A-listed Glasgow church to be transformed - here's the new plan
Hyndland Parish Church could become a multi-purpose community hall with a bar, a restaurant, a mezzanine and more.
Applicant G12 Holdings Limited said it is "passionate about the vibrant history and beauty of the property" and applied to change the use of the building in order to extend its life.
If successful, the new community hall would be adapted as needed by the community and the general public.
The new space would be a vibrant cultural hub, open seven days a week to "visit and enjoy its historical features and ambience".
This would include a cafe and restaurant called The Kingsborough.
It would also be a space for choir recitals, performing arts, as well as exhibitions for the visual arts and conferences.
Documents state: "We want to provide an exciting new facility, which will allow a wider community to engage and understand more about the building and appreciate the unique collection of stained glass contained within the church."
The layout of the new hub would contain a bar, a kitchen, private dining facilities, exhibition space and more.
Care would also be taken to make the historic site accessible.
A-listed Glasgow church to be transformed - here's the plan (Image: Sourced)
(Image: Sourced)
READ NEXT: Here's how a 'once-in-a-generation' plan could change Glasgow's waterfront
Papers added: "The building most recently known as the Kingsborough Sanctuary is an A-Listed, Neo-Gothic church building designed by Glasgow Architect William Leiper in 1885 and completed in 1887.
"The building was used by the Church of Scotland until 2017, for church services, community concerts, local community groups and the creative industries.
"Due to declining church attendance, the congregations of both Broomhill and Hyndland united with Broomhill church chosen as the centre of worship."
The site was refurbished in the 90s but there are concerns about its current state, especially due to water ingress.
Glasgow City Council planning officials are reviewing the application and a decision is expected by Friday, September 5.

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Yahoo
a day ago
- Yahoo
A-listed Glasgow church to be transformed - here's the new plan
A new planning application has been submitted to transform an A-listed Glasgow church. Hyndland Parish Church could become a multi-purpose community hall with a bar, a restaurant, a mezzanine and more. Applicant G12 Holdings Limited said it is "passionate about the vibrant history and beauty of the property" and applied to change the use of the building in order to extend its life. If successful, the new community hall would be adapted as needed by the community and the general public. The new space would be a vibrant cultural hub, open seven days a week to "visit and enjoy its historical features and ambience". This would include a cafe and restaurant called The Kingsborough. It would also be a space for choir recitals, performing arts, as well as exhibitions for the visual arts and conferences. Documents state: "We want to provide an exciting new facility, which will allow a wider community to engage and understand more about the building and appreciate the unique collection of stained glass contained within the church." The layout of the new hub would contain a bar, a kitchen, private dining facilities, exhibition space and more. Care would also be taken to make the historic site accessible. A-listed Glasgow church to be transformed - here's the plan (Image: Sourced) (Image: Sourced) READ NEXT: Here's how a 'once-in-a-generation' plan could change Glasgow's waterfront Papers added: "The building most recently known as the Kingsborough Sanctuary is an A-Listed, Neo-Gothic church building designed by Glasgow Architect William Leiper in 1885 and completed in 1887. "The building was used by the Church of Scotland until 2017, for church services, community concerts, local community groups and the creative industries. "Due to declining church attendance, the congregations of both Broomhill and Hyndland united with Broomhill church chosen as the centre of worship." The site was refurbished in the 90s but there are concerns about its current state, especially due to water ingress. Glasgow City Council planning officials are reviewing the application and a decision is expected by Friday, September 5.


