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ROBERT HARDMAN: Queen Camilla's tears as VJ Day hero salutes King Charles

ROBERT HARDMAN: Queen Camilla's tears as VJ Day hero salutes King Charles

Daily Mail​4 hours ago
Awesome, gruesome, beautiful in equal measure and deeply emotional, the final ceremony in the great 80th anniversary commemorations of the Second World War came to a tearful conclusion on Friday.
For a few hours at least, the dwindling band of veterans of the Far East were no longer 'forgotten' but centre stage alongside the King, the Queen, ministers, diplomats and hundreds of very proud families on live television.
The fact that the national event to remember Victory in Japan – VJ – Day had only been arranged in the last few weeks and on a fraction of the budget and scale of those other titanic landmarks, D-Day and VE Day, came as no surprise to this lot.
Still, at least they were having their day in the sun – which was relentless. However, if any group were not going to grumble about the 84 degree heat at the Royal British Legion service at the National Memorial Arboretum in Staffordshire, it was the old boys with the Burma or the Pacific Star on their blazers.
As we heard in several haunting first hand accounts, the oppressive heat, along with the monsoons and the tropical diseases, were every bit as deadly as the enemy.
'Imagine you've never been able to have a wash or a bath or a change of clothing for 12 months,' remarked Thomas Jones, a 103-year-old ex-Royal Artillery bombardier from Salford, on the giant screen.
'And on top of that, you had to fight the Japanese!' That brought one of the loudest laughs in a service which had its lighter moments amid the tales of brutality.
A natural raconteur, Mr Jones went on: 'You never saw them until they were attacking you. I saw this Japanese officer. He's got his sword and he's running straight at me, and I'm thinking to myself, 'this is my last day'.
'Well, all of a sudden, a Gurkha soldier came round the back of me and shot him. The Gurkhas – the greatest!'
At which point, the narrator, the actress Celia Imrie informed us that, unlike most of the veterans in these video testimonies, this one was not sitting in the royal box.'
'The remarkable Thomas Jones sadly died yesterday afternoon,' she announced softly.
Audible sighs rippled through an audience of 500. Most were families, like Pat Crisp, 75, daughter of Major Richard Clarkson-Littleford of the South Wales Borderers, reduced to tears by a triple flypast from the immortal trio of Messrs Spitfire, Hurricane and Lancaster.
Her proudest moment, she told me, was hearing his men tell her: 'The Major never left anyone behind.'
Alongside me sat former London truck driver, Bill Smith, 78.
He was wearing the tropical uniform of his father, Sergeant Reg Smith of the Chindits, the Special Forces unit dropped deep inside enemy territory to hit the Japanese from behind.
'They always felt forgotten because they were told not to talk about if after the war,' Mr Smith explained.
'They didn't want the relatives of the dead to know how awful it was.'
Even on Friday, their words were being tempered. The actor, Robert Lindsay, read out the stories of two Chindits, Sid Machin and Charlie Richards, who were seated bashfully in the front row just along from the Prime Minister.
'As we neared the end of our time in Burma, death became an every day occurrence, with bodies to bury almost every evening,' one recalled.
A military minder later told me that the organisers had omitted a grittier revelation: that the glider pilots carrying them to their landing zones knew that they were on target once they picked up the overpowering stench of dead Japanese bodies.
There was also a delightful, impromptu moment in a ceremony which was, by now, cheerfully wreaking havoc with its timings. The writer and film-maker, Yavar Abbas, a former officer in the 11th Sikh Regiment and looking two decades younger than his 105 years, stepped up on stage to read from his war diary.
'I apologise for briefly going off the script...' he began. Cue frantic twitching among officials, for whom going 'off-script' in front of the King and the PM on live television is heresy.
Mr Abbas went on: '....to salute my brave King – who is here with his beloved Queen.'
Reminding us that the monarch is undergoing treatment for cancer, he said that 'if it provides any comfort', he himself had been clear of the disease for 25 years.
Prime Minister Keir Starmer lays a wreath during a national service of remembrance at the National Memorial Arboretum in Alrewas
'And I salute him because, by his presence here, he has gone a long way to make sure his granddad's 14th army is never given the sobriquet again of a 'forgotten' army.'
To which the King, beaming away, raised a clenched-fist in agreement.
Mr Abbas proceeded to read out his diary entry on narrowly cheating death when two comrades were killed alongside him. As he had written in his diary: 'I hope I will live to do better things.'
Visibly moved by all this, the King and Queen stood up to shake his hand warmly. Queen Camilla spent the service sitting next to former Royal Navy submarine telegraphist, John Harlow, 100, whose tribute to his pal Mark Webber, lost without trace in HMS Porpoise, had people around me welling up.
All around the Arboretum, there were fresh messages on wreaths and crosses to a late father or grandfather. Running through the day were two themes.
First, was the fact that this had been a true Commonwealth victory, with troops from India, Australia, Africa and elsewhere outnumbering the British.
Earlier, the King had reflected on this in his message to the nation: 'Countries and communities that had never before fought together learned to co-ordinate their efforts across vast distances, faiths and cultural divides. Together they proved that the greatest weapons of all are not the arms you bear, but the arms you link.'
More so than at any previous national VJ Day event, there was also a marked Japanese presence.
I met Akiko Macdonald, daughter of a Japanese officer who fought the British at the great battle of Kohima. He survived the war, was shunned by some back home for having done so, turned to drink and hardly ever talked about it.
Married to a Brit, Akiko is now chair of the Burma Campaign Society, which promotes UK-Japanese reconciliation, and was here with a wreath.
Also present was the Japanese Ambassador, Hiroshi Suzuki, who, for the first time, laid a wreath at the main monument to the fallen of the Far East, the Burma Railway Memorial.
He bowed deeply several times, hands clasped. It turned out that he had respectfully sought permission for doing so in advance, which had been duly granted by the handful of remaining holders of the Burma Star (just 15 of them as of Friday).
Their association chairman, Viscount Slim, grandson of the heroic General 'Bill' Slim, was present and shook his hand.
'That would not have happened even ten years ago, let alone when my grandfather was alive,' he reflected later.
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Donor ‘shocked' as national library excludes gender-critical book
Donor ‘shocked' as national library excludes gender-critical book

