
Johnny Carson's friend shares intimate details about the King of Late Night's final days
Tech mogul, Howard Smith, spent many dinners sitting across from The Tonight Show host, but the last one was different than all the rest.
Carson, who died in January 2005 at the age of 79, had invited Smith and his wife out after catching his friend at a pharmacy in Malibu.
He picked the pair up and drove them to a dinner, where they'd spend hours laughing.
'John was the funniest I've ever seen him,' Smith told Fox News. 'He went on and on, told stories about different people that he had on the show… We just laughed so hard.'
Previous dinners, they would only spend a few hours together before parting ways, but just days before his death, Carson insisted on keeping everyone out late.
'We were the first people [at the restaurant] and the last to leave,' Smith explained. 'Looking back, there must have been something going on in his head that night.
'At the end of the night, he drives us up to our house, gets out of the car. He gave both my wife Jane and me a kiss and a hug. Then he tells us: "I love you." John was not standoffish, but I'd never seen him do anything like that.
'I think he knew he was dying, but didn't want us to worry.'
Carson then took off back home and 16 days later, he passed away.
'When I think about that night, I feel he wanted to tell us that he would be okay, and that he loved us. That's the John I knew,' he told the outlet.
Smith also recalled watching his friend deteriorate.
The two often played tennis together, but eventually, it switched to coffee at John's after the comedian admitted the physical activity became too much.
'On Saturdays and Sundays, you come over to my house. I'll make you a coffee, and we'll just sit around, talk about life,' he recalled Carson saying.
The pair had played tennis multiple times a week and it created a lifelong bond, even if Smith didn't know it at the time.
'I'm still grateful for that day when we first decided to play tennis together,' he told Fox News.
Now, Smith has written a book called My Friend Johnny: The Last 20 Years of a Beautiful Life with Johnny Carson and Friends.
He wrote the book because he wanted people to see Carson as he had seen him behind the scenes.
'I wanted people to know John – the John I knew,' he said.
Carson hosted The Tonight Show from 1962 to 1992, which garnered him the nickname King of Late Night. The show won six Emmys.
The heavy smoker died of emphysema, a lung condition that causes shortness of breath, in 1999.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
6 minutes ago
- The Guardian
Sabbath, Satanism and solo stunners: Ozzy Osbourne's 10 best recordings
Ozzy Osbourne's voice was probably at its strongest and most distinctive during the great run of Black Sabbath albums of the early 1970s, before years of drugs and alcohol took their effect. In those days, his desolate wail had reach and range, and a deep melancholy. That tone was perfect for the subject of this bleak and blasted reflection on cocaine (Vol 4 was dedicated to 'the great COKE-Cola company of Los Angeles'). Osbourne sounds like a man who has been wiped clean, both terrified of and in thrall to the drug: 'The sun no longer sets me free / I feel the snowflakes freezing me.' At a time when cocaine was still considered a party drug, the fervour in Osbourne's voice as he celebrates enslavement to it is deeply unsettling – it's every bit as amoral and devout in its drug worship as Lou Reed's Heroin. It's pointless trying to extricate the sound of Osbourne himself from Sabbath as a band: at their peak, they were a single being with four heads, but a single musical will – they were perhaps the first truly monolithic-sounding band. So, inevitably, the better the band sound, the better Ozzy sounds. And, dear God, did the four of them ever combine better than on Sabbath Bloody Sabbath, especially in the 'dreams turn to nightmares' section, where Osbourne is singing at the absolute top of his range, while Tony Iommi goes to the very bottom of his to play a riff that even 52 years later sounds as though it has been dredged from some primordial sludge, rather than played on a guitar. And on the acoustic passages, Ozzy makes the perfect transition from rage to gentleness. Blinding stuff all round. Sabotage was probably the best Sabbath album, both profoundly heavy and strange and experimental. Hole in the Sky, though, was Sabbath at their most traditional and basic: a huge rolling boogie, powered by Bill Ward's swinging drums, and topped by Iommi's brutal riff. Near the top of his register, Osbourne – as on Snowblind – sounds possessed by an ecstatic emptiness, like a cult leader. Or, more accurately, a cult follower: he sounds delighted as he sings: 'I'm looking through a hole in the sky / I'm seeing nowhere through the eyes of a lie.' The contrast between Osbourne's shriek and Iommi's roil was a key component of the Sabbath sound – when Iommi was not soloing, his voice was often the only treble in the mix. Though you're never going to Osbourne looking for vocal pyrotechnics, he had a vital role in the musicality of Black Sabbath. Listen to any doom band with a growling vocalist to hear the difference his voice makes. One of the greatest of all heavy metal tracks – you can hear lightbulbs going off in the minds of a generation young musicians as it plays – has a reputation that rests largely on its riff, and its heaviness, but Osbourne brings it