a place up in Solvang and she's like, 'I'm going to take 10 days and dive all the way in up there.' So basically, all I did for 10 straight days was just live in the feeling [of this episode]. It's such a minute-by-minute episode. I've never written this way where I just completely submersed myself in the experience. All season long, we had ideas about what happened, but it still didn't prepare me for what I saw. Good. Why did you place this episode as the penultimate one of the season? There are so many mysteries in Paradise, right? Always a new card turned over. We like to answer questions the whole time, because we don't want to frustrate an audience. So we hint at what happened, but don't say specifically. It's why Xavier [Brown] was so angry at Cal [Masden]. The show at its core is the mystery, and then tied around that mystery is, 'What happened out there? We know something cataclysmic happened, what is it?' We knew for Xavier's character that we wanted to hold that back, because you could tell he liked Cal. But something happened. If we had revealed much earlier [that Xavier blames Cal for his wife's death in the event], then we'd be giving up that mystery as well as the mystery what happened to the world. So it kept drifting. There was talk about it being the fifth episode at one point, but then it felt right that it would be the one before the end. So you finally have that mystery resolved, before getting into the murder-mystery resolve. you spoke to in order to research the end of the world, like the architect who designs cities who wrote you a 40-page dissertation, and experts on nuclear fallout and environmental catastrophe. He said you all were worried it might put you on government watch lists, because of what you were Googling. As far as we know, that didn't happen! Though I feel like my computer runs a little bit hotter than it needs to, so maybe they're in there now. (Laughs.) He did say that you are going to use a lot of that research in season two. How did you go about funneling all that into one hour of television, but also holding some of it back for season two? Stephen Markley, who's the novelist on the show, and Katie French, who was the story editor, were so helpful with the outline and helping to piece this whole thing together. It's a collaborative process when you break it out in the room. We have cards on the board and we're talking through everything. So by the time I was going to script, I felt very confident that I knew what the bigger pieces were. Then it was a matter of, 'What do you get rid of? What do you keep? How do you take something that might be a page of research and make it into a line, but sell it so that the audience feels it without having to be told what it is?' You prepare with a nice bunch of information and a plan before you even get in there. I understand you listened to recordings of similar tragic situations, like former President George W. Bush after 9/11 when he was on Air Force One, and after the Cuban Missile Crisis. How did all of that help inform the real-time reaction we saw in with President Cal Bradford (James Marsden) as the global tsunami was building? I have a grandfather who was an advisor to the Joint Chiefs of Staff who was there during the Cuban Missile Crisis. So as a kid, I was growing up around this Air Force colonel and a lot of his officer friends would come over for dinner parties. When they tell stories, you wouldn't hear national secrets, but you would hear about the tension and how personal issues that have nothing to do with the topics can get in the way of things. I tried to sprinkle some of that in, like when [in Paradise] the general is giving a briefing and the CIA guy keeps interrupting him; you can tell he's annoyed because clearly this guy does this all the time. Some of that was like a lifetime of research from being around an Air Force colonel that helped me feel the rhythms of what was going on, from hearing his stories about the Cuban Missile Crisis era. You filmed this episode with a propulsive pace, and without a lot of cuts. What were the longest scenes you filmed? John and Glenn, the directors, sat down and we talked about filming this almost as a play. Usually, you'll do a rehearsal and then people feel their blocking. If you think of the scene where Xavier's in the hallway and the secretary comes over to say, 'What do you know? What's going on?' Then suddenly, the vice president comes through and trips and stands up and you're in the room, and we go around the table. We shot that entire scene as a oner. We had it to keep that energy up — let's make these scenes so that we shoot them once without cutting, and then we'll do our coverage so we can pick stuff up. If you go back and watch that, there's 70 people involved! We actually let the studio know, 'You're going to see we're not rolling camera for a couple hours and that's because we're doing this process.' It was a ton of rehearsal and then shooting it was