logo
Halsey slams music executive who criticised Chappell Roan's Grammy Awards speech

Halsey slams music executive who criticised Chappell Roan's Grammy Awards speech

Yahoo07-02-2025
Halsey has defended Chappell Roan after a music executive criticised her speech at the 2025 Grammy Awards in an opinion piece.
On Wednesday, a guest column by Jeff Rabhan titled "Chappell Groan: The Misguided Rhetoric of an Instant Industry Insider" was published in The Hollywood Reporter.
In the article, Rabhan claimed Roan's call for record label bosses to offer "liveable" wages and healthcare for performers during her acceptance speech for Best New Artist at the prizegiving on Sunday to be "noble but also wildly misinformed".
The music executive, who previously worked at Atlantic and Elektra Records, also argued Roan is "far too green and too uninformed to be the agent of change she aspires to be".
However, Halsey took to her Instagram Stories on Thursday to post a lengthy message in which she defended Chappell's speech.
"Jeff Rabhan's ranting, seething tantrum is loaded with assumptions and accusations that generalize the experience of every artist to that of the most successful," the 30-year-old, who uses both she/her and they/them pronouns, began. "Our industry is comprised of thousands of voices, the elite at the very top of the class are not the example of a monolithic experience for all artists."
Halsey went on to claim that music label bosses should be supporting artists anyway they can.
"It's a game of investment but the investment is toward producing the materials, the person *the ORGANIC MATERIAL* that is producing that product needs access to thinks like health care. Shocking I know," they continued. "If you want to profit off someone else's art; that artist should have the basic living means to feel safe enough to create that art."
Elsewhere in the rant, Halsey rejected Rabhan's notion that the Pink Pony Club singer is a "instant industry insider" but someone who has been working for over a decade to get to her position.
"To compare the payoff of her actions to those of an industry titan with the power and financial leverage like Taylor Swift, when Chappell hasn't even spun the block enough times to see the residuals of her long earned but sudden success, is irresponsible for someone with your experience in the industry. Shame on you. Boot licking behavior," the Without Me hitmaker added.
Neither Chappell nor Rabhan has publicly responded to Halsey's message as yet.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How ‘The Gilded Age' Finds Just Enough Space to Run a Man Over with a Carriage
How ‘The Gilded Age' Finds Just Enough Space to Run a Man Over with a Carriage