to life. Here, he is vicious, bordering on unhinged, his cries of 'yeah' stretching out and getting ragged as his voice fades. Symptom of the Universe depends on its power for Osbourne's commitment, because Geezer Butler's lyric is – to be honest – a bit of a dog's dinner. Osbourne makes it sound credible through sheer force of will. And in the outro – all acoustic guitars and shakers, and Latin rhythms – the desperation turns to grit, and Ozzy is suddenly a kind of soul singer. Told you this was a strange record. When it opens with that bubbling bassline, you might think you're listening to an unheard Cure song. Then the guitars and vocals come in. But where The Writ goes is entirely unexpected. Over the course of nine minutes it manages to encompass not just proto-goth, but Zep-esque storming, with bluesy flourishes from Iommi: anthemic arena rock, grinding and faintly psychedelic passages that preface a large amount of US noise rock a decade later and harpsichord ballad sections. And wherever you throw him, Ozzy sounds completely at home. Sometimes his voice was a monotone, but that meant small gradations and changes in tone really registered. The measure of how central he was to the Sabbath sound was that the band had to overhaul it to incorporate his successor, Ronnie James Dio. Banished from Sabbath, seemingly out of control and hardly likely to top anyone's list of reliable people to ask for a household favour, Ozzy needed to begin his solo career with a bang, and find a way to be something other than Sabbath Part 2, but not as good. He found it in a young, blond California guitarist named Randy Rhoads, who had been playing around Los Angeles with Quiet Riot. Rhoads, who died in 1982, helped reinvent Ozzy – something his employer has always acknowledged. His tone was bright and shiny, a polar opposite to Iommi, and he played with flash and flair – this was the sound of rock guitar to come, and a clean break for Osbourne. For their first single together, Rhoads brought a killer riff, and Bob Daisley gave Ozzy a perfectly self-aware lyric to acknowledge his public perception: 'I'm going off the rails on a crazy train.' Sign up to Sleeve Notes Get music news, bold reviews and unexpected extras. Every genre, every era, every week after newsletter promotion The other signature song from the first Ozzy record, Blizzard of Ozz, gave him a lyrical subject on-the-nose enough to reassure the old Sabs fans that their hero had not strayed too far. You don't release a single about Britain's most famous satanist if you want to let people know you've changed from your old, evil ways. The version on the album was clunky, which was perhaps why a live cut was selected for the single. Ozzy is fine, but no one is really pretending the hero of this recording is anyone other than Rhoads. After Don Airey's portentous keyboard intro, it is Rhoads who provides the crashing riff – just evil enough, but no Sabbath parody – and he who provides the two guitar solos that helped cement his international reputation. Rhoads shredded, but played with melody – he didn't just cram notes in, but made them do things other hard rock guitarists were not contemplating. Arguably the standout moment of Rhoads' career, it's also a song that illustrates that long before experimental metal was a thing, the genre was far from being unimaginative. Diary of a Madman – and yes, the title is once again on the nose – was an extraordinary song of shifting moods, and Osbourne singing a lyric that is not in the least cartoonish but a darkly empathetic account of mental illness, of someone utterly trapped in their own despair. A technically better singer might have been tempted to overemote, but Ozzy keeps the mood, allowing the music – by the end there's an operatic choir – to provide the drama, while he offers the feeling. Ozzy achieved huge commercial success through the 80s without touching the heights of the two albums with Rhoads. There were high points, but there was a fair amount of hair-metal awfulness, too. Ozzy himself long described 1986's The Ultimate Sin as the worst record of his career, no matter it going double-platinum in the US. No More Tears, though, was the toughest and best album in a decade, guitarist Zakk Wylde and producers Duane Baron and John Purdell giving him a completely sympathetic backing. The album opener reconfigured Osbourne in villainy and horror, but of a much darker and less fantastical hue than in the devilish days: Mr Tinkertrain is written from the perspective of a predatory paedophile, a creepy lyric with a perfectly judged backing, that manages not to overstep the mark from horror into prurience. The seven-minute title track of No More Tears was commercial metal par excellence: epic and grand and stirring without becoming overbearing. And, because it was Ozzy, this one was sung from the perspective of a serial killer. This was another case of a band performance bringing out the best in Ozzy: he sounded stronger than he had in years, actually weird and dangerous rather than acting out a pantomime of weirdness and danger. His singing behind the beat in the pre-chorus, dragging out the syllables, is genuinely creepy. Even in the year of Nirvana's Nevermind, an on-form Ozzy was still a metallic force to be reckoned with: No More Tears ended up going quadruple-platinum, his second most successful after his first solo record. It deserved its success; it was also his best record since that debut.