really fast, because everybody had it down. It was brilliant. It was their idea, and it was 100 percent right. Where was your White House set? We had the Oval office set, which I think was from 24. Sometimes you'll see evidence of where a set has been before. I worked on comedies a lot and every now and then there'd be an ancient room from I Love Lucy or Happy Days. So we had the Oval office and the area outside the Oval where the secretary sat. We built that next-door Oval office, the cabinet room, the hallway outside the cabinet room and the hallways that went the other way around the Oval. That was all on a sound stage. Then we went to a country club in Thousand Oaks that matched the feeling. It feels so grand, where Cal talks to the janitor in the big marble hallway. Then we shot the basement somewhere downtown. So it was all pieced together, which was a challenge of keeping up that same energy. The key is, you can't have the energy at a 10 in the first act. You have to have it build so when you're jumping all over the city to film, you can check in and keep up that intensity level. Xavier has this painful goodbye on the phone with his wife, Teri (Enuka Okuma), who he believes died in the event, and then he blows up at Cal over it in this flashback episode. Any notes or conversations with your main actors for those scenes? I was a mess writing that goodbye scene. You can't help but think about [your family]. The fact that my wife was up in Solvang and I'm down at home thinking, 'What if I got a call right now and this was it, and I knew it was it?' I remember adding that he could see the screen as the missile hit, and thinking, 'Fuck, he's going to have to watch his wife die while he's talking to her.' I was super emotional writing that. The other scene that was super emotional was Cal and Xavier fighting on the [airport] tarmac, where Cal is like, 'You know what to do' and Xavier is like, 'I don't know what to do.' Xavier, who always seems to know what to do, this is the only time he's ever said that, and you really get into his head. We shot that scene at Long Beach Airport; there's planes flying around and it's loud and chaotic, and there were so many extras. Everyone who wasn't on camera just stopped to watch, because it was that intense in person. The actors know they have it when they're looking over at me and John and Glenn at village and our eyes are glassy. It's like, 'Okay, they got it!' Let's talk about the nuclear football. How much of what Marsden explains was true… that there's a nuclear fail safe that can set the world's technology back 500 years? I don't know! I do know that my grandfather was at the Air Force when they were developing the football, and he had something to do with the football, and I will say that he would not divulge national secrets to me, but what he did say is the chilling thing that that thing can unilaterally launch a nuclear war. We did our research into what it is. And there's all this speculation, because really nobody knows — there are people who know, but it's not us. He was not awed by a lot. He fought in two wars and still had shrapnel that popped out of the top of his head every now and then. And he talked about that thing in a way that was like, 'There's something going on there that's bigger than I could possibly imagine.' While we were shooting this, there was a question about if some foreign government was testing an EMP [electromagnetic pulse] device in space. There's all this research that that was one of the early things they discovered and that there are EMP weapons, but the danger with an EMP is that if you light one off in Los Angeles, there are physical wires connecting things all around the world and you don't know where it's going. So it's a very dangerous thing and that got us to this idea of like, 'Well, if this is the last chance of survival, you wouldn't worry about what it might destroy.' But the answer is, I don't know. The flashback ends, and then we heard Sinatra's (Julianne Nicholson) version of what happened: That they avoided a nuclear holocaust, but their Paradise bunker still had the tech they needed. How much are we meant to ? Well, that's going to be a question for season two. Did it work? There seems to be some real evidence it worked, with this audio recording of Terry and other survivors. We've done a lot of research about what happens with an EMP, what it destroys. It basically can destroy most electronic things, but the most rudimentary things can be brought back. Like shortwave radio would probably be one of the first things that started to come back. Diesel engines are based on compression versus a spark. So people would know how to start to rebuild, and it seems there's evidence that people with know-how are starting to try to rebuild. If I had to guess based on what Sinatra said, not on any knowledge I have, she said it seems that it worked, at least partially. We witnessed a nuclear bomb go off and there seemed