
Beyond babysitting: How China's grandparents are reinventing retirement
BEIJING (July 29): With her silver hair neatly styled and a pearl necklace resting against a soft yellow blouse, Yin Song embodies the elegance of the pianist she's always been. But the large studio headphones over her ears and the video camera in front of her suggest something different.
At 74, 'Grandma Piano,' as her online fans affectionately call her, now spends her time guiding audiences through the world of anime and video game music, sharing the same depth of feeling she once brought to Mozart and Chopin.
A lifelong musician, Yin opened her social media account in 2022 to share her expertise. It wasn't until she analyzed the music from the hit game 'Black Myth: Wukong' that her channel suddenly took off. The 'grandinfluencer' now has more than 600,000 followers on the video-sharing platform Bilibili.
For Yin, the experience has been unexpectedly transformative. 'We used to lead the young,' she said. 'Now they lead us, and I want to keep running alongside them,' embracing new ideas and ways of connecting.
Yin's story reflects a subtle yet telling cultural shift. In a country where grandparents have long been expected to devote their retirement years to caring for grandchildren, an increasing number of older Chinese are quietly rewriting the script. They are embracing new roles as content creators, community volunteers, entrepreneurs, and part-time professionals. For many, retirement is no longer a retreat, but a second act.
Yin is far from alone. By the end of 2024, over 30 million users aged 60 or above were logging in monthly on Xiaohongshu, one of China's most popular social media platforms. In just two years, the number of senior content creators has tripled, generating more than 100 million posts.
These older digital pioneers are challenging long-held stereotypes from grandmothers redefining fashion, to retired professors distilling philosophy into viral short videos, and rural elders sharing their pastoral lives.
Digital engagement is only part of the story. Many seniors are also returning to work, seeking purpose beyond their pensions. Zhu Honghua, 70, a former Beijing accountant enjoyed a comfortable monthly pension of around 8,500 yuan (about 1,191 U.S. dollars) and a leisurely life with her husband after retirement.
But the routine began to wear thin. When a business contact invited Zhu back to accounting, she jumped at the chance. 'It's not just about the money,' she said. 'Having something meaningful to do every day is its own reward.'
Zhu's case is hardly an outlier. A growing body of data suggests that many older Chinese are not only willing but eager to return to work. A 2023 survey by the China Association of Gerontology and Geriatrics found that 45 percent of those aged between 60 and 69 expressed a desire to remain in or reenter the workforce.
Research from the Tianjin Academy of Social Sciences revealed similar patterns: 62.1 percent of people aged 60 to 65 said they wanted to keep working, while among those approaching retirement, aged 55 to 59, the figure was even higher, at 72.7 percent.
While motivations vary, nearly half of those seeking post-retirement work cited a need for purpose, according to a 2022 report on senior reemployment. Others aimed to apply their skills or chase new ambitions. A third said they hoped to ease financial pressure or afford a better quality of life.
The surge of interest in post-retirement work coincides with China's rapidly aging population. By the end of 2024, more than 310 million Chinese citizens were aged 60 or older, about 22 percent of the population. That share is expected to surpass 30 percent by 2035, when the number of seniors is projected to top 400 million.
As waves of older workers reach retirement age over the coming years, policymakers and experts see both a warning and an opportunity. With educational attainment on the rise, China's older adults are seen not only as dependents, but as a vast reservoir of experience, skills and resources that could help offset the country's shrinking working-age population.
China has taken steps to harness the power of its aging population. In its recent move, the government issued new guidelines this May, calling for more flexible and personalized job opportunities tailored to older adults, while pledging to dismantle outdated regulations that stand in their way.
Local governments have moved quickly to implement the changes, building registries of senior talent, expanding employment services for retirees, and cultivating specialized human resource agencies to serve the growing 'silver economy.'
Signs of change are beginning to emerge in the labor market. Retirees with backgrounds in engineering, medicine, education and skilled trades are returning as consultants, trainers or part-time specialists, lending decades of experience to fields in need.