Times

time2 hours ago

  • Times

Donor ‘shocked' as national library excludes gender-critical book

Scotland's national librarian is facing mounting pressure to reinstate a gender-critical book which she banned from a major exhibition, after a key donor joined a revolt against the move. Alex Graham, who has given around £300,000 to the library, said he had been 'shocked and angry' to learn that The Women Who Wouldn't Wheesht had been excluded from an exhibit that he personally supported with a donation of about £20,000. Graham, the creator of the television show Who Do You Think You Are, urged Amina Shah, Scotland's chief librarian and the chief executive of the National Library of Scotland, to reverse her decision. He said that if she did not, he would have to consider whether or not to continue to provide lucrative donations to the library, as he has done for the past 12 years. The critically acclaimed book, a collection of essays by more than 30 women about their role in the feminist campaign against Nicola Sturgeon's gender self-ID law, was set to be included in its Dear Library exhibition, after it was nominated by several members of the public. However, The Times revealed on Wednesday that it was pulled after a backlash by the library's internal LGBT staff network, which claimed it contained 'hate speech' and that displaying it would cause 'severe harm' to workers. They threatened to 'notify LGBT+ partners of the library's endorsement of the book' if management did not cave in. Shah justified the decision by citing the potential impact on 'key stakeholders' and the library's reputation if the gender-critical book was included, but has faced intense opposition after her ban was made public. In a major intervention, Graham called on the library to admit its mistake and reinstate the book to Dear Library, which Shah had publicly thanked him for his role in funding. He said that if it did not, he would have no option but to publicly disassociate himself from the campaign, saying the library had given in to what he claimed was a 'censorious, bullying culture' instead of standing up for ideals of free speech. The book's editors, Lucy Hunter Blackburn and Susan Dalgety, have branded the removal of their work 'cowardly and anti-democratic' and repeated their call for the decision to be reversed. 'I think this was a fundamental mistake and the correct thing for the library to do would be to put up their hands, admit that and reinstate the book,' Graham said. 'Instead, there have been weaselly responses. 'The library is not saying they have taken it out because it contains hate speech, because it does not. They've taken it out because of some ill-conceived notion that someone might be upset by its presence. That's not a good enough reason for me.' Graham added: 'This is not about taking one side or the other on the trans debate. It's about the principles of open debate and free speech, which to the national library should be sacrosanct. 'It isn't too late to redeem the situation. But if there is not a change of heart, I feel I will have no choice but to publicly dissociate myself from the exhibition and the campaign that surrounds it. 'This stupid escapade does not undo the very good work the library does, but it should never have happened. 'I couldn't say definitely that I will not donate any more money if they stick to their guns on this, but it has certainly given me pause for thought. That makes me incredibly sad.' Shah, who last year received a salary of between £105,000 and £110,000 in addition to pension contributions of £41,000, decided to exclude the book with the support of Sir Drummond Bone, the chairman of the National Library of Scotland (NLS). An insider within the cultural sector in Scotland said the decision was symptomatic of a wider trend of managers being seen to cave in to demands of young, activist staff members who have little resilience or tolerance of views different to their own. Graham became a major donor to the NLS as he credited free access to books at Cambuslang public library in his childhood as shaping his life and allowing him to go on to pursue a highly successful career in television. He sold his television company, Wall to Wall, in which he purchased a 33 per cent share for £1 in 1987, for about £25 million two decades later. Although the library receives the bulk of its funding from the Scottish government, private donors such as Graham, who has been repeatedly acknowledged by the library for his philanthropy, are also essential to its work. Graham has been one of the library's major donors over the past decade, funding major projects such as the digitisation of medieval manuscripts. He funds a scholarship at the library which is named in his honour, as is a room at the National Library of Scotland's moving image library at Kelvin Hall, Glasgow. Graham's generosity in supporting the centenary celebrations was singled out for praise by Shah at the launch of the Dear Library exhibition in June. Graham said he was initially impressed with it, before discovering that The Women Who Wouldn't Wheesht, which included a contribution from JK Rowling, had been excluded. 