
Lady Gaga's Half-Decade-Old Hit Stands Out As It Climbs
Lady Gaga claims a trio of hits in the United Kingdom this week. Two come from her most recent album, Mayhem, which is still performing well on multiple rankings. The third of the superstar singer's successful tracks at the moment has nothing to do with her latest era.
In fact, it was released well over half a decade ago. It stands apart from her other two current smashes thanks to its longevity and the fact that it's climbing after so much time.
'Always Remember Us This Way' appears on two U.K.-based lists this frame. Despite having already spent more than two years on both the Official Singles Sales and Official Singles Downloads charts, it is on the rise. The smash bolts back into the top 40 on both of those tallies. 'Always Remember Us This Way' jumps to No. 35 on the downloads-only roster and No. 37 — up more than 10 spots — on the list of the bestselling individual tracks throughout the country.
Of course, Gaga fans are already very familiar with 'Always Remember Us This Way.' The tune is a standout from the A Star Is Born soundtrack and was written and recorded specifically for the singer's first major film role. Sometimes 'Shallow,' which went on to win the Academy Award for Best Original Song as well as several Grammys, outshines 'Always Remember Us This Way,' but at the moment, listeners in the U.K. are clearly not just enjoying but buying this tune – not her Bradley Cooper duet.
Both 'Die With a Smile' and 'Abracadabra' with Bruno Mars also appear on both the Official Singles Sales and Official Singles Downloads charts. In both instances, they climb higher than 'Always Remember Us This Way,' and Gaga fills a trio of spaces inside the top 40 on the two lists. While her Mars collaboration steps up a few spots, 'Abracadabra' — the latest Mayhem-focused cut — declines by a handful of spaces.
Unlike 'Die With a Smile' and 'Abracadabra,' however, 'Always Remember Us This Way' is only on the up-and-up. It doesn't decline on any ranking… but that's also because it doesn't appear on more than just the two purchase-centric rosters. Both 'Die With a Smile' and 'Abracadabra' carve out space on the Official Singles chart, a general consumption ranking, as well as the Official Streaming list.
In both cases, the smashes are on the downswing, meaning performance is a bit mixed — unlike the A Star Is Born tune.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
8 minutes ago
- Yahoo
From Tyler, The Creator to CMAT: Euronews Culture's Songs of the Summer 2025
Why is there no Song of the Summer 2025? This time last year, we had Sabrina Carpenter's 'Espresso', Kendrick Lamar's 'Not Like Us', and the entirety of Charli XCX's 'Brat'. No such luck in 2025 - with a lot charting songs still being 2024 hits, like Lady Gaga and Bruno Mars' 'Die With A Smile', Chappell Roan's 'Pink Pony Club' and Kendrick Lamar's 'Luther'. So, where's this year's undeniable, culture dominating, consensus favourite Song of the Summer? The Euronews Culture team got fed up of waiting for a common consent and decided to share their picks for the tracks that should be under consideration for the hit song of the Summer. Here goes... Tyler, The Creator – 'Big Poe' Tyler, The Creator announced his ninth studio album, 'Don't Tap The Glass', on 18 July and released it three days later, making it the Summer surprise we didn't know we so desperately needed. And compared to last year's 'Chromakopia', this is a change of pace. The soul searching of 2024 is replaced by a taut, 28-minute long collection of IDGAF dance bops. There are some great tunes, including 'Don't You Worry Baby', 'I'll Take Care Of You', 'Ring Ring Ring' and 'Sucka Free'. However, for my money, the standout is opener 'Big Poe' - and my pick of the Song of the Summer 2025. It opens with Tyler delivering a set of instructions to the listener: "Number one, body movement - no sitting still / Number two, only speak in glory - leave your baggage at home / Number three, don't tap the glass". The track then transitions to the sample of 'Roked' by Shye Ben Tzur and Radiohead's Jonny Greenwood, followed up by some glorious Busta Rhymes sampling. And just like that, we're off to the races. Also featuring Pharrell Williams, Tyler's kinetic track has infectious boom bap beat and synth funk to spare, and sets the tone of the album rather perfectly. 'Don't Tap The Glass' may not be an immediate stone cold classic like 'Chromakopia', but its opening track certainly made my Summer of 2025 all about not sitting still and wanting to hit the dancefloor. DM Joé Dwèt Filé & Burna Boy - '4 Kampé II' Raise your hand if you're the kind of person who stops dancing in the middle of the club to google lyrics in the hopes of finding a song's title. Yes, I know that Shazam exists, but I am who I am. This is exactly what I did when I first heard Joé Dwèt Filé's '4 Kampé' in late June. The French-Haitian singer, known for his heavy Afro-Caribbean influences, released the song as a single in October 2024. A cover from a Haitian classic, it quickly found great success and crossed borders through Tik Tok. Even Madonna posted a video of herself dancing to the beat. In March 2025, Joé Dwèt Filé hit even harder by releasing a remix, '4 Kampé II', with Nigerian star Burna Boy. The new version has been played over 25 million times on Spotify. The artists performed the song live during Burna Boy's April concert in the Stade de France, in front of a deliriously hyped crowd. With '4 Kampé II', Joé Dwèt Filé initiates Burna Boy to kompa, a Haitian merengue dance and music genre. The two singers mix French, English and Haitian Creole in this ode to success, ambition and self-confidence. The result is a joyful fusion of Nigerian and Haitian cultures. And trust me when I say that you won't be able to get enough of the song's addictive 'da-da-da"s and