logo
Chad Michael Murray nearly died after severe health scare that left him hospitalized for months

Chad Michael Murray nearly died after severe health scare that left him hospitalized for months

Fox News3 days ago
Chad Michael Murray nearly died when he was 15 years old.
During an appearance on the Great Company podcast on Friday, the "Freakier Friday" star, 43, opened up about a health scare that almost killed him as a teenager.
"I was 15. My intestines had twisted, and I was hospitalized for two and a half months. It was a lot," he revealed. "We had surgery. I had internal bleeding, I lost 50% of my blood. I was on my deathbed."
"I don't want to get too specific about all that stuff, but I just remember seeing my father, the weakest I'd ever seen him, and a priest at the end of my bed. They're talking about last rites and all that stuff, and [the nurse] gave me a blood transfusion to save my life," Murray, who said he was "in and out of consciousness," added. "It saved my life."
Post surgery, the "One Tree Hill" star said his organs began to shut down. He was forced to have a second surgery.
"Regardless, you're in there for two months and, you know, my organs shut down because you have blood all coagulated around them, and they had to wait till everything [healed]. "So, anyway, I had to have a second surgery to clean everything up," he said on the podcast.
When Murray left the hospital, he had lost over 60 pounds.
"I got out. I went from, like, 180 to 118 pounds. I was a skeleton when I got out," he recalled. "I remember looking in the mirror the first time, going, 'Who is that?' Like, I cried. I couldn't believe that I was looking back at that guy."
Looking back, however, Murray said the scary ordeal brought him closer to his family and faith.
"I started my relationship with God, and my relationship with my father became really close," he said. "My dad [was] raising five kids on his own [and] came to the hospital every single day, and he spent countless nights with me when he had four more kids at home."
"The man is tough as nails, and he did that for us. I'm beyond grateful. That's when our relationship really bonded," Murray added.
Last year, Murray opened up about how faith has played an important part in his life these days.
"I truly believe for us – and this is again is what's worked for us – is just having a foundation," Murray, who shares three children with wife, Sarah Roemer, told Fox News Digital in 2024.
"You have to have a strong foundation to know that there's consequence for your action in life. And with God, we've been able to really have that," he continued. "We don't walk around living in a bubble by any means. But we very much just love big, love strong. We love everybody. That's how we go through our life every day, just trying to live as we feel we should, right? Through love. And so, by putting God and family first, we tie that all up. It helps us make every other decision that we make in our life."
"It helps keep you out of bad situations," he added. "By saying, 'You know what, this probably is not a good idea. Let's not go there.' Right? So I don't end up in places I shouldn't be; we don't end up in places we shouldn't be. We make good decisions. It could be something as simple as walking into a grocery store and someone's in a bad, foul mood. The response you could have would be to match that … and then it could become something you don't want to deal with. Or you try to match it with love and all of a sudden the simplest gesture, you know, changes someone's day."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

RB position preview: WHY this may be the DEEPEST RB has ever been + WHO you need to target in drafts
RB position preview: WHY this may be the DEEPEST RB has ever been + WHO you need to target in drafts

Yahoo

time28 minutes ago

  • Yahoo

RB position preview: WHY this may be the DEEPEST RB has ever been + WHO you need to target in drafts

Subscribe to Yahoo Fantasy Forecast Apple Podcasts | Spotify | YouTube Position preview week on the pod rolls on with Justin Boone joining Matt Harmon to preview the running backs. The two dive into the most crucial position in fantasy football and debate if this season is the deepest we've ever seen the position in fantasy. Harmon and Boone identify potential league winners at RB, which rookies you need to target and the late draft gems you need to steal in the later rounds. (2:45) - Elite RB tier (18:35) - RB1 ceiling guys (29:15) - Ideal RB2 targets and the potential drop off and RB cliff (50:45) - Boone's backup RB rankings (1:03:05) -Late round RB gems you need to target that are going outside Yahoo ADP 120 (1:18:40) - Fantasy Film Room segment - ONE RB you need to come away with in your drafts 🖥️

What's Something From The '90s That People Are Nostalgic About, But It Wasn't Really That Great?
What's Something From The '90s That People Are Nostalgic About, But It Wasn't Really That Great?

Yahoo

time28 minutes ago

  • Yahoo

What's Something From The '90s That People Are Nostalgic About, But It Wasn't Really That Great?

I was barely alive in the '90s, but my generation loves to romanticize that decade. However, I'm sure it wasn't all Blockbuster and Dunkaroos. There are definitely some things that are way better in people's memories than they actually were IRL. For example, a lot of people reminisce about waiting all day by the radio for their favorite song to play so they can record it on a cassette. TBH, that sounds more frustrating than fun. And downloading music from LimeWire was basically Russian roulette with a computer virus. And a Tamagotchi seems like choosing to do that high school project where you take care of a fake baby for fun! So, in your opinion, what's something about the '90s that people are super nostalgic about, but it wasn't actually that great? Why? Share your thoughts with us in the comments (or in the anonymous comments box below), and you may be featured in an upcoming BuzzFeed Community post! Also in Community: Also in Community: Also in Community:

Analysis: How Sly Stallone and Gloria Gaynor explain Trump and his presidency
Analysis: How Sly Stallone and Gloria Gaynor explain Trump and his presidency

