Chandan K Anand calls working in Homebound 'nothing short of a dream'
Actor Chandan K. Anand has been entertaining the audience as Roshan Mathew in the show "Kankhajura" these days.
Revealing how he approaches such emotionally dense characters, the 'Class' actor shared, "It's never easy to portray complex characters - because it's not just about acting.
As actors, we hone our craft for years, but to live a complex character, you must go beyond technique.
You must embody the soul of that character so completely that no trace of 'acting' remains."
Terming the script as his "sacred text," Chandan said that he ends up reading it around a hundred times before stepping on set.
Farah Khan recalls 'sobbing' in front of Shah Rukh Khan for over an hour: 'I received a call from the doctor...'
"I kept visualizing it, diving into the hidden meanings, symbols, and subtext. Then I built a personal backstory, something imaginative yet deeply rooted.
Eventually, your breath changes, your eyes shift, your energy transforms - and you stop performing. You start being. That's when the magic begins," he added.
Chandan has also shared screen space with
Janhvi Kapoor
, and
Ishaan Khatter
in
Karan Johar
's drama "Homebound".
He called working in
Neeraj Ghaywan
's directorial "a dream".
The actor said, "At this point, I can't reveal too much about my character - but what I can say is that working on Homebound has been nothing short of a dream.
To collaborate with Neeraj Ghaywan sir, whose cinema I deeply respect, and under Dharma Productions, has been a milestone for me."
Lauding co-stars Janhvi and Ishaan, he added, "Sharing screen space with Janhvi, Ishaan, and Vishal - actors with such distinct energies - elevated the experience. When you're surrounded by passionate storytellers, it sharpens your own craft. I'm not chasing stardom, but I know I'm walking the path with sincerity and fire.
And when people like Neeraj sir trust your performance, it feels like you're not just acting - you're arriving.
"
"Homebound" also recently premiered at Cannes. "I wasn't present at Cannes physically, but being part of a film that screened there - and was loved - is surreal in itself. It's a blessing. Knowing that international audiences are watching and feeling something we created - that's what we live for as actors, " Chandan concluded.
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Time of India
2 days ago
- Time of India
Chandan K Anand calls working in Homebound 'nothing short of a dream'
Actor Chandan K. Anand has been entertaining the audience as Roshan Mathew in the show "Kankhajura" these days. Revealing how he approaches such emotionally dense characters, the 'Class' actor shared, "It's never easy to portray complex characters - because it's not just about acting. As actors, we hone our craft for years, but to live a complex character, you must go beyond technique. You must embody the soul of that character so completely that no trace of 'acting' remains." Terming the script as his "sacred text," Chandan said that he ends up reading it around a hundred times before stepping on set. Farah Khan recalls 'sobbing' in front of Shah Rukh Khan for over an hour: 'I received a call from the doctor...' "I kept visualizing it, diving into the hidden meanings, symbols, and subtext. Then I built a personal backstory, something imaginative yet deeply rooted. Eventually, your breath changes, your eyes shift, your energy transforms - and you stop performing. You start being. That's when the magic begins," he added. Chandan has also shared screen space with Janhvi Kapoor , and Ishaan Khatter in Karan Johar 's drama "Homebound". He called working in Neeraj Ghaywan 's directorial "a dream". The actor said, "At this point, I can't reveal too much about my character - but what I can say is that working on Homebound has been nothing short of a dream. To collaborate with Neeraj Ghaywan sir, whose cinema I deeply respect, and under Dharma Productions, has been a milestone for me." Lauding co-stars Janhvi and Ishaan, he added, "Sharing screen space with Janhvi, Ishaan, and Vishal - actors with such distinct energies - elevated the experience. When you're surrounded by passionate storytellers, it sharpens your own craft. I'm not chasing stardom, but I know I'm walking the path with sincerity and fire. And when people like Neeraj sir trust your performance, it feels like you're not just acting - you're arriving. " "Homebound" also recently premiered at Cannes. "I wasn't present at Cannes physically, but being part of a film that screened there - and was loved - is surreal in itself. It's a blessing. Knowing that international audiences are watching and feeling something we created - that's what we live for as actors, " Chandan concluded.