to be others that were hitting around the globe. But the question is: Did they all hit or was one of them averted, or was a handful of them averted? Well, this explains why there's no communication with the outside world, right? When they sent those four people out there, they didn't know anything. They didn't get their shortwave communications until they sent them out and put up their own shortwave to communicate with them. Then that's why Sinatra started hearing these radio signals. It seems like Cal should have been more suspicious of Sinatra earlier since he pushed that button on the nuclear football, which theoretically shut down every nuclear weapon in flight. Right. There's a power dynamic difference in episode seven when they're on the plane and he says to shoot Sinatra. Clearly between then and when we've met him [in present day], it shifted and he's lost that sense of power. So I think there were a lot of emotional things that went on between those people and everybody else in the time from when he pushed that button to when we meet up with him in Paradise world. Sinatra put Xavier in this ultimate blackmail situation, when she informed him that his wife is actually alive. How does this change him going into season two? On set, that was a scene where Sterling [as Xavier] had to put his weapon away, and he was wrestling with that. He was like, 'I would just fire the gun.' But John, our director, was like, 'You're Sterling K. Brown. Show us that on your face.' He told Sterling, 'Live in that, because that's what we've put you in. This impossible situation.' That to me was one of the most impressive moments of acting in the show, because you could feel him wrestle with that and then put his gun away. What happens when you've just tried to overthrow the government and you've succeeded, and now you have to back down? Dan told me about his three-season plan and that the end of season one would reveal enough to shift course so each season can be its own thing, but with the same characters. So, obviously the season one ending is setting up some . Would you say the finale raised a whole new set of questions to explore? One of the goals early on was that we wanted to make the viewing experience satisfying. That we're not just dangling things and then not answering them until the end of the season, or not answering at all. So you're going to get answers to what you want and then there are new questions raised. We were in a room breaking out [season two since before the official renewal] with this anticipation of, 'If goes well, you never know,' but we know where season two [ends]. Is there a reason you named the billionaire bunker project 'Versailles'? You always have a temporary name for something in the room. The librarian at one point, I made a joke that we should get Trent Reznor to play that, so that became a reference name. With Versailles, it sounded like a far away place where the rich would go, and there was a little bit of irony in that, so it sort of stuck. That it was a retreat for the billionaires, but also there's violence there, too. There were strange real-world parallels as the season was airing. Like how after President Donald Trump announced he wanted to declassify the JFK assassination files, had in an episode a line from James Marsden that the second he took office, he asked about the secrets: Bigfoot, JFK and aliens. It keeps happening on this show. When we first started talking about it, it was probably two and a half years ago. I remember feeling like, 'Are people going to buy that they're in a cave and there's a sky that looks real?' And then The Sphere [in Las Vegas] comes out and we talked to The Sphere people who said [Paradise] is based on 100 percent true science and you could do this. There were a bunch of things that keep mirroring reality. But for that particular one, I remember as a kid saying I want to run for president just so I can find out the secrets. That to me is the number one thing I would want day one as the president. Tell me everything. about how post-apocalyptic shows are usually in the far future, with zombies or something. But this show feels too close to tomorrow. Did it feel that way when filming? Yes. One of the things that was important for all of us is that the disaster wasn't one thing. It's a cascading series of events. This wave is going to kill all these people on the coasts, which is where a large percentage of the population is. But then it's going to black out the sky, and we did a lot of research into Krakatoa, which was a big explosive earthquake [in 1883]. That volcano actually had a sound wave that circled the globe eight times or something like that, a pressure wave. It was important for us that what happened in the show was real, but then also it's the human reaction and governmental reaction. So if the sky is blotted out, then one country would take a run for another country's resources to try to ensure their safety and before you know