Daddy Yankee & Snow's ‘Con Calma' Hits 3 Billion Views on YouTube
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience.
Yahoo is using AI to generate takeaways from this article. This means the info may not always match what's in the article. Reporting mistakes helps us improve the experience. Generate Key Takeaways
Daddy Yankee hits a new milestone as the music video for his hit 'Con Calma,' featuring Canadian rapper Snow, coolly crosses the three-billion-view mark on YouTube. The animated visual, packed with electrifying dance moves and reggaetón flow, marks the Puerto Rican superstar's second video to hit that milestone, following the 2017 chart-topping smash 'Despacito.'
Released in January 2019, the 'Con Calma' video showcases an animated version of The Big Boss leading the charge on a brightly lit dance floor, surrounded by synchronized dancers who bring the infectious beat — courtesy of Play-N-Skillz and David 'Scott Summers' Macias — to life. A reimagined take on Snow's 1992 classic 'Informer,' the visual creates a party-like atmosphere that continues to attract an ever-growing audience.
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On the Billboard charts, the smash hit entered various listings, including topping Hot Latin Songs, Latin Airplay and Argentina Hot 100. In February 2019, the remix featuring Katy Perry reached the Billboard Hot 100 at No. 22, further extending the track's global success.
In October, Billboard reported that Concord acquired Daddy Yankee's music catalog in a deal valued at $217 million. The Latin hitmaker — whose Barrio Fino was the first reggaetón album to debut at No. 1 on Billboard's Top Latin Albums chart in 2004 — released his trap-infused single 'En el Desierto' earlier this year. He also featured on the 2024 Peacock documentary, Reggaeton: The Sound that Conquered the World, also starring Ivy Queen, Bad Bunny and more.
Feel like adding another view to 'Con Calma'? Check out the music video below:
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31 minutes ago
- Yahoo
Canada's Triumph is celebrated on a 14-song tribute album
Canada's Triumph is celebrated on a 14-song tribute album originally appeared on Goldmine. Round Hill Records has released the double vinyl album Magic Power: All-Star Tribute to Triumph, with 14 songs from 14 rock vocalists, paying tribute to the Canadian band, produced by Mike Clink and mixed by John Spiker. VARIOUS ARTISTS Magic Power: All-Star Tribute to Triumph Round Hill Records (2-LP, CD, digital) Canada's Triumph began as a trio in 1975 with Rik Emmett on guitar and vocals, Mike Levine on bass and Gil Moore on drums and vocals. After four mid-to-late '70s singles in Canada, the group broke through in the U.S. with their fifth single, 1979's Top 40 debut 'Hold On.' Jeff Keith of Telsa delivers the encouraging lyrics and emotional bridge. Triumph's next single 'Lay It on the Line,' also from their third album 1979's Play the Game, charted in the Top 100 but failed to crack the Top 40. In his 2023 Goldmine interview Emmett shared, ''Hold On' received AM radio airplay, edited to make it shorter, and 'Lay It on the Line' received FM airplay, as AM wouldn't play something that heavy in those days. As a result of that, we became an FM AOR (Album Oriented Rock) band with RCA needing to promote our Just a Game album with FM AOR stations for it to become successful, and it worked, becoming our first gold album in the U.S.' Dee Snider of Twisted Sister brings his powerful voice to 'Lay It on the Line' joined by Kyle Glass and John Spiker on background vocals, electrifying guitar from Paul Gilbert, and thunderous drums from Victor Indrizzo. The title tune for this tribute album is 'Magic Power.' Emmett stated, ''Magic Power' has that pure Pete Townshend Who stuff. You can't copyright chord progressions, but in the classic rock canon, that chord progression pretty much belongs to Pete. Who's Next was a very formative album for me as a teenager in the 1970s, so I was tapping into that when coming up with 'Magic Power.'' Joey Belladonna of Tesla hits the high vocal notes, surrounded by strong guitar, bass, and drums from Justin Derrico, Todd Kerns, and Kenny Aronoff, respectively. 1981's 'Magic Power' was the first of three U.S. Top 100 singles for Triumph in the '80s, followed by 1985's 'Follow Your Heart,' performed here by Jack Blades of Night Ranger, along with a fluid lead guitar from Reb Beach of Whitesnake, Winger, and Black Swan. Triumph's highest charting U.S. hit was 'Somebody's Out There,' which reached No. 27 in 1986, the year that Rick Sanders joined Triumph on keyboards. The song is performed by keyboardist and vocalist Lawrence Gowan, who had a Canadian radio hit the following year with 'Moonlight Desires,' joined by Yes' Jon Anderson on harmony vocals. Gowan is currently on tour with Styx, who he joined in 1999. On this new recording, Dave Amato's guitar helps to propel the track. Jason Scheff, who was a key member of the band Chicago from 1985 through 2016, heard on the Top 10 hits 'Will You Still Love Me?,' 'I Don't Want to Live Without Your Love,' 'Look Away,' 'You're Not Alone,' and one he co-wrote, 'What Kind of Man Would I Be?,' sings 'Just One Night.' Scheff's recognizable voice shines, 'hold on to love just one night.' Phil X, who joined Triumph in 1992, is heard on guitar. Scheff is currently on the Lead Singers of Classic Rock tour with Tommy DeCarlo, the most recent lead singer for the band Boston, along with members of Dennis DeYoung's band. Scheff told Goldmine that there will be more dates to be added to the tour. 