Vogue Arabia
31-05-2025
- Vogue Arabia
First Look: Janhvi Kapoor Makes her Cannes Film Festival Debut
Janhvi is the 28-year-old daughter of Bollywood producer Boney Kapoor and late actress Sridevi. Her sister Khushi Kapoor is also an actress, as is her cousin, Sonam Kapoor. She has appeared in over a dozen films since making her acting debut in 2018, and has also starred on runways for labels like Rahul Mishra, Amit Aggarwal and Kalki at Lakme Fashion Week in India. For her first-ever red carpet look at Cannes, she placed her trust in Tahiliani and her cousin – stylist Rhea Kapoor – to conceptualise the outfit. 'I think she [Rhea] really wanted to bring out a side of me that hasn't been explored much, and focus more on my face and on how she sees me,' Janhvi explains. Making the dress: Tarun Tahiliani Making the dress: Tarun Tahiliani For both of the Kapoors, it was important that Janhvi wear an Indian designer for her first Cannes appearance. 'I really think it's their time to shine. I mean, I've known this for a really long time,' says the actress. 'A lot of the textiles that are put on these international garments, on these international red carpets, on these huge Western actors or huge global stars from all around the world have been textiles that were manufactured and created in India by Indian and craftsmen. So I think it is high time that's put on a global stage and our designers are given the kind of credit that they deserve," she adds, pointing out that the Met Gala last month saw a great turnout of Indian designers, from Sabyasachi to Gaurav Gupta and Prabal Gurung. 'I think I look the best and I feel my most comfortable in Indian clothes. And if I'm being put on a global stage like this, I'd like to feel my most comfortable and confident. So it was honestly a very organic decision for me.' 'Specifically for the film that I've come here with, it was important for me to stay in touch with my roots,' continues Janhvi, who is in Cannes for the premiere of her film, Homebound, directed by Neeraj Ghaywan. Also starring Ishaan Khatter and Vishal Jethwa, it tells the story of two friends from a village in North India who find their friendship impacted when they pursue jobs as police officers. Janhvi says that although the plot is rooted in India, it has global relevance. 'It's a story that I think is the need of the hour. It invites people to introspect at being perpetrators, or at the receiving end of any sort of social exclusion, which I think is a human tragedy that's occurring all around the world in different countries," she shares. "It's an observational piece on different sorts of social hierarchies, and a study of human nature.' This content can also be viewed on the site it originates from. Keeping these themes in mind, she gave Rhea a brief about the film, and expressed the kind of energy she wanted to embody, in terms of being taken 'a little more seriously' for her Cannes debut. And while Janhvi acknowledges that fashion is a massive aspect of the festival, she points out that the event is ultimately about the movies being honoured. 'I really wanted the attention to stay on the fact that we're here representing a film,' she says. 'It's a huge opportunity to even be in the vicinity of so many artists that I admire and look up to, and the fact that our movie is in competition is nerve-wracking, but very exciting. I'm thrilled, and constantly pinching myself.'
Tatler Asia
27-05-2025
- Tatler Asia
Cannes standing ovations: which films got the loudest love (and lived up to it)?
'Fahrenheit 9/11' (2004) Above Controversial, polarising and a Cannes Palme d'Or winner Cannes reception: The standing ovation for Michael Moore's polarising documentary about the events that led up to the 9/11 terrorist attacks reportedly clocked in at 20 minutes. The documentary took home the Palme d'Or—Cannes' highest honour—becoming only the second documentary ever to do so. Post-Cannes performance: It made history at the box office, becoming the highest-earning documentary ever with over US$222 million in box-office receipts globally. Controversies and detractors aside, it fuelled political discourse and reshaped how audiences and filmmakers engaged with the documentary genre. 'Sentimental Value' (2025) Above This Cannes favourite is already being called one of the best movies of the year Cannes reception: Earning a reported 19-minute standing ovation, Joachim Trier's Norwegian-language family drama made a powerful impression at this year's festival. Not only did it secure the third-longest ovation on record, it also took home the coveted Grand Prix—Cannes' second-highest honour. Post-Cannes performance: How it does beyond Cannes has yet to be seen, but critics are already calling it one of the best films of the year. Winning the Grand Prix has also secured its chances for worldwide release and positioned it as a strong contender for future awards season. 'Mud' (2012) Above 'The McConaissance' started at the 2012 Cannes Film Festival. Cannes reception: Jeff Nichols' moody coming-of-age tale—often described as having echoes of Mark Twain and starring Matthew McConaughey and Reese Witherspoon—earned an impressive 18-minute standing ovation at its Cannes premiere. Post-Cannes performance: The indie film was well received by critics and performed respectably at the box office, earning US$32 million worldwide against a reported US$10 million budget. It's also widely credited for what's been called 'The McConaissance'—Matthew McConaughey's comeback and shift to more serious roles. After Mud , he starred in other critically acclaimed projects including Dallas Buyers Club , Interstellar and True Detective . 'The Neon Demon' (2016) Above Praised for its stunning visuals, criticised for its weak plot Cannes reception: The polarising psychological horror film about the dark side of the modelling industry from director Nicolas Winding Refn was met with a 17-minute standing ovation at Cannes. Post-Cannes performance: The movie's reception was as divisive as it was at Cannes. While some praised its striking visuals and star Elle Fanning's electric performance, many found the plot paper-thin and the violence unnecessarily excessive.