it, with all of our treaties, it would probably end in some kind of nuclear or regional war. That feels as real as it could possibly be, because the show is not just what happened. It's about how people react to what happened. That's where it gets messy. There are things that are going to happen naturally on the planet, but it's how we react to it that's so frightening. Amid global warming and climate change, this show tells us that the rich and the elite can survive. had a line about how the West Wing is stocked to feed those it could save for eternity. It who gets saved and who doesn't, which is interesting in this current moment in time. My grandfather had a tour in the Greenbrier Inn in West Virginia. You can now go tour it if you want, but it was the bunker to keep the government going in a nuclear war. The plan was that the government would all get on trains — all of Congress — but then you go in there and it's a bunker. They had a press room and hid the doors to close it off in plain sight. These bank vault doors. And my grandpa's job for a little was that he would be the person in charge of operations to get everybody in and out. But his job was then to close the door — and be on the other side of it. I visited that place and I've always thought about that. Who's in and who's out? He would have been like that guy who Xavier shoots on the side of the helicopter. Exactly! That realization of, 'Oh, you don't get to come in.' And he was fully aware of it. He said it was great during drills, because he wasn't in the bunker, he would get to stay at this fancy hotel. That part was nice. In reality, it wouldn't be nice. I grew up hearing this and my mom said when she was a teenager that he had the weight of the world on his shoulders because he was aware how real all this is. There are people who were doing everything to protect, and you can't protect everybody. The line has to go somewhere, and that's the crazy thing. Well, President Cal does the right thing in the end. He tells the truth. It creates chaos, but he tells the truth. We've been talking a lot lately about television capturing our current post-truth era. What do you hope people take away from President Bradford? I like that moment where he says that people are inherently decent. That's what he's seen, and he's speaking to all of us as like, 'Let's lean on our best version of ourselves.' You like to think that every president is going to wrestle with and tell the truth. Sometimes my guess is it's too dangerous to tell 100 percent of the truth. You have to hope that humanity comes through. Cal is playing someone who's got a big heart and really is trying to do the right thing, and even he got sucked into it. It took that interaction with that janitor to be like, 'This isn't right. I can't do this' to snap out of it. With any administration, it's like, when does the humanity of it make you make the decisions that are in the best interest of people? This is a fictional president. You don't even know what his party is, and we're trying to not make it about that. It's really about the people and the decisions being in power, what do you do? And the weight of power. But also, Xavier's wrestling with the same thing when he's lying to that secretary about being able to help her. It's healthy to explore that. It's easy to look at the people up above making selfish decisions. But then we put Xavier in that position, too. He's not telling 100 percent of the truth either. We wanted it to feel real and messy. What can you say about the murder-mystery reveal and how the season ended to set up season two? Having worked in comedies for so long, you don't have to worry about the mystery of it all. When I was first talking about this show with Dan, because this show has a little bit of This is Us in it, with its real heart, but also that apocalyptic thing like The Last of Us, my joke was that I started calling this show This Is the Last of Us. *** Paradise is now streaming on Hulu. Catch up on THR's season one coverage. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise Solve the daily Crossword
Perth Now
2 days ago
- Entertainment
- Perth Now
Mandy Moore and family 'doing well' after home was damaged in Los Angeles wildfires
