
America Has Gotten Coretta Scott King Wrong
I had learned about Hatch in the process of researching Coretta Scott and Martin Luther King Jr.'s life and political partnership for my own book, King of the North: Martin Luther King Jr.'s Life of Struggle Outside the South, and was excited to find that some of the transcripts and audio recordings of those interviews had survived in papers Hatch had donated to the University of Florida. As I listened to one of the recordings, something started to bother me. Scott King didn't sound the way she did in My Life With Martin Luther King, Jr. The surviving transcripts of the interviews were a chaotic, incomplete mess—but even so, they were quite revealing: The details of Scott King's ideas were different and more substantive, her perspectives fiercer and more contemplative, than what was portrayed in the book.
And then I found something that explained why—a folder that contained letters between Hatch and Mayerson. When Mayerson sent Hatch the interviews for him to begin ghostwriting the autobiography, she explicitly instructed Hatch that although Scott King talked a 'vast amount' about herself and her family background, 'it is urgent that the focus of the book be on Martin, not on Coretta.' Despite choosing a white male ghostwriter who did not know Scott King, Mayerson wanted a 'very female, personal, and sentimental story' in a 'tone that is more like the Reader's Digest.' Mayerson's racial blinders shone through—telling Hatch that Scott King had a 'certain cold bloodedness in her attitude toward whites.' When Mayerson questioned her about the death of Andrew Goodman and Michael Schwerner, two white Freedom Summer volunteers killed in Mississippi in 1964, she said she was 'sad that they died,' but 'felt that it was an important event because it made the white community more aware of the problems than any number of Negro deaths would have done.' As I listened to the few recordings and read through the surviving interview transcripts, I noticed how Mayerson interrupted Scott King frequently during the interviews, her incredulity at some of Scott King's answers coming through clearly.
Months later, as Hatch started to show Scott King draft chapters of the book, both Coretta and her older sister Edythe raised objections to the book's tone and lack of attention to their family's work. Hatch was dismissive, telling Mayerson, 'I deliberately wrote it with very simple language that I believe would have a special appeal for the critics.' He instructed Mayerson to call in the 'big reserves' to intimidate Coretta to acquiesce.
'I am made to sound like an attachment to a vacuum cleaner,' Scott King had observed about the ways she was often represented in public discourse: 'the wife of Martin, then the widow of Martin, all of which I was proud to be.' This had even been true in her own 'autobiography.' 'I didn't learn my commitment from Martin, we just converged at a certain time.' Although a number of biographers since then have taken note of her politics before she met Martin, she largely disappears as a political actor throughout his life and leadership, until she moves to carry on his legacy after the assassination.
Scott King saw the deficit partly as a result of who was doing the telling. At one of the first conferences of King scholars, in 1986, she said to those gathered, 'The next time we have a conference on him, I want to see more women scholars. He allowed me to be myself, and that meant that I always expressed my views.'
Theirs was a political and intellectual partnership from the beginning. King married a feminist intellectual freedom fighter with unflinching determination, and he could not have been the leader he was without her. Scott King's activism—her understanding of the evils of racism, poverty, and militarism—started before her marriage, complemented and influenced her husband's work, and extended well beyond his assassination, in 1968. She was the family leader on issues of peace, war, and the economy. Although their relationship hewed to certain gender conventions of the time, particularly because of King's belief that she be the one to stay home and raise the children, it challenged other dominant social mores. Both refused to 'stay in their lane' despite immense pressure; they prioritized a life of struggle over a safe or materially secure family life, she spoke her mind both privately and publicly, and he relied on her thoughts and on her unwavering commitment to keep going.
Coretta was more politically active than Martin when they met. She had grown up in a proud farming family in Alabama who owned their own land. The family was harassed and threatened repeatedly. When her father started transporting lumber, a business reserved for white people, whites torched their house to the ground. And when her father refused to sell his business to a white man, whites burned the business too. Those experiences and the pride that her parents instilled in her helped prepare Coretta for what she would encounter as an adult. Growing up, 'I was tough,' and liked to fight, she told Mayerson in 1968—something that didn't make it into the book.