Yahoo

timean hour ago

  • Yahoo

How ‘The Gilded Age' Finds Just Enough Space to Run a Man Over with a Carriage

We've come a long way on 'The Gilded Age' from the marquee moment of drama being Agnes (Christine Baranski) crossing from one side of the street to the other. Season 3 of the HBO series has traveled from Arizona to across the Atlantic, with of course plenty of time spent in our favorite old (and new) homes in New York. That presents a new kind of challenge for production designer Bob Shaw and his team, now that they've mastered the miles of marbling and ostentatious opera house decorations of Seasons 1 and 2. More from IndieWire The Corporation for Public Broadcasting Is Shutting Down, but Not All Hope Is Lost Sarah Michelle Gellar Starts Training for 'Buffy' Reboot with New Star Ryan Kiera Armstrong The Russell Mansion and the show's New York backlot live on Long Island — it feels appropriate that, by contrast, the Van Rhijn house is in Queens. And of course, the 'The Gilded Age' production design and locations team is still getting through their wishlist of period-appropriate homes and mansions around the East Coast. But Season 3 called for some canny set and location management, in order to fit in everything from a mining town to an English manor in between the show's existing builds. ' Once you build that set [the Russell House], taking it down and putting it back together would be almost as expensive as making it to begin with,' Shaw told IndieWire. 'The Western town was definitely a curveball [and] we ended up building it on our backlot. There had been a place where the ferry landing in New Jersey was from Season 1, and it's like, well, if we take that down, we can put the Western town there.' 'The Gilded Age' is particularly adept in its ability to stitch together location and set work without any sign of a seam. Characters can walk through a door in Newport and enter into a room that's in New York. But Shaw and his team have also always collaborated with the show's VFX department to make set extensions and the work of filling out locations equally as invisible, and that work was important for the Western mining town Larry Russell (Harry Richardson) visits, as well as its visit to showrunner Julian Fellowes's home turf. Shaw and his team were responsible for creating the fictional English country estate of Sidmouth, home of the Duke of Buckingham (Ben Lamb) and his new Duchess, Gladys Russell (Taissa Farmiga) — 'Nothing's going to slip by [Fellowes] in that department,' Shaw said. It's a mix of the show's typical approach to cherry-picking parts of incredibly preserved, historically appropriate existing locations, buildings, and of Sidmouth was shot around Ochre Court, a mansion that was the largest in Newport for three months before The Breakers opened; it was a finalist for 'The Gilded Age' production design team for the ball sequence way back in Season 1, but ultimately was too busy being used as social-distanced classrooms at the time. 'It was on my list from the beginning, so to finally get to use it was very rewarding. I happen to think the outside is the most elegant in appearance, but we actually had to change the roof line because it has a mansard roof, which is very French and not very English,' Shaw said. Enter visual effects supervisor Douglas Purver, who went to England and LIDAR-scanned another house, so that it could be Frankensteined together with what 'The Gilded Age' production team shot. Shaw and Purver start talking about the ways in which the two departments can support each other very early on in the research and development process for each season of the show, a process they really perfected when creating the opera house in Season 2. 'A lot of it is coming up with an approach. Like, when we lay out the Western town, we have an idea of how much more there needs to be, so we show him what we're providing and then we talk about how much needs to be done in CG,' Shaw said. 'He really won't know until they have something cut together because, for example, we could say this will extend another thousand feet in this direction and then find when they do the cut that they never look in that direction.' This means the conversation has to keep going to achieve the best results, even after the production design team has technically closed up shop. For a sequence at the end of Episode 6, 'If You Want To Cook an Omelette,' when Bertha (Carrie Coon) finally leaves Sidmouth Castle, the shot starts inside the Ochre Court location, looking towards the outside, with a suitably grand porte-cochère for her carriage to pull into. Shaw happened to meet with Purver after he'd wrapped his own work on Season 3, to have lunch and see how things were going, and noticed the ceiling of the porte-cochère was flat concrete. 'I said, 'Oh, that would be coffered or something like that,' and he said, 'Well, what do you mean?' and I pulled a few references offline, and it made a big difference in the shot. It wouldn't have been there if we didn't continue to stay in touch after we'd wrapped. The coffered ceiling there was done by VFX and it takes up probably more than a third of the frame. It really was a lucky thing we planned lunch on that given day.' As for the more action-oriented sequences, of which the carriage striking of Oscar's (Blake Ritson) savior John Adams (Claybourne Elder) is but the latest, Shaw's and Purver's departments are both to blame. Obviously, only digital horses were harnessed in the hit-and-run, but the surrounding mayhem and carriages are the production team's purview. ' The prop department has been dealing with various vendors of carriages and the wagons and whatnot. There are a number of people we work with — strangely enough, in New York, it's considered part of the prop department and in Los Angeles it's part of the teamster department,' Shaw said. 'There are more collectors out there than you would like and it is easier to find them now, because of the Internet.' 'The Gilded Age' has packed its backlot tight, but that doesn't mean you shouldn't look both ways before you cross. 'The Gilded Age' is streaming on HBO. Best of IndieWire The 16 Best Slasher Movies Ever Made, from 'Candyman' to 'Psycho' Martin Scorsese's Favorite Movies Include 'Eddington': 87 Films the Director Wants You to See The Best Thrillers Streaming on Netflix in July, from 'Vertigo' and 'Rear Window' to 'Emily the Criminal' Solve the daily Crossword

Jennifer Lopez Puts on a Leggy Display for Fans in Chic Pantless Look: See the Daring Snaps!
Jennifer Lopez Puts on a Leggy Display for Fans in Chic Pantless Look: See the Daring Snaps!

Yahoo

time5 hours ago

  • Yahoo

Jennifer Lopez Puts on a Leggy Display for Fans in Chic Pantless Look: See the Daring Snaps!

The singer has been jet-setting around the world on her Up All Night tour and pulling out all the style stopsNEED TO KNOW Jennifer Lopez shared new photos on Instagram amid her ongoing Up All Night: Live in 2025 tour in Europe The outfit photos showed the pop star clad in a bodysuit and lace tights that put her hourglass figure on display Recently, Lopez has been taking the stage by storm in bedazzled skin-baring looks on her concert circuit across the AtlanticJennifer Lopez is leaving her sartorial inhibitions at the door. The global star is currently in Europe for her Up All Night: Live in 2025 tour and she's been using social media to give fans a glimpse at her life behind-the-scenes and on the road. On Monday, Aug. 11, the "Let's Get Loud" singer, 56, shared new outfit photos to Instagram showing off her latest offstage look. The sexy snaps show her putting on a leggy display in nothing but lace tights, black stilettos, a turtleneck unitard and a leather beret. She accessorized the monochromatic look with gold jewelry. Lopez captioned the chic photos with with a black heart emoji and tagged her glam squad, including stylists Rob Zangardi and Mariel Haenn. Not too long ago, the Kiss of the Spider Woman actress shared snippets from her stop in Egypt, where she shared a parade of off-duty looks, one of which featured her in a black crochet cover-up and bikini and another that saw her in a plunging evening gown paired with a head wrap and eye-catching jewelry. "Felt cute in Egypt," she captioned the photos. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories. On July 24, Lopez celebrated her 56th birthday in sparkly superstar style. She kicked off the festivities in a daring backless halter dress that showed off her curves and then danced in the sexy look to her new song called "Birthday," which she appropriately dropped on her special day. The singer previously revealed that she is not dressing up for anyone but herself these days, and has taken a step back from method dressing with her clothing choices. "I did that for so many years with my films and now it's kind of to a level where it almost becomes a costume. I'm not into that with fashion," Lopez told InStyle in a May interview. She continued, "I think the key is to always authentically be yourself and [do] what feels good to you in the moment, whether that's something that's older that you've done before, and classic, or something that's totally new. It just has to feel right for me right now." Read the original article on People

Iggy Pop Breaks Silence on Closing ‘Superman' Soundtrack Feature
Iggy Pop Breaks Silence on Closing ‘Superman' Soundtrack Feature

Yahoo

time6 hours ago

  • Yahoo

Iggy Pop Breaks Silence on Closing ‘Superman' Soundtrack Feature

Iggy Pop Breaks Silence on Closing 'Superman' Soundtrack Feature originally appeared on Parade. Rock legend Iggy Pop broke his silence on his feature in the new Superman film's soundtrack. 'I always thought the track had soul,' Iggy, 78, told The Hollywood Reporter in a story published on Tuesday, July 15. 'Superman is the best friend you could have.' Iggy's version of Teddybears' song 'Punkrocker' played during the emotional final scene of Superman, and rolled into the ending credits. Teddybears first released the tune in 2000, and Iggy hopped on the track six years later, after other artists covered the song. The hit was reborn after Superman was released on July 11, after Luminate reported that 'Punkrocker' had 1,572 streams on July 4, and 190,500 after the DC Comics film debuted Meanwhile, many YouTubers swarmed the comments section of the official 'Punkrocker' Instagram video with heartwarming reactions to the message the song depicted alongside the film. 'Just leaving the theater with tears in my eyes. James Gunn truly understands what Superman is about and what he stands for. I haven't had this feeling seeing Superman on the big screen since Reeve,' one person wrote. 'This is what comic book movies are supposed to be. No one does em better. The future of DC is bright.' A second fan added, 'The idea of making kindness and hope punk was such a clever and brilliant move. Being kind is punk rock!' Iggy's version of 'Punkrocker' strays away from the original Teddybears lyrics. The lyrics of the original version reads, 'You see me driving down the street / I'm just not looking good.' Meanwhile, Iggy changed the words to, 'I'm bored with looking good.' He also added new lyrics to his collaboration as he sang, 'See me die on Bleecker Street / I'm bored with being God.' Superman debuted at the box office with a whopping $122 million. 🎬SIGN UP for Parade's Daily newsletter to get the latest pop culture news & celebrity interviews delivered right to your inbox🎬 Iggy Pop Breaks Silence on Closing 'Superman' Soundtrack Feature first appeared on Parade on Jul 15, 2025 This story was originally reported by Parade on Jul 15, 2025, where it first appeared. Solve the daily Crossword

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store