Mandy Moore and her family are "doing well" after their home was left badly damaged in the Los Angeles wildfires earlier this year. The This Is Us actress' co-star Chrissy Metz has shared that although it was a "life-altering" experience for Mandy - who has Gus, four, Oscar, three, and Louise, 10 months, with musician husband Taylor Goldsmith - and her young family, fortunately, most of the structure of the property was "salvaged". She told Extra: 'She's doing well. I mean, thank goodness. 'A lot of the structure was able to be salvaged, which is great, but it's so jarring. It's so life-altering, and she has children and pets. It's just frightening because there's nothing you can do but hopefully get out of there.' Chrissy says she keeps in touch with all of her co-stars from the hit NBC drama - the cast of which also included Milo Ventimiglia, Justin Hartley, Susan Kelechi Watson, and Chris Sullivan. She said: "Oh, my gosh, everybody. We all are texting each other. I always text when any projects come out or Sterling with his nominations for 'Paradise.'' Chrissy added of Sterling K. Brown (her onscreen sibling): 'Oh, he's the best. I really feel like he's a big brother for me.' Chrissy's update on her co-star comes after Mandy recently paid tribute to her mother-in-law Kathy Goldsmith, describing her as the "silver lining" amid the devastating wildfires. As well as Mandy's home suffering damage, Kathy lost her abode. She wrote on Instagram: "It's been a hell of a year and my Mother-in-law, Kathy, has risen to the occasion in every way. Selfishly, I'm not sure what I would have done without her in the hours, days, weeks, and months since the fire. She suffered her own immense loss and has been by our side since the very beginning, without skipping a beat. I'm heartbroken that our 5 min walk to her house is no longer on the table BUT so grateful that we've been able to live under the same roof these last 6 months- if there's any silver lining in this whole thing, she's definitely ours. (sic)" Mandy heaped praise on Kathy for "absolutely mastering" the childcare of her and Taylor's three children, admitting the couple "couldn't be luckier that she's ours". She added: "From coffee in the morning as we let the dogs out, to tea after the kids go down and talking about our grief, funny things that happened in our day, etc…. To her absolutely mastering bath time, mealtime, playtime and everything in between- including moments like when Gus declared today- 'I have to GO POOP with Gaga now!', we couldn't be luckier that she's ours and we're never letting her go. "Seriously, she thinks she can move into her new place but that's not happening. Ha! I know you want this Birthday to just move right along, but those of us that know your friendship and heart are MORE THAN HAPPY to celebrate you today and always. HAPPY BIRTHDAY, @kathy_goldsmith!! We Love you, Gaga!! Xo (sic)" Mandy recently admitted she is "looking forward to rebuilding" her family home following the fires.
Yahoo
2 days ago
- Sport
- Yahoo
How to watch Pacquiao vs Barrios: TV channel and live stream for fight today
Manny Pacquiao is hoping to defeat Mario Barrios and become a five-time welterweight champion tonight. At the age of 46, Pacquiao makes his return to the boxing ring, four years removed from his last professional bout which was a points defeat to Yordenis Ugas at the the T-Mobile Arena in Paradise, Nevada. 'PacMan' has already cemented himself as a legend in this sport. Winning 12 world titles across eight weight divisions throughout his career and despite it being almost exactly six years to the day since his last professional win, he is not worried about his reputation. "I'm worried for my reputation," Pacquiao said. "But I'm making sure that I'm not a kind of fighter like other fighters that come back but they are not showing what they did before." Pacquiao is lacing up his gloves and stepping between the ropes again to challenge Barrios for the WBC strap which the American has held since last May when Terence Crawford was demoted to champion in recess. So will 'PacMan' roll back the years to dethrone Barrios or will youth prevail for the champion to successfully defend his title to extend his professional boxing record to 30-2? Below is everything you need to know about where to watch this bout... How to watch Pacquiao vs Barrios TV channel and live stream: In the UK, the event is being shown live exclusively on Amazon Prime Video Pay-per-view at a cost of £14.99. Coverage is slated to start at 10.30pm BST, though the undercard is expected to start at around 8pm on the East Coast in the USA, which will be 1am on Sunday morning for those in the UK. Ring walks for the main event are likely to be at around 4am BST, but that is subject to change depending on the length of the undercard fights.
Hans India
2 days ago
- Entertainment
- Hans India
City gets first Paradise Kebab fest
Bengaluru: Paradise Food Court – the biggest food chain serving authentic and delectable Hyderabadi cuisine with seven decades of legacy is bringing to Bangalore a new kebab treat through the Paradise Kebab Festival. The one-of-its-kind kebab fest which began on Wdnesday in Bangalore will bring a variety of kebabs from different states of India as a one-stop kebab destination at Paradise. The kebabs will be available at all Paradise outlets across at the city as dine-in or take-aways and can also be ordered online on food deliveries portals. Known for serving foods authentic to the royal kitchens of Hyderabad, Paradise is bringing the unique fest to one of the most cosmopolitan cities in India. Foodies and kebab fans can now relish in the most popular kebabs of India right in Bangalore.