jubilant outro. By the end of the summer, you'll hopefully be able to sway your hips like a pro kompa dancer. SM CMAT - 'Take A Sexy Picture Of Me' I first listened to Irish singer-songwriter CMAT's Take A Sexy Picture Of Me while on my way to a party. Strutting through the late afternoon sunshine, touching up my lipstick in a car window reflection, it's the kind of song that floods you with sass. My favourite summer tunes often start this way, playing at just the right moment to capture the season's solitary moments of calm and optimism. This time, it's not just personal. After being released in May, the song's catchy hook "I did the butcher, I did the baker" took off on TikTok, complete with a viral dance routine. If you watch enough of these, it will start to haunt you, then irritate you, like a little chipmunk nibbling away at your temporal lobe. But if you listen to the full song - or even better, watch CMAT's live performances of it - its country-infused glam is an instant mood lifter; a sonic equivalent of slipping off a heavy cardigan and feeling the sun's warmth on your skin. Without a doubt, it should be this year's Song of the Summer. AB Kokoroko - 'Da Du Dah' With the weather in London being especially good this year, I've been spending a lot of the long evenings cycling around the city, exploring, headphones on, music blasting, pretending I'm in a low-budget music video... And lately, the song I keep coming back to is 'Da Du Dah' by the London-based collective Kokoroko, from their newly released album 'Tuff Times Never Last'. The whole project is a delightful mix of Afro-jazz, funk, soul and gospel goodness, but this track in particular has legitimately cast a spell on me. The bassline is one of the funkiest I've heard all year and the joyous horns and catchy vocal lines bounce off each other in a playful call-and-response that alters my brain chemistry in the best possible way. The accompanying music video for the song, directed by the supremely talented Akinola Davies Jr., is equally charming - offering a slice-of-life glimpse of London while imagining the seven-piece band as kids wandering the streets - all shot on gorgeous 35mm film. I can't get the track out of my head. And honestly? I'm more than ok with that. TF Solve the daily Crossword


Forbes
10 minutes ago
- Forbes
The A List Writer Launching An Alternative To AI Song Creation
In theory at least, 'writing' a song has never been easier. Instead of spending hours or days hunched over a guitar, keyboard or digital workstation, all you need to do is open up a generative AI app, provide a few prompts and then sit back while the clever software does all the heavy lifting. Within hours, your creation can be vying for the attention of music consumers on a streaming platform, with AI also providing a cover picture and brand identity. But what happens when you score that inevitable multi-platinum hit record? Who actually owns the copyright? Is it you? Is it the Generative AI provider? Or more problematically, is it one or more of the countless musicians, songwriters and singers whose work has been diced, sliced and analysed to provide the software with the wherewithal to produce music tracks to order? And will you perhaps enjoy success with a song, only to be faced with a succession of lawsuits from artists who have noticed a certain similarity with their own work? This is a fast-moving space. Last year, generative AI startups Suno and Udio were on the receiving end of music industry lawsuits. However, as reported this year, talks are underway to allow AI models to be trained on music catalogs, with provision for musicians and songwriters to get paid. There's no denying that generative AI has its uses. Professional songwriters can use it as a means to speed up the production process and try out new ideas. Equally, online influencers with no musical ability can create soundtracks for their YouTube, Instagram and TikTok posts. It can even be used - as in the case of the last Beatles' single, to resurrect a poorly recorded demo and create something of real value. However, when it comes to creating original music for public consumption, there are real question marks around attribution and rights. Andreas Carlsson believes he has an alternative that is equally empowering in terms of music creation while also providing musicians, songwriters, record labels and catalogues with a means to protect their rights and open up new revenue streams. Aimed primarily at Generations Z and Alpha, it is a mobile app designed to create and ultimately distribute new music from rights-protected building blocks. A Lego Box Of Rights As Carlsson stresses, his perspective on this is very different from a Bay Area tech bro. Based in Sweden, he has been a successful songwriter for a quarter of a century, and his name has appeared on the recording credits of artists such as Britney Spears, NSYNC, The Backstreet Boys, Westlife and Celine Dion. 'I am a music man,' he says. 'I don't come from Palo Alto. I don't want to cannibalise the industry.' But what he does want to do is to enable musicians to monetise a market that is potentially huge. Traditionally, music making has required hard-won skills - the infamous 10,000 hours of practice - plus a certain amount of money to buy guitars, amps, computers, software and studio equipment. Despite that investment in time and energy, musicians struggle to secure any kind of decent return. Meanwhile, there are vast numbers of people who would like to put together songs from clips and samples, either for their own amusement or for commercial reasons. Carlsson's app - Hyph - is aimed at bringing these communities together. Musicians can provide stems (music tracks), which they retain full control over. Creators can meld those stems into finished tracks, either for personal use or to further their careers. In addition, record labels and catalog holders can make tracks from name artists available for manipulation, again keeping full control of the rights. 