'On the opening night of the exhibition, I thought it was fantastic, because I found at least two books in there that I consider to be among the worst ever written,' Graham said. 'I said to Amina I thought that was great, because the whole point was that while some people are inspired by a book, others will hate it. That's the joy of the society we live in and the freedom that we have. 'There are books that are beyond the pale, but there are very few of them. You need to be very careful before you ban anything. 'This book [The Women Who Wouldn't Wheesht] was clearly selected to be included, and frankly the management were then bullied out of that by a staff lobby group. 'They say they've removed this book to protect relationships with stakeholders. But they certainly didn't consult me and if they had, I would have voiced strong opposition. I am angry and disappointed at the decision to remove the book as well as the implication that as a stakeholder, I am somehow supportive of it, which I am not.' Kate Forbes, the deputy first minister, has found herself at the centre of a similar row after staff and performers at Edinburgh's Summerhall arts venue criticised her views on trans rights. Summerhall's bosses said Forbes had been permitted to speak at the venue as 'an oversight' after some of the artists set up a 'safe room' while the 5ft 2in politician was present as they were 'terrified' because of her opinions. A whistleblower who works within the arts sector in Scotland said that activist staff members were becoming increasingly powerful within major publicly funded institutions. 'I have been in so many meetings where it is just taken as a given that everyone there is in lockstep on these issues — that everyone hates JK Rowling and that books like The Women Who Wouldn't Wheesht are dangerous and harmful,' a source claimed. 'The internal LGBT networks are given carte blanche and it is very isolating to those of us who do not agree with their extreme views, who are forced to self-censor or face, at best, being socially ostracised at work. 'It sounds ridiculous but those of us who don't agree with them feel like we're in an underground network like the French resistance or something, secretly sending each other supportive messages.' The insider added: 'A major part of the problem across the cultural sector is the infantilisation of younger staff members, who can't cope with any type of conflict or opposition to their views. 'This has now led to the ridiculous situation where people intolerant of ideas and books are not only working in our national library, but are calling the shots. Management are terrified and pander to them every time they have a tantrum.' The NLS has sought to defend its decision not to platform the book at its exhibition by claiming there were only 200 spaces for public display, and it received more than 500 nominations. However, documents released under a freedom of information request show that all books with two or more nominations were initially to be included in the public display, with the Women Who Wouldn't Wheesht obtaining four. Joanna Cherry, the former SNP MP and one of the essayists in the book, accused Shah of attempting to mislead her own staff with a message that claimed the library was not 'banning or censoring' books. Although the library does hold a copy of the book — a legal obligation given its statutory role — its exclusion from the Dear Library exhibition was the direct result of complaints from the LGBT staff network who did not like its contents, the documents show. 'I'm concerned that the librarian seems to be misleading her staff as well as the public and the media about what has occurred here,' Cherry said. 'The issue is not whether the book is available within the library's collections but her decision to withdraw it from an exhibition where it had rightly earned its place because of the prejudiced demands of a small group of her staff.' Cherry added: 'There is an increasing pattern in Scottish society where zealots masquerading as LGBTQ+ activists seek to censor women who want to talk about their rights. 'This book was written by feminists, survivors and lesbians. To remove it from an exhibition is not only an attack on freedom of expression, it is also discriminatory.' Hunter Blackburn said: 'We are very saddened that it has come to this, but we understand why Mr Graham has reached what must have been a very difficult decision for him. 'We will continue to seek for this to be resolved by the library making an unreserved apology, putting the book back in the exhibition where it won its rightful place, and, it becomes increasingly clear, undertaking a root-and-branch review of its internal culture and practices.' A spokeswoman for the NLS said: 'We are engaged in a robust and respectful conversation with Mr Graham about this matter, and we will accept his decision regardless of the outcome. 'It goes without saying we are indebted to Mr Graham for his support to the national library over the years. His assistance has helped us to preserve collections, reach new audiences and give young people's careers that much needed start through our apprenticeship programme.'