Daily Mail
37 minutes ago
- Daily Mail
Aldi Australia announces the return of hundreds of discontinued viral favourites - but only for a limited time
If you needed another excuse to plan your next Aldi run, this week's national announcement might just be it. The budget supermarket has just dropped its biggest Limited Time Only range of the year, featuring more than 250 fresh and returning foodie favourites, starting from just 99 cents. Among the viral snack sensations making a comeback include the now iconic Farmer Jo Pistachio Spread ($9.99), a creamy, nutty jar of heaven that had shoppers in a frenzy last time it landed on shelves. Whether shoppers after fuss-free party starters, addictive snacks, or decadent desserts, the lineup is bursting with bold flavours, clever convenience, and serious bang for buck. 'This range is all about enjoying top-notch treats, speedy snacks and tasty desserts that are still easy on the wallet,' said Aldi Shopping Expert, Kylie Warnke. 'We're constantly on the lookout for new tasty goodies and to bring back crowd favourites for our customers, especially when it comes to adding delicious sensations to our Limited Time Only range.' From White Chocolate Dipped Mango to Mexican Beef Arancini, there's a lot for fans to keep an eye out for before they sell out completely. Because like all good things, this drop won't last forever. However, it's the Farmer Jo Pistachio Spread is generating the most buzz online. At just $9.99, the rich, silky spread is everything pistachio lovers dream of and is perfect spooned onto toast, swirled through porridge or devoured straight from the jar. 'Looking forward to trying this out when it drops on July 23rd!' one fan wrote. 'Love a good pistachio spread, especially with those dietary-friendly options.' 'Yeah the vegan stuff, finally,' wrote another. This is part of Aldi's Limited Time Only snack stash, which also includes, Frozen Pretzels ($6.49), Brioche Cinnamon French Rolls ($4.99), Oh So Natural Mushroom Chips ($4.99), Sol Brothers White Chocolate Dipped Mango ($3.99), Lolliland Sour Straps ($1.79) and Tom and Luke Snackaballs ($5.99) for guilt-free grazing. 'I've been waiting soooo long!' one fan commented about Aldi's cult Ltd Edition Frozen Pretzels returning. 'I spotted these limited time items at Aldi in Greensborough, Vic today. All in the freezer section,' another added after spying the pretzels in store. If hosting a get-together Aldi's new 'Let's Party' range can also do lot's of the heavy lifting. Think, flavour-packed finger foods that look fancy, taste amazing, and go from freezer to table in under 40 minutes. According to the Aldi Fans Australia Facebook page, standouts from this range include, Mexican Style Beef Arancini ($4.99), Herb & Cheese Cauliflower Bites ($4.99), BBQ Pork Spring Rolls ($4.99), Tandoori Spiced Naan Bites ($4.99), Prawn Laksa Spring Roll Cones ($4.99) and the World Kitchen Burek ($10.99). And of course, no Aldi haul is complete without dessert, and the new Limited Time range has something for every kind of sweet tooth. Aldi super fans say the essentials to stock up on fast include Sweet Haven Mini Churros ($4.99), Food Envy Cheesecakes ($4.49), White Mill Cake in a Mug ($3.99) and the Belmont Biscuit Co Cookie Cups ($2.49). 'Desperately waiting in WA, but I have the feeling we are missing out here,' said one impatient shopper. With prices starting at just 99cents, every item is set to disappear fast, but if history's anything to go by, viral hits like the pistachio spread and pretzels will be the first to fly off shelves first.


Daily Mail
an hour ago
- Daily Mail
EXCLUSIVE Blake Lively's life IN HIDING: Allies tell why she 'doesn't want to be seen out'... and who she's leaning on as famous friends desert her
Where has she been? After months of endless exposure – largely thanks to her protracted legal battle with Justin Baldoni – Blake Lively has been noticeably absent from the public eye in recent weeks.