Her mother was determined that her daughters would get a good education, and sent them to the Lincoln Normal School, in Marion, Alabama. Coretta and Edythe then became the first Black students in decades to attend Antioch College, in Ohio. Coretta majored in music and education and got involved in numerous civil-rights and anti–Cold War efforts. She was introduced to the Progressive Party, which was created to challenge both the Democrats and Republicans on U.S. segregation and Cold War militarism. In 1948, she supported Henry Wallace for president, and attended the Progressive Party Convention in Philadelphia as a student delegate (one of about 150 African Americans at the convention). Through her Progressive Party activities, she met both the singer Paul Robeson and the activist Bayard Rustin, and heard the playwright and activist Shirley Graham (who would marry W. E. B. Du Bois three years later) give a powerful speech.
Seeking to pursue a music career, Coretta moved to Boston to attend the New England Conservatory of Music. There, through a friend, she met Martin, who was getting his doctorate at Boston University, in January 1952. They talked about racism and capitalism on their first date. Martin was smitten; he'd never met a woman like her. At the end of that date, he told her she had 'all the qualities he wanted in a wife—beauty, personality, character, and intelligence.' She was incredulous, telling him, 'You don't even know me.' But she agreed to another date. She was impressed with his vision and determination to change the country. And Martin was a good listener; he didn't judge. Their romance blossomed. Still, she worried that becoming a minister's wife would make her life small. It took her many months to decide whether to marry him. When they did wed, in June 1953, she refused to wear white and made her imposing father-in-law take 'obey' out of their vows, because it made her feel 'like an indentured servant.' She would keep Scott as her middle name, which she then always used, becoming Coretta Scott King for the rest of her life, unlike many women of her generation. Many journalists and public officials would refuse to recognize that, referring to her only as 'Mrs. Martin Luther King.'
Coretta's steadfastness came out early. Seven weeks into the Montgomery bus boycott, on January 30, 1956, the Kings' home was bombed. Both Coretta and their two-month-old baby, Yolanda, were home. Hearing a thump, she moved fast, succeeding in getting them out unscathed. Furious and terrified by the news, both Martin's and Coretta's fathers came to Montgomery to tell them to leave immediately—or, at the very least, to get Coretta and Yolanda out of there. The pressure was immense. 'I knew I wasn't going anywhere,' Coretta recalled in a 1966 interview with New Lady magazine. The next morning at breakfast, Martin was grateful: 'You were the only one who stood with me.' Had she flinched in that moment, as I wrote for this magazine in 2018, the trajectory of the bus boycott and Martin's emerging leadership could have been very different.
From that night on, they lived with the understanding that if they continued in the struggle, she too might be killed. Martin had to reckon with the possibility of Coretta's death, just as she had to reckon with his. When he grew frightened, she would remind him that the movement was bigger than they were. In key ways, the Kings were forging a way of family life and leadership different from that of many of their generation and their parents, by rejecting the 'promise of protection' that good men were supposed to provide and prioritizing a life of freedom fighting instead.
Martin came to rely on Coretta's unflinching steeliness. The one time she broke down terrified him. In 1960, King was arrested at an Atlanta sit-in; when the others were released, the state dredged up an old traffic charge to keep him, transferring him hundreds of miles in the middle of the night, his hands shackled to the police-car floor. He thought he was going to be killed. Then, when the judge sentenced him to four months' hard labor, Coretta, frightened, exhausted, and six months pregnant, started crying. Martin was shaken: 'Corrie, I've never seen you like this; you have to stand up for me.' In many ways, he relied on her strength.
In her own activism, Scott King came to zero in on global peace and anti-colonialism. In 1962, when their third son, Dexter, was not even 2 years old, she joined a Women Strike for Peace delegation for a multination disarmament conference in Geneva, Switzerland, to pressure the United States and the Soviet Union to sign a nuclear-test-ban treaty. As Scott King told the press, 'The rights that we had achieved were meaningless unless there was a world to exercise those rights.' The punishing climate of the Cold War—in which people were slandered for their political beliefs, called 'un-American,' and in some cases even fired from their job—led many people, both Black and white, including many activists the Kings knew, to stay away from such global politics. But Scott King pushed forward, the Geneva trip deepening her global commitments. In 1963, she led a march to the United Nations carrying a sign saying Let's Make Our Earth a Nuclear-Free Zone, where a delegation met with UN Secretary-General U Thant. Scott King then left New York City for another Women Strike for Peace action in Washington, D.C., telling the press she was proud to be identified with the peace movement. 'I can never be free until every black man from Johannesburg, South Africa, to Jackson, Mississippi, is free.'