Boston Globe
6 days ago
- Boston Globe
When restoring historic homes, what's old is new again
Sara Berndt's dining room before renovation. Sara Berndt Advertisement The dining room after renovation. Sara Berndt In West Medford, Sara Berndt has spent the past three years peeling back layers in her home that on record dates to 1910, possibly earlier according to some newspaper clippings she found. And while her early task list was based on essentials, her curiosity grew about what was underneath the green shag carpet and linoleum. When work began on Sara Berndt's West Medford home, they found a newspaper from 1887 behind a wall. Sara Berndt 'I don't really feel the need to put our touch on things,' said Berndt, 31. 'I want to restore it to the way it was when it was built, and keep that legacy going.' Following cumulative renovations by a long-term owner — Berndt's folk Victorian home with Gothic influence was worked on in its later years by a handyman who improperly renovated a bathroom — or other factors, such as a quick flip, materials removed may be gone forever. Advertisement 'A lot of times people don't appreciate that ... and they just want to flip a house and make as much money as possible, so they just slap everything together,' said Goodwin. 'But it's a very thoughtful process.' And while a house's walls can't talk, its current stewards are now tasked with speaking for it. 'You basically have to take it all out and start over again,' said Goodwin, who advised homeowners to start by researching what the house should look like, and why it was built as it was. Sara Berndt's kitchen before renovations. Sara Berndt The kitchen after renovations. Sara Berndt For Peter Smith, who directs 'I go deeper into the ability to understand the built environment, and peel back layers to kind of read the historic fabric,' said Smith. 'It's a connection to the physical world that we only learn about in the textbooks.' Not every original aspect of the home may remain relevant to modern uses, so as you begin a restoration project, Beebe-Center said that's a good time to think about how you want it to work in addition to how you want it to look. While museum restorations might consider moldings and other architectural details, home projects require other necessities: electricity, doorbells, and Wi-Fi, for example. Advertisement A formal dining room or tiny historical kitchen may not meet your modern needs, and that's OK. Beebe-Center said the idea is to 'blend' historic aesthetics with modern practical function. That could mean opening up a tiny kitchen while preserving a stately front parlor. '[It's] being informed both by what are the practical changes that are required for this house to be functional in the 21st century, and what are the aesthetic repercussions of what we're thinking about doing, so that we can make the changes harmonious,' he said. The upstairs bathroom in Sara Berndt's house before renovations. Sara Berndt The upstairs bathroom after renovations. Sara Berndt Finding period-appropriate materials and sometimes using older methods can take longer than many modern processes. Smith said it's important to adjust timeline expectations, which quick-flip TV shows can often distort. For example, Smith sources lumber from local mills for historic timber frame construction as opposed to big-box stores. Those trained to do the work are a smaller subset within the already sought-after carpentry world — Goodwin said he's currently booking five years out. Those who work on these old homes follow different criteria based on the goals and site, from historic preservation and conservation to rehabilitation and restoration. And it could include modern renovation along with some historic details. Smith, at work on a 1725 Hanover home restoration that had experienced several modifications through the years, described his project as incorporating multiple such categories of work. To define the project, considering which time in history will be referenced is an important notion. 'You're creating a philosophy of refurbishment,' he said. When renovations were done on Sara Berndt's home, they found an 1876 map of the Guion Line US Mail Steamers behind a wall. Sara Berndt Refer to old photography and tour neighborhoods with similar period houses to find clues about colors or porch location, said Smith. Perhaps a bit of wallpaper turns up in a closet. Advertisement 'My instinct is to let the house tell the story of the house and its transitions,' he said. It can be a lot to consider, and to afford. Limit scope by focusing on just two rooms, or the facade. Starting with smaller details — moldings, door casings, and window trim, which provide historic quality — can be a good idea. And windows themselves are an often overlooked historic feature, and the most obvious style queue, said Smith. 'You have a window that lasted 150 years,' he said. 'There is no reason not to expect it to last another 150 years when it's restored appropriately.' 'They are a great quality wood, and we know they'll last for another 100 years,' said Bagala. 'And being the snobby window restorers that we are, we know that they will outlast any replacement window that is being put out there on the earth right now.' Starting with the finishes is an even lower-threshold to bring back historic character. If it's quick to pull out, it can be quick to replace, said Mike Thompson, owner of Advertisement 'It can be super simple things, like antique cast iron floor registers [after] someone stuck in crappy '80s ones,' he said. 'Literally, they don't make it like they used to,' said Thompson. 'They made stuff to last forever, if it's taken care of.'