'Never Surrender' is performed by Deen Castronovo, the drummer for Bad English and now Journey. Castronovo enthusiastically told Goldmine, 'Never surrender was one of the coolest songs that Triumph recorded! It was totally different from the music they had previously written. Had it not been for Triumph's Gil Moore singing and drumming, there would be no singing and drumming Deen Castronovo! Also, Rik's vocals on that song are astronomically high. I was given a shot after Jason Scheff recommended me for the project. It was not an easy feat by any stretch, but I did my best and hope that the listeners will like how it came out!' Castronovo's high vocal notes and rasp recall Rod Stewart's most powerful moments, focusing on his voice while Brooks Wackerman handles drum duties on this funky number. 'Had it not been for Triumph's Gil Moore singing and drumming, there would be no singing and drumming Deen Castronovo!' – Deen Castronovo of Journey Emmett stated, ''Fight the Good Fight' started out as a folk song. I sat with an acoustic guitar to write the tune.' Heart's Nancy Wilson, who was a Canadian resident in the early days of Heart and Triumph, engagingly sings, 'I keep my magic in my heart,' joined by a haunting guitar from Mason Stoors and steady drums from Tony Braunegel. Wilson provides her own harmony vocals, recalling the warmth of Heart's 1976 debut album Dreamboat Annie. Another stellar female vocalist heard on this tribute album is Maiah Wynne performing 'Blinding Light Show' with her band Envy of None, who have the Canadian classic rock nucleus of Rush's Alex Lifeson on guitar and Coney Hatch's Andy Curran on bass, and have just released their sophomore album Stygian Waves. In the Goldmine Spring 2025 issue, Lifeson shared, 'Maiah was 19 when we started out with her, and she's what, 27 now? She's brilliant, bordering on genius at times. She's really evolved and matured a lot as a singer, lyricist, and songwriter. She's just amazing.' Related Links: Goldmine 2023 interview with Triumph's Rik Emmett on acoustic album Get related music and more in our Goldmine store (see below): Click here for the Goldmine store This story was originally reported by Goldmine on Jun 6, 2025, where it first appeared.
Yahoo
2 hours ago
- Yahoo
'I Don't Understand You': Nick Kroll, Andrew Rannells movie inspired by adoption fraud story from filmmakers
While Nick Kroll and Andrew Rannells voice some pretty hysterical characters in Big Mouth, they're now sharing the screen in the horror-comedy I Don't Understand You (now in theatres). Written and directed by married filmmakers David Joseph Craig and Brian Crano, the movie had a particularly interesting starting point. In I Don't Understand You Kroll and Rannells play a couple, Dom and Cole, who have just fallen victim to adoption fraud, but things are looking up. A pregnant woman named Candace (Amanda Seyfried) thinks they're the right fit for the family to adopt her child. But just before that happens, Dom and Cole take a romantic Italian vacation. Things take a turn when they get lost outside of Rome, trying to find a restaurant. As their stranded in an unknown location, the trip turns to bloody Italian chaos. As Craig and Crano identified, the first portion of the movie, up until the couple gets stuck going to the restaurant, is quite close to the real experience the filmmakers had. "We were adopting a child. We had been through an adoption scam, which was heartbreaking, and then had a completely different experience when we matched with the birth mother of our son," Crano told Yahoo. "But we found out that we were going to have him literally like two days before we were going on our 10th anniversary trip." "And we were like, 'Shit, should we not go?' But we decided to do it, and you're so emotionally opened up and vulnerable in that moment that it felt like a very similar experience to being in a horror movie, even though it's a joyful kind of situation." A key element of I Don't Understand You is that feeling of shock once the story turns from a romance-comedy to something much bloodier. It feels abrupt, but it's that jolt of the contrast that also makes that moment feel particularly impactful to watch. "Our sense of filmmaking is so ... based on surprise," Craig said. "As a