After King won the Nobel Peace Prize in 1964, she saw a heightened responsibility for both of them to the global community, as My Life With Martin Luther King, Jr. notes. She spoke out against U.S. involvement in Vietnam and became 'the family spokesperson on the peace issues,' though the book gives this part of her life very scant treatment. One reporter pushed King on how he had found such a political companion; had he trained her in this direction? King laughed and then responded, 'It may have been the other way around. When I met her, she was very concerned with all the things we are trying to do now … I wish I could say to satisfy my masculine ego that I led her down this path but I must say we went down together.'
Scott King tried unsuccessfully to persuade the Southern Christian Leadership Conference in 1965 to take a stand on Vietnam. At an SCLC retreat in early 1965, she explained how the war drains 'resources from education, housing, health, and other badly needed programs,' making clear to those gathered, 'why do you think we got the Nobel Prize? … Peace and justice are indivisible.' She understood that they had gotten the award, and thus the responsibilities demanded of them around racism, poverty, and militarism.
To be a peace activist in 1965 was to be seen as un-American, but Scott King was 'beyond steel,' as a fellow activist noted. In May 1965, bucking Cold War pressure, she addressed the Women's International League for Peace and Freedom conference on the topic of 'Peace, Jobs, and Freedom,' and then in June she spoke before a crowd of 18,000 at the Emergency Rally on Vietnam, in Madison Square Garden. For this work, in March 1966, the FBI put her in a category of 'subversives.'
In September 1965, after a meeting at the UN, King denounced the U.S. bombing of North Vietnam. President Lyndon B. Johnson was furious. Congressmen questioned King's patriotism, and newspapers editorialized against him. Feeling the pressure, in November, he backed out of an address to a D.C. peace rally, but Scott King kept her commitment and spoke. Addressing the 25,000 gathered, she underlined that 'unless America learns to respect the right to freedom and justice for all, then the very things which we hold dear in this country will wither away in the hypocritical ritual of the preservation of national self-interest.' Following her appearance, a reporter asked King if he had educated his wife on these issues. 'She educated me,' he replied. In fall 1966, Scott King joined the steering committee of what became the National Mobilization Committee to End the War in Vietnam. She was leading not just her husband on this issue, but the nation. King would make his historic anti-war speech from Riverside Church on April 4, 1967.
In the last six months of his life, King turned to building the Poor People's Campaign. Although many in SCLC balked, Scott King was already on board. The idea for the PPC was that a multiracial army of people from across the nation, drawing from local groups across the country, would descend on D.C. and stay there to force Congress to 'see the poor' and act. Just weeks after King was assassinated, Scott King continued that work, kicking off the PPC from the Memphis balcony where he had been killed. At a Mother's Day march of welfare recipients in D.C. the following week, she highlighted the violence of U.S. political priorities. 'Neglecting schoolchildren is violence. Punishing a mother and her family is violence … Ignoring medical needs is violence. Contempt for poverty is violence. Even the lack of willpower to help humanity is a sick and sinister form of violence.'
Scott King's story is a reminder that many of the histories we tell, even of one of the most well-known Black families in history, are deeply inadequate. 'I keep seeing these books that come out, and there are so many inaccuracies,' Scott King herself observed in a 2004 interview. 'And that becomes history if you don't correct it.' America needs the true story of its history, and part of that story was the bold, brilliant advocacy of Coretta Scott King.
