Watch the moment Shakira kicks off furious new Love Island feud with Helena – and two bombshells enter the villa
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THE fall out from last night's Heart Rate Challenge is set to dominate tonight's episode of Love Island as Shaikra kicks off BIG time.
The feisty Islander is not happy after the results revealed Harry's heartbeat was raised for Helena - and she soon finds out why he got so excited.
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Love Island viewers will see Shakira rage about Helena tonight
Credit: ITV
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Shakira is fuming with Helena following her antics last night
Credit: Eroteme
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It came after she whispered a naughty message in Harry's ear
Credit: Eroteme
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Shakira wasn't a fan of the game's results
Credit: Eroteme
Tonight's episode is set to be filled with high drama and new bombshells.
First the drama, and it will all kick off when Shakira finds out what Helena was up to during the latest sexy challenge.
In last night's Heart Rate Challenge she made her desire for her ex Harry clear when she whispered a raunchy message in his ear.
Kneeling on the floor, she suggestively sucked his finger.
She then whispered in Harry's ear: "I want to f*** you."
Afterwards, the results of the challenge were revealed and it turned out Helena's routine got Harry's heart racing more than any other girl.
The fall out from this will play out on tonight's episode when Shakira finds out what Helena said to he man.
The next day, some of the other girls fill her in on Helena's saucy message to Harry, and Shakira is not happy.
In a sneak peek to tonight's episode, Alima is heard telling her: 'Helena whispered on his ear, 'I can't wait to f*** you' and I think that's the reason why his heart went like that.
"He knew that she whispered that and I think he should have told you last night…'
Love Islang girl looks very smug after the results of the Heart Rate Challenge
Yasmin then added: 'He replied something back to her.'
Confirming this, Toni revealed Harry said, 'Do you still wanna f*** me?'
A raging Shakira is then heard saying to her friends: "Now I know why everyone's f**king whispering and laughing and expecting me to kick off at him. Helena can f**k off!'
NEW BOMBSHELLS
However, it's not all doom and gloom for Shaikra tonight as she'll soon get a text revealing she has been asked on a date by new bombshell Ryan.
When she gets the news, she is heard saying: "Talk about perfect timing!'
The Sun revealed earlier today TWO brand new Islanders have arrived in the villa
Ryan is one of them, and he will be joined by new girl bombshell Bilikis Azeez aka Billykiss.
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an hour ago
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Close Encounters has a similar documentary feel, but its benevolent musical aliens and flattering vision of humanity are the Pollyanna to Quatermass's Greta Thunberg. Like its predecessors, the series was written by Nigel Kneale, a man whose talent was for thinking, 'What's the worst that could happen?' and then trebling it. (He was married to Judith Kerr, creator of Mog and The Tiger Who Came To Tea – never were opposites more attracted.) The reviews slated Quatermass for being a slow downer, and for featuring hippies as a main plot element, which in the age of punk rock made it seem dated. (In fact, Kneale had written the script years before, but the gestation process of television had kept it incubating for a decade.) But Kneale was 46 years too early; this Quatermass is the dystopia for our time. The Britain of Quatermass is beset by blackouts, fraying infrastructure, and the rise of private security in place of a defunct police force. OAP Professor Quatermass himself has retired to the country, and doesn't realise how catastrophically far things have fallen until he enters London at the start. The cities are torn apart by gang warfare – he is brutally mugged in the opening moments, which sets the tone for the whole thing. Television itself is represented by the Tituppy Bumpity Show, a pornographic entertainment for kids complete with furries, dildos and rainbow-bright cut-outs which looks exactly – and I do mean exactly – like an LGBTQ+ event in schools, or one of Channel 4's self-satisfied excursions into 'inclusivity'. And there's a generation gap – well, more of a canyon. We meet a youth cult-cum-protest movement called the Planet People, whose members look exactly – and I do mean exactly – like our own Just Stop Oil/Antifa/Queers for Palestine marchers, though slimmer and cleaner. (Amusingly, both Corrie's Brian Tilsley and Toyah Willcox can be seen among this throng.) The wilful ignorance and smugness of the Planet People – 'Stop trying to know things!' one of them shouts at our hero – are very reminiscent of the recent Glastonbury crowds chanting ' Death, death to the IDF '; though regrettably our real-life modern Planet People aren't scooped up in huge bursts of 'lovely lightning' to be gobbled up at a space buffet. For the drama unfolds to reveal that all the decay and dissolution is not accidental or pointless, as in real life, but the work of an alien intelligence that's harvesting delicious young human meat. The Planet People are following an implanted instinct – they literally are a herd – and the human race is so much pâté de foie gras, nom nom nom. Our civilised periods are just fattening-up exercises, human dignity merely our rations of fodder. The earth is a battery farm. Horror is about tapping into primal human fears, but Kneale was unique. Because he not only does that, but he tells you that's what he's doing, as he is doing it. Quatermass is obviously dated in other ways. We have an old man as the hero, and a white, middle-class old man at that. It's age, experience, Western science and culture – mixed with Jewish ingenuity – that are the only hope of saving the day. Imagine trying to get that past TV execs today – a show with a leading man aged 71 would be unthinkable. As in all Kneale's work, though, female characters are up front. Brenda Fricker, Barbara Kellerman and Margaret Tyzack all play competent, intelligent professionals. Unlike modern TV, this feels perfectly unforced – they're just there. Quatermass, like a lot of 1970s drama, (think of Upstairs Downstairs, I, Claudius, Rock Follies) has an outspokenness, and casually assumes its viewers are intelligent and paying close attention. The production values of these shows are often rotten by our standards (though not in this case – it looks amazing, bar a plasticky stone circle), but they confront very uncomfortable subjects – race, sex, violence – in ways that ours stick flimsy plasters over. Watching when I was aged just 11, Quatermass gave me the willies. The aliens, not so much; it was the bleak future of Britain that shook my infant soul. In the intervening years, I sometimes thought back and chuckled complacently at Nigel Kneale – well, he got that wrong, I worried for nothing. But looking around us in 2025, I'm not so sure. Come, lovely lightning, and drop on us!