cinephile, my main decade to go to are outlandish '90s movies, because they just take you to a different space, and as long as you have a reality to the characters that are already at hand, you can kind of take them wherever." "Personally, the situation of adoption was a constant jolt [from] one emotion to another that we felt like that was the right way to tell a story like this, which was literally, fall in love with a couple and then send them into a complete nightmare. And I think you can only get that if you do it abruptly, and kind of manically." While Rannells and Kroll have that funny and sweet chemistry the story needs, these were roles that weren't written for them. But it works because Crano and Craig know how to write in each other's voices so well, that's where a lot of the dialogue is pulled from. Additionally, the filmmakers had the "creative trust" in each other to pitch any idea, as random as it may have seemed, to see if it could work for the film. "When you're with somebody you've lived with for 15 years, there is very little that I can do that would embarrass me in front of David," Crano said. "So that level of creative freedom is very generative." "We were able to screw up in front of each other a lot without it affecting the rest of our day," Craig added. Of course, with the language barrier between the filmmakers and the Italian cast, it was a real collaboration to help make the script feel authentic for those characters. "All of the Italian actors and crew were very helpful in terms of being like, 'Well I feel like my character is from the south and wouldn't say it in this way.' And helped us build the language," Crano said. "And it was just a very trusting process, because neither of us are fluent enough to have that kind of dialectical specificity that you would in English." "It was super cool to just be watching an actor perform a scene that you've written in English that has been translated a couple of times, but you still completely understand it, just by the generosity of their performance." For Craig, he has an extensive resume of acting roles, including projects like Boy Erased and episodes of Dropout. Among the esteemed alumni of the Upright Citizens Brigade, he had a writing "itch" for a long time, and was "in awe" of Crano's work as a director. "Truthfully, in a weird way, it felt like such a far off, distant job, because everything felt really difficult, and I think with this project it just made me understand that it was just something I truly love and truly wanted to do," Craig said. "I love the idea of creative control and being in a really collaborative situation. Acting allows you to do that momentarily, but I think like every other job that you can do on a film is much longer lasting, and I think that's something I was truly seeking." For Crano, he also grew up as a theatre kid, moving on to writing plays in college. "The first time I got laughs for jokes I was like, 'Oh, this is it. Let's figure out how to do this,'" he said. "I was playwriting in London, my mom got sick in the States, so I came back, and I started writing a movie, because I was living in [Los Angeles] and I thought, well there are no playwrights in L.A., I better write a movie.'" That's when Crano found a mentor in Peter Friedlander, who's currently the head of scripted series, U.S. and Canada, at Netflix. "I had written this feature and ... we met with a bunch of directors, great directors, directors I truly admire, and they would be like, 'It should be like this.' And I'd be like, 'Yeah, that's fine, but maybe it's more like this.' And after about five of those Peter was like, 'You're going to direct it. We'll make some shorts. We'll see if you can do it.' He just sort of saw it," Crano recalled. "It's nice to be seen in any capacity for your ability, but [I started to realize] this is not so different from writing, it's just sort of writing and physical space and storytelling, and I love to do it. ... It is a very difficult job, because it requires so much money to test the theory, to even see if you can." But being able to work together on I Don't Understand You, the couple were able to learn things about and from each other through the filmmaking process. "David is lovely to everyone," Crano said. "He is much nicer than I am at a sort of base level, and makes everyone feel that they can perform at the best of their ability. And that's a really good lesson." "Brian literally doesn't take anything personally," Craig added. "Almost to a fault." "And it's very helpful in an environment where you're getting a lot of no's, to have a partner who's literally like, 'Oh, it's just no for now. Great, let's move on. Let's find somebody who's going to say yes, maybe we'll come back to that no later.' I'm the pessimist who's sitting in the corner going, 'Somebody just rejected me, I don't know what to do.' ... It just makes you move, and that's that's very helpful for me."