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Los Angeles Times
2 days ago
- Los Angeles Times
Britney to Backstreet Boys: How Max Martin's biggest hits became the soundtrack for the musical ‘& Juliet'
He's one of the biggest name in show business — and it's possible you've never heard of him. At 54, Swedish songwriter and record producer Max Martin has written more No. 1 singles than any artist, aside from Paul McCartney. He counts Taylor Swift, Britney Spears, Katy Perry, Ariana Grande and the Weeknd among his collaborators, but he's so low-key and humble that he refers to his music career as his 'day job.' That would make musical theater Martin's passion project. Specifically the creation of a jukebox musical called '& Juliet,' which strings together some of his biggest hits in service of an uproarious, feel-good plot that reimagines the heroine of Shakespeare's famous teenage tragedy as her own woman — one who doesn't decide to stab herself in the heart when her main squeeze drinks poison. Success was important to the show, mainly because Martin wanted to do right by his A-list collaborators, all of whom gladly agreed to allow their songs to be included in the score. Featuring a libretto by playwright and TV writer David West Read, choreography by Jennifer Weber and nearly 30 hits by Martin, the stakes felt very high going in. 'I have written a lot of these songs with other people, so I felt a huge responsibility towards the artists and the co-writers, that this needed to be something really extraordinary,' Martin said. Martin had recently flown in from Japan, just in time to catch '& Juliet's' L.A. premiere on Friday at the Ahmanson Theatre. It felt like a homecoming for the show because many of its most memorable songs were recorded in L.A. Thanks to earworms including Katy Perry's 'I Kissed a Girl,' Backstreet Boys' 'I Want It That Way' and Justin Timberlake's 'Can't Stop the Feeling!,' '& Juliet' has a proven track record. It has survived and thrived for almost seven years, scoring nine Olivier nominations — and three wins — during its initial run on London's West End; and earning nine Tony Award nominations during its 2022 Broadway debut. It recouped its cost last year and is the only show from the 2022-23 Broadway season that is still playing. In the risky world of musical development, where nearly 80% of Broadway producers fail to get back their investments, this is considered a major win. Martin was unassuming as he and Read broke down how the project came to life in a conversation that highlighted Martin's deep commitment to the musical and his desire to share the limelight with every single actor, producer, creator and crew member who helped bring it to life along the way. Martin's wife, Jenny, came up with the concept of a musical featuring Martin's catalog. 'And I was like, 'Sure, how hard can it be?'' he said with a wry smile. 'We were very naive going in.' A few years passed during which time they took some meetings and spitballed ideas. Nothing stuck until 2013 when they had a four-hour dinner with producers Theresa Steele Page and Tim Headington. Page was an executive at a music management company and Headington had produced films that included 'Argo' and 'World War Z.' The pair had decided to try their hand at a jukebox musical, Headington explained in an interview, and when they put together a list of songs they wanted to include, they realized almost the entire list had been written or co-written by Martin. Page set up a meeting with Martin's manager, Martin Dodd, who initially told them there was no way Martin's music could be licensed for a musical — that changed after their dinner at the Peninsula hotel in Hollywood. 'Max was so generous. He said, 'Hey, you can have my catalog. You can change words if you want. You can change context, but let's make this great,' said Headington. 'So now we have the best pop musical catalog in the world and we've got no story.' Page got to work looking for a writer, a process that involved many dead-ends and far too many pitches about, 'a local coming out of Louisiana and now she's a star,' Page said. 'Or it was a complete retelling of 'NSync or Backstreet Boys, and we said we do not want anything that's close to what we worked on, because we're still friends with all those guys and we want to have that separation.' Enter Read. The young writer was about to get a gig on the hit comedy 'Schitt's Creek,' for which he went on to win an Emmy. He was recovering from a concussion and had been advised by doctors to stay in a dark room so he could heal, Page recalled. During that time he listened to Martin's catalog on repeat and ultimately presented the completely left-field concept for '& Juliet.' Page called Headington immediately and said, 'We found it.' Then they flew Read to L.A. to pitch Martin in his studio, and Martin agreed. From the beginning it was crucial to Martin that the story stood on its own — without the music. 'We didn't want to shoehorn the songs into the story,' he said, nodding in appreciation at Read. 'I don't understand how you did it, David. How you made it feel as if these songs originated from the story.' Read said the best part for him was being given free reign to use whatever music he saw fit from Martin's catalog without any demands about how he did it. 'There are some of Max's most famous songs,' he said, noting that there was no way he wasn't going to use Spears' chart-topper '... Baby One More Time.' 'But then there are also these lesser-known, but still incredible songs, and part of what works is that balance.' Martin invested himself and his time wholly in the endeavor from the jump, including collaborating on the orchestrations. 'This busy man spent hours of his time hanging out with us in the rehearsal room, giving us his original ideas for some of these songs and telling us some of the meanings behind them,' said Rachel Simone Webb, who plays Juliet in the North American tour and served as an understudy for the same role in the 2022 Toronto production. 'And every time he started speaking, it was dead silent in the room, so that we could listen and just understand his mind and glean ideas from this icon in the rehearsal room.' Webb said she has heard people call Martin the 'Shakespeare' of pop music. Webb also sang the part of one of Romeo's exes for the official cast recording and recalled that Martin was there giving notes and collaborating with the cast. Martin even recorded one album with the British cast and another with the American cast, Read said. 'Max treated this like his new album,' he said. 'And for the cast to be in the studio with him and have the experience that so many of these world-famous artists have had, that was incredible and that was a surprise to all of us.' Will Martin write another musical from scratch now that he's established himself in the theater world? He smiles demurely. Not just yet. He's still got his day job.