'China has entered an aging society,' said Lu Jiehua, a sociology professor at Peking University. 'Tapping into older human resources isn't just about addressing demographic pressure. It's a crucial strategy for extending the country's demographic dividend.' – Xinhua China elderly music performance retirement
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Sun
3 hours ago
- The Sun
Malaysian chefs abroad promote national cuisine with pride
KUALA LUMPUR: Renowned Malaysian chefs Norman Musa and Jasmine Kho, despite living abroad for years, remain steadfast ambassadors of their homeland through culinary excellence. Their efforts highlight Malaysia's diverse food culture while strengthening national pride overseas. Norman Musa, an award-winning chef from Penang, has spent decades promoting Malaysian cuisine in the UK and Europe. Through cooking classes, pop-up events, and cookbooks, he introduces traditional flavours to international audiences. 'Food connects people beyond borders,' Norman said. 'Sharing Malaysian dishes allows me to engage with diverse communities, reinforcing how fortunate I am to represent a nation rich in culture.' Recently, he completed a six-week chef residency at London's The King & Co, receiving overwhelming responses. His Dutch-language cookbook further expanded his reach in the Netherlands. Appointed Kuala Lumpur Food Ambassador in 2015, Norman continues organising culinary tours, including an upcoming 2026 Malaysia trip. 'I'll always be Malaysia's flag-bearer,' he affirmed. Meanwhile, Jasmine Kho, founder of Beijing's Laksa Queen, dedicates herself to preserving Sarawak Laksa's heritage. Her restaurant's kopitiam-themed décor and family-inspired mural reflect deep cultural roots. 'Laksa embodies harmony—36 spices from ancient trade routes united in one bowl,' Kho explained. 'It symbolises cross-cultural peace, much like Malaysia's diversity.' Despite initial challenges educating Chinese diners, her decade-long perseverance built a loyal following. Social media storytelling further bridges cultural gaps. As National Month unfolds, both chefs express unwavering patriotism. Norman recalls his mother's advice: 'Never forget your roots.' Kho adds, 'Living abroad only deepens my Malaysian pride.' – Bernama


The Star
4 hours ago
- The Star
Hong Kong Ballet to debut The Butterfly Lovers in NYC
HONG KONG: This August, in a breathtaking fusion of East and West, the Hong Kong Ballet premieres its award-winning The Butterfly Lovers in New York. This ballet redefines classical storytelling with innovative choreography, all brought to life by the live accompaniment of the New York City Ballet Orchestra. Originating from the Eastern Jin Dynasty (317-420 AD), The Butterfly Lovers has been around for over 1,700 years. It is recognised as one of China's four great folktales and is often referred to as the Chinese version of Romeo and Juliet. Zhu Yingtai, a young woman from a wealthy family, disguises herself as a man so she can attend school, where she meets Liang Shanbo, a fellow student from a humble background. Zhu falls in love with Liang over time. During a visit, Liang discovers Zhu's true identity. He hopes to propose to her, but her parents have already arranged for her to marry a wealthy man. Liang eventually dies from grief. On Zhu's wedding day, her bridal procession passes Liang's grave, and a storm stops them from passing. Zhu runs to the grave, and it miraculously opens. She jumps in, and moments later, two butterflies rise from the grave together, representing a symbol of their eternal love. The ballet show made its debut in Hong Kong on Oct 18, 2024, and received several major awards at the 26th Hong Kong Dance Awards 2025, including Outstanding Choreography, Outstanding Performance by a Female Dancer (Xuan Cheng as Zhu Yingtai), Outstanding Music Composition, and Outstanding Ensemble Performance. The performance was envisioned by Hong Kong Ballet artistic director Septime Webre, a Cuban-American who previously worked with The Washington Ballet. Webre said he wanted to serve the audience with tailored content that reflects the ballet company's roots. Webre said that The Butterfly Lovers sparked his interest as it explores a remarkably progressive theme — a woman seeking education in a time when it was forbidden for females. Webre described it as "a compelling contemporary theme in many parts of the world", which deeply resonated with him. He stated that the elements of modernity and themes of gender and class are still important today. Lead choreographers and writers, the couple duo Songwei Hu and Jingwen Mai, said the