Yahoo
3 hours ago
- Yahoo
'I Don't Understand You': Nick Kroll, Andrew Rannells movie based on adoption fraud story from filmmakers
While Nick Kroll and Andrew Rannells voice some pretty hysterical characters in Big Mouth, they're now sharing the screen in the horror-comedy I Don't Understand You (now in theatres). Written and directed by married filmmakers David Joseph Craig and Brian Crano, the movie had a particularly interesting starting point. In I Don't Understand You Kroll and Rannells play a couple, Dom and Cole, who have just fallen victim to adoption fraud, but things are looking up. A pregnant woman named Candace (Amanda Seyfried) thinks they're the right fit for the family to adopt her child. But just before that happens, Dom and Cole take a romantic Italian vacation. Things take a turn when they get lost outside of Rome, trying to find a restaurant. As their stranded in an unknown location, the trip turns to bloody Italian chaos. As Craig and Crano identified, the first portion of the movie, up until the couple gets stuck going to the restaurant, is quite close to the real adoption experience the filmmakers had. "We were adopting a child. We had been through an adoption scam, which was heartbreaking, and then had a completely different experience when we matched with the birth mother of our son," Crano told Yahoo. "But we found out that we were going to have him literally like two days before we were going on our 10th anniversary trip." "And we were like, 'Shit, should we not go?' But we decided to do it, and you're so emotionally opened up and vulnerable in that moment that it felt like a very similar experience to being in a horror movie, even though it's a joyful kind of situation." A key element of I Don't Understand You is that feeling of shock once the story turns from a romance-comedy to something much bloodier. It feels abrupt, but it's that jolt of the contrast that also makes that moment feel particularly impactful to watch. "Our sense of filmmaker is so much based on surprise, Craig said. "As a cinephile, my main decade to go to are outlandish '90s movies, because they just take you to a different space, and as long as you have a reality to the characters that are already at hand, you can kind of take them wherever." "Personally, the situation of adoption was a constant jolt [from] one emotion to another that we felt like that was the right way to tell a story like this, which was literally, fall in love with a couple and then send them into a complete nightmare. And I think you can only get that way if you do it abruptly, and kind of manically." While Rannells and Kroll have that funny and sweet chemistry the story needs, these were roles that weren't written for them. But it works because Crano and Craig know how to write in each other's voices so well, that's where a lot of the dialogue is pulled from. Additionally, the filmmakers had the "creative trust" in each other to pitch any idea, as random as it may have seemed, to see if it could work for the film. "When you're with somebody you've lived with for 15 years, there is very little that I can do that would embarrass me in front of David," Crano said. "So that level of creative freedom is very generative." "We were able to screw up in front of each other a lot without it affecting the rest of our day," Craig added. Of course, with the language barrier between the filmmakers and the Italian cast, it was a real collaboration to help make the script feel authentic for those characters. "All of the Italian actors and crew were very helpful in terms of being like, 'Well I feel like my character is is from the south and wouldn't say it in this way.' And helped us build the language," Crano said. "And it was just a very trusting process, because neither of us are fluent enough to have that kind of dialectical specificity that you would in English." "It was super cool to just be watching an actor perform a scene that you've written in English that has been translated a couple of times, but you still completely understand it, just by the generosity of their performance." For Craig, he has an extensive resume of acting roles, including projects like Boy Erased and episodes of Dropout. Among the esteemed alumni of the Upright Citizens Brigade, he had a writing "itch" for a long time, and was "in awe" of Crano's work as a director. "Truthfully, in a weird way, it felt like such a far off, distang job, because everything felt really difficult, and I think with this project it just made me understand that it was just something I truly love and truly wanted to do," Craig said. "I love the idea of creative control and being in a really collaborative situation. Acting allows you to do that momentarily, but I think like every other job that you can do on a film is much longer lasting, and I think that's something I was truly seeking." For Crano, he also grew up as a theatre kid, moving on to writing plays in college. "The first time I got laughs for jokes I was like, 'Oh, this is it. Let's figure out how to do this,'" he said. "I was playwriting in London, my mom got sick in the States, so I came back, and I started writing a movie, because I was living in [Los Angeles] and I thought, well there are no playwrights in L.A., I better write a movie.'" That's when Crano found a mentor in Peter Friedlander, who's currently the head of scripted series, U.S. and Canada, at Netflix. "I had written this feature and ... we met with a bunch of directors, great directors, directors I truly admire, and they would be like, 'It should be like this.' And I'd be like, 'Yeah, that's fine, but maybe it's more like this.' And after about five of those Peter was like, 'You're going to direct it. We'll make some shorts. We'll see if you can do it.' He just sort of saw it," Crano recalled. "It's nice to be seen in any capacity for your ability, but [I started to realize] this is not so different from writing, it's just sort of writing and physical space and storytelling, and I love to do it. ... It is a very difficult job, because it requires so much money to test the theory, to even see if you can." But being able to work together on I Don't Understand You, the couple were able to learn things about and from each other through the filmmaking process. "David is lovely to everyone," Crano said. "He is much nicer than I am at a sort of base level, and makes everyone feel that they can perform at the best of their ability. And that's a really good lesson." "Brian literally doesn't take anything personally," Craig added. "Almost to a fault." "And it's very helpful in an environment where you're getting a lot of no's, to have a partner who's literally like, 'Oh, it's just no for now. Great, let's move on. Let's find somebody who's going to say yes, maybe we'll come back to that no later.' I'm the pessimist who's sitting in the corner going, 'Somebody just rejected me, I don't know what to do.' ... It just makes you move, and that's that's very helpful for me."