Buzz Feed
2 days ago
- Buzz Feed
30 Walmart Parenting Products You'll Use All The Time
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I got this to replace my first baby monitor that was on the fritz, and as someone who *didn't* have the app ability before, this is a GAME CHANGER. Price: $89.90 A pack of disposable table toppers for airplane seat trays and restaurant tables. These make cleanup so much easier that you won't have to stress about de-sticking fruit snacks from surfaces outside the comfort of your own home. Price: $7.97 for a 36-pack An ocean-themed baby activity center reviewers love for its grow-with-me functionality, safety, and ability to keep babies entertained for more than three minutes while you, like, run to pee by yourself or something luxurious like that. Promising review: "My son has loved this since he was 6 months old, and it has helped him learn how to entertain himself and cope with our 'absence' when we leave the room. He loves the jumping motion and even has started to put the little sand dollars into the bucket. 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Also, it comes with different sizes — fit for baby or toddler!" —JanellePrice: $20.39+ (originally $79.99, available in two colors) An Ingenuity 3-in-1 baby bouncer to have a safe place to let your baby bounce and play without you having to worry about them suddenly learning to crawl and taking off for the great wide yonder. (Which we all know is *probably* not going to happen the moment we turn our backs, but this eliminates the fear altogether. 😂) Promising review: "This has been a great addition to our arsenal. Lightweight and easy to move around. I appreciate that the vibration is easy to remove and change the batteries, so I can still do it while baby is in the bouncer." —Walmart customerPrice: $59.99+ (available in three colors and two patterns) A bedside sleeper bassinet for easy night feedings and snuggles. It butts up right against the bed, so no aerobics are necessary to get to your little one when they're hungry or need some comfort in the wee hours. Work smarter, not harder than you already are! Promising review: "This has been a lifesaver! Having had a C-section, this has really made it a game changer as I can sit and access my newborn instead of bending over. It has a great little shelf on the bottom, and the side zips open and closed. I love that I can also push it around, and it doesn't feel flimsy. Wish I would have known about this style with my previous kids." —sande276Price: $85.79 (originally $159.99, available in two colors) A Baby Brezza bottle sterilizer which happily lived on my counter for a long time because it can sanitize EVERYTHING from bottles to pacifiers to teething toys with the press of a button. Bye-bye, annoying stove method, hello getting some time (and brain cells!) back. Promising reviews: "This sterilizer is great. Easy to operate. Bought a second one for grandma's house." —Stephanie "In 30 minutes we have sterilized bottle. I wish this product had been around for our first grandchild. 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Save your baby (and yourself) from the ick of being unprepared by having this cute-as-a-button folded up dream in your diaper bag always. Promising review: "The kit is exactly as pictured. It is the perfect size for baby. The area for the wipes and diapers is quite big too, which makes it perfect for storage!" —BrayleaPrice: $15.99 A stain-treating spray you'll want to keep on hand during the baby years and beyond for its amazing stain-fighting power against spilled food, spit up, and mud. Promising review: "BEST STAIN REMOVER EVER!!!!!!!!!!! Coming from a mother of 10!! Eight of them are very muddy boys!!!!!!" —MichellePrice: $7.97 A grocery cart cushion perfect for your next in-person Walmart trip so your little sidekick can come along on your bargain-hunting adventures. Promising review: "Great purchase. I use it every time I take my baby with me. Fits carts and high chairs." —PerezPrice: $28.94+ (available in three designs) A baby car camera even the Spy Kids would envy for how efficient and affordable it is. No more awkwardly angling your rearview mirror to try and catch a quick glimpse of your snoozing (or squalling) baby: Just position the camera on your dashboard for easy and safe viewing (when stopped, of course). Promising review: "This camera is awesome! It has very good video quality and definitely keeps me at ease being able to see my