The Best Kitschy, Food-Themed Phone Cases for Food-Lovers
I always believe in the serotonin-boosting power of trinkets and tchotchkes, but especially when they're functional. That's what I'm so enamored by the influx of personality-forward, food-themed phone cases in recent years; for one, you take your phone with you everywhere, so your happy emotional returns on the case are seemingly never-ending. I also can't think of an iPhone that wouldn't be improved by transforming into buttered toast:
Smartphone embellishments are nothing new; for as long as cell phones have existed, they have been dripping in charms and custom cases (see: this subreddit dedicated to Paris Hilton's past cell phones). But we have come a long way from basic 2010s Popsocketry, and steered into trompe l'oeil territory with food-themed smartphone cases. The influx of tinned fish and baguette cases is partially a trickle-down effect from high fashion brands such as Loewe and Puppets & Puppets, which have been serving up elaborate, seemingly edible fashions as the virality of food and restaurant culture has become increasingly lucrative. Admittedly, what's not to love about the way the Chicken Shop Date smartphone case can nestle a single chicken nugget?
Below, I have selected some of the most appetite-whetting, food-themed smartphone cases and accessories, from the kitsch and kawaii to the hyper-realistic. Just don't be surprised if someone tries to bite into one at brunch.
This and some crusty batard? Say less.
This sunny side up grip accessory has a one-month wait list, but it's worth the cooking time.
Each level of my ideal fantasy food pyramid is represented on this food case: croissant, jam, cake, and Evian water.
The attention to detail is so impressive on this hand-made smartphone case, from the lattice work to the golden-brown crust coloring.
Here's an idea: Give this hot dog-themed case to a friend, and then smother it in onions while yelling, 'Chicago-style!'
First, find your ideal farmers market tote bag. Then, use this farmers market haul graphic case as a visual summer market checklist (tomatoes, strawberries, cherries, and more).
You can customize the color of this tomato-themed case, but we're fans of the vine-ripe green. See More: Add to Cart
Buy This Thing
Shopping and Pantry Guides
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
4 hours ago
- Yahoo
Angel Reese Turns Heads With Announcement on Wednesday
Angel Reese Turns Heads With Announcement on Wednesday originally appeared on Athlon Sports. The Chicago Sky continue to ride the success of Angel Reese. While Chicago struggled for much of the season, Reese has been a bright spot for first-year head coach Tyler Marsh and his staff. Advertisement The Sky recently played the Washington Mystics, where they fell 79-72. Reese was named the Chicago Sky's "Player of the Game" for the matchup, posting 17 points, 10 rebounds and five assists. As she continues to improve on the court, Reese also made an impact outside of the white lines. On Wednesday, Reese announced that she collaborated with Cash App to design a new court in Chicago, home of the Chicago Sky. "New court in Chicago," Reese said. "So blessed to be able to do this in a second city that I can now call HOME." Reese shared the news with over 4.9 million followers on social media. "Come play," posted Angel Reese in collaboration with Cash App."📍Angel's Court Oakwood Beach Chicago, Illinois." Upon the release of the announcement, some fans took to social media, sharing their thoughts on the move by Angel Reese. Advertisement "Oh this is siiiiiick ☁️☀️" said one fan. "Seriously stunning! I just know the kids who play on this are going to love it," said another fan. "Court designer snapped," mentioned one fan. "Captures Chicago perfectly❤️🔥" commented one fan. "Love this court and the hidden court too 😎💪🏾" said one fan. "When boo. This is by my house," said another fan. Chicago Sky forward Angel Reese walks on the court.© Kamil Krzaczynski-Imagn Images In her second season with the Chicago Sky, as Reese looks to make her second WNBA All-Star game, the forward averaged 11.0 points, 11.7 rebounds and 3.6 assists per game. Related: Indiana Fever Dealt Unfortunate News on Monday Related: Angel Reese Earns New Nickname from WNBA on Sunday This story was originally reported by Athlon Sports on Jun 18, 2025, where it first appeared.