CNN

time30 minutes ago

  • CNN

Analysis: How Sly Stallone and Gloria Gaynor explain Trump and his presidency

President Donald Trump would love cultural elites to sniff at his Kennedy Center honorees. He relished unveiling the stars he'll fete at the iconic arts center's annual gala later this year, after motorcading to the complex Wednesday through streets now patrolled, on his orders, by federal agents and army reservists. The line-up explains a lot about him, his power and why he's president. 'Rocky' star Sylvester Stallone, Broadway legend Michael Crawford, disco icon Gloria Gaynor, country crooner George Strait and glam rock band KISS are more populist than 'high' culture. That's not to say that they are unworthy. Who could argue that Stallone didn't leave an 'indelible' mark on his art form? That's one of the criteria for selecting nominees. And Kennedy Center honorees have been trending toward the popular arts for decades, under presidents of both parties. As always, Trump was setting a trap for his political foes. Any criticism of his choices as too lowbrow or undeserving will only bolster his claims to be a scourge of the establishment and endear him more to supporters who lionize him as the ultimate outsider. Trump's critics see his takeover of the Kennedy Center and his efforts to destroy progressive values in the arts, the universities and elsewhere as cultural warfare. He pretty much agrees, proclaiming that he'd scrubbed his list for 'wokesters.' He admitted he'd even considered using his newly seized power over the citadel of American cultural life to honor himself. No wonder critics — including, no doubt, many liberal Kennedy Center subscribers, given the capital region's progressive lean — perceive a would-be authoritarian who wants to dominate and dictate every aspect of American life. Presidents don't generally select honorees. You'd think the world's most powerful man would have bigger fish to fry. Most commanders in chief just throw a White House reception and turn up for the show. But Trump is a ravenous consumer of pop culture and is unusually skilled at leveraging it for political gain. He's the executive producer of his own life and political career. So there was no chance he'd pass up a chance to stage-manage this show — and even plans to host the televised gala himself. He professed to have been press-ganged into it by White House Chief of Staff Susie Wiles. She probably didn't have to twist his arm for too long. More seriously, Trump's Kennedy Center Honors will also represent another important victory for his 'Make America Great Again' movement and his hostile takeover of Washington institutions. 'I would say I was about 98 percent involved,' Trump said, of the selection process. 'No, they all went through me … I turned down plenty. They were too woke. I turned them — I had a couple of wokesters.' There's an important political dimension to this. Trump's base voters, and many other conservatives, believe that liberal elites spent decades cementing an ideological takeover of multiple areas of US life — in the arts, the media, academia, and even in sports — and dragged them to the left. The anger of millions of Americans about this pulsated from Trump's rallies in three consecutive campaigns. Voters gravitated toward a candidate who was mocked for his brassy ways by sophisticated Manhattanites. This is why Hillary Clinton's ill-judged insult of Trump supporters in 2016 as 'deplorables' became a badge of honor and a source of power for the president. When Trump's critics bemoan what they see as a takeover of top political and cultural institutions, his fans think he's taking those entities back. On conservative media, hosts lash out at movie stars for demeaning Hollywood with progressive views, or socially conscious NFL or NBA stars for 'ruining sports.' Previously, Kennedy Center honorees were chosen by a nominally bipartisan panel of arts and entertainment industry luminaries. But try convincing a conservative that these judges were free of bias, since they were drawn from the liberal arts milieu that Trump is seeking to destroy by taking over the Kennedy Center. Trump celebrated his dominance of yet another liberal bastion by admitting he was politicizing it — in another show of his unchecked power. 'I shouldn't make this political because they made the Academy Awards political, and they went down the tubes,' he said. The president went on, 'So they'll say, 'Trump made it political,' but I think if we make it our kind of political, we'll go up, OK?' But while Trump aimed for levity, his actions are threatening. On its own, his takeover of the Kennedy Center would be unusual, even a little bizarre. Taken against the backdrop of everything else he's doing, it's more worrying. He's weaponized the Justice Department against his political enemies, including members of the Obama administration. Trump's federalizing of the Washington, DC, police and deployment of the National Guard on the capital's streets and endless offensives against judges mirror the tactics of authoritarian rulers. The administration plans to scrub exhibits at the Smithsonian so they don't conflict with Trump's hardline views ahead of America's 250th birthday next year. His attempts to control the curricula of elite universities and his attacks on the media along with his dominance of the Kennedy Center make it feel like he's trying to control what Americans see, learn and even do in their leisure time. It's easy to believe that Trump chose the honorees himself because they all reflect aspects of his own character and experience. Stallone plays rough guys like John J. Rambo and Rocky Balboa, who trampled political correctness. It's not hard to see that Trump sees himself in them. 'He's a little bit tough, a little bit different, I will tell you. He's a little, tough guy,' Trump said, noting that Stallone, too, has his star in cement in Hollywood. 'In fact, the only way that's a bigger name on the Hollywood Walk of Fame, they say, is a guy named Donald Trump.' Strait is a massive recording star known as the 'King of Country' and a titan of rural America whose traditional sound evokes the kind of down-home appeal that Trump seeks to emulate. Crawford, who starred in the original London and Broadway productions of 'Phantom of the Opera,' shows the president's affinity for musicals. Like Trump, the show was big in New York in the 1980s. And the score, composed by Andrew Lloyd Webber, was considered mass market by trendy elites, while being widely popular among the masses. Crawford is also famous for another role — PT Barnum, a 19th-century showman, impresario, businessman and ring master whose carnival-barker style foretold Trump's. 'Barnum's' most famous number is 'There's a sucker born ev'ry minute' and sums up the business philosophy of a hero remembered for publicity stunts and hoaxes that blurred truth and reality. Sound familiar? KISS, a band with a catalogue of platinum albums, is also known for over-the-top stagecraft. And there's no better anthem for Trump's life of personal, business and political scandals that almost but never quite destroy him than Gaynor's biggest hit: 'I Will Survive.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store