baby in the back!" —AnnaPrice: $31.99 (originally $49.99) A Frida Baby 4-in-1 bathtub so you don't have to worry about cleaning out your sink or baby-proofing your bathtub in order to give your little a wash. This grows from newborn to up to 24 months and the sling is machine-washable! Wins all around. Promising reviews: "The bathtub is wonderful. Love how you can use the adjustments. Baby likes it too." —Donna"All around great product for newborn to comfortable tub-sitter age." —SamanthaPrice: $33.24 (originally $45.47) A baby diaper caddy organizer because even the tightest diapering routine can involve a lot of stuff, and it's so much easier to have it all in one space, especially if your home has several floors or changing stations. (Psst, I also used mine for breast pump transpo!) Promising review: "The bag was bigger than I expected and was 109% sturdier than the other one I bought. Would definitely gift this to someone at a baby shower." —BianhkaPrice: $24.95+ (available in two sizes) A Munchkin wipe warmer and dispenser you'll love no matter your climate because trust me: As someone living in Texas where "warming" isn't usually a concern, this dispenser also keeps the diapers moist, so you don't have to worry about a whole pack going to waste because it accidentally dried out. The night light is also perfect for late-night diaper changes without light-blinding you or your baby. Promising review: "Ordered this last minute after getting home from being discharged with my baby. I quickly realized cold wipes make my diaper changes harder, so I ordered, and it's easy to load and use!!" —TaAaliyahPrice: $15.48 (originally $30.75) A Bluey and Bingo cookbook to help get your kids psyched about helping out in the kitchen. This has 13 recipes including Chile and Bingo's omelet, Shadowlands cupcakes, and Nana's ice blocks! If you've got a picky eater, sometimes getting them involved in the kitchen can get them excited to try new foods. Promising review: "Really cool cookbook. We're big Bluey fans in my house, so everyone was so excited when it arrived. There's a good variety of food to make, and if you're not from the U.S., it's got a lot of nostalgic recipes too! If you're debating buying this, don't. It's been a family night activity for months now. It's genuinely worth the purchase!" —MaverickPrice: $7.76 (originally $9.14) A pair of noise reduction ear muffs that'll cut back on the noise in your little's ears by 23 decibels and help muffle loud travel sounds whether they're awake or asleep. Promising review: "These worked great for my 2-month-old. The headband part adjusts nicely, and the headphones cover the ears well. Plus, they are super cute." —JuliePrice: $15.30+ (available in three colors) A tin of Welly color-changing bandages to give you peace of mind for any bumps and ouchies that your baby might get on the go. The colorful (and secure) bandages are so cute that you should be prepared for your kiddo to request more than one for ~aesthetic~ reasons. They change color in the sun, perfect for summer!Price: $6.94 A Munchkin portable UV light sanitizer because you know the second you find the dirtiest floor, that pacifier is going down. This will have your binky sanitized and ready to go again in just under a minute! Price: $18.69 (originally $29.95)


The Onion
4 days ago
- The Onion
George R.R. Martin Finally Finishes Writing Sequel To ‘Erin Brockovich'
SANTA FE, NM—Stressing that fans of the franchise were about to be richly rewarded for their patience, author George R.R. Martin announced Tuesday that he had finally finished writing his sequel to the 2000 film Erin Brockovich . 'At long last, the wait is over—my script for Erin Brockovich 2: A Kiss Of Chromium is officially complete!' Martin said in a press statement, adding that the project had stalled as a result of his involvement in other creative ventures, as well as his perfectionism and desire to give the Erin Brockovich character the ending he felt she deserved. 'It took more than a decade of hard work to build out the setting of California enough to make this sequel feel real. But I think fans are ultimately going to be glad I took my time writing it, even the ones who spent years badgering me to hurry up! Now that it's complete, I have plans for a prequel series set 8,000 years before the original Erin Brockovich .' At press time, Martin had reportedly delayed the sequel for rewrites after spoilers about Erin Brockovich's life leaked on her Wikipedia page.