Digital Trends
4 hours ago
- Digital Trends
Go behind the scenes of Apple's latest shot-on-iPhone movie
Apple's latest effort to show off the potential of the iPhone camera comes in the form of Big Man, a 20-minute fictional film directed by Academy Award-winning director Aneil Karia and starring British music legend Stormzy. Big Man (below) focuses on Tenzman (Stormzy), a jaded musician who finds warmth and a sense of purpose through an unexpected friendship with two boisterous teens. Karia shot the movie entirely on an iPhone 16 Pro, a first for the director who in 2022 won the Oscar for Best Live Action Short Film for The Long Goodbye. Apple released Big Man on Wednesday, along with a behind-the-scenes video (top) showing how Karia used the iPhone to capture the movie's scenes. 'I've never shot an entire piece of narrative filmmaking on an iPhone before, and it's been a really invigorating process,' Karia said. 'iPhone is much smaller than the traditional cameras used for television, film, or music videos, and the lightness and flexibility that comes with that is boundless in a sense. I like trying to strive for an intimacy with characters, and sometimes a big camera is not particularly conducive for that.' Big Man's director of photography, Stuart Bentley, said that with the iPhone, 'there's no reason you can't make an amazing film' — failing to mention the small matter of needing a clear creative vision, a compelling script, a talented director, a skilled camera operator, and an experienced editor, among other things. But we get what he means. Highlighting the iPhone's various camera features, Bentley continued: 'You can use Cinematic mode for shallow depth of field, and it automatically pulls focus to follow the action. It's got an incredible dynamic range and can handle low light, and shooting with Apple ProRes Log gives you even more options in post.' The slow-motion scenes in Big Man were captured in 4K 120 fps, while the iPhone camera's low-light capabilities allowed the team to shoot scenes outside at night as well as in dimly lit interiors. It's not the first time that Apple has partnered with filmmakers to provide its iPhone technology and support creative projects. The collaborations often involve working with well-known directors, production companies, and even major studios, as seen in projects like a Wallace & Gromit stop-motion film made with Aardman, and Apple's upcoming feature film F1: The Movie, which utilized a custom iPhone camera rig for authentic racing footage. For the latest installment in Danny Boyle's 28 trilogy, the crew designed a special rig holding 20 iPhones to create a dramatic effect for a particular scene. 'There's an incredible shot in the second half [of 28 Years Later] where we use the [20-camera rig] … you'll know it when you see it,' Boyle said in a recent interview.
Newsweek
6 hours ago
- Newsweek
F1 Movie Breaks Boundaries with Apple iPhone Tech For Onboard Cameras
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. With less than ten days left until the F1 movie's release, it has come to light that the makers used Apple technology to record onboard footage of the racing action. A report from Wired confirmed that components for the custom camera were borrowed from an iPhone that could record ProRes footage in LOG format, providing maximum flexibility in post-processing. Cinema cameras are too bulky to mount on Formula One cars for filming at high speed, and mounting a GoPro wasn't exactly what F1 cinematographer Claudio Miranda and director Joseph Kosinski were considering. A custom option was the way to move forward, which gave the production team the high-quality cockpit POV they wanted. Apple's engineering team extracted the broadcast module from the F1 car that is designed to record lower-resolution footage for live TV. The device, located behind the driver and by the side of the engine intake, was replaced with a camera with borrowed parts from an iPhone. The team had to ensure that the camera replicated the broadcast module and adhered to a weight limit. The Apex Grand Prix car of fictional driver Sonny Hayes, to be portrayed by Brad Pitt, for the upcoming Formula One based movie Apex, is seen driving on track prior to final practice ahead of... The Apex Grand Prix car of fictional driver Sonny Hayes, to be portrayed by Brad Pitt, for the upcoming Formula One based movie Apex, is seen driving on track prior to final practice ahead of the F1 Grand Prix of Great Britain at Silverstone Circuit on July 08, 2023 in Northampton, England. MoreThe sensor on the module is most likely powered by an A17 Pro chipset and features the 48-megapixel primary camera from an iPhone 15 Pro. The module was built in a way that could withstand shocks, vibrations, and heat at high speeds. Running on an iPhone battery, the camera lens used an ND filter to limit the amount of light entering the lens. The engineering team ensured the module ran on a custom iOS firmware and recorded videos in ProRes lossless video codec to help filmmakers perform advanced color grading in post. Not only was this feature a huge advantage for the film crew, but also for Apple, since the new firmware helped release two new features on the iPhone 15 Pro. The F1 movie hits theaters on June 25 (June 27 for North America), and fans could receive a high dose of adrenaline-filled action captured on these custom-made onboard cameras. The story is about a veteran F1 driver, played by Brad Pitt, who returns to the sport to mentor an up-and-coming driver, played by Damson Idris. Despite the dramatic story, the producer of F1, Jerry Bruckheimer, stated that high emphasis was given to ensure the movie maintained F1 authenticity. Seven-time world champion Lewis Hamilton served as an executive producer whose role was to ensure the film adhered to F1 realism. Bruckheimer revealed one instance while filming at Silverstone when Hamilton asked Pitt to shift the car into the correct gear to simulate actual Grand Prix conditions. Newsweek Sports reported his comments: "Lewis Hamilton saw a part of it, gave us a critique of how the drivers actually do various things. "The level of specifics that he gave us, like in Silverstone in Turn 3 you're in second gear, and he could hear with his ear we [Brad Pitt] were in third gear. "So it's that kind of thing that he's bringing to the movie, and he said... when he finishes a race, especially like Singapore, where it's very hot, he can barely get out of the car, they lose 10 pounds... and it's not only him, it's all of them. "They're just completely exhausted [and] we're going to show what it takes to be an F1 driver." He added: "Everything that he has brought to this movie, I can't even express our thanks to him and all the folks from F1 who made this all possible. "But the authenticity that he brings, we just can't imagine what goes into what a driver does and what the sport brings to an audience. "Sometimes we don't like to hear some of the things he says, because it costs us more money to fix things, but we're all in, we want to make it great, and he's certainly helping us."