‘Astonishing' WWI film leaves viewers ‘totally enthralled' as it shares untold story
‘Astonishing' WWI film leaves viewers ‘totally enthralled' as it shares untold story

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‘Astonishing' WWI film leaves viewers ‘totally enthralled' as it shares untold story

An unmissable wartime epic is coming to screens soon A WWI epic is set to land on BBC iPlayer imminently and stands as essential viewing for cinema enthusiasts, after fans have enjoyed a "heartbreaking" WWII film, reports the Daily Record. ‌ The picture debuted in 2011 and secured multiple Oscar nominations. ‌ Countless viewers have lauded the production on IMDb, with one contributor sharing a perfect 10/10 critique headlined: "A Stunning and Enthralling Epic." ‌ They elaborated: "The film is uncompromisingly sentimental, and I wasn't annoyed by it. Because it worked so well, it made me care about the story, the characters, the horses." They continued: "There are a lot of powerful scenes in the movie, from which I cried. It was just so moving, it showed the true consequences of war. Some of the battle sequences were simply fantastic and astonishing." Another glowing assessment bore the title: "A truly exceptional film about courage in both man and beast." The reviewer observed: "This is a wonderful "against all odds" inspirational story about courage and relationships. A horse of truly amazing spirit touches the lives of so many during War I - including British soldiers, German soldiers, French civilians and even other horses." A third viewer described the blockbuster as "simply delightful" and remarked: "I went to see this movie expecting NOT to like it. But, for 2 hours and 15 mins I was totally enthralled." ‌ A glowing review highlighted: "I was expecting this movie to be just another extravagant sentimental potboiler. Wow, was I surprised. This is a great movie. The title says the movie is about a horse, but it's really about a lot more than that. The horse plays a central role but the humans figure in the story too, in a big way." Helmed by the iconic Steven Spielberg, War Horse is a cinematic adaptation of Michael Morpurgo's 1982 novel and its acclaimed 2007 stage adaptation. ‌ The plot centres on young Albert Narracott (portrayed by Jeremy Irvine), who develops an intense connection with a horse named Joey, purchased at auction by his father. With the outbreak of World War I, Joey is conscripted into the cavalry, thrusting him into the war's frontlines. The film traces Joey's odyssey across the battlefields, offering a stark glimpse into the war's brutality from multiple perspectives. ‌ Albert, initially too youthful for military service, later enlists as a soldier to seek out Joey upon reaching enlistment age. ‌ Boasting a stellar ensemble cast featuring Emily Watson of Chernobyl fame, Benedict Cumberbatch known for Sherlock and Doctor Strange, Harry Potter's David Thewlis, Peter Mullan of Outlander: Blood of My Blood, Tom Hiddleston from The Night Manager, Toby Kebbell of Black Mirror, Robert Emms from Atlantis, and Eddie Marsan from Ray Donovan, War Horse stands as a must-watch spectacle. War Horse features Outlander: Blood of My Blood star Irvine, who portrays time traveller and WWI veteran Henry Beauchamp in the fresh Starz series. The Spielberg blockbuster served as the actor's first foray into feature films at the tender age of 21, having been handpicked from hundreds of hopefuls by the renowned Hollywood director. The Outlander prequel series made its debut last week, and fans can catch a glimpse of the star back in the trenches in the first two episodes of Blood of My Blood.

British viewers are not sufficiently 'classy' to enjoy Meghan's Netflix series and are 'too cynical' unlike Americans: Incendiary claim of Harry's friend revealed by RICHARD EDEN... and he doesn't stop there!
British viewers are not sufficiently 'classy' to enjoy Meghan's Netflix series and are 'too cynical' unlike Americans: Incendiary claim of Harry's friend revealed by RICHARD EDEN... and he doesn't stop there!

Daily Mail​

time2 hours ago

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British viewers are not sufficiently 'classy' to enjoy Meghan's Netflix series and are 'too cynical' unlike Americans: Incendiary claim of Harry's friend revealed by RICHARD EDEN... and he doesn't stop there!

Described by British television critics variously as 'an exercise in narcissism' and 'toe-curlingly unlovable TV', the Duchess of Sussex 's series With Love, Meghan provoked much mockery among Netflix viewers. As the American streaming giant prepares to broadcast a second series of the lifestyle and cookery show, one of the Duke of Sussex 's old friends has spoken out about why the British failed to take the series to their hearts.

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