'What we've created is a Lego box of rights,' he says. Carlsson sees a historic precedent here, noting that the MP3 revolution was kicked off by Sweden's Pirate Bay and then Napster before a second Swedish company stepped in to bring order to the market. 'What Spotify got right was that you have to tick two boxes, namely attribution and control,' he says. In between that, you also need the consent of artists.' So who gains here? For instance, why should a major record label put its valuable music assets in the hands of a Generation Z creator? Well, at one level, it can be used for fan outreach. A way to engage music consumers more deeply. Something that can be quite difficult in the streaming age. However, Carlsson believes it is also a means to revive and monetise dormant sections of music catalogues by opening them up to be revisited and manipulated. And for bedroom musicians? Well, they get a chance to sell their music to creators. This isn't a new idea. Either offline or online, entrepreneurial musicians are already selling instrument and voice sample packs, either directly or through third parties. 'You should look at tech in terms of how it gives you the ability to scale your assets,' Carlsson says. You build a bank of assets that you can scale, and if you are a bedroom producer, you can play on a thousand songs.' Carlsson says his motivation is to provide a route to monetisation for those who struggle to make a living in today's music industry. The big names are fine. They generate millions of streams, not only for new releases but also for back catalogue work that might otherwise be dormant. In addition, they cash in on big-ticket shows, VIP access and merchandise. Further down the ladder, artists don't have those opportunities and per-play revenues for streaming are pretty paltry. 'I'm thinking of the self-releasing artists. The people who were like me when I was just starting out,' says Carlsson. The app was originally launched in Scandinavia, with backing from high-net-worth investors, with music stems supplied on a pay-for-work basis. The full launch takes place in September. In the future, he hopes to sign distribution deals with streamers while establishing its own distribution channels. It will be monetized through subscriptions - for professional users - and in-app purchases. Will this help musicians make money and will it prove to me more than a toy? That depends on whether the app can scale and that its alternative monetisation plan, involving active rather than passive consumption, will provide a big enough market. Carlsson thinks it will. 'Everyone is looking for the new format. If you look at the Zeitgeist and what is happening with youth, everyone wants to lean into what they're doing. It makes sense that everything becomes interactive,' he says.
Yahoo
13 minutes ago
- Yahoo
Kate Price apologised to Princess and vowed to 'prioritise' her kids
Kate Price apologised to her daughter Princess and vowed to "prioritise" her kids after going "through a dark time". Princess Andre, 18, is the daughter of the former glamour model and pop star Peter Andre - who split when she was just two years old - and she has revealed her formative years weren't particularly happy because her mum struggled following the breakdown of her marriage to Kieran Hayler. During an episode of her new ITV2 reality show The Princess Diaries, Princess explained: "Mum was heartbroken and she went through a dark time and it was things kids shouldn't see and when we needed our mum there, she wasn't there because she had her own problems. "Kids in school would ask me about it and I was like 11 and I would just cry about it in bed. I couldn't just go to my dad about it because I grew up with them not liking each other. "I'm not healed or fully recovered from it but mum has fixed herself compared to how she was back then. " However, Princess has revealed Katie said sorry and stepped up. She added: "She spoke to me about it and she apologised and I never wanted an apology but it was a lot that she acknowledged it and she realised she needed to prioritise us, we now talk a lot and she is now my best friend." The teenager also opened up about her experience of living between two households as she spent time with her divorced parents - admitting there weren't many rules when she was staying with her mum. She said: "Mum's house was chaotic there weren't many rules, a few boundaries maybe but it was go to bed when you want and eat what you want." Katie previously admitted she hasn't been "allowed" to take part in her daughter's new reality show, but she's still determined to support her. Speaking on an episode of The Katie Price Show podcast, Katie explained: "Princess' show The Princess Diaries comes out Sunday and there has been all of these rumours that there is a rift between me and Princess. "There is absolute no rift between me and Princess. We have never, ever, ever, ever had an argument to this day or a disagreement. "We get on like best friends, mother and daughter. "Princess lives with me and she stays with her dad. She has been staying her dads the past two months because she has been filming her show. Our personal life together is amazing." Katie then put her absence from the show down to issues with her ex Peter's management team. She added: "I have not been allowed to go on any photoshoot, no signings or Superdrug openings. "Why? Because I'm not allowed and not welcome and it puts people in a situation because I don't want her to feel she has to choose between me and her work because I want her to do well. "I have said to Princess just how it feels to me because I should be there to support you. 'I'm your mum, I'm proud of you' - but they think I am trash basically."