Yahoo
20-06-2025
- Yahoo
My immigrant parents attended my Yale graduation. Seeing them on the Ivy League campus for the first time was surprisingly moving.
My immigrant parents never visited me while I was a student at Yale, but they came to my graduation. They didn't fit in with the other families, and they often apologized for their presence. It was moving seeing them on the Ivy League campus, signifying all they gave up for me. The night before I left for my senior year at Yale, my mom and I joked that we would find each other again in the next lifetime, but as classmates. We imagined ourselves sitting in the back row of some old lecture hall, whispering about which New Haven spot to try next for dinner. "And Dad?" I asked. "He would probably be in the very first row," Mom laughed. "You know he loves to talk." That fantasy came to life in May when my immigrant parents finally came to visit me at Yale for the first time. Neither of them graduated from high school in rural China, but they came to campus to celebrate my commencement. For years, complicated logistics and sacrifices kept them away. My father rarely left New York due to my grandparents' declining health, while my mother has grown increasingly reluctant to travel alone. They missed every one of Yale's annual family events. Our story is far from unique. Immigrant parents exist in a gray zone between demanding work schedules and language barriers. Plus, mounting scrutiny on non-citizens makes even domestic travel fraught with risk. I was determined that graduation would make up for the missed opportunities to bond with my parents. I just didn't expect to be so moved by their presence on campus. I coordinated the details: guiding them through train transfers, creating an ambitious itinerary of museums, libraries, restaurants, and landmarks. I even coached my mom on what to say if anyone asked for ID at any point. I also wanted them to participate in the Yale Class Day traditions: decorating personalized graduation hats, seeing the annual comedy skit, and listening to student representatives from various faiths read scriptures at the Baccalaureate Ceremony. It was my mission to make them feel comfortable at the school, but part of my motivation was selfish. Nothing meant more to me than walking across that stage, turning to the audience, and seeing their faces cheer me on. I wanted my parents to know their son was standing tall in a place that once seemed impossible. While I was excited to see them cheer, I didn't expect them to look so lost on the Ivy League campus. Other families moved confidently through the elite spaces, spoke fluent English, knew the difference between Gothic and Baroque architecture, and, in some cases, proudly returned as Yale alumni. I noticed that my mom and dad over-apologized throughout their stay. "Sorry," they said, while smiling and brushing past security. They said it again when they accidentally got in the way of a photo shoot, or when catching a break during our hike up East Rock, a mountain ridge north of campus that ends up with a breathtaking view of New Haven. "Sorry," they said as we took a rest at the base of a large hemlock. A small creek burbled in front of us, and Dad picked up a few rocks and skipped them across the water. They got close, but the rocks never reached the opposite bank. It wasn't the humility that moved me; it was the exhausting vigilance I saw in my parents. It pained me the way they tried not to inconvenience others — a broader reflection of what it means to be immigrants in our country. They were two people who grew up too fast, who put aside their differences and discomforts to join me at a place I have now become accustomed to. If college graduation is all about thrusting ourselves into uncharted waters, then this was just as much their graduation as mine. Having my parents finally on Yale's campus reminded me to cherish the moments we have together and not harp on the moments they missed over the last four years. I know they'll also miss out on important milestones as I head into med school at Stanford. Even though it can get lonely without them around to cheer me on through all my achievements, I'm proud to honor their hard work in this country. Toward the end of their three-day stay for commencement, I took my parents to Marsh Hall, where I had my first biology course as a first-year student. Seating 483 students, it's also the largest classroom at Yale. My parents went to the front of the classroom. They marveled at the Japanese chalk near the blackboard, flipped through empty blue book exams, and wondered how the projector worked. I took off my glasses, and through the blur, my parents looked like college students having fun: Mom in her emerald green dress and Dad in the dress shirt I'd bought him. They seemed too busy looking around to notice me. From the margins, watching the two people I loved most forget me, even if it was just for a moment, I was happy. Read the original article on Business Insider