piece not only highlights the great love story at its core, but also weaves in themes such as the oppression of the old feudal system and patriarchal society. This ballet blends contemporary and traditional styles in a unique and expressive way. Drawing from their deep experience in Chinese classical dance, choreographers Hu and Mai said they brought in traditional movement elements to challenge and contrast with the upright, structured posture of ballet. "We incorporated more Chinese dance into the upper body," Mai explained. The dance and story were backed by Academy Award winner Tim Yip, who designed both the costumes and the stage. He is known for his art directing work on Crouching Tiger and Hidden Dragon. For this performance, Yip designed 12 moving screen panels. He said those 12 screens help to slow down certain elements of ballet, pushing them into a more ethereal, virtual state. Yip said he wanted to emphasise the idea of "fluidity". He said that unlike Western art, Chinese art emphasises atmosphere and poetic resonance. Instead of laying everything out, it sets a mood that pulls the audience into the feel and flow of the Chinese aesthetic and way of thinking. In partnership with China Arts and Entertainment Group and the Hong Kong Economic & Trade Office in New York, the Hong Kong Ballet will present The Butterfly Lovers for the first time from Aug 22 to 24 at Lincoln Center in New York. "As a Chinese myself, it brings me great joy to share our unique perspective on love. I hope audiences in New York can see that China, too, has its own version of Romeo and Juliet, and feel how Zhu Yingtai, even in that era, was willing to defy her family and fight for love and freedom," Hu said. For his next "ambitious" project, Webre said he has spent years researching and making. It will be a ballet based on the life of Hong Kong's legendary martial artist Bruce Lee. Mixing kung fu and ballet, Webre hopes the performance will premiere in 2027. - China Daily/ANN


The Star
a day ago
- The Star
Thai zoo shares video of Moo Deng mascot on ‘attack' during drill, amuses viewers
A cute video of the mascot hippo Moo Deng simulating an attack during a zoo training drill has gone viral and amused many people online. The Khao Kheow Open Zoo, in Chonburi province near Thailand's capital, Bangkok, published a short film of their emergency response drill on July 21. According to the zoo, it is a rehearsal for a scenario involving an escaped animal. A staff member was dressed as the zoo's superstar, the pygmy hippopotamus Moo Deng, and pretended to have escaped from her enclosure. While on the run, the mascot Moo Deng attacked a member of staff, giving them her famous bite. As staff members cordoned off the area, a team of veterinarians and animal care staff then rounded Moo Deng up and 'sedated' her. As the mascot passed out, a group of staff carried her onto a stretcher and into an ambulance. They then ran a health check on her and made sure she was fit to be returned to her exhibit area. The playful video has gained 53,000 reactions and 1,700 comments on the zoo's social media page, which has amassed 560,000 followers. Many said they were amused by the clip. 'I laughed throughout the whole clip,' one person said. 'It is so much fun. I want it to be on Netflix,' said another. 'Be careful. The hippo is a fierce species,' another joked. 'It is hot and tiring, but the staff in the Moo Deng suit is working hard,' said a fourth. The real Moo Deng was in her enclosure for the duration of the drill, resting after her extravagant birthday celebration event, according to the Bangkok Post. On July 10, Moo Deng celebrated her first birthday. The zoo held a four-day party for her and prepared a 20kg cake made from her favourite tropical fruits. Moo Deng, whose name means 'bouncy pork' in Thai, captured the hearts of fans all over the world shortly after her birth for her naughty and charming character. Her carers have been posting moments of her trying to bite them, playing with a hosepipe, and mimicking her mother, 26-year-old Jona, who lives beside her, eating. She has since inspired memes and products such as blushers and clothing. Many people have also dressed as her to attend events, one of the most famous cosplayers being Chinese-American comedian and Saturday Night Live cast member Bowen Yang. The drill featuring the Moo Deng mascot was part of the zoo's annual safety plan, the zoo's director, Narongwit Chodchoi, said. Chodchoi said the drill 'helps us build confidence among staff and assure our visitors that we are fully prepared for